Classical Allegorical Prints

Engravings depicting mythological scenes, including figures like Bacchus and representations of love, often rich in detail and historical context.

Barmhartige Samaritaan, Jules Joseph Bourin Laurens, After Eugene Dollarix, 1854 - 1857 print Paris paper. the good Samaritan (Luke 10:30-37)

Wolvenjacht, Pieter Serwouters, After Adriaen Pietersz van de Venne, 1625 - 1633 print A richly dressed man who has just killed a woolvin is attacked by a wild child. Two men who are squatting with a tree try to catch the wild child with a bow. A shepherd or farmer lifts his arms in desperation when seeing the scene. Amsterdam paper engraving / letterpress printing hunt ~ predatory animals (fox, lion). hunt ~ predatory animals (fox, lion). boy (child between toddler and youth)

Four scenes from the Trojan War, 1774 - 1849 print Above a large representation of the Trojan women who offer the image of Minerva de Peplos. Under three smaller scenes from the Trojan War. paper etching / brush the Trojan war (94C - 94H). the Trojan war: the first nine years of the war

Lazio Roma Subiaco Rocca Abbaziale6. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print (France)

St. JeromeReading. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Allegory on the jubilee of Dutch freedom, 1648-1748. Allegory on the 100-year anniversary of Dutch freedom, 1648-1748. The personification of Dutch freedom with lance, hat and banner with Prince William IV receives the century that descends from the clouds. On the throne sky busts of Willem I, Maurits and Frederik Hendrik, at the feet of freedom The enemies reports during the rebellion: King, Catholics and the Duke of Alva. Design for a print.

Match between the Muzen and De Pierides, Auguste Gaspard Louis Desnoyers, After Perino del Vaga, 1829 - 1831 print Paris paper. etching / engraving musical contest of the Muses and the Pierides (as yet not metamorphosed)

Dancing Nymphs and Saters in a Landscape, Pierre Brebiette, 1608 - 1650 print paper etching Nymphs (in general); 'Ninfe in commune' (ripa). Satyrs, fans, sileni. Group Danceing

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, Joseph Contemplates the Infant Jesus, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.9 × 24.3 cm (7 7/16 × 9 9/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Copper engraving by Pierre Dufour created between 1550 and 1625 illustrating the seven virtues and seven deadly sins through allegorical figures.

Venus et Cupido. Romano, Giulio, 1499-1546. 1825. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Simson beats the Philistines with the jawbone of a donkey; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Simson was hosted by the Philistines. From anger he slames a large group of men with a donkey sauce. On the right can be seen how Simson then drinks water from the donkey fuse to be thirsty. In the background the reason for the battle is portrayed: Simson sets the cornfields of the Philistines with the help of foxes that walk through the fields with burning torches. Completely in the background Simson carrying the gates of Gaza. Print is part of an album.

Salmacis in Hermaphroditus / Love in Pan, Carlo Cesio, After Annibale Carracci, 1656 print On the left a medallion with a performance of Hermaphroditus and Salmacis in the heartfold and kissing. Around the medallion sculptures of naked figures, putti and a mask. On the right a medallion with a representation of Amor trying to trample PAN. Around the medallion sculptures of naked figures, putti and a mask. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Cupid vanquishing Pan. story of Hermaphroditus and Salmacis. the (nude) human figure; 'Corpo humano' (Ripa). Hermaphroditus and Salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph Salmacis, who holds the bathing Hermaphroditus closely embraced, their bodies fuse (Ovid, Metamorphoses IV 373)

The sick royal phallus surrounded by doctors. A phallus on a throne. To the throne a group of men.

St.Bernard. Engraver: Domenico Maria Bonaveri, Italian, 1653-1731 After: Antonio da Correggio, Italian, ca. 1489-1534

Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances ca. 1617-25 Pierre Brebiette French. Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances 397603

Etching by Jean Le Pautre from 1625-1682 showing an ornamental frieze with mythological elements. The print emphasizes classical design, linework, and decorative motifs.

Drawing, Four Drawings of the Myth of Apollo; Decoration of a Wall over a Mantel, Sala di Apollo, Palazzo Cavina, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, brush and greyish-brown wash over traces of graphite on laid paper; 28.5 x 19.6 cm (11 1/4 x 7 11/16 in.)

Abruzzo Teramo Atri Cattedrale, Museo Capitolare7. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, The Triumph of Bacchus and Ceres; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash on light brown laid paper; 21.8 x 22.6 cm (8 9/16 x 8 7/8 in.)

