Classical Figures and Allegories

Engravings of classical figures embodying concepts like wisdom and harmony, depicted with symbolic attributes and traditional attire.

Hoogmoed (Superbia), Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print Personification of the vanity or pride, depicted as a richly dressed female figure looking in a mirror. Amsterdam paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Mensura, from Proposopographia ca. 1585-90 Philips Galle Netherlandish. Mensura, from Proposopographia. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). ca. 1585-90. Engraving. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Prints

Muze with harp standing in Nis, Marcantonio Raimondi, After Rafaël, 1511 - 1520 print paper engraving (story of the) Muses; 'Muse' (Ripa)

Perzische Sibille, Lambertus sweeter, 1520 - 1567 print The Persian Sibille standing in a niche with a tablet in her right hand. Southern Netherlands paper engraving Persian sibyl

Eendracht; Concordia; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. Standing woman with two pigeons watching each other at her feet. In her left hand, she holds a caduceus, on her right arm she wears a sheaf corn. Under the representation two prints in Latin. The print is part of an album.

Minerva. Minerva with shield and two spears.

Perzische Sibille; S Persica; Sibillen.The Persian Sibille standing in a niche with a tablet in her right hand.

Blanka, Princess of France.

Logic (from the Tarocchi, series C: Liberal Arts, #22), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving;

Hoogmoed (Superbia), Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print Personification of the vanity or pride, depicted as a richly dressed female figure looking in a mirror. Amsterdam paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Woman. Artist: After Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 7 3/4 × 5 1/16 in. (19.7 × 12.8 cm)Sheet: 8 3/16 × 5 5/8 in. (20.8 × 14.3 cm). Date: mid 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: after Wenceslaus Hollar.

Amsterdam, Visscher, Claes Jansz. (II), Estius, Franco, Goltzius, Hendrick, The nine muses, Terpsichore, verso - stamped, The seated Terpsichore, the muse of song and dance, plays the lute. To the right at her feet lie a lyre and a book. Below the representation are two two-line verses in Latin., print, prent, prints, prenten, height 246 mm, width 167 mm, print maker, prentmaker, 1601 - 1652, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1558-01 - 1617-01-01, after a print by, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Late 15th-century copper engraving by Israhel van Meckenem depicting Maria of Milan, showing her in a detailed ear-dressing scene with precise line work.

Jacques Stella, Sibylla Samia, 1625 Sibylla Samia

The Nine Muses: Clio, #4 in a series of9. Artist: Hendrick Goltzius, Dutch, 1558-1617

Distrust or aversion to God; Diffidentia dei; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A woman brushed from the light that she also wipes with her left hand. Some money pouches in her right hand. Under the show two lines text in Latin. The print is part of an album.

Ruuffi, Angelo Maria.

Libyan Sibille, Magdalena van de Passe, After Crispijn van de Passe (I), 1615 print The Libyan Sibille is in her right hand with a corner. She looks up to heaven where the sign of the sun appears. In the margin a caption in Latin. Print from a series with Sibillen. Utrecht paper engraving sibyls (with NAME). sun represented as face, wheel, etc.

Personification of laziness, represented like a woman's figure with a snail on her shoulder, standing in a niche.

Saint Catherine of Alexandria 1490-1528 Albrecht Dürer German. Saint Catherine of Alexandria 334817

A copper engraving by Marcantonio Raimondi from around 1516-1518 depicting Fides, showing allegorical figures symbolizing faith with detailed visual and compositional elements.

The virtues according to Raphael, the force. Fourth issue of a sequence of 7 rooms (Bartsch 389) Marc Antoine Raimondi (1480-vers1534). The virtues according to Raphael, the force. Fourth issue of a sequence of 7 rooms (Bartsch 389). Fight, chisel. 16th century.

