Classic Sculptures of Women

A collection of prints featuring classic female sculptures, showcasing headless figures and detailed drapery, with a focus on form and historical artistry.

Jacques-Louis David, French (1748-1825), Roman Statue of a Standing Woman, red chalk with brown wash on laid paper

Statue of a woman supporting her head; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman having her chin resting on her hand. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Kidnapping of prosepina (sculpture of Gianlorenzo Bernini from 1621 22; currently in Galleria Borghese, Rome). Unknown, Bernini, Giovanni Lorenzo (1598 1680)

Worcester Cathedral Monumental Effigies and Details, John Le Keux, 1783-1846, British, after S. Templeton, 19th century, after Thomas Baxter, 1782-1821, British, And R. Kitton, 1832

Marble statue of a Roman woman, found in Larnaka, Cyprus, illustration from 1880 / Marmorbildsäule einer römischen Frau, gefunden in Larnaka, Zypern, Illustration aus 1880, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

The Hellespontine Sibyl. Unknown

Stanley Mazur, Hitching Post, c 1937 Hitching Post

Woman from Virginia, Wenceslaus Hollar, After Theodor de Bry, after John White (ca. 1539-CA. 1593), 1644 Original resident of Virginia, America. paper etching Native peoples of North America. Native peoples of North America (+ costume) Virginia

Antinous, bas-relief de la ville Albani. James Anderson (British, 1813 - 1877)

Netherlands, Weissenbruch, Isaac, Woman with a Jug and a Bowl, print, prints, height 192 mm, width 86 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Indian from Tierra Caliente, Mexico, drawing by Stella. Travel in Mexico, 1854-1855 by Ernest Vigneaux. Le Tour du Monde 1862

Copper engraving and etching by Raffaello Santi depicting a vineyard supported by caryatids, created between 1655 and 1703, showing architectural elements and landscape details.

Walter Hochstrasser, Cigar Store Figure, c 1937 Cigar Store Figure

Sculpture Sophocles, Anonymous, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. Vatican CITY photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. writer, poet, author

Lady in a hat with a shrok roundabout, in a dress with a lace end, shown from you, a gentle turned right; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, 17th century (costume), women, women, headgear, historical costumes

Athènes - Grèce. Musée National. Athénas. (Copie encienne de la Parthénos de Phidias) , Antiquities, Sculpture, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Ink and wash drawing by Joseph Klieber depicting Urania, the muse of astronomy, showing figure, gesture, and drapery.

Drawing, Euterpe, Muse of Lyric Poetry; Designed by Felice Giani (Italian, 1758-1823); Italy; black chalk on laid paper

Page 13, vol. 2, Delle antichità di Ercolano, Paderni, Camillo, d. ca. 1770, Billy, Nicolo, fl. 1757-1792, Engraving, 1757-1792

Diana of the Vatican still image. 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Artemis (Greek deity), Sculpture, Roman, Diana (Roman deity), Goddesses , Roman+, Drapery in art, Mythology, Roman, Hunting , To 499, Hunters , Women

Donatello: Sv. Jan Křtitel. Berlín.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Baron Larrey Dominique Jean. Born in Baudan, (Hautes-Pyrenees) on July 8, 1766. ...

Heinrich I, King of France.

Statue of Kopernik in Warsaw, Z: K. Forster, Poland, Paris 1840 Lesueur, Lemaitre, Augustin François (1797 1870), Vernier, Thorvaldsen, Bertel (1768 1844)

Lazio Roma Rome S. Caterina dei Funari1. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Lapse of the Year - Summer, 1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company. The female is. standing in a contrapposto pose

Sybilla Ethraea; Volpato, Giovanni (1740-1803), Buonarroti, Michelangelo (1475-1564), Tofanelli, Stefano (1752-1812); 18th century (1701-00-00-1800-00-00);

Standing Roman 1875-90 In the style of Sir Lawrence Alma-Tadema British, born The Netherlands A noble Roman, perhaps the emperor Claudius, stands lost in thought as he fingers a rich curtain. Elements in the study--the archeologically accurate tripod table, the textile decorated with an image of "Amphitrite in Triumph"--can be found in paintings that Alma-Tadema made beween 1865 and 1871. Born in Friesland, the artist studied in Antwerp, worked in Brussels then moved to London in 1870 where he pioneered a distinctive mode of historical painting that mixed history and genre with evocative, detailed settings. The present drawing likely was made by a student or admirer, and prods the viewer to recall Claudius's sudden rise to power when the Praetorian Guard murdered his corrupt nephew Caligula (Alma-Tadema painted versions of that subject in 1867 and 1871).. Standing Roman 385249