Copper engraving by Hans Collaert the Elder depicting the parable of the splinter and bar in the eye and the parable of a host who planted a vineyard, created in 1585, illustrating biblical lessons with figures.

Five heavenly riders fight against Timothy; History of the Maccabeans; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The Army of Timothy attracts against Judea and fights against the Jews. In the sky five riders appear on horses with golden reins, who are heading the Jewish troops. They bombard the men of Timothy with arrows and lightning. Under the show a reference in Latin to the Bible text in 2 MAKK. 10. This print is part of an album.

Title print with portrait of Andrea Mantegna and Putti; Andrea Mantegna frescoes in the Chiesa Degli Eremitani in Padua. A landscape with temples. Four putti bear a portrait of artist Andrea Mantegna. On the left a text on a marble block. Assignment in undermarge.

Thisbe flight for a lion; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Thisbe flight for a lion of the place where she will meet her beloved Piramus. She loses her veil at her flight. Piramus later finds the veil stained with oxen blood. He thinks THISBE is devoured and commits suicide. Under the show twice two fresh rules in Latin. The print is part of an album.

Photo production from a print to the painting The triumph of Galatea, Anonymous, After Rafaël, c. 1872 - in or before 1882 photomechanical print paper triumph of Galatea

Nessus puts Deïanira over the river, c. 1636 - 1670 print Hercules helps his beloved Deïanira on the back of the Centaur Nessus, the Veerman who has to take her to the other side. In the background, Nessus tries to kidnap her halfway through the river, after which Hercules shoots him. paper engraving Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

Print, Falcons, Dog, and Dead Game; Print Maker: Gilles Demarteau (Belgian, active in France, 1722 - 1776); After Jean-Baptiste Huët (1745 - 1811); France; crayon-manner engraving in red ink on paper; 14.2 × 20.8 cm (5 9/16 × 8 3/16 in.)

The Virgin and Child in the Garden 1465-1503 Germany. Engraving on ivory laid paper . Israhel van Meckenem, the younger

Maria Met Kind, Anonymous, Hans Sebald Beham, After Celtis Meester, 1510 - 1550 print paper Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds

Fifth day of creation: creation of the animals, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print The fifth day of creation, on which the animals were created. All kinds of animals and birds run on land. Birds flying in the sky. In the foreground the sea with fish and scratching and a sea god with shells in the hair. To the Bible text in Gen. 1: 20-23. print maker: Amsterdampublisher: Haarlem paper engraving creation of the animals ~ Genesis

The Fall and Redemption of Man, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Vision of the rich man in hell; Van den Rycken Man and Lasarus; Parable of the rich man and the poor Lazarus; Den Grooten Figuer Bibel (...). The rich man in hell. He is plagued by hellish flames, demons and devils. In a vision he sees the poor Lazarus on the shot of Abraham. Under the show a reference in Latin to the Bible text in Luc. 16:24. This print is part of an album.

Time reveals the truth, Daniel Nikolaus Chodowiecki, 1774 print Time, an old man with wings and a scythe, drives the clouds for an image of nature, presented as Diana van Ephesus with a globe in her left hand. Berlin paper etching Time revealing Truth; Time carrying Truth aloft. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa). Father Time, man with wings and scythe

Woman is visited by jupiter.A naked woman lying on a bed. On the left the eagle and lightning bolts of Jupiter come to her, while the four winds with convex cheeks blow out wind.

Lunette with putti, wolves and armor in the western gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 print Lunette with crying and dead putti, wolves, armor and bones in the northern part of the western gallery of the town hall on Dam Square in Amsterdam. This is the Lunette to the left of the statue of Mars. Marked in the middle: Q. paper etching / engraving attributes of Mars. attributes of Mars (with NAME). symbols, allegories of war; 'Guerra' (Ripa). weeping. cupids: 'amores', 'amoretti', 'putti' City Hall of Amsterdam (1655-1808)

Cartoon on emperor Jozef II; Le Traître d'Empereur, Trahi Par La Fortune (...); Brabant Review, 1787-1790. Cartoon on emperor Jozef II. A man surrounded by three crescents on human legs. In the air the Austrian eagle is surrounded by four coals with wings. Hereby the date January 12, 1790 written by hand. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Virtue and Eer, 1584 - 1588 print Oval representation of virtue and honor, in the forms of a woman with a pyramid and a man with a crown. To the show a border script in French in mirror image. This print has an oval emblematic representation as a pendant. Both are probably printed from the front and back of one medallion. paper engraving / etching Virtuousness; 'Love of virtue', 'virtuous action', 'Safe driving of' real honors', 'virtue', 'insurmountable virtue' (Ripa). Honour, 'Honor' ~ One of the Seven Gifts of the Soul

