Classic Sculptures and Figures

Photographs of renowned classical sculptures, including figures from mythology and history, crafted in marble and representing various artistic styles.

Goupil & Cie, Marville, Charles, Après la tempête, Sculpture Après la tempête by Sarah Bernhardt, recto - printed, photomechanical print, page, photos, photographically illustrated books, Mlle Sarah Bernhardt, Ludovic Baschet, editor., 126, boul. Magenta, height 230 mm, width 177 mm, French, 1816-07-18 - 1879, photographer, 1871 - 1876, paper, Woodburytype, cliché maker

Campania Caserta Caserta Palazzo Reale32. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Civico. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Moses, marble statue by Michelangelo, engraving from Merveilles de l'art et de l'industrie, illustration from L'Illustration, Journal Universel, No 1359, Volume LIII, March 13, 1869.

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: Gorilla offending a woman by Emmanuel Frémiet (1824-1910), sculptor (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.

"La Paix", Sculpture by Charles Capellaro, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Epidaurus - mounted Amazon , Antiquities, Sculpture, Warriors, Horses, Amazons. Nicholas Catsimpoolas Collection

Pompeii, Italy Maison des Vetti, Atrium statuettes , 1921 Cap Martin, Italy, Cap Martin - Auguste Léon (Feb. -April) (French - Pompéi , Italie Maison des Vetti , statuettes de l' atrium). Statue, archaeological vestige, sculpture, housing, legend , myth, villa, antiquity, Habitat , Architecture , Art, Italy, Pompeii, atrium statuettes

17th century marble bust School of Bernini, The French and Company photographic archive of fine and decorative arts, Gelatin silver.

Sculpture of person seated with two dogs

Marble statue of a woman in a high-necked dress with a mirror in her right hand, a snake in his left hand, Louis-Emile Durandelle, Ducher et Cie, c. 1878 - 1881.

Head of a walking stick, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Head of a walking stick., Rome, Italy, 1746-1809, metalwork, Drawing, Drawing

"La Mer", Sculpture by Ernest Christophe, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Wingless Victory - sculptural fragment from the Athena Nike parapet. Dimitrios Constantin (Greek, active 1858 - 1860s)

Herakles - Cesnola Collection , Antiquities, Sculpture, Heroes, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

Roma. Villa Albani. Esopo , Antiquities, Sculpture, Authors, Aesop. Nicholas Catsimpoolas Collection

Photograph by Josef Löwy showing David and Isaia figures on the Babenbergerstraße facade of the Kunsthistorisches Museum in Vienna. Albumin print from 1875-1876 documenting late 19th-century architectural sculpture.

Circle of Raphael, Italian (1483-1520), A Standing Male Nude, pen and brown ink on laid paper

Gladiatore , Antiquities, Sculpture, Death, Warriors. Nicholas Catsimpoolas Collection

Lazio Roma Frascati Chiesa del Gesu1. Hutzel, Max 1960-1990 Views of facade, altars, painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera Duomo20. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bust "Commodus as Hercules". Royal. The Museum No. 81. National Museum No. 100.

Campania Caserta Caserta Palazzo Reale50. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Augustus of Prima Porta , Antiquities, Sculpture, Emperors, Augustus, Emperor of Rome, 63 B.C.-14 A.D.. Nicholas Catsimpoolas Collection

Studies of a seated naked man and two women, at half life, draughtsman: Cornelis Cornelisz. van Haarlem, after: anonymous, 1620 - 1625, paper, h 188 mm × w 257 mm × h 209 mm × w 191 mm

Lazio Roma Rome Palazzo del Commendatore8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, fresco painting. Object Notes: The palazzo is the seat of the president of the hospital of Borgo S. Spirito; built inbetween 1567-71 after design of Nanni di Baccio Bigio; linear facade; fantastic clock of 1827. Hospital was founded in 1198 by Pope Inncenzo III. Frescoes in salons, c. 1,000 square meters. 53 negatives have already been filed away. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pavillon de Flore (Façade sur le Quai). Édouard Baldus (French, born Germany, 1813 - 1889)

Pair of terminal statuettes. Culture: probably German. Dimensions: Overall (.375a): 15 1/4 × 6 3/4 × 4 3/4 in. (38.7 × 17.1 × 12.1 cm);Overall (.375b): 14 3/4 × 6 1/4 × 6 in. (37.5 × 15.9 × 15.2 cm). Date: first half 18th century.Probably from a ceremonial coach. Museum: Metropolitan Museum of Art, New York, USA.

