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Classical Female Nude Art

Artworks featuring classical representations of the female form, expressing beauty and allegory. The mood is sensual, with rich colors and thoughtful compositions of figures in nature.

The Judgement of Paris Anselm Friedrich Feuerbach (1829-1880 German)
The Judgement of Paris Anselm Friedrich Feuerbach (1829-1880 German)
150 assets in this story
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William Bouguereau (1825-1905), . Las Oreadas, . 1902, . Óleo sobre lienzo, Museo de Orsay, Ministerio de Cultura y Comunicación Francés, Paris, France,Western Europe.
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Nude by Louis-Marin Bonnet, Pastel on paper, 1743-1793, Russia, Moscow, State A. Pushkin Museum of Fine Arts,
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Bliżej Kultury Publisher Von A.e. SEEMANN IN PLAPIG, DUFFAU, CLUCTIONSE Highène (1869 1937)
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PYGMALION AND GALATEA, by Jean-Leon Gerome, 1890, French painting, oil on canvas. Pygmalion's wish for a wife as beautiful as his sculpture was granted by Venus, who brought the statue of Galatea to life. At right Cupid, Venus' son, assists (BSLOC_2017_9_54)
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A seated female. Date/Period: 1550. Painting. Oil on canvas. 190 × 93 cm (74.8 × 36.6 in). Author: GIROLAMO SICIOLANTE DA SERMONETA.
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The Bath of Psyche by Frederic Leighton. Circa 1880-1890. Leighton lived between 1830-1896. Based on the pose of a Greek Marble statue "The Callipygian Venus.
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An Odalisque. Charles Landelle (1812-1908). Oil on canvas, 44.2 x 29.4cm.
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Phosphorus and Hesperus by Evelyn Pickering De Morgan; British artist, 1850 - 1919. painted in 1881. This painting depicts the greek gods Phosphorus and Hesperus. Phosphorus is the planet Venus when it appears as the morning star. Hesperus is the planet Venus when it appears as the evening star.
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Idyllic scene. Thoma, Hans (1839-1924), draughtsman, cartoonist
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Cupid and Psyche, Aspects of the mythical love affair between the god Cupid, also called Cupid, and the mortal king's daughter Psyche, Historical, digitally restored reproduction from a 19th century original
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The Odalisque, by Francois Boucher (1703-1770).
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'Narcissus', c1500. Artist: Giovanni Antonio Boltraffio.
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Venus and Cupid, Lucas Cranach the Elder, circa 1530, Gemaldegalerie, Berlin, Germany, Europe
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William-Adolphe Bouguereau / Bather, 1870. Oil on canvas, 190 x 95 cm. Museum: MUSEO DALI, Figueras, SPAIN.
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'Naiad'. France, Circa 1896. Dimensions: 41,5x55 cm. Museum: State Hermitage, St. Petersburg. Author: HENRI FANTIN-LATOUR.
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Susana was a woman who appears in the Book of Daniel, daughter of Hilkiah and wife of Joaquin, a wealthy and influential Jew in the Babylonian Exile. Two elderly judges are passionate about Susana and agree to surprise her alone and abuse her. Old 19th century engraved colored illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862
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Painting titled 'Temptation' painted by William Adolphe Bouguereau (1825-1905) French academic painter and traditionalist. Dated 1880.
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First Kiss, Fine Art
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The Turkish Bath, 1862, oil on canvas. A summation of the theme of female voluptuousness attractive to Ingres throughout his life, rendered in the circular format of earlier masters. A 'harem' is not a bordello, seraglio or brothel, but refers to the women's quarters, usually in a polygynous household, which are forbidden to men. It originated in the Near East and is typically associated in the Western world with the Ottoman Empire. Female seclusion in Islam is emphasized to the extent that any unlawful breaking into that privacy is haram ie, 'forbidden'. A Muslim harem does not necessarily consist solely of women with whom the head of the household has sexual relations (wives and concubines), but also their young offspring, other female relatives or odalisques, which are the concubines' servants. The harem may either be a palatial complex, as in Romantic tales, in which case it includes staff (women and eunuchs), or simply their quarters, in the Ottoman tradition separated from the me
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A pastel drawing by Ludwig von Hofmann from around 1900-1904 depicting Adam and Eve at the tree of knowledge.
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'Lucretia'. Germany, 16th century. Dimensions: 86x63 cm. Museum: State Hermitage, St. Petersburg. Author: German painter. 16th century.