Frisian with leaf vines, children and dogs, Franz Ertinger, after Stefano della Bella, 1650 - Before 1678 print The leaf vines from the upper bodies of two children. print maker: Antwerp (possibly)after design by: Italy (possibly)publisher: Antwerp paper etching

Fontein van de Kunsten, Louis de Châtillon, After Charles Le Brun, 1672 - 1686 print A fountain in the form of a cave with pegasus, putti and women. Putti and eight women are as personifications of the arts on and around the cave. There is a river goddess in the cave. Paris paper etching ornamental fountain. symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa) Versailles

Sater and Bacchantant sleeping at a fire, Charles Le Brun, c. 1640 print print maker: Francepublisher: Paris paper etching / engraving Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa). Satyr (S) (in General). Maenad (S), Female Bacchant (eg)

Cartouche with two male and one female satar and a jug with wine, Stefano della Bella, 1646 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching ornament ~ cartouche. satyr(s) (in general)

Minerva, 1637 - 1692 print Minerva, the goddess of war, with shield, helmet and an olive branch in her hand. The head of Medusa adorns her shield and cloak. Next to her kneels a servant who brings her an olive tree. This refers to the showdown between Minerva and Neptune about the leadership of the Attica region. Print from a series of four prints to Frescoes by Pietro da Cortona. Rome paper engraving (story of) Minerva (Pallas, Athena)

Merian, Maria Sibylla Eraser: Schellenberg, Johann Rudolf (1740)

Artist: Heinrich Aldegrever, Germany, 1502-1555/61, Hercules and the Hind, from the series The Labors ofHercules, Engraving, sheet: 10.3 × 6.8 cm (4 1/16 × 2 11/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Sel against Christ, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print Christ, tied to a pillar, is flashed by soldiers. Pilatus watches. The show is caught in an ornamental frame that is decorated with flowers, animals and putti. print maker: Antwerppublisher: Amsterdam paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1). flowers. animals

Ceiling painting in the Grande Gallery of Versailles with Louis XIV, King of France, between Mars and Minerva, Laurent Cars, After Jean Baptiste Massé, After Charles Le Brun, 1752 print Both Mars and Minerva point Louis XIV, king of France, to the effects of war. Numbered in the bottom right: No. 8. paper etching / engraving historical persons. war. king. (story of) Minerva (Pallas, Athena). (story of) Mars (Ares). (decorated) ceiling Versailles

Putti pull on the wings of Vadertje Tijd, Jacques -Philippe Le Bas, 1730 - 1783 print On the left a basement on which 'S.P.Q.R.' stands, with an eagle with a ribbon on which says 'Germania'. paper etching / engraving personifications of countries, nations, states, districts, etc.. Father Time, man with wings and scythe. cupids: 'amores', 'amoretti', 'putti'

Print (France)

Putti puts Guirlands, Anonymous, After Louis Testelin, 1639 - 1706 print A Frisian with putti with garlands hanging on a mask with ram horns. There is a female putto in the middle. The putto to the right of her shows her a mask upside down. Amsterdam paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. Ornament ~ feston, garland

Rest on the flight to Egypt, Stefano della Bella, 1620 - 1664 print Maria is sitting on his lap with the Christ child and Joseph is reading a book. Italy paper etching rest on the flight into Egypt

Snow of the house the scholar which lines, rue aux Poires, n ° 24.

. Allegorical grave monument for Joan Derk van der Capellen to Den Pol, deceased 6 June 1784. A farmer and a child with freedom hat and lance. On the ground a zeis, laurel wreath and broken yoke.

Design for Three Panels for a Library. Artist: Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). Dimensions: Sheet: 10 1/8 x 5 11/16 in. (25.7 x 14.4 cm). Date: 1745-85. Museum: Metropolitan Museum of Art, New York, USA.