Campania Caserta Caserta Palazzo Reale50. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale1. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni 1600-1700 Anonymous After a painting by Reni. See 51.501.4580 for another impression of this print with incomplete inscription.. David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni 669210

Versailles, Bosquet de l' Arc de Triomphe Made 1904 France. Albumen print . Jean-Eugène-Auguste Atget

Lazio Roma Albano Laziale Museo Civico Archeologico - Sala Ricevimenti. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"La Moisson", Sculpture by Alexandre Schoenewerk, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Figure of a Foreign Dancer. Culture: China. Dimensions: H. 10 1/2 in. (26.7 cm). Date: 7th century.Representations of foreigners are frequently found among Tang pottery sculptures, illustrating the cosmopolitan culture of the period. This figure can be identified by his dark skin, prominent eyes, curly hair, and scanty clothing as a dancer from South or Southeast Asia. Museum: Metropolitan Museum of Art, New York, USA.

Roma Campidoglio Ercole Rome. Museums of Capitola - Bal Hercules; around 1860-around 1895 (1860-00-00-1900-00-00);

Palermo - Museo Civico. Ercole e la Cerva (Bronzo de Pompei.) , Antiquities, Sculpture, Heroes, Deer, Hercules Roman mythological character, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

The Ludovisi Ares is an Antonine Roman marble sculpture of Mars. Greece ancient history. Old engraving illustration from the book Universal history by Oscar Jager 1890

Detail of sculpture De Nile, Vatican, James Anderson (attributed to), After Anonymous, c. 1885 - c. 1910 photograph This photo is part of an album. Vatican Museums baryta paper gelatin silver print piece of sculpture, reproduction of a piece of sculpture Vatican Museums

Campania Caserta Capua Palazzo del Municipio2. Hutzel, Max 1960-1990 This palazzo dates back to 1561. The facade is decorated with the faces or busts of seven divinities. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Napoli - Museo Nazionale. Amazzone ferita. (Scultura antica.) , Antiquities, Sculpture, Warriors, Amazons. Nicholas Catsimpoolas Collection

The Wrestlers. Possibly Fratelli Alinari (Italian, founded 1852)

"La Marine", Sculpture by Georges Clère, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Herakles, presenting Stymphalian bird , Antiquities, Bas-reliefs, Heroes, Birds, Stymphalian birds Greek mythology, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

Lazio Viterbo Bolsena Palazzo del Drago17. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Roma - Minerva - Braccio nuovo - Museo Vaticano , Antiquities, Sculpture, Goddesses, Minerva Roman deity. Nicholas Catsimpoolas Collection

St. Sebastian, Tilman Riemenschneider, Wuerzburg around 1505, Lindenholz, National Museum, Muenchchen, Upper Bavaria, Bavaria, Germany, Europe

"La Vendange", Sculpture by Jacques François Walcher, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Marble sarcophagus fragment: head of a Gaul A.D. 160-180 Roman Fragment from a sarcophagus of a head of a Gaul.. Marble sarcophagus fragment: head of a Gaul 252513 Roman, Marble sarcophagus fragment: head of a Gaul, A.D. 160180, Marble, H.: 5 7/8 in. (14.9 cm). The Metropolitan Museum of Art, New York. Fletcher Fund, 1926 (26.60.47b)

Lazio Viterbo Tuscania Museo Comunale8. Hutzel, Max 1960-1990 Antiquities: Etruscan sarcofagi German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Box 18th century French. Box 193824

Historical image of The Farnese Bull, Toro Farnese, formerly in the Farnese Collection in Rome, is a massive Roman copy of a Hellenistic sculpture, Na...

'Antonin Mercie', 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII. La Guerre Juillet, Aout, Septembre, Octobre, Novembre, Decembre 1916". ("Gloria Victis"; by Antonin Mercie)

Saint-Sulpice Church, North Tower, Detail of the Statue of Saint Luc, 6th arrondissement, Paris Saint-Sulpice Church, North Tower, detail of the Statue of Saint Luc. Paris (old arr.), 1910-1913. Photograph of Jean Barry. Draw at gelatin bromide of silver.

