Classical Figure Drawings

Intricate drawings featuring classical figures and angels, emphasizing dynamic poses and elegant drapery, reflecting Renaissance art influences.

Standing Woman Seen from theBack. Artist, formerly attributed to: Paolo Caliari, called Veronese, Italian, Venice, 1528-1588

Foliate Grotesque Head 16th-17th century Anonymous, Italian, 16th to 17th century Italian. Foliate Grotesque Head 388704

A drawing by Nicolò dell'Abate from 1560-1570 depicting Jupiter and Amor, executed in brown pen, lavated, and whitewashed on light brown paper with black pen accents.

The Virgin and Child Enthroned on a Cloud, with Saints Dominic, John Nepomuk, Sebastian, Mark, and Anthony Abbot ca. 1746-71 Giuseppe Diziani. The Virgin and Child Enthroned on a Cloud, with Saints Dominic, John Nepomuk, Sebastian, Mark, and Anthony Abbot. Giuseppe Diziani (Venice 1732-Vencie 1803). ca. 1746-71. Pen and brown ink over black chalk. Drawings

The Rest on the Flight into Egypt: Lightly Etched. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1645. Dimensions: 135 x 117 mm (image/sheet, cut within platemark). Etching with drypoint on buff paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Study for the Ascension of the Virgin 16th century Marco Pino. Study for the Ascension of the Virgin 342050

Metal pen and feather drawing by an anonymous artist depicting a floating angel holding a palm branch, gray-laved.

Helmet and studies for heads; Collection of different scribbles and etchings; Recueil De Divers Griffinements & Preuves d'eau forte.Around A Helmet Seven Studies of Heads, Incuding A Woman, A Sater and or Children.

Allegorical Figure of Purity with a Unicorn 1688-89 Marcantonio Franceschini Italian. Allegorical Figure of Purity with a Unicorn 338792

Kreupele beggar with a container; Small figures. Six lines of Latin text in the underwear. At the bottom left of the number '1'.

Fraile en adoracion. Dibujo, estudio del siglo XVII. Museum: MUSEO CERRALBO, MADRID, SPAIN. Author: ANONYMOUS.

Eugenio Cajés / 'The Annunciation'. Ca. 1620. Grey-brown wash, Charcoal, Red chalk, Squared-up on yellow laid paper. Museum: Museo del Prado, Madrid, España.

Francesco de Guardi's ink and feather drawing depicts three winged angel heads, emphasizing facial features and wing details.

Giuseppe Passeri, Aurora's Tryst with Time Interrupted, c 1700 Aurora's Tryst with Time Interrupted

Study for the 'St Sebastian', 1913.Artist: Anthony van Dyck

Copper engraving by Albrecht Altdorfer showing Venus chastising Cupido, created in 1508.

Studies of a Boy and a Girl (recto) Studies of Legs (verso). Artist: Traditionally ascribed to Annibale Carracci (Italian, Bologna 1560-1609 Rome). Dimensions: sheet: 9 x 12 5/8 in. (22.9 x 32.1 cm). Date: 1560-1609. Museum: Metropolitan Museum of Art, New York, USA.

Dice-Thrower and Other Studies after Ancient Sculptures, 1775/80, black chalk and gray wash on laid paper, overall: 15.2 x 21.1 cm (6 x 8 5/16 in.), Jacques-Louis David (artist) French, 1748 - 1825

Piping farmer on a wooden bench, anonymous, after Cornelis Dusart, 1679 - 1754 print print maker: Low Countriesafter design by: Haarlem paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). sitting on an elevation (+ three-quarter view). farmers

Group of philosophers or scribes at a table with books.

Putti with the coat of arms of the Lucas Gilde.