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A somewhat disturbing illustration by Fortunino Matania showing an innocent and very much naked young woman, stranded on a rock in the sea, unable to come ashore due to a sinister satyr who waits patiently for her on the beach. Date: 1950
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Love's Whisper. Guillaume Seignac (1870-1924). Oil on canvas. 81.3 x 100.3cm.
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The Young Poet, 1849 By Arthur Hughes, Tree, Oil Painting, PortraitPre-Raphaelite, Boy
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Brennus and His Share of the Spoils, also known as: Spoils of the Battle, 1893 - Paul Joseph Jamin
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Thetis Consoling Achilles, by Tiepolo Giambattista, 1757, 18th Century, fresco. Italy, Veneto, Vicenza, Villa Valmarana ai Nani. Detail. Sea water waves Thetis emerges from the waves to comfort Achilles.
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Rock of Doom, Burne-Jones, Sir Edward Coley, 1887.
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The Judgment of Paris, 1931, by Bernardino Palazzi (1907-1987), Palazzo Spinola, Milan, Lombardy, Italy.
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Jean Baptiste Greuze (17251805) was a French genre and portrait painter. His works are characterized as sentimental and moralistic. He was praised by Diderot. Among his best known works are La Malediction paternelle, La Cruche Cassee, and LInnocence tenant deux Pigeons. This painting, titled Les Deux Soeurs or The Two Sisters, was bequeathed by Baron Arthur de Rothschild to the Louvre. If ity lacks some of the charm of Grueze's other pictures of girls, it possesses many of his most charming qualitiesdelicacy of coloring, graceful figures, appealing gesture. The arrangement of the scarves and draperies is essentially Greuze.
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The Three Graces', 1504-1505. Artist: Raphael. Raphael(1483-1520) was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of human grandeur.
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'Venus Standing in a Landscape, 1529, Oil on panel, 38 x 25 cm. Author: LUCAS CRANACH EL VIEJO (1472/1553). Location: LOUVRE MUSEUM-PAINTINGS. France. VENUS DIOSA ROMANA.
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Nude Seated at Her Dressing Table. oil on canvas. Date: 1909. Museum: Smithsonian American Art Museum.
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Last Watch of Hero
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The Young Poet, 1849. By Arthur Hughes
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Crown of Thorns, 1635-1640, by Trophime Bigot (1579-1650), Church of Santa Maria in Aquiro, Rome. Italy, 17th century.
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'Tierra, Fauna y Flora', 1931, Oil on canvas. Author: EUGENIO HERMOSO (1883-1963). Location: PRIVATE COLLECTION. MADRID. SPAIN.
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Warrior with Lance and shield, Joans Echarius Carolus Alberti, painting Warrior with lance and shield. Half -naked with a cloak over the shoulder, seen on the back. canvas. oil paint (paint) the soldier; the soldier's life. protective weapons: shield. helved weapons, polearms (for striking, hacking, thrusting): lance. standing figure
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Nymphs Leaving the Bath 1843 France. Oil on canvas . Jean Baptiste Camille Corot
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Pierre Auguste Cot (1837-1883). French painter. Spring, 1873. Oil on Canvas. Metropolitan Museum. New York. United States.
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Francois-Andre Vincent / La Melancolie
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Falkman, Severin, work, Antonio, academy practice, 1870, oil on canvas, painting, PORTRAIT; man; quid; Anthony; Italian; knee shot; helmet; sword; pulley, 112 cm x 74 cm
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Prophetess Fatidica, Leighton, Frederic
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John William Waterhouse (6 April 1849 10 February 1917) English Pre-Raphaelite painter Hylas and the Nymphs (1896)
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Ottoman Empire. Public baths for women in Turkey. Interior. Engraving. Iconographic Encyclopaedia of science, Literature and Art. 19th century. Later colouration. Author: Johan George Heck.
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Danaides 1904 John William Waterhouse (1849-1917 British) Oil on canvas Christie's Images, London, England
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'Endymion'. Germany, 1796. Dimensions: 170,5x152 cm. Museum: State Hermitage, St. Petersburg. Author: Martin Ferdinand Quadal.
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Juan Carreño de Miranda / ''The Monster', nude, or Bacchus', ca. 1680, Spanish School, Oil on canvas, 165 cm x 108 cm, P02800. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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Woman at a Balcony 1887-88 Jean-Léon Gérôme Seen from below as if from street level and posed seductively in a revealing costume, this woman is identifiable as an alma, or courtesan. The setting recalls Cairo, which Gérôme visited for the last time in 1868, some twenty years before he painted the picture.. Woman at a Balcony 685040
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Fernando C Amorsolo, The Bathers, 1954, Oil on canvas.
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Semi-clothed woman by a river bank called Varini. Chromolithograph by R. Varma.