Classical Female Figures

Artworks depicting female deities and figures in various poses, showcasing nudity, mythological themes, and rich colors typical of classical art.

Theodore Chasseriau / Esther / 1841

Portrait of naked goddess Venus by Lambert Sustris, oil on canvas, circa 1550, 1515/20-after 1591, Russia, St. Petersburg , State Hermitage, 101, 5x170

'Venus'. Italy, Circa 1550. Dimensions: 101,5x170,5 cm. Museum: State Hermitage, St. Petersburg. Author: LAMBERT SUSTRIS.

Theodore Chasseriau / Esther / 1841

Peter Paulus Rubens / "Andromeda Chained", 1634, Painting (oil on canvas), 193 × 104 cm. Museum: Museo Víctor Balaguer, Villanueva y Geltrú, Barcelona, Cataluña, España.

Danae, by co-worker Mazzoni Giulio, 16th Century, fresco. Italy: Lazio: Rome: Palazzo Spada: Galleria degli Stucchi. Whole artwork. Woman anatomy nudity breast eroticism sensuality goddess cupid Eros bed pillow white pink red canopy cornice panels stuccoes

The Young Bather 1866 Gustave Courbet French The traditional theme of women bathing attracted Courbets attention repeatedly in the 1860s. This scene revisits a motif that excited a furor of controversy when the artist first broached it a decade earlier: a realistically fleshy nude enjoying herself at a woodland spring. But by the time the present work was exhibited, viewers were more accepting of Courbets approach. One writer praised this "beautiful girl" as "health itself, with an ample and plump silhouette … one couldnt be more independent or more true."?. The Young Bather. Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). 1866. Oil on canvas. Paintings

Landscape with Salmacis and Hermaphroditus, Louis-Jean-François Lagrenée, 1773

Diana, 1867, by Pierre-Auguste Renoir (1841-1919), oil on canvas, 199x129 cm.

Jean-Baptiste Aubry-Lecomte/According to Anne-Louis Girodt-Trioson (1767-1824). "Abandoned Ariane". Engraving. Paris, Carnavalet museum. 59465-15 Abandon, abandon, sleep, young woman, Greek mythology, nudite, Greek mythological character, XIXth century, engraving, naked

Dryads', 15th Century. Dryads are female tree spirits in Greek mythology.

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: Am Quell, At the Source) (1879), Painting, Reproduction of the painting, Work of art, Historical, Nude of a woman by a shallow stream in an evening landscape

The Scherzo, Stuck, Franz, Ritter von (1863-1928)

The Three Graces. Il Poppi (1544-1597) Italian painter. In classical mythology, daughters of Jove, Euphrosyne, Aglaila and Thalia, goddesses the embodiment of beauty and charm. Nude Female Muse

Adam and Eve

The Birth of Cupid Master of Flora Italian This painting appears to depict the birth of Cupid, with attendants ministering to his mother, Venus. The lively, decorative composition is typical of French artists working in the style developed by the Italians at the chteau de Fontainebleau, such as Rosso Fiorentino of Florence and Primaticcio and Niccolo dell Abate of Bologna. The frame is sixteenth-century Italian.. The Birth of Cupid 437006

Study of a Reclining Nude - Isidore Pils, circa 1841

William-Adolphe Bouguereau, Seated Nude, 1884, oil on canvas.

Jean Auguste Dominique Ingres / 'The Bather', 1807, Oil on canvas, 51 x 42.5 cm. Museum: MUSEE BONNAT, Bayona, France.

The Three Graces'. Il Poppi (1544-1597) Italian painter. In classical mythology, daughters of Jove, Euphrosyne, Aglaila and Thalia, goddesses the embodiment of beauty and charm. Nude Female Muse

Cupid and Psyche. Date/Period: Before 1867. Painting. Oil on canvas. Height: 116.8 cm (45.9 in); Width: 141.4 cm (55.6 in). Author: Alphonse Legros.

'St Sebastian'. Italy, Circa 1570. Dimensions: 210x115,5 cm. Museum: State Hermitage, St. Petersburg. Author: TITIAN.

Fresco The Mermaid of the Wildsee, Trinkhalle, Baden-Baden, Black Forest, Baden-Wuerttemberg, Germany, Europe

TTITIA, Tiziano Vecello, also called (1490-1576). Danae Receiving the Golden Rain. 1551. Renaissance art. Cinquecento. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Jacobs Dream, Ary de Voir, 1660 - 1680 painting Jacob's dream. The jacob Jacob is sleeping under the head under bushes on a lend towel after naked Jacob. There is a dog next to him. In the background his dream image with the ladder with angels. panel. oil paint (paint) the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. dog

Jeunes filles au bord de la mer Young Girls by the Seaside. Date/Period: 1879. Painting. Oil on canvas. Height: 610 mm (24.01 in); Width: 470 mm (18.50 in). Author: PIERRE PUVIS DE CHAVANNES.