Study sheet with three heads and two hands, Pieter van den Berge, after Gerard de Lairesse, 1694 - 1737 print Study magazine with a mother on her arm on the left above a mother, a figure with a plume on her head, under an angel with a vase in his hands and two studies of hands. paper etching / engraving drawing, sketch

Saint Matthew 1538 Domenico Beccafumi Italian. Saint Matthew 337774

Studies for the Christ Child with a Lamb (recto); Head of an Old Man, and Studies of Machinery (verso). Leonardo da Vinci (Italian, 1452 - 1519)

Design for a Fountain, Pen and brown ink on paper, Left half of fountain at edge of stream (at left) with bridge and tower in the distance. Central section of fountain with shell as basin into which water pours from a mask in the upper part and from jar held by a mermaid who kneels on a pedestal., France, ca. 1710, architecture, Drawing, Drawing

Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in Manuta. A man in the prow of a boat. A woman is shown at left, walking toward left. She has two heads, the back one bearded, and raises a key with her right hand. At right is the man, shown from the back. Date: ca. 1781. Lead pencil, pen and dark ink, brush and black and grey watercolors on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Sketch of Angel with Flowers; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on brown laid paper; 13.4 × 22.7 cm (5 1/4 × 8 15/16 in.); 1914-38-200

Three Peasants. Artist: Attributed to Anonymous, French, 19th century. Dimensions: sheet: 11 3/16 x 7 1/8 in. (28.4 x 18.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Five naked men in different attitudes; Paradigmata Graphics variorum artificum. Studies of five naked men in different attitudes. On the left above a squatted man seen on his back (a), in the middle one for over curved man, just to see the shoulders and his head (b). Left under a rowing slave on his back (c), in the middle a kneeling man holding his hands in front of his face (d) and on the right a man in turned attitude with his arm up (d).

The Ascension, Study for a Kneeling Apostle, 1844 Verso, Back: Head of a Child, 1844 Ford Madox Brown, Recto: A bearded man, full length, kneeling with his hands raised in prayer., , Verso: Head of a child, turned slightly to the right., Art Movement, Pre-Raphaelite, Drawing, Pencil, Chalk, Religion, Sketch, Bearded, Full-length, Study

A chalk and metal pen drawing by an anonymous artist depicting a young female breast figure viewed from the bottom left, with the right side raised, including a stain on the surface.

Head and Figure Studies. Giulio Cesare Procaccini (Italian (Bolognese), 1574 - 1625)

Angel Holding a Flute 1580 Italy. Black and red chalk, on buff laid paper, incised . Circle of Giuseppe Cesari

Study for a second edition, never published, of Colle's La Partie de Chasse de Henri IV , Act II, Scene 11 1699-1766 France. Pen and black ink, with black chalk, on pale gray laid paper, perimeter mounted on ivory laid paper . Hubert François Gravelot

Alphonse Legros, Sleeping Beggar (Mendiant endormi) Sleeping Beggar (Mendiant endormi)

Two children and a Sater, Jan de Bisschop, 1648 - 1671 drawing paper. ink pen / brush Satyrs, Fauns, Sileni. Child

Design for a Helmet with a Sphinx presented in 3/4 View. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 7 x 3 7/16 in. (17.8 x 8.8 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Saint Catherine, Raphael, Raffaello S.

Jupiter, drawing, draftsman: Romeyn de Hooghe (attributed to), 1702, Pen and brush in brown, paper ink, pen, brush, sheet: height 113 mm × width 182 mm, (story of) Jupiter (Zeus), Pegasus, the winged horse

Fame. Artist: Luca Cambiaso (Italian, Moneglia 1527-1585 Madrid) (). Dimensions: 13 1/16 x 9 9/16 in. (33.2 x 24.3 cm). Date: mid- to late 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Three studies of a seated woman. Draughtsman: Anthony Andriessen. Dating: 1756 - 1813. Measurements: h 182 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Neptune; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; graphite, red wash on paper; 19.5 × 25.5 cm (7 11/16 × 10 1/16 in.) Mount: 26.5 × 21.7 cm (10 7/16 × 8 9/16 in.)