A Girl Being Pulled Off the Grave, Gravelot, French, 1699 - 1773, active in England, P.P. Choffard, French, 1730-1809, Etching on paper, France, 1760-1761, Print, Print

Farmers' wife with a sickle on her coat of arms, master of the Amsterdam cabinet, 1473 - 1477 print Coat of arms with sickle is crowned by a helmet and a mobile leaf ornament. Woman is next to it and takes a basket over the head. Germany paper drypoint farmers - AA - female farmer, farmer's wife. container made of plant material other than wood: basket. armorial bearing, heraldry

Le Général la fayette soutenu sur les batons des marechaux Lukner et Rochambeau prend la Lune avec les dents January 22, 1792 Anonymous, French, 18th century French. Le Général la fayette soutenu sur les batons des marechaux Lukner et Rochambeau prend la Lune avec les dents 393245

Oval with the Olympic gods in the clouds; Konstbüchlein den Goldschmiden ServiceLich. From left to right: Venus and Amor, Vulcan, Mercury, Neptune, Minerva and Hercules. At the top of musicing putti. Leaf from series consisting of a title page and 11 sheets with designs for watch covers.

Frisian with triumphal tour of Quintus Fabius Maximus on Schouw in the mayor's room of the town hall on Dam Square (sixth part), Hubert Quellinus, after Artus Quellinus (I), 1663 print Sixth part of Frisian with triumphal tour by Quintus Fabius Maximus on the Schouw in the mayor's room of the town hall on Dam Square in Amsterdam. With women and men with musical instruments and riders. Under Numbered: 6. At the bottom of the middle marked: O. paper etching / engraving conqueror triumphing, triumphal entry of victor. triumphs (allegorical and symbolic). triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. riding a horse, ass, or mule; rider, horseman. (military) flags and standards City Hall of Amsterdam (1655-1808)

Fonteinsculptuur van Tritonen in Naïaden; Tritons and Nayades.; Collection of statues, groups, fountains, terms, vases, and other beautiful ornamens of the castle & park of Versailles. .

Feniks, Master of the Dice, After Rafaël, c. 1530 - c. 1560 print A self -burning phoenix in a tree, surrounded by other animals including bears, dogs and deer. Italian text in two columns in STUDMARGE. paper engraving fabulous animals ~ birds: phoenix

Lazio Viterbo Caprarola Palazzo Farnese026. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jozef II as a wolf that devours a sheep; Brabant Review, 1787-1790. Cartoon on the Austrian Emperor Jozef II, here in the form of a wolf with the ordinary sign of the golden fleece that disguised as a shepherd is about to devour a sheep. Related to 12 August 1789. With caption of 2 rules in French. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Allegorical representation of the peace of Hubertusburg, Johann Wilhelm Kauffer, Mezzotint Artist

The Laughing The Ezopus. (Ti)

Slaperigheid, Daniel Nikolaus Chodowiecki, 1784 print Numbered at the top right: 8. paper etching Good and Bad Behaviour, Moral Qualities

Francesco Sforza, Hurdy-Gurdy Player, Caricature of Two Mens Heads, Caricature of Two Old Women with a Salami, Battista Franco (attributed to), after Leonardo da Vinci, 1530 - 1561 print Leaf with four prints. At the top left: portrait of Francesco Sforza and Profil to the right in Maniaanian decorative frame. At the top right: man on a rock, in front of a tree, plays on a hurdy -gurdy. At the top left: two men's heads. The front man protrudes tongue to the rear. At the bottom right: two ugly old women look at each other. The judge holds out a salami. paper engraving / etching hurdy-gurdy player. human types. caricatures (human types). physiognomy. sausage

The smiling aesopus at Het Koolmaal when saying goodbye to the action apes, 1720, Anonymous, 1720 print On the left is the smiling Aesopus, Bombario in Harlekijnpak, with a group of monkeys that eat cabbage (the victims of the wind trade). On the right, wolves hunt on sheep. In the clouds Mercury, the Dutch lion and father time. In the caption a verse in four columns. Prent 48 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper etching / engraving animals acting as human beings. monkeys, apes

Portraits of Marie Antoinette and Ludwig XVI.

Abraham and Isaac with saints sat on a cloud, Carlo Cesio, After Giovanni Lanfranco, 1636 - 1686 print Abraham and Isaac with saints sat on a cloud. They are surrounded by angels, one of which plays on a lute. print maker: Italyafter drawing by: Italyafter painting by: Rome paper engraving / etching angels. Abraham (not in biblical context); possible attribute: knife. story of Isaac. angels singing, making music. saints

Triumph of Neptunus, 1565 - 1585 print The triumph of Neptunus. Neptunus standing on a shell pulled by a sea horse, preceded by a procession of other fantastic sea creatures with trumpets and horns. paper etching triumph of Neptune

Apollo and Daphne, after Rubens (Dutuit 5 pp 137) Pierre-Paul Rubens. Apollo and Daphne, after Rubens (Dutuit 5 pp 137). Forte, 1st half of the 17th century. Museum of Fine Arts of the city of Paris, small palace.