Pape, Josse de, Rome, Persijn, Reinier van, Galleria Giustiniana del Marchese Vincenzo Giustiniani I, Statue of Minerva, verso below - stamped, in classical robes, holding a baton and shield in her hands. In the middle below on the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints after the sculptures in the collection in the Galleria Giustiniani in Rome., print, prent, prints, prenten, height 369 mm, width 231 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1640 - 1640, paper, papier, engraving, engraving (printing process), Zuid-Nederlands - 1646, intermediary draughtsman

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)38. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by Gilles Rousselet between 1627 and 1686 depicting David holding the head of Goliath.

Erato, Alexander Liernur, 1796 drawing Erato, muse of the dance or lime poem. paper. pencil Erato (one of the Muses); 'Erato' (Ripa)

Bronze statue of standing car people, c. 1895 - c. 1915 photograph Delphi paper. cardboard collotype Delphi

Iffland, August Wilhelm .

Statue of Warrior 18th century Anonymous, French, 18th century French. Statue of Warrior 356279

Classical Male Nude Statue 18th century Anonymous, French, 18th century French. Classical Male Nude Statue. Anonymous, French, 18th century. 18th century. Black chalk heightened with white chalk. Drawings

Decorative design from the character Women Holding the nike and the class of men with a vase; Carrier-Belleuse, Albert Ernst (1824-1887); around 1870 (1801-00-00-1900-00-00);Lubomirski, Henryk (1905-1986 - Jesuit), Lubomirski, Kazimierz (1869-1930), Minerva (Mitol.), Nike (Mitol.), Tytani (Mitol.), Vente Carrier Belleuse (Auction - Paris - 1887), Projects , sculpture designs, French drawings, sculptures, character studies, academic study, vases, purchase (provenance)

Statue of a standing orator in gown on pedestal. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 283 mm × w 148 mm. Museum: Rijksmuseum, Amsterdam.

Sculpture of a Roman man dressed in a gown, 1896 photograph European Publisher: Munich cardboard. paper. printing ink collotype monument, statue Europe

Moses Michelangelo Buonarotti (figure from the tomb of Pope Julius II, in the Roman church of San Pietro in Vincoli, from 1515 (tomb from 1545). Unknown, Buonarroti, Michelangelo (1475 1564)

Molise Isernia Isernia Cathedral, S. Pietro. Hutzel, Max 1960-1990 Medieval: Architecture: campanile remains from the now destroyed Gothic church; sculpture. Post-medieval: 19th century neoclassical architecture Antiquities: Sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Historical, digitally restored reproduction of a 19th century original, Winckelmann monument in Stendal, Johann Joachim Winckelmann (* 9 December 1717 in Stendal; - 8 June 1768 in Trieste) was a German archaeologist, librarian, antiquarian and art writer of the Enlightenment, Italy, Historical, digitally restored reproduction of a 19th century original, Winckelmann monument in Stendal, Johann Joachim Winckelmann (* 9 December 1717 in Stendal; - 8 June 1768 in Trieste) was a German archaeologist, librarian, antiquarian and art writer of the Enlightenment, Italy.

Lay, Francois .

New drinking-fountain in front of the Royal Exchange, City of London, 1861. The '...drinking-fountain...was dedicated to public use by Mr. Samuel Gurney, M.P., whose gift it is. It consists of a pedestal and a circular basin 5 ft. in diameter, composed of polished granite, supported by three dolphins in bronze. Upon the basin is a circular plinth of white marble, forming a base for a half-draped female figure in bronze, representing Temperance, in the act of pouring water from a vase. There are four streams of water - one from the base of the figure and three from the plinth upon which it st

"Venus and Mars". Etching by C.O. Murray after L. Alma-Tadema.

Design for a Candelabra. Artist: Anonymous, French, 18th century. Dimensions: 9 1/2 x 14 7/16 in. (24.1 x 36.6 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

GERMANICO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Wszyscy Święci w MNK Syrewicz, Bolesław (1835 1899), monogramist F.J., monogramist K.K.