Bacchanale - Satyr and Nymph with Infant and Infant Satyr n.d. Jean Honoré Fragonard French. Bacchanale - Satyr and Nymph with Infant and Infant Satyr 369319

Agapito Cuevas / 'Saint John the Evangelist'. XVI century. Grey-brown wash, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

Three standing men: the evangelist Mark, reading in a book (a), a man on a ladder (b), standing man to the left (c). Originally a print cut apart and now reattached. Three standing men Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, intermediary draughtsman: Taddeo Zuccaro, (manner of), Federico Barocci, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 139 mm × w 226 mm

La Renommée, statue par M. Dejoux, Annales du musée et de l'école moderne des beaux-arts: recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture, ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux: les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges: les morceaux les plus estimés ou inédits de la galerie de peinture. . ., Dejoux, Claude, 1732-1816, Lingée, Eléonore, b. ca. 1753, Etching, 1808

'Study of a Knight, by Leonardo De Vinci, 1913. Artist: Leonardo da Vinci

Study of a soldier and an old man, Charles Rochussen, 1824 - 1894 print Netherlands paper etching the soldier; the soldier's life. old man

Tobias and the angel, Gerard ter Borch (I), 1617 - c. 1623, draughtsman: Gerard ter Borch (I), Zwolle, 1617 - c. 1623, paper, brush, h 133 mm × w 207 mm

The unequal love: Young woman with an old man, Dirk van der Burg, 1733 - 1773 drawing paper. ink. pencil pen married couple of unequal age

Vignette with an Allegorical Figure of Astronomy ca. 1798 Mauro Gandolfi Italian. Vignette with an Allegorical Figure of Astronomy. Mauro Gandolfi (Italian, Bologna 1764-1834 Bologna). ca. 1798. Pen and brown ink, brush with blue, rose, yellow, and brown wash, over black chalk. Framing lines in pen and brown ink. Drawings

Design for a Helmet with a Dragon Presented in Frontal View 1652-1725 Giovanni Battista Foggini Italian. Design for a Helmet with a Dragon Presented in Frontal View 344960

Sitting farmer with jug. Draughtsman: anonymous. Draughtsman: Cornelis Saftleven (rejected attribution). Dating: 1600 - 1699. Measurements: h 153 mm × w 113 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Wall Decoration, Walter Shirlaw, American, b. Scotland, 1838-1909, Pastel on paper, A woman is shown from the front, standing and leaning with her left arm upon a book, which lies upon a sculptural reading desk., USA, 1875-80, figures, Drawing, Drawing

Parmigianino, Italy, Carpi, Ugo da, Prudence, verso - stamped, A female personification of prudence (Prudentia) with a round mirror in her hand., print, prints, height 145 mm, width 99 mm, Italian, print maker, 1502 - 1532, third quarter 15th century, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24

A king and a young woman, James Barry (attributed to), 1744 - 1816 drawing A king with a young woman on his left on a couch with handrail, from aside, seen Herod and Salome. paper. ink. pencil pen Salome is given the head of John the Baptist by the executioner

'Study of Two Female Figures'. Holland, First half of the 17th century. Dimensions: 15,2x18,5 cm. Museum: State Hermitage, St. Petersburg. Author: ABRAHAM BLOEMAERT.

A study of multiple heads by Abraham Bloemaert executed in red chalk with white highlights, showing variations of the same model.

The feeling, Bernard Picart, 1683 - 1733 drawing paper. chalk feeling (one of the five senses)

Maria with child and John the Baptist. Madonna, half, at a table.

Feather drawing by Giovanni Francesco Penni depicting Juno on a peacock chariot, laved and squared with black coal, circa 1520.

Sculptures of a Gladiator, Flora and Hercules, Anonymous, 1641 print Captions in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. fight of gladiators. (story of) Flora. (story of) Hercules (Heracles)

A 1798 study by Jakob Gauermann in red chalk, black ink, and feather showing a head study and a rider in gallop with lavated areas.

Diana en Actaeon.Together with her nymphs, the Baden Diana is glued by Actaeon. For punishment, Diana changes him into a deer, after which he is attacked by his own dogs. On the right, Actaeon is a deergewe on his head.

