Classic Sculptures of Women

A collection of prints featuring classic female sculptures, showcasing headless figures and detailed drapery, with a focus on form and historical artistry.

Jacques-Louis David, French (1748-1825), Roman Statue of a Standing Woman, red chalk with brown wash on laid paper

Netherlands, Weissenbruch, Isaac, Statue of a headless figure, print, prints, height 115 mm, width 67 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Statue of a woman, Allegoria by Georges Diebolt (1816-1861) Statue of a woman, allegory by Georges Diébolt (1816-1861). 1839-1870. Photography attributed to Edouard-Denis Baldus.

Woman Full Face, Her Head Slightly to the Left ca. 1543 Antonio Fantuzzi Italian. Woman Full Face, Her Head Slightly to the Left. Antonio Fantuzzi (Italian, active France, 1537-45). ca. 1543. Etching. Prints

Summer. From the portfolio: The Work of E. Burne-Jones., 1870, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Sculpture of a standing woman, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a standing woman in draped dress. A children's head on her chest. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. standing figure - AA - female human figure

Standing man in gown. Draughtsman: Jean Grandjean. Dating: 1765 - 1781. Measurements: h 441 mm × w 256 mm. Museum: Rijksmuseum, Amsterdam.

Statue of Ceres, Claude Mellan, 1636 - 1637 print paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Ceres (Demeter)

Sculpture of a standing woman. Classic sculpture of a standing woman in draped dress. On her chest a children's head. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Image of Prudentia (caution) on the facade of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Image of Prudentia, the personification of caution, left on the tympanum on the facade (east side) of the town hall on Dam Square in Amsterdam. In one hand a mirror, in her other hand a snake. Imagine: W. paper etching / engraving Prudentia (Prudence) as Roman personification. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues City Hall of Amsterdam (1655-1808)

Jacques-Louis David, French (1748-1825), Roman Statue of a Standing Woman, red chalk with brown wash on laid paper

Model for the wedding holidays at City Hall: Victory

Speculum Romanae Magnificentiae: A Vestal Virgin () 16th century Anonymous This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients c

Statue of a woman pointing the sky of the finger, Allegorie has ancient, by Georges Diebolt (1816-1861) Statue of a woman pointing the sky of the finger, allegory to ancient, by Georges Diébolt (1816-1861). 1839-1870. Photography attributed to Edouard-Denis Baldus.

Statue of Fortuna, Theodor Matham, after Joos de Pape, 1640 print Statue of a woman with a rudder and a horn of abundance (Fortuna). Following the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. 'Cornucopia', Horn of Plenty. Fortuna as Roman personification. parts of ship's exterior: rudder

A nymph of the innocent fountain A nymph of the fountain of the innocents, by Jean Goujon. Photograph of Charles Marville (1813-1879), before 1860.

Minerva of Besançon 1864 Jules-Ferdinand Jacquemart. Minerva of Besançon. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1864. Etching, second state of three (Gonse). Gazette des Beaux-Arts. Prints

Seated Madonna ..

Standing woman, Cornelis Ploos van Amstel, 1736 - 1798 print Standing woman who holds a handkerchief against her face. Amsterdam paper adult woman

A Correct Representation of the Statue, Sculptured by Ball Hughes, and Erected to the Memory of Alexander Hamilton. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Standing woman in classic robe, Wencslaus Hollar, After Parmigianino, 1645 print Antwerp paper etching standing figure - AA - female human figure

Allegorical Figure (recto), 1800s. Anonymous. Black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalk; sheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.).

Agriculture, Jean Prud'Hon, After Pierre Prud'Hon, 1810 - 1823 print Paris paper etching / engraving Personification of Agriculture, 'Agricultura'; 'Agriculture', 'Study of agriculture' (Ripa)

St George Series - Drapery Study of the Princess for 'The Princess in the Garden', 1865-66. Pencil and brown-red chalk on cream-toned paper. Artist: Edward Burne-Jones

Copper engraving and etching by Jean Nicolas Laugier around 1818 depicting Minerva, Roman goddess of wisdom, shown with classical attributes including helmet and shield.