Maid Hair overrunping; Figures a la mod.numbered 15

Noble woman of China, 16th century. She wears a bonnet with pearls and gems in her hair, a long silk robe with wide sleeves, and holds a carnation. Femme noble de Chine. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Gierigheid (avarice), Edouard Taurel, after Jacob Matham, after Hendrick Goltzius, 1834 - 1892 print Personification of Gearness, depicted as a female figure with many money fairs, standing in a niche. Amsterdam paper engraving Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins

Copper engraving by Hendrick Goltzius depicting Jahel, showing the biblical heroine in dynamic pose with detailed anatomy and drapery, created between 1588 and 1652.

Roman Statue of a Muse (Anchyrrhoe). Dimensions: Overall (approximate): 21.2 x 13.7 cm (8 3/8 x 5 3/8 in.) support: 24 x 15.8 cm (9 7/16 x 6 1/4 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: JACQUES LOUIS DAVID.

Hendrik Goltzius, Urania, probably 1592 Urania

Greed, Jan Frederik Christiaan Reckleben, after Jacob Matham, after Hendrick Goltzius, 1829 - 1879 print In a niche, the personification of greed is an old woman. She has a stuffed pouch in the right hand and a few money bags around the left wrist. Haarlem paper. engraving Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins

Copper engraving by Marcantonio Raimondi depicting Saint Katharina, created around 1510-1520. The print shows the saint holding a wheel, symbolizing her martyrdom in Christian iconography, in Renaissance engraving style.

Gardener with a Basket on her Arm, from Hortulanae series 1612-16 Jacques Bellange French. Gardener with a Basket on her Arm, from Hortulanae series 369046

Antwerp, Huys, Frans, Sibyls, Sibylla Cumaea, Sibyl of Cumae, The Sibyl of Cumae with a book on her lap, sitting under a tree. In the background a city in a landscape. This print is part of an album., print, picture, album sheet, prints, pictures, height 200 mm, width 125 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

Bandettini, Teresa.

Depiction by Claude Vignon of Christ with the twelve apostles, highlighting Jacobus Maior, rendered in red chalk around 1650.

Lyon, Rouille, Guillaume (I), Nicolay, Nicolas de, Penni, Luca, Davent, Léon, Femme juifve d'Andrinople, Jewish woman from Andrinople or Edirne in Thrace, verso album leaf - stamped, Print is part of an album., print, picture, book illustration, album leaf, prints, height 245 mm, width 175 mm, French, print maker, printmaker, 1555 - 1568, paper, papier, etching, etchings, Italian, 1500 - 1556, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1518 - 1589, publisher

France, unknown, Paris, Le Blond, Jean, Falck, Jeremias, Vier dagdelen, La Nvict. The Night, Nacht, verso - stamped, A woman stands at a table, holding a candlestick with a burning candle in her left hand and her right hand by a curtain. Below the representation a French verse of two times four lines., print, prints, height 387 mm, width 273 mm, 1609 - 1677-02-07, print maker, printmaker, 1655 - 1677, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, 1635 - 1709-08-13, publisher, uitgever, verlener, verlener van privilege

Seated Muze, Clio (), Jan de Bisschop, After Anonymous, After Jacques de Gheyn (III), c. 1664 - in or after 1669 print Northern Netherlands paper etching Clio (one of the Muses); 'Clio' (Ripa)

Martin Schonguer (around 1450-1495). Les Vierges Folles: fifth mad virgin (Bartsch 86). Engraving (chisel), 1480-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 76855-20 Art medieval, Christianity, Gospel according to Matthew, woman, engraving with chisel, Christian iconography, religious iconography, lamp, medium age, New Testament, biblical character, overthrow, madman mad, 15th xve XV 15th 15th 15th century, engraving, engraving

Brown pen drawing by Sébastien Le Clerc depicting Peru-Anatein, with gray-laved shading, mounted on a leaf with a pierced floral decorative strip, dated between 1650 and 1664.