Statue de la reine Ultrogothe.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Psyche on the cliff., Plate 12. Apuleius. Illustrations. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Psyche (Greek deity)

Statue of Venus; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Venus, standing, her draperies together. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Alinari, Fratelli, illegible PISA, Photographic reproduction of painting of St. Margaret by Andrea del Sarto, Cathedral of Pisa, PISA - Cattedrale S. Margherita. (Andrea del Sarto)., photograph, photo, photos, height 252 mm, width 125 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, cardboard, kaart, albumen print, albuminedruk, Publication (Event), Publicatie, publisher

Personification of Liberty, verso - stamped, Liberty standing with a spear in one hand and a cap in the other. At her feet a defeated lion and broken chains. On a shield a bundle of arrows. At the top the motto: Tot Rust en Vrijheid., print, prent, prints, prenten, height 280 mm, width 218 mm, print maker, prentmaker, 1750 - 1800, paper, papier, etching

Excludes a man in the Himation unknown

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for Louis Comfort Tiffanys center window for Childrens Window, St. Peters Church, Morristown, NJ, Graphite, watercolor, squared in graphite, Wove, 53.2 × 18.3 cm (20 15/16 × 7 3/16 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Study of a Draped Figure. Dimensions: Sheet: 11 1/2 x 8 7/8 in. (29.2 x 22.5cm). Draftsman: Edgar Degas (French, Paris 1834-1917 Paris). Date: 1857-58. Museum: Metropolitan Museum of Art, New York, USA.

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 18 1/2 x 11 3/4 in. (47.0 x 29.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Roma - Museo Capitolino - Sacerdotessa Isiaca , Sculpture, Antiquities, Goddesses, Isis Egyptian deity. Nicholas Catsimpoolas Collection

Prudence. Artist: Workshop of Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 49 1/8 x 36 1/4 in. (124.8 x 92.1 cm). Date: 1760.This detached fresco is from a series of four ovals that were designed by Tiepolo and painted by his workshop for the decoration of the corners of the ceiling of a room in the Palazzo Valle-Marchesini-Sala in Vicenza. The attributes of the mirror and the snake identify the allegorical figure as representing Prudence. Museum: Metropolitan Museum of Art, New York, USA.

Terracotta statuette of a woman late 4th-early 3rd century B.C. Greek, Attic Weight is on her right leg, her left foot drawn to the side. She wears an enveloping mantle from her shoulders to her right hip and left calf. Her right hand grasps the left wrist over her abdomen with head tilted sharply.. Terracotta statuette of a woman. Greek, Attic. late 4th-early 3rd century B.C.. Terracotta. Hellenistic. Terracottas

Italian 18th Century, Study of a Standing Woman Study of a Standing Woman

Staande Madonna met kind. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Draughtsman: Pasquale Ottini (attributed to). Dating: 1600 - 1699. Place: Verona. Measurements: h 405 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Image of Pallas Athena, from the temple in Egina, c. 1875 - c. 1900 photograph Paris cardboard. photographic support albumen print sculpture. (story of) Minerva (Pallas, Athena). helved weapons, polearms (for striking, hacking, thrusting): lance. protective weapons: shield

Edward Burne-Jones, Study of Minerva, c. 1877, pencil on white wove paper.

A queen of Chartres , Queens, Sculpture, Saints, Radegunda, Queen, consort of Clotaire I, King of the Franks, -587, Cathédrale de Chartres. Sir David Young Cameron (1865-1945). Prints

Flemish in an outfit from the 2nd 16th century; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Flemands, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Lesser, Wiktor Stanisław Zygmunt - collections of Aleksander Lesser - Dar, XVI century, Dar (provenance), Judaica, men, clothing, men's clothes, foreign clothing, Jews

Tombstone of Agnes Bernauer, 1410-1436, mistress to Albert III of Bavaria. From the Agnes Bernauer Chapel in Straubing. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by CR, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Wszyscy Święci w MNK Malinowski, Aleksander (1855 1917), Antoszewicz, Stanisław (Fl. 1873 1886), Pillati, Ksawery (1843 1902), Sosnowski, Tomasz Oskar (1810 1886)

Statue of a woman with a lifted right arm, Theodor Matham, after Joachim von Sandrart (I), 1640 print Statue of a woman with a lifted right arm. At the bottom of the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture

Pudicitia, die Schamhaftigkeit als Personifikation dargestellt als eine sittsam in ihr Gewand gehüllte matrona oder als Frau, die sich zu verschleiern im Begriff ist, Statue im Vatikan in Rom, Italien, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903189

Desmousseaux, bliss august.

Corneille, Pierre.

Ruth, 1879. Sir Edward Burne-Jones (d.1898). Whole-length figure, facing front, holding sheaves of corn in her right arm. .