A copper engraving and etching by Antoine Alexandre Morel from 1785-1829 depicting an ancient female statue, focusing on classical form, drapery, and posture.

The Virgin Immaculate 1596-1669 After Pietro da Cortona (Pietro Berrettini) Italian. The Virgin Immaculate. After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). 1596-1669. Red chalk. Drawings

Agrippina the younger still image. Portraits. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Birds, Clothing & dress , Rome , To 499, Romans , To 499, Women , Clothing & dress , Rome , To 499, Empresses , Rome , To 499, Hairstyles , Rome , To 499, Jewelry , Rome , To 499, Agrippina, Minor, 15-59

Statue of a woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman, in classic robe, with arm raised. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Figure of a saint. Urbino, Carlo (1510 aut 1520-post 1585), draughtsman, cartoonist

Image of a woman with a bird, right; Signorum Veterum Icone I.Image of a Woman with a Bird in rehand, ORTEN Identified AS LEDA.

Image of a woman with a bird to the right, Jan de Bisschop, after Anonymous, c. 1663 - In or after 1668 print Image of a woman with a bird in her hand, often identified as Leda. Northern Netherlands paper etching Jupiter, in the shape of a swan, and Leda

Demosthenes, Braccia Nuovo, Vatican. Probably James Anderson (British, 1813 - 1877)

Study for 'Wedding Procession', Elihu Vedder, American, 1836 - 1923, Pastel crayon on paper, Full-length sketch of a female figure in costume, seen from the back., USA, 1872-1875, figures, Drawing, Drawing

Draped Model ca. 1865-67 Albert Joseph Moore British This drawing of a woman in classical robes likely was made in preparation for a fresco that Moore executed in 1866 at Claremont, a Georgian house near Salford, outside Manchester. Now lost, the painting was one of three overdoors in the octagonal hall and showed four women drawing water from a fountain. The model's pose, with a hand on her hip and the other at her chin, is one of waiting. The artist made numerous nude and draped studies for the commission; in the present sheet he focused on the model's voluminous translucent draperies. He used black and white chalk to capture shadows and highlights against the brown middle tone of the paper. Moore's decorative approach to classical subjects is characteristic of the Aesthetic Movement and influenced James McNeill Whistler, who began to make similar pastel studies on brown paper about this time.. Draped Model 355551

Traveller with pocket on back, print maker: François Joseph Pfeiffer (II), unknown, 1793 - 1835, paper, h 88 mm × w 55 mm

Statue of female figure. Unknown

Francisco Bayeu / 'Christ'. 1771. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Sibille with a book in both hands; Sibillen.a sibille standing in a niche with a bare breast. She Holds a Book in Her Hands.

Design for a Candelabrum, Graphite, pen and black ink, brush and sepia wash, black ink on paper, A woman standing on a column supports both handles of a stand with seven sockets (meant to be eleven) holding burning candles. Four sockets are decorated with lion heads and other three with stylized foliage. Lower right, perspective diagram shows all eleven sockets with arms; left is scale., France, ca. 1810, lighting, Drawing, Drawing

Statue of Ceres; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman with (presumably) ears of corn in her left hand. Probably the Goddess Ceres. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Model study of a standing girl with outstretched arm, Jean Baptiste Huet (Le Vieux) (Possible), 1782 - 1811 drawing paper. chalk standing figure - AA - female human figure

Standbeeld van Diana, Claude between, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Diana (Artemis)

Statue of Laurens Jansz. Coster, 1723, 1767 - 1843 print Statue of the Haarlem printer Laurens Jansz. Coster, on the occasion of the third century festival of the invention of the book printing in Haarlem in 1423. Statue of Gerrit van Heerstal and Rochus Verbeek after the drawing of Romeyn de Hooghe, standing in 1723 in the garden of the Hortus Medicus in Haarlem. Northern Netherlands paper etching / engraving piece of sculpture, reproduction of a piece of sculpture Haarlem