The Source 1862 Gustave Courbet French Rejecting the convention of showing an idealized, statuesque female figure based on classical models, in this work Courbet dropped the trappings of an academic allegory or, indeed, of a picture with a high-minded pretext. His picture of a woman embracing a cascade of water may have been a response to a work by Ingres exhibited in Paris the previous year, which depicts a hyper-idealized nude holding a jar from which water pours as an allusion to spring or a river source.. The Source. Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). 1862. Oil on canvas. Paintings

Lying naked woman holding bird by Gustave Courbet, oil on canvas, 1866, 1819-1877, USA, New York, Metropolitan Museum of Art, 129, 5x195,

Nude Reclining Woman - Gustave Courbet, 1862

The Gorgon and the Heroes, 1897, by Giulio Aristide Sartorio (1860-1932), part of a diptych, oil on canvas, 305x420 cm. Detial.

Susanna and the Elders. Dating: 1820. Measurements: h 135 cm × w 96 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam. Author: Pierre Van Hanselaere.

Fantasy. Date/Period: 1866. Painting. Oil on canvas. Height: 2,635 mm (103.74 in); Width: 1,485 mm (58.46 in). Author: PIERRE PUVIS DE CHAVANNES.

Bathers on the Seine, 1874, by Edouard Manet (1832-1883), oil on canvas, 132x98 cm.

Jaktnymf och fauner Nymph and Fauns. Date/Period: 1875. Painting. Oil on canvas. Height: 269 cm (105.9 in); Width: 130 cm (51.1 in). Author: JULIUS KRONBERG.

French school. Sleep. Le Sommeil. 1866. Oil on canvas (135 x 200 cm). Paris, musée du Petit Palais. Author: GUSTAVE COURBET. Location: MUSEO PETIT PALAIS. France.

Zuzanna in a whistle; Szyndler, Pantaleon (1846-1905); 1876 (1876-00-00-1876-00-00);

LAS TRES GRACIAS - DETALLE - PINTADO HACIA 1635 - O/L - 221x181 - NP 1670 - BARROCO FLAMENCO - CONJUNTO 268. Author: PEDRO PABLO RUBENS (1577-1640). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. TALIA. EUFROSINA.

Water nymphs; Pruszkowski, Witold (1846-1896); 1877/78 (1877-00-00-1878-00-00);Origin unknown

Psyche Receiving the First Kiss of Cupid', 1798. Artist: Francois Pascal Simon Gerard. Francois Gerard (1770-1837) was a prominent French painter born in Rome.

Aegina Visited by Jupiter ca. 1767-69 Jean-Baptiste Greuze French Greuze insisted on submitting a painting to the Académie Royale that would gain him entry as a history painter, resulting in numerous false starts including this ambitious but unfinished canvas. It evokes the goddess Danaë, but may represent Aegina, daughter of the river god Aeopus who was visited by Jupiter and carried off by him in the form of an eagle. In 1767, Greuze wrote to Diderot that he should very much like to paint a woman totally nude without offending modesty,” perhaps in reference to this work. In 1769, however, Greuze finally submitted a different subject, his ill-fated Septimus Severus and Caracalla, today in the Musée du Louvre.. Aegina Visited by Jupiter. Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). ca. 1767-69. Oil on canvas. Paintings

Cymon and Iphigenia, Wildens, Jan (1586-1653)

PINTURA (DESNUDO FEMENINO EN SILLON). Author: RICARDO SANZ 1957/. Location: PRIVATE COLLECTION. MADRID. SPAIN.

'The Three Graces', c1725-1770. Artist: François Boucher

Raimundo de Madrazo y Garreta / 'After the Bath (Female Nude)'. Ca. 1895. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Study of a Reclining Nude, c. 1841. Isidore Pils (French, 1813/15-1875). Oil on fabric; unframed: 72.5 x 92 cm (28 9/16 x 36 1/4 in.). The languorous, sensuous pose of this woman is strongly reminiscent of Jean Auguste Dominique Ingres's popular paintings of odalisques, female slaves, and concubines in Turkish harems. Much of this canvas has been left thinly painted or entirely blank, suggesting that it was a figural study rather than a finished work of art. The French Academy in the 1800s viewed the depiction of the nude as the ultimate measure of an artist's skill. Because models changed poses frequently, students had to work quickly and without embellishment. Here the artist completed only those areas needed to emphasize the contours of the model's body.