Drawing, Two Children; After François Boucher (French, 1703-1770); France; red chalk on cream laid paper; 26.7 x 18.9 cm (10 1/2 x 7 7/16 in.); Bequest of Erskine Hewitt; 1938-57-211

Chaucer's 'Legend of Good Women', Drapery Studies for Figure of Philomela By: Edward Burne-Jones, Pencil, Sketch, Pre-Raphaelite

Rubens, Peter Paul, Antwerp, Lauwers, Nicolaes, Study sheet with various putti, verso - stamped, Study of ten putti. The putto in the middle holds a cherry., print, prent, prints, prenten, height 375 mm, width 275 mm, Zuid-Nederlands, 1600-04-27 - 1652-04-11, print maker, printmaker, 1629 - 1629, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30

Model study of a seated naked man. Draughtsman: Andrea Sacchi. Dating: 1609 - 1661. Measurements: h 408 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Equestrian figure, a study for the Trivulzio monument, by Leonardo da Vinci (1452-1519), drawing.

Red chalk study sheet by Aegidius Sadeler the Younger featuring standing figures, showing posture, proportion, and arrangement on the page.

LA FURIA - DIBUJO SIGLO XVI - RENACIMIENTO ITALIANO. Author: Michelangelo. Location: GALERIA DE LOS UFFIZI. Florenz. ITALIA.

Winged Female Figure, River God, and a Nude Boy 1696-1770 Giovanni Battista Tiepolo Italian. Winged Female Figure, River God, and a Nude Boy 339388

Composition with a cartouche, a man with guns and different heads and animals, 1709 - 1773 print paper etching ornament ~ cartouche. head (human)

Study of heads by Parmigianino, sanguine on paper, circa 1527, 1503-1540, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 19, 8x13, 5

Mascaron with bearded men's head with hat, Christian Bernhard Rode, after Andreas Schlüter, 1735 - 1797 print Mascaron with bearded men's head to the right. The man is wearing a hat. Berlin paper etching mask, mascaron ~ ornament. head-gear. beard Armory

Young man reading at a table, Anonymous, 1600 - 1699 drawing paper. chalk brush reading

Martino Altomonte drawing of a Roman warrior bust with repeated head study, executed in red chalk.

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815-1882, British, undated, Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm), branch, death, deaths, forest, goddess, grief, hunting dogs, lovers, religious and mythological subject

Libra, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto with cross-bar, pair of scales, shaft and pan. Verso: caricature of standing man in a demi lune., Faenza, Italy, Italy, 1804-05, interiors, Drawing, Drawing

drawing by Raphael in the collection of Windsor Castle: Study for 'The Three Graces' in the Psyche Loggia, Villa Farnesina in Rome, Charles Thurston Thompson, 1857.

The Holy Family. Date: n.d. Oil on linen. Museum: Smithsonian American Art Museum.

Redel drawing highlighted with white chalk on blue paper between 1650-1750 depicting Caritas, showing figure, gesture, and composition.

Head of a looking man. Draughtsman: Giuseppe Cesari (possibly). Dating: 1578 - 1640. Measurements: h 210 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Study for a lying Christ child.

Drawing (Italy); pen and brown ink with brown wash support: off-white laid paper on secondary paper support

Two medallions with children. Draughtsman: Jacob de Wit. Dating: 1705 - 1754. Measurements: h 168 mm × w 224 mm. Museum: Rijksmuseum, Amsterdam.

The Virgin and Child Surrounded by Rose Clouds Richomme, Jules (1818-1903). The Virgin and the child surrounded by rose clouds. Black stone, white.

Asia. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 32 1/4 x 41 3/4 in. (81.9 x 106 cm).This allegorical representation of Asia is part of a series of the four continents, painted as an overdoor. It is possible that, like the other large-scale allegorical frescoes in this gallery, it may have been detached around 1900 from the Palazzo Valle-Marchesini-Sala in Vicenza. Museum: Metropolitan Museum of Art, New York, USA.

Tête de jeune homme, de trois quarts vers la droite, Raphael, Raffaello S., 1517.

Head of a boy with long hair. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 238 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Francisco Bayeu / 'Head for the Figure of Understanding'. Ca. 1770. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

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