Terpsichore or Erato Pierre gravée antique still image. 1789 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Muses (Greek deities), Goddesses , Greek, Sculpture, Lyres, Cameos, Ancient

St George Series, Study of the Princess for 'The Princess draws the fatal Lot' SIR Edward Burne-Jones, Drawing, Chalk, Textiles, Sketch, Pre-Raphaelite, Female, Full-length

Standingeld van Erasmus, Ludwig Gottlieb Portman, after Franciscus Andreas Milatz, 1794 - 1828 print Erasmus, back, browsing in a book. Statue on the Grote Markt in Rotterdam. The statue was manufactured in 1622 to a design by Hendrick de Keyser. Amsterdam paper etching piece of sculpture, reproduction of a piece of sculpture Large market

Unknown photographer, photos of travel from Italy, France and Germany (without dat.): View. Photo on cardboard, 63 x 44.5 cm (including scan edges) Lescot Pierre (1515-1578): Fotos von Reisen aus Italien, Frankreich und Deutschland: Fontaine des Innocents

A Young Girl Walking to the Left. Artist: Adriaen van de Velde (Dutch, Amsterdam 1636-1672 Amsterdam). Dimensions: sheet: 11 5/8 x 6 15/16 in. (29.6 x 17.7 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Sculpture of Diana; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Flora, Roman goddess of flowers and spring, holding a garland of flowers. Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defraine from "La Mythologie en Estampes" (Mythology in Prints, or Figures of Fabled Gods), Chez P. Blanchard, Paris, c.1820.

St. John, Cartoon for Carlisle Window, Paisley Abbey, Scotland, Sir Edward Burne-Jones, English, 1833-1898, Crayon on board, Cartoon for a stained glass window depicting St. John holding a chalice with a serpent in it., England, 1876, glasswares, Drawing, Drawing

A female figure as a personification of fidelity holding a key in her right hand and at her feet a dog. In the foreground left, a medallion with two interlocked hands and a saying in Latin. Print from a series of 41 phrases, Personification of fidelity Fidelity (title on object) Een-en-veertigh stuks, verscheydene Sinnebeelden (series title), print maker: Arnold Houbraken, Arnold Houbraken, publisher: Leonard Schenk, Amsterdam, 1710 - 1719, paper, etching, pen, h 174 mm × w 94 mm

St George Series - Study of the Princess for 'The Princess draws the fatal Lot', 1865-1866. Artist: Sir Edward Burne-Jones

Bacchus Indien. Vatican. James Anderson (British, 1813 - 1877)

Black and white chalk drawing by Jacob Adriaensz. Backer depicting one of Joseph's brothers wearing a long coat on blue paper, early 1630s.

A young female child standing on a pedestal. Lithograph, 1851, by Louisa Corbaux.

MARBLE STATUE OF THE LATE MARQUIS OF LONDONDERRY, K.G. BY J.E. THOMAS.

Classical Niche with Figure of a Woman 18th century Anonymous, 18th century. Classical Niche with Figure of a Woman 383190

Sitting young woman, Adamo Scultori, After Michelangelo, c. 1585 print Figure from Michelangelo's ceiling painting. Numbered below: 56. Print Maker: ItalyaFter Painting by: Vatican City paper engraving adolescent, young woman, maiden

Copper engraving and etching by Jean Jacques Avril around 1818 showing an ancient female statue, emphasizing anatomical proportions, posture, and classical features.

Minerva.Image of an image of the Goddess Minerva, also known as the Giustiniani Minerva. Minerva is in the air with her right arm. Her spear is missing.

Psyche beside the river Cocytus Wicar, Jean-Baptiste Joseph, 1762-1834. still image. Illustrations. 1789 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Psyche (Greek deity), Eagles , Mythology, Mythology, Greek, Cameos, Ancient

Saint Peter the Apostle. Engraving by P. Folo after L. Camia after B. Thorwaldsen.