Wood-Nymphs (The Discovery) 1799 Thomas Rowlandson. Wood-Nymphs (The Discovery). Classical Nudes. After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). 1799. Hand-colored etching and stipple. Prints

Die Frau mit den Flügeln der Liebe, Woman holding the wings of love, Gemälde von Jean-Baptiste Cariven 1843 bis 1904, französischer Maler, Reproduktion eines Gemäldes aus dem 19. Jahrhundert, digital restauriert, historisch

A naked woman sits relaxed next to a tiger in a green forest landscape. Circe, Zirce or Kirke, a sorceress of Greek mythology, with tiger, Painting by John Maler Collier (28 January 1850, 11 April 1934), British writer and painter, Historical, digitally restored reproduction from a 19th century original, Record date not stated

After the Bath, by Narcisse Virgilio Diaz, 1860-76, French painting, oil on panel. A naked young woman sitting on a cloth on the waterfront, attended by her aged maid (BSLOC_2016_2_152)

Nereids by Edward John Poynter, oil on canvas, 1903, 1836-1919, private collection, 145, 9x110

Painting titled 'An Allegory with Venus and Cupid' by Agnolo di Cosimo (1503-1572) Italian Mannerist painter from Florence. Dated 16th Century

Susanna, painting by Rembrandt van Rijn (1606 - 1669), historical, digitally enhanced reproduction of a model from that time .

Psyche Asleep in a Landscape 1837 Karl Joseph Aloys Agricola Austrian. Psyche Asleep in a Landscape 395795

Diana, Queen of the Hunt, by Domenico Zampieri, detail, 1581-1641, Italy, Rome, Galleria Borghese

IGNACIO PINAZO. PINTOR ESPAÑOL. SAGUNTO 1849-1916. " LAS HIJAS DEL CID " OLEO AÑO 1879. DIPUTACION PROVINCIAL DE VALENCIA. Author: IGNACIO PINAZO CAMARLENCH.

A 'harem' is not a bordello, seraglio or brothel, but refers to the women's quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire. Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is haram ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines' servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the men's selamlik. A hammam is a common bath house.

Floréal, 1888, óleo sobre tela, Louis Joseph Raphael Collin, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Young Woman Going to Bed - Jacob van Loo

René Menard (French, 1862 - 1930). Automne, ca. 1897. Collotype (after color lithograph) on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

Eve by Durer, Albrecht (1471-1528) Museo del Prado, Madrid 1507 Oil on wood 209x80 Germany Renaissance Bible Painting

John Collier (born 28 January 1850 in London, died 11 April 1934 in London), British writer and painter in the Pre-Raphaelite style, here his work: Circe (1885), the mythological figure of the sorceress Circe surrounded by predators, including a tiger and an ocelot, in a forest, A naked woman leans against a tiger in a quiet forest, the scene appears harmonious

The Turkish Bath' by Jean-Auguste-Dominique Ingres (1780-1867), 1863. Painted in a highly erotic style, it shows a group of women in the bath of a harem. Painted canvas on wood.

Wood-Nymphs (The Discovery) 1799 Thomas Rowlandson. Wood-Nymphs (The Discovery). Classical Nudes. After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). 1799. Hand-colored etching and stipple. Prints

The work Nu Allongé, Reclining Nude, was created by the French painter Delphin Enjolras (1857-1945) . The painting shows a reclining, nude woman in an elegant and relaxed pose, illustration, reproduction from a painting. Authentic, File restored for optimal use, Exact date of original unknown, Historic, Nude woman lying surrounded by roses on a marble platform by the water

Rape of Europa. Dating: 1550 - 1599. Place: Venice. Measurements: h 31 cm × w 84 cm × t 2 cm. Museum: Rijksmuseum, Amsterdam. Author: Schiavone (rejected attribution).

Pan and Psyche, Burne-Jones, Sir Edward Coley, 1872.

'On the River Bank', 1928, Oil and tempera on canvas, 110 x 81 cm. Author: JULIO ROMERO DE TORRES. Location: MUSEO ROMERO DE TORRES. CORDOBA. SPAIN.

Madame Pompadour, mistress of Louis XV., as Venus, tinted red chalk drawing by Francois Boucher, 17th century, historic color lithograph circa 1870

The White Slave, 1894 by Ernest Normand (1859-1923) English orientalist painter.

Pygmalion and the Image, The Soul Attains, 1878 By Sir Edward Burne-Jones, Roman Mythology, Oil Painting, Pre-Raphaelite, Nude, Female, Ovid

Ludwig von Hofmann (1861-1945). German painter. Narcissus, 1890-1900. National Museum. Warsaw. Poland.