Zuidelijke Nederlanden, Kiliaan, Cornelis, Antwerpen, Galle, Philips, Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio, Fraus, Bedrog, Southern Netherlands, Antwerp, verso - stamped, Standing woman wearing a mask. In her left hand she holds a fishing rod with a fish on the hook. Behind her back she has a mousetrap. Below the image two lines of text in Latin. The print is part of an album., print, picture, album sheet, prints, pictures, height 151 mm, width 91 mm, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1590, fourth quarter 16th century, paper, engraving, engraving (printing process), 1530 - 1607-04-15, writer

Summer 1530-73 Battista Angolo del Moro Italian. Summer 625458

Melpomene; The nine muses. The seated melpomene, the muse of the torque game, holds a horn in her hand and a paper on her lap. To the right of her are booking. Under the show two two-year verses in Latin.

Terpsichore, Charles David, after Hendrick Goltzius, 1605 - 1638 print Numbered at the bottom: 5. print maker: Francepublisher: Paris paper engraving Terpsichore (one of the Muses); 'Terpsicore' (Ripa)

Herinx, Marie.

Antwerp, Aertssens, Hendrik, Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Sacra Eremus Ascetriarum, Hermits, S. Maria Neptis Abrahae, Holy Mary as a hermit, verso lower right - stamped, The Holy Mary kneels in adoration at a crucifix. On the verso is a fragment of French text from the edition., print, book illustration, prints, height 144 mm, width 92 mm, South Netherlands, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher, 1622 - 1663

The First Wise Virgin, 1469-79. Martin Schongauer (German, c.1450-1491). Engraving;

Aritmetricha XXV Arithmetic. Mantegna, Andrea, 1431-1506. 1550. Ladenspelder, Johann, approximately 1511-approximately 1580. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woman walking left for figures of Watteau modes Jean-Antoine Watteau (1684-1721). Woman walking left for the figures of Watteau modes. Forte, 1710. Museum of Fine Arts in the city of Paris, small palace.

Judith from Heroes and Heroines of the Old Testament. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586-died 1600). Dimensions: Sheet: 17 5/16 x 13 in. (44 x 33 cm)Plate (oval): 16 1/2 x 12 13/16 in. (41.9 x 32.5 cm). Date: ca. 1597. Museum: Metropolitan Museum of Art, New York, USA.

Speculum Romanae Magnificentiae: Flora. Artist: Anonymous, Italian, 16th century; After () Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: sheet: 19 5/16 x 11 7/16 in. (49 x 29 cm)plate: 16 3/8 x 13 9/16 in. (41.6 x 34.5 cm). Former Attribution: Formerly attributed to Enea Vico (Italian, Parma 1523-1567 Ferrara). Printer: Ferrando Bertelli (active Venice, 1561-71). Series/Portfolio: Speculum Romanae Magnificentia. Date: mid-16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchase

. The goddess Juno, with a crown on her head. In addition to her a peacock, her attribute. The print is part of a three-part series with the three goddesses of Paris judgment and has a Latin caption.

Girl carrying a crucifix and stepping toward a pilaster, seen from behind. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna); After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: Sheet (Trimmed): 6 7/16 × 3 1/8 in. (16.4 × 8 cm). Date: ca. 1590-1600. Museum: Metropolitan Museum of Art, New York, USA.

Girl carrying a crucifix and stepping toward a pilaster, seen from behind ca. 1590-1600 Guido Reni Italian. Girl carrying a crucifix and stepping toward a pilaster, seen from behind 396954

Allegory of the Year, print maker: Christian Bernhard Rode, 1788, paper, etching, h 147 mm - w 116 mm

Pallas Athena standing on a globe, a spear in her left hand, a shield in her right. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); or after Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: 10 9/16 x 6 3/16 in. (26.9 x 15.7 cm). Date: ca. 1520-27. Museum: Metropolitan Museum of Art, New York, USA.

Haarlem, Goltzius, Hendrick, Matham, Jacob, The Virtues, Temperance (Temperantia), verso - stamped, Temperance personified; a female figure pours liquid from a jug into a glass. In the background a hilly river landscape., print, prints, recto lower right - stamped, height 216 mm, width 143 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1585 - 1589, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher

Judith with the head of Holofernes; Old testament heroes. Standing she holds the head of Holofernes in her right hand. On the left she beheaded the sleeping holofernes in a tent. Design for a print.