Campania Caserta Capua Museo Campano49. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Illustration of a statue depicting Lucius Antonius (82-39 BC) younger brother and supporter of Mark Antony, a Roman politician.

Visus. 1501 - 1583. Hornick, Erasmus, -1583. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woman combing her hair. Image of a woman combing her hair. Her left chest is bare. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Sibyl 1530-76 Lambert Suavius Netherlandish. Sibyl. Lambert Suavius (Netherlandish, ca. 1510-by 1576). 1530-76. Engraving. Prints

Eutichio Ajello / 'Athena Promachos'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Colossal Marble Statue of O´Connell, Royal Exchange, Dublin, Survival -sized marble statue by Daniel OConnell, Irish politician and freedom fighter, in Dublin from The Illustrated London News , Unknown

A nymph of the innocent fountain A nymph of the fountain of the innocents, by Jean Goujon. Paris (Ier Arr.), Before 1860. Photograph of Charles Marville (1813-1879).

Concordia (Consent), Figure No. 4 (from 8) from the series: Allegorical figures on the facade of the Golden Gate in Gdańsk Falck, Jeremias (approx. 1610 1677)

Statue of the Roman goddess Juno, wife of Jupiter, from the 2nd century BC. Now in the Vatican. Iunonis statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Kemnitz Otto, allegorical figure jewelry, majority for the main facade of the town hall of Berlin-Charlottenburg, design or execution models (without dat.): Woman with books and diadem. Photo on cardboard, 44.2 x 35.9 cm (including scan edges) unbek. Künstler : Allegorischer Figurenschmuck, mehrheitlich für die Hauptfassade des Rathauses Berlin-Charlottenburg, Entwurfs- bzw. Ausführungsmodelle

Portrait of Desmousseaux as Roscius in the tragedy Sylla Desmousseaux Portraits of actors of Parisian theaters , print maker: Alexandre Marie Colin, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Francisique Noël (et Cie.), (mentioned on object), Paris, 1823 - 1824, paper, h 420 mm × w 290 mm

The Redhead Moon / First Year - N ° 41 / Sunday 16 September 1877 / Farewell! ..., by Gill.

Draped rug hanging on two points, Hans Bol, 1544 - 1593 drawing paper. chalk Drapery, Draped Garment, 'Course'

Statue of Joost van den Vondel, Reinier Craeyvanger, After Louis Royer, 1822 - 1880 print Statue of the poet and playwright Joost van den Vondel. He is used to the head to the right, the right hand extended. A winch in the left arm. Vondel has been crowned with a bayer wreath. On the floor next to him a theater mask, two books and a role. paper etching monument, statue

Lapse of the Year, Autumn, 1900 After: Sir Edward Burne-Jones Publisher: Berlin Photographic Company, 19th Century, Paper, Photographic print, Photogravure, Female, Season, Autumn, Nature

Terpsichore, Muse of Dance, plate 9 from Parnassus Biceps 1601 Frankfurt an der Oder. Engraving in black on ivory laid paper . Johann Theodor de Bry

Study of a standing woman, with turned canvas, August Allebé, 1848 - 1927 drawing paper. chalk standing figure - AA - female human figure

Grave image of Catharina De'Medici in the Saint -Denis, Tony Goutière, 1818 - 1859 print Paris paper etching historical persons. sculpture. grave, tomb St Denis

Waist according to the drawing of J. L. cutting from Kłosów 1875 (1) 149 Chapon, Léon Louis (1836 1918), Monogramista J.L.