Drawing shows her work at Mercury, Ludwig Gottlieb Portman, after Jacques Kuyper, 1805 Drawing shows her work in a sketchbook to Mercury. Diamond -shaped show with emblems in the four corners of the fruits with the fruits of commerce, sea shipping, agriculture and fishing. Title plate of a bound edition of the series of twenty records of Dutch traditional costumes in the Batavian Republic at the beginning of the nineteenth century by Maashamp, ca. 1807. print maker: Netherlandspublisher: Amsterdampublisher: London paper etching Drawing shows her work in a sketchbook to Mercury. Diamond -shaped show with emblems in the four corners of the fruits with the fruits of commerce, sea shipping, agriculture and fishing. Title plate of a bound edition of the series of twenty records of Dutch traditional costumes in the Batavian Republic at the beginning of the nineteenth century by Maashamp, ca. 1807. print maker: Netherlandspublisher: Amsterdampublisher: London paper etching

Photo production of (presumably) a fresco in the Palazzo Pallavicini-Rospigliosi by Guido Reni, presenting aurora; Roma - Aurora, Guido Reni, Galleria Rospigliosi. Part of travel album with pictures of sights in Italy (part I).

Drawing, Spring, Summer, Fall.; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 11.3 x 25 cm (4 7/16 x 9 13/16 in.)

Christ in Limbo, from the Small Woodcut Passion 1509-1510 Albrecht Dürer German. Christ in Limbo, from the Small Woodcut Passion 361988

Ceres, right sitting, left a standing naked man and a putto, Ceres, a naked man and a putto, draughtsman: Johannes van Dregt, 1780, paper, pen, h 167 mm × w 281 mm

Triomf Van de Twee Romesese Keizers, Cherubino Alberti, After Polidoro da Caravaggio, 1628 print A group of people flee with their belongings. Behind it a group of Roman soldiers on horseback with spears. On a plaque under the performance text in Latin. Numbered bottom left: 4 (mirror image). paper engraving battle. warfare; military affairs (+ cavalry, horsemen). flight, running away; pursuing

Job's Evil Dreams 1825-26 William Blake British. Job's Evil Dreams. Illustrations of the Book of Job. William Blake (British, London 1757-1827 London). 1825-26. Engraving. Published by William Blake (British, London 1757-1827 London) No. 3 Fountain Court, Strand. Prints

. Festive procession with Hertog August, Keurvorst van Sachsen dressed up as farmer and various other characters in farmer and allegorical intensities. Frisian consisting of at least 20 parts with approximately. 26 etchings. The first two parts are missing.

Job's Despair, from Illustrations of the Book of Job. Artist: William Blake (British, London 1757-1827 London). Dimensions: plate: 8 9/16 x 6 9/16 in. (21.7 x 16.7 cm)sheet: 16 1/4 x 10 7/8 in. (41.3 x 27.6 cm). Publisher: Published by William Blake (British, London 1757-1827 London) No. 3 Fountain Court, Strand. Date: 1825-26. Museum: Metropolitan Museum of Art, New York, USA.

Piranesi Giovanni Battista, Antichita di Cora (approx. 1900): Blatt from the episode »Antichita di Cora« from 1764, pl. 17. Pressure on paper, 31.7 x 44.6 cm (including scan edges) Piranesi Giovanni Battista : Antichita di Cora

Fountain with Hercules and Antaeus; Nova Fontium Deineatio. Front and rear view. Obachi copy to leaf from series Liure de Fontaines published by Daniel Marot.

Punishment of criminals on ATJEH, 1603; Afteeckeninge of the Grouwelijcke IUSTICION IN ACHIN. Punishment of criminals on Aceh by raising body parts, March 1603. Two ships for a river mouth on Aceh, in the foreground two standing men, on the left a man without hands and feet, right a hosteling without a nose, ears and upper lip. Part of the illustrations in the report of the first trip to the East Indies for the VOC below of Warwyck and De Weert in 1602, no. 3.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

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