Charity. Dated: 1552. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

Jacob Matham after Hendrik Goltzius, Jael and Sisera, 1588 Jael and Sisera

Heilwig, Countess.

Anonymous (Copy: Cano, Alonso) / 'Maria Toribia, "Saint Mary of the Head"'. Ca. 1652. Grey-brown wash, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

De Muze Thalia, Jan de Bisschop, After Anonymous, 1600 - 1780 drawing paper. paper. ink pen / brush Thalia (one of the Muses); 'Talia' (Ripa)

Muza Terpsychora with Lira unknown

Italy, Zanetti, Anton Maria I, Painting, verso - stamped, Painting as a woman with a brush and palette., print, prints, height 125 mm, width 100 mm, Italian, 1680 - 1757, print maker, printmaker, 1690 - 1757, paper, papier, etching, etchings

Vos, Maerten de, Venice, Sadeler, Raphael (I), Seven Gifts of the Holy Spirit, Spiritvs Fortitvdinis, Gift of Power, verso lower left - stamped, In a niche the female personification of the gift of power, one of the seven gifts of the Holy Spirit. She wears a crown of leaves and is dressed in a lion's skin. In her right hand she holds a club. Around her head a radiant sun., print, prent, prints, prenten, width 180 mm, height, 266 mm, Zuid-Nederlands, 1560, print maker, prentmaker, 1598 - 1604, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman

Statue of Flora, Roman goddess of flowers, vegetation and spring. Hadrianic era statue found at Hadrian's Villa, now in the Capitoline Museums. Florae statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Model study of a standing girl with outstretched arm.

3: Old Italian Masters: St. Apollonia, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving;

This copper engraving by Marcantonio Raimondi, dated around 1505-1515, depicts a muse, showing a seated or standing female figure with symbolic attributes, emphasizing classical style and composition.

Wenceslaus Hollar, Mulier Persiana Mulier Persiana

La Botanique 18th century After Charles Nicolas Cochin II French. La Botanique 399391

Laziness. Female personification of laziness. In a niche a woman is barefoot and with a blasted bust. A snail crawls on her shoulder. In addition to the niche two emblems; One with a donkey, the other with a piss bed. Under the show two Latin lines.

Amsterdam, Visscher, Claes Jansz. (II), Estius, Franco, Goltzius, Hendrick, The nine muses, Thalia, verso - stamped, the muse of comedy and pastoral poetry, sits with a fool's mask in her hand and a book at her feet. Her hair is braided. Below the image are two two-line verses in Latin., print, prent, prints, prenten, height 255 mm, width 174 mm, print maker, prentmaker, 1601 - 1652, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1558-01 - 1617-01-01, after a print by, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Woman as a personification of hope (SPES) with bread standing in niche; Seven virtues.

Brunton, Anne .

Vrede, Zacharias pain, after Jacques de Gheyn (2), c. 1596 - c. 1597 print Personification of peace: a woman in long robe, with bare breasts, laurel wreath on the head, standing in front of a landscape. In her right hand she holds a palm branch, a bunch of lovebirds on her left hand. Above her head a wreath of clouds from which divine light shines. In the background on the right a musician group among the trees; On the left a shepherd who milks a cow. No. 8 From a series of virtues and vices that represent the fortunes of life. Leiden paper. chalk engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Vicissitudes of Life

Femme de Naples, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 2 18th century Simon Francis Ravenet, the elder French. Femme de Naples, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 2 413629

Joatham, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Woman Lighting a Sacrificial Fire. Artist: Attributed to Claude Guy Hallé (French, Paris 1652-1736 Paris). Dimensions: sheet: 6 x 3 1/2 in. (15.3 x 8.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

A brush drawing by an anonymous artist depicting Proserpina transforming Ascalaphus into an eagle owl, on brown paper with white highlights; upper corners missing.

Copper engraving from 1505-1550 depicting a Muse, showing the female figure, classical attributes, and artistic symbolism.