Preißler, Georg Martin, work, 5. clothed figures for the teaching of drawing, (1000 - 2000), copper engraving, graphics, plate n width 19, 2 cm, leaf width 24.5 cm, image width 18 cm

Ménade dans le délire bachique still image. Illustrations. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Bas-reliefs, Ecstasy, Mythology, Bacchantes, Female nude in art, Herms

Lazio Roma Genazzano S. Croce5. Hutzel, Max 1960-1990 Views of crenellated city wall (13th century) and facade of S. Croce. Interior views are all frescoes: scenes of the Apocalyspe in the lower register (15th century); Madonna of the Misericordia in the upper register; Apostles and other saints; Crucifixion and Madonna and Saints in the apse (16th century). Object Notes: Hutzel photo campaign date: May 3, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statue of an Amazon raising her arm; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of an Amazon that lifts her arm. In her other hand a shield. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Exlibris dr. Richard Bernt; Lipinsky, Sigmund (1873-1940); 1912 (1912-00-00-1912-00-00);Art Nouveau (style), Athena (Mitol.), Episcopo, Umbaldo and Donatella - collection, Lipinsky, Sigmund (1873-1940), Lipinsky, Sigmund (1873-1940) Protency), allegorical and symbolic exlibris, Italian exlibris, German graphics, Italian graphics, modernism (style), German (culture), roses (bot.), Secession (style), antiquity, symbolism (style), Italian (culture)

Bearded Male Term Looking Left ca. 1545-65 Anonymous, French, 16th century French. Bearded Male Term Looking Left 393365

Standing woman, Cornelis Ploos van Amstel, 1736 - 1798 print Standing woman who holds a handkerchief against her face. Amsterdam paper adult woman

Campania Caserta Capua Museo Campano181. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek a

Vrouw met valk op haar linkerhand. Schetsboek "A.S.Fe", 1587, blad 4r(12) (series title). Artist: Jacob Matham. Draughtsman: anonymous. Dating: 1587. Measurements: h 105 mm × w 78 mm. Museum: Rijksmuseum, Amsterdam.

Antwerp, Covens & Mortier, Vos, Maerten de, Collaert, Adriaen, Maes, Joseph, Panneau, XVIe Siècle, Reproduction of Gave van witte, a print by Adriaen Collaert after Maerten de Vos, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, PANNEAU faisant partie, recto - printed, LITT. P. - PL. 52., JJvY, height 342 mm, width 232 mm, photographer, 1876 - 1881, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, Zuid-Nederlands (before 1775), 1560 - 1618-06-29, after print by, Zuid-Nederlands, 1532 - 1603-12-04, after design by, Nederlands

st, Rathausplatz - Rathaus - Plastic - Vindobona, Victor Luntz -, Formerly Owned by, Michael Frankenstein -, Photographer, Josef Fritsch -, sculptur

Amor punctured by a rose, Johann Wilhelm Friedrich Kachel, after Eugène Lacomblé, 1863 - 1883 print Amor looks at his finger, there is a rose on the floor. The inscription on the sculpture refers to the pronunciation: there is no rose without thorns, just as there is love without pain. The Hague paper. (story of) Cupid, Amor (Eros). flowers: rose

Diebitsch Carl von (1819-1869), Vatican, Rome. Sculpture (without date): Vestalin or matron view. Pencil watercolor on the box, 33.8 x 29.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Vatikan, Rom. Skulptur

Woman from Luxembourg with a basket on the back, Anthonie Willem Hendrik Nolthenius de Man, 1828 print A woman from Luxembourg, a basket with herbs on her back. A second basket on the arm. Pressure of the fifth print from a series of six prints with performances by various farmers and peasant women from the United Kingdom of the Netherlands. Nijmegen paper etching carrying something in basket, bag, rucksack, etc.. container made of plant material other than wood: basket United Kingdom of the Netherlands. Luxembourg (city)

St. Bartholomew, standing in frontal view with head facing to right and holding martyr's palm with both arms, from the series 'Christ and the Twelve Apostles' 16th century Master F. P. Italian. St. Bartholomew, standing in frontal view with head facing to right and holding martyr's palm with both arms, from the series 'Christ and the Twelve Apostles'. Christ and the Twelve Apostles. Master F. P. (Italian, active 16th century). 16th century. Etching. Prints

Urania. The muse of the urania astronomy with a globe in her arm and a paper roll in her hand. In addition to her is a pillar with an astrolab and other measuring instruments.

of 3