Umbria Perugia Bevagna SS. Domenico e Giacomo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pavillon de Flore; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 31.5 x 45 cm (12 3,8 x 17 11,16 in.)

Lazio Viterbo Acquapendente S. Sepolcro, Cathedral7. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Head of the Hermes of Belvedère in the Vatican Museums in Vatican City, Edizione Brogi, c. 1875 - In or Before 1907 photograph Part of photo album with recordings of sights and artworks in Italy. Vatican Museums photographic support gelatin silver print sculpture. (story of) Mercury (Hermes)

Positive and negative molds of a relief after Rodin's Thinker ca. 1900 Victor Peter French. Positive and negative molds of a relief after Rodin's Thinker 208534

Vanquished -- While this sculpture might be commonly termed "The Dying Gladiator", The correct description is "The lying Gaul". When the Gauls invaded Greece in the "B.C." EPA, they were defeated and many Gauls were captured, made slaves and put into the area at a great disadvantage to fight against Roman slave dying of his sculpture is really one of a Gaul our one-side boxing matches of today where one man is pummeled into unconsciousness. June 9, 1938.

Alessandro (Museo Napoli) , Antiquities, Sculpture, Kings, Alexander, the Great, 356 B.C.-323 B.C.. Nicholas Catsimpoolas Collection

Panicale (Italy, Umbria, province of Perugia), Church of San Sebastiano. Perugino, Martyrdom of San Sebastiano, fresco, 1505. Detail

Capri is an artist's paradise, too, with the magnificent vistas of the sea, handsome villas and statuary gracing her several churches like the lamp holding cherubim.

st, Minoritenplatz - Starhemberg Palace - Ministry of Education - Interior view - Lion group, Bruno Reiffenstein -, photographer

National Museum in Warsaw. Gypsum casting magazine, including from the collection of the University of Warsaw, which were transported to the Museum building in the spring of 1940; 1945 () (1940-00-00-1946-00-00);

Head of Medusa, wall fresco in the Historic Villa San Marco, Stabiae, Castellammare di Stabia, Campania, Italy, Europe

Louis Willemsens (1630-1702). "Hercules enfant". Marble, around 1680. Paris, Muse Cognacq-Jay. Antwerp baroque sculptor mainly producing religious works, Willemssens sacrificed in this fashionable statue of childish allegories highly appreciated in its time in Flanders. Ancient Greece, baroque, box, child, etui, torch, ancient Greece, marble, marble, mythological character, mythology, mythological character, statue, torch, child, mythology

Alcove ornament 1840 Japan. Alcove ornament. Japan. 1840. White porcelain decorated with blue under the glaze. Edo period (1615-1868). Ceramics

Apollo and Diana 17th century French. Apollo and Diana 196749

Hülsen Julius, Bogenschlagstein, Kruggasse 8, Frankfurt/Main. (From: Stone masks at Bämälern Alt-Frankfurt, ed. By Julius Hülsen, Frankfurt/Main 1905.) (1905-1905): View. Light pressure on paper, 40.9 x 30.6 cm (including scan edges)

Lazio Roma Rome SS. Giovanni e Paolo57. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early M

Umbria Terni Narni S. Giovenale, Cathedral09. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

The Apollo Temple to Bassae in Arcadien Tablica XIX Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Construction of the Paris Metropolitan Metropolitan Railway: Gank Terk model of one of the figures of the Passy viaduct. Paris (15th arr.). "Line 2 South July 7, 1905 / Passy viaduct / Motif and decoration of the eardrums / model in clay from one of the figures". 1905-07-07. Anonymous photography. 1905-07-07. Paris, Carnavalet museum. 123881-11

... - bronze , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Relief sculpture of bearded man in toga , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

Monument to Alois Senefelder, Senefelderplatz, Berlin, Germany, designed by Rudolf Pohle, 1892, Historical, digital reproduction of an original 19th century model, Europe

Head of a cherub mid-18th century German, Bavaria. Head of a cherub. German, Bavaria. mid-18th century. Polychromed wood. Sculpture

Monument to Alois Senefelder, Senefelderplatz, Berlin, Germany, designed by Rudolf Pohle, 1892 / Denkmal für Alois Senefelder, Senefelderplatz, Berlin, Deutschland, entworfen von Rudolf Pohle, 1892, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.