The fourth wise Virgo, Martin Schongauer, c. 1470 - 1491 print One of the five wise virgins from the Biblical parable, a burning oil lamp in the hand, with the other hand holding her veil holding on to her waist. This print is part of a series of ten prints, five with wise virgins and five with foolish virgins. Germany paper engraving representation of wise virgin(s)

Woman at a river; Genre scenes. A woman with a river stands on the head a hat and around the arm a basket. The print is part of a series of 32 prints with genre scenes.

Personification of Wisdom, Arnold Houbraken, 1710 - 1719.

A brown Feder drawing by Sébastien Le Clerc depicts an old Roman woman (Alte Römerin), lavated in gray and glued onto a leaf with a pierced decorative floral strip, created between 1650 and 1664.

Seated woman with yoke, Jacob van Strij, 1766 - 1815, draughtsman: Jacob van Strij, (mentioned on object), 1766 - 1815, paper, h 360 mm × w 237 mm

Goltzius, Hendrick, The Nine Muses, Thalia, verso - stamped, the muse of comedy and pastoral poetry, sits with a jester's mask in her hand and a book at her feet. Her hair is braided., print, prints, height 214 mm, width 146 mm, print maker, printmaker, 1592 - 1667, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, Noord-Nederlands, 1558-01 - 1617-01-01

Maria Magdalena depicted by an anonymous artist, executed with silver pencil on white primed paper around 1475-1485, showing figure, gesture, and drapery.

Justice; Iustitia; The virtues. Justice, in the form of a blindfolded woman with a scales in the left hand and a sword in the right hand. At the top of the show the word 'Ivstitia' (justice). This print is part of a series of seven round representations of the virtues, each personified by a women's figure with typical attributes, and with Latin inscription.

Death of Lucretia, Nicolas -Gabriel Dupuis, After Guido Reni, 1708 - 1757 print print maker: Francepublisher: Paris paper etching / engraving death of Lucretia: she commits suicide by stabbing herself

Zanetti, Anton Maria II, Amsterdam, Picart, Bernard, Prudence(), verso lower left - stamped, A crowned woman (Prudence), with a book under her arm, points to the earth. At her feet a wedge and a nail. In the sky a putto with a banderole with an inscription in Latin. In the background a view of St. Mark's Square in Venice., print, prent, prints, engravings, height 246 mm, width 183 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1727 - 1727, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian, 1706-01-01 - 1778

Heilige Agnes met lam, François-Xavier Fabre, after Domenichino, c. 1810 - c. 1830 print paper the virgin martyr Agnes of Rome; possible attributes: lamb, ring

Periander .

Figures à la mode. Dated: 1685. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques Sébastien Le Clerc.

Tiburtijns Sibille, 1546 - 1562 print The Tiburtine Sibille sitting with a violin and bow under a tree. In the background on the left a ruin. This print is part of an album. paper engraving sibyls (with NAME)

Statue of a standing orientation in gown on pedestal ..

Persian Sibille, Frans Huys, 1546 - 1562 print The Persian Sibille sitting with a book in her right hand. In the background a ruin and a city in a landscape. The print is part of a ten -part series about the Sibillen. Antwerp paper engraving Persian sibyl

Whole-length lady, after Anthony van Dyck. Artist: After Anthony van Dyck (Flemish, Antwerp 1599-1641 London). Dimensions: Sheet: 5 in. × 3 9/16 in. (12.7 × 9 cm)cut at top and bottom (c. 23 mm).. Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1625-77.Full length figure truned slightly to left, head slightly to right. She has straight fringe and a flower in her hair on left and another on the top at at back. She wears a pearl necklace and pearl earrings. Museum: Metropolitan Museum of Art, New York, USA.

Personification of sculpture; Signorvm vetervm icones; Signorum Veterum Icone I. a sitting woman with a statue in her hand.

PortraT van Emilie van Berlepsch, Matthias Gottfried Eichler, After Valentin Sonnenschein, 1758 - 1818 print paper engraving / etching historical persons - BB - woman. trees: olive-tree (+ branch, stick). lyre, cithara, psaltery. flute, aulos, tibia. pendant, trinket, 'breloque'

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