Aegina Visited by Jupiter. Artist: Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). Dimensions: 57 7/8 x 77 1/8 in. (147 x 195.9 cm). Date: ca. 1767-69.The young woman may be Aegina, daughter of the river god Asopus, who was visited by Jupiter in the guise of fire and carried off by him in the form of an eagle. This unfinished picture was perhaps an attempt by Greuze at a reception piece for the French Royal Academy. In 1767 he was barred by the Academy from exhibiting in the Salon for having failed to fulfill this requirement. The same year, in a letter to Diderot, Greuze wrote that he "should very much like to paint a woman totally nude without offending modesty.". Museum: Metropolitan Museum of Art, New York, USA.

The Triumph of the Swan; Le Triomphe de Cygne. Leon Francois Comerre (1850-1916). Oil on canvas. 65 x 100.3cm.

Lucretia, by Lucas Cranach the Elder (1472-1553).

Young girls at the seaside, 1879, by Pierre Puvis de Chavannes (1824-1898), oil on canvas, 205x154 cm.

Amor and Psyche, Gerard, Baron Francois, 1810.

Alma Natura Ave. Cesare Saccahggi (1868-1934). Pastel. 80 x 130cm. The picture depicts a procession in honour of Mother Nature with an icon of Diana of Erhesius, Goddess of Fertility.

Cranach, Lucas, 'the Elder' (1472-1553). Eve. 1520s. This painting and another representing Eve were a part of an altar. Renaissance art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Pygmalion and the Image, The Hand Refrains, 1878 By Sir Edward Burne-Jones, Roman Mythology, Oil Painting, Pre-Raphaelite, Nude, Female, Ovid

fine arts, Delacroix, Eugene, (1798 - 1863), painting, ""odalisque"", circa 1850, oil on canvas, 24,5 cm x 32,5 cm, Dr. Peter Nathan collection,

In the Venusberg Tannhauser - John Collier, 1901

Paul Baudry / 'The Pearl and the Wave', 1862, French School, Oil on canvas, 83,5 cm x 178 cm, P02604. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Illusions - before 1901 Henry Brown Fuller

The Turkish bath - Jean Auguste Dominique Ingres, 1862

drawing by Paul Delaroche: jeune fille dans une basin, Robert Jefferson Bingham, Goupil & Cie, 1858.

Woman Bather on Shore, Renoir, Pierre-Auguste, 1914

Ramón Casas / 'En el baño', 1895, Óleo sobre lienzo. Museum: COLECCION PRIVADA.

Adam and Eve, by Lucas Cranach the Elder (1472-1553).

'St Sebastian'. Italy, Early 16th century. Dimensions: 147x70 cm. Museum: State Hermitage, St. Petersburg. Author: Antonio Rimpatta.

Allegoric Figure and Herm, by Siciolante Girolamo known as Sermoneta, 1550, 17th Century, fresco. Italy: Lazio: Rome: Palazzo Spada: Sala dei Fatti degli Antichi Romani. Detail. Wall fresco woman allegory breasts cornucopia/horn of plenty abundance/plenty veil painted niche with apse herm female figure red gold light blue/azure white shade/shadow

Death of Cleopatra. Painted by Benedetto Gennari in 1666. Cleopatra VII Philopator (69 BC - 10 August 30 BC) was queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler. Benedetto Gennari II (October 19, 1633 - December 9, 1715) was an Italian painter active during the Baroque period

State Tretyakov Gallery, Moscow 141x185

Venus with Satyr, by Antonio Canova (1757-1822), painting.

Venus and Cupid. Hans Zatzka (1859-1945). Oil on panel. 40 x 53cm.

eroticism ancient world Roman Empire lovers in bed fresco Pompeii circa 70 AD,

Springtime Joseph L. D. Bouvier (1841-1901/French)

Venus and Cupid. 1742 Francois Boucher; French (1703 - 1770)

The Three Witches appearing to Macbeth and Banquo'. Scene in Shakespeare's play first performed c1606. Sinister witches wrapped in white and with almost spectral faces, point meaningfully at Macbeth.

Seated Nude, Mademoiselle Rose', 19th century. Artist: Eugene Delacroix. Delacroix was a French Romantic artist regarded as the leader of the French Romantic school.

Lucas Cranach dÄ Ruhende Quellnymphe (Washington, DC) Lucas Cranach the Elder (German, 1472 - 1553 ), The Nymph of the Spring, after 1537, oil on panel, Gift of Clarence Y. Palitz 1957.12.1

Paintings by an unknown painter of the school of Fontainebleau, double portrait of Gabrielle D Estrees and her sister, Gabrí shows it, lover of Heinrich IV., And presumably her sister Julienne Hippolyte, the Duchess of Villars, Historically, Digitally restored reproduction of a template from the 19th century, Record Date not Stated

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