Umbria Perugia Norcia Palazzo Comunale. Hutzel, Max 1960-1990 Six exterior views; remaining views are of the art objects housed in the structure. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ecce Homo by Ramon Amadeu. Olot, Girona. 18th. Museum: Museu del Santuari del Tura.

Meissen. Tomb I.D. Crosses d. Franciscan Monastery

Gargoyle, Notre Dame, Paris, France; French; Paris, France; about 1870; Albumen silver print

Head of one of the sons of Laocoön, Side view, Augustine Terwest (I), 1672 - 1711 print Head of one of the sons of Laocoön, used to the left. To the left figure of the sculpture 'Laocoöngroep' in Rome. Rome paper etching piece of sculpture, reproduction of a piece of sculpture. Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice (+ variant)

M. Vat. - Biga , Antiquities, Sculpture, Horses, Chariots. Nicholas Catsimpoolas Collection

Muzeum Narodowe w Warszawie. Magazyn odlewów gipsowych, m.in. z kolekcji Uniwersytetu Warszawskiego, które przewiezione zostały do gmachu Muzeum wiosną 1940 r. Widok ogólny. unknown, photographer

Paris, Notre-Dame. Léopold Louis Mercier (French, born 1866)

Baroque sculptures at the palace garden in front of the Palace of Trier, Kurfuerstliches Palais, Trier, Rhineland-Palatinate, Germany, Europe

Portrait medallions of the Medusa, Cicero, Hecules and Omphale, Cleopatra and Mark Antony. Chromolithograph by W. Griggs from Frederick Rathbone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

The Calf-Bearer and the Kritios Boy Shortly After Exhumation on the Acropolis; Danseuse du Temple de Bacchus. Artist: Unknown. Dimensions: Mount: 12 in. × 10 7/8 in. (30.5 × 27.7 cm)Image (a): 10 7/8 × 8 9/16 in. (27.7 × 21.8 cm)Image (b): 10 9/16 × 8 1/4 in. (26.9 × 21 cm). Date: ca. 1865.From 1833, when the Turkish garrison was withdrawn, until 1882, when systematic excavations were begun, the Acropolis was the site of somewhat random investigation. As the Turkish buildings were cleared and the principal temples re-erected, the debris yielded inscriptions that were incorporated into the walls as they were reconstructed and fragments of sculpture that were casually grouped together outdoors or in the Propylaea. In 1863 it was decided that a museum was required. While digging its foundation in 1864, workmen discovered additional fragments, among them a headless Athena (at the left in the photograph) and the Calf-Bearer (thought to be a goat-bearer until the animal's head was found

Barye lions at the gate of the Tuileries, vintage engraving. Barye lions at the gate of the Tuileries, vintage engraved illustration. Paris - Auguste VITU 1890 Copyright: xZoonar.com/PatrickxGuenettex 10648799

Sleeping Infant Faun Visited by an Inquisitive Rabbit c 1887-1889 Paris. Marble . Edward Clark Potter (Sculptor)

st, Maria -Theresien -Platz - Monument - Rosstandier Germane, Verlag or k, University bookstore R, Lechner Wilh, Müller, photographer, publisher

Poet's Bust Presented to Australia Today.A Photograph of the bust.A bust of the poet Adam Lindsay Gordon (1833-70) made by the late lady Edith Kennet (who before her marriage to lord Kennet was the widow of scott of the Antarctic) presented to the Australian, today in young, son of Lord kennet, and the Late Lady Kennet.The bust, in bronze, is a replica of the bust of the poet sculpted by Lady kennet (Then known as kathleen Scott) for Poet's Corner at Westminster Abbey, and unveiled there by the Present King in 1934.Before she died in July, 1947. Lady Kennet Expressed the wish that the bronze replica should be given to Australia. Lord Kennet's offer of the bust after Australia Prime Minister, Mr. J.B. Chifley, on behalf of the Australian national Library in Canberra. January 20, 1949. (Photo by LNA)

Tomb guardian early 8th century China. Tomb guardian 44345

Scribe sitting cross-legged with a papyrus in his lap 2350 B.C. Egypt

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