Etienne Carjat (1828-1906). Frédérick-Lemaître in the role of the Jew, in "Marie Tudor" at the Théâtre de la Porte-Saint-Martin. Paris (10th arr.), September 27, 1873. Paris, Maison de Victor Hugo. 77378-18 French actor, game, play, Jew, Saint-Martin gate, portrait, role, theater

Jacobi, CH, Patriarchal Cathedral Basilica of San Marco, Ongania, Ferdinand, Tomb of a cleric in the San Marco in Venice, recto - printed, This print is part of a cover with 79 prints on 53 sheets and 2 text sheets., photomechanical print, photographs, photographically illustrated books, 205, GI, G.1., height 314 mm, width 395 mm, photographer, 1880 - 1885, paper, collotype, cliché maker

Welcome to John of the Failure: Tiburnische Sibylle, Detail des Fußbodens im Dom Von Siena. .

A sacrifice to Priapus. Adonis offering a wreath to a term of Priapus in front of Cupid. Un Sacrifice a Priape. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Statue of the archangel Michaël by Giovanni Pisano in the Museo Civico in Pisa, Italy, Giacomo Brogi (Attributed to), after Giovanni Pisano, 1860 - 1881 photograph This photo is part of an album. Pisa paper albumen print piece of sculpture, reproduction of a piece of sculpture. the Archangel Michael (often in armour with sword or lance) civic Museum

An award winner in 1868, from 'News of the day,' published in Le Charivari, September 1, 1868. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 7 13/16 in. (24 × 19.9 cm)Sheet: 11 3/4 × 11 5/16 in. (29.9 × 28.7 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: September 1, 1868. Museum: Metropolitan Museum of Art, New York, USA.

Sculpture of Mozes by Michelangelo, monument for Julius II, S. Pietro in Vincoli in Rome, Italy, Anonymous, After Michelangelo, 1870 - 1890 This photo is part of an album. Rome paper albumen print San Pietro in Vincoli This photo is part of an album. Rome paper albumen print San Pietro in Vincoli

Diebitsch Carl von (1819-1869), Capitol, Rome. Sculpture (without dat.): View philosopher (sitting man in a robe with scroll). Pencil watercolor on the box, 28.3 x 21.6 cm (including scan edges) Diebitsch Carl von (1819-1869): Capitol, Rom. Skulptur

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358942

St. Thomas. 1545 - 1546. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Cast Iron Figure. Dated: 1935/1942. Dimensions: overall: 29.2 x 22.9 cm (11 1/2 x 9 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Barrell.

Cover of the first edition for Elijah, an oratorio written by Felix Mendelssohn (1809-1847) a German composer, pianist, organist and conductor of the early Romantic period. Dated 19th Century

Basilicata Matera Matera S. Francesco d'Assisi15. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Holy Clemens. Leaf 26 Verso from a sketchbook with 28 sheets.

Donatello (Donato di Niccolò di Betto Bardi) (1386-1466), Or´ San Michele in Florence. Statue St. Petrus (without dat.): View. Photo, 32.2 x 24.3 cm (including scan edges)

A clay figure of a woman exposing her genital area. Watercolour.

Statue and seals of Lothair I or Lothar I (795-855), Emperor of the Romans, governor of Bavaria, King of Italy and Middle Francia. Lothaire. From the illuminated manuscript Gospels of Lothair, Bibliotheque nationale de France. Tinted lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

GIPS models for Cararians on the Palais du Louvre by Pierre Charles Simart, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. caryatids ~ architecture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Unknown classical philosopher. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

'Henry IV', 1783. Artists: Samuel Wale, John Cary.

Figurehead from Schooner "Polly". Dated: 1935/1942. Dimensions: overall: 40.3 x 30 cm (15 7/8 x 11 13/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Alton K. Skillin.

Copper engraving print by Nicolas Beatrizet titled 'Mirror of the Roman Magnificence,' created in 1549.

Rohscan

Copper engraving and etching by Raffaello Santi depicting half views of Herms, created between 1655 and 1703, showing sculptural figures in architectural context.

From the abbot of Juilly according to the survey of Gaigières in Sainte-Catherine-Du-Val-des-Ecoliers.

Monument to Dr. Alison, at Edinburgh, 1845. Sculpture in memory of Scottish priest and essayist Archibald Alison. 'The chaste and classical mezzo-relievo to the memory of Dr. Alison the author of the "Essay on Taste," which has been recently erected in St. Paul's Chapel, Edinburgh, is from the chisel of Mr. Steil, who has already earned a high reputation as a sculptor, not only in his native Scotland, but throughout the country. The work in question is well calculated to increase his reputation, as much from its poetic design as from its beautiful execution. We have reason to know th

Gypsum Models for Kariatides at the Louvre Palais by Pierre Charles Simart. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

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