Classical Figures and Statues

Collection of drawings showcasing classical figures, including a seated man with a bochel, a woman with a child, and a statue of Diana, displaying a refined artistic style.

Sculpture Van Amor, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Cupid, Amor (Eros)

Three putti, Anonymous, 1500 - 1599 print Three standing putti in a row. The middle putto has a fool on the head. Italy paper engraving Fool's Cap. Cupids: 'Amores', 'Amoretti', 'Putti'

Flora, Cornelis Cort, after Frans Flower (1), 1564 print This print is part of an album. paper engraving (story of) Flora. flowers in a vase

Woman combing her hair; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 61.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Two Cupids supporting Coat of Arms, undated. Engraving.

Bacchic rite. A naked Bacchus gives arms to cupid in front of a seated Venus and Ceres, while two assistants bring a platter of figs. Below is the initiation of a woman to the ultimate grade of the Bacchic rites. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Sibille of Hell Spont Tibur / Sibille; S: Tyburtina / S: HELLISTONTICS; Twelve sibilles; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Two performances on an album magazine. On the left the Sibille of Tibur. She is depicted with a bare top and a book in her right hand. On the left the Sibille of the HELLSPONS also with a bare top. She wears a kind of turban. In the bottom margin of both performances a text line in Latin and Dutch. The magazine is part of an album.

Two natives. On the left a seated native, right in the right, both seen on the back.

Print, page Four from "Cinquième Livre Contenant des Cartouches Inventés par G. M. Oppenort Architecte du Roi et Gravé par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.4 × 27.9 cm (16 5/16 in. × 11 in.); 1959-85-28

Vignet with Minerva, the arts teach.

Vignette; Pulto with Tablet and Hermes' Staff, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, undated, Engraving

Copper engraving and etching by Pierre Audouin from 1797 depicting Apollo crowning the personification of Truth, showing figures, gestures, and symbolic elements.

Medallion variant: Hercules with Cerberus, Jan van Huysum, 1692 - 1749 drawing paper. ink pen / brush (12) Cerberus captured and carried away by Hercules

Grotesque figure in the form of a thick -bellied can., 1600 - 1625 print Grotesque thick figure, to the right, the hands folded over the abdomen (like a jug). On his head lid of Pul; ear as a handle. Left and right a thin grotesque. From series of 12. paper engraving ornament ~ grotesque

Drawing of reclining figure. Correggio, 1489-1534. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Personification of greed, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 25. Print is part of an album. Augsburg paper etching Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins

Drapery, Three Figures, a Bacchante and Two From Nature. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: Henry Noel Humphreys after John Flaxman.

Lascivious dwarf dancer with crotalum, cymbals made of wood or metal, wearing a short tunic that cannot cover his huge penis. Handcoloured lithograph from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Honoré Daumier, La colére d'Agamemnon, 19th century La colére d'Agamemnon

Herm with face of girl, François Bourlier (attributed to), c. 1660 print Herm with the head of a young girl. Part of a group of nine magazines of six different cups. paper etching herms (garden ornaments). ornament ~ human parts. child

Evangelist Johannes, Johannes Wierix (attributed to), after Johannes Wierix, 1609 print Johannes de Evangelist writes his gospel at a table in his study. The eagle is behind his chair. print maker: Antwerppublisher: Delft paper engraving / letterpress printing St. John the Evangelist writing the Gospel, usually the eagle present

Male figures - recumbent or reclined.. Smith, John Rubens, 1775-1849. Prints. 1831. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Figure drawings, Male nude in art

Sleeping woman with putto. Image of a sleeping woman. A putto that is next to her head makes a silent gesture. Possibly Venus and Amor have been proposed here. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Monument to Cecco di Sangro in the Sansevero Chapel, Naples 1827-50 Francesco Wenzel. Monument to Cecco di Sangro in the Sansevero Chapel, Naples. After Francesco Celebrano (Italian, Naples 1729-1814 Naples). 1827-50. Lithograph. Prints

Plaster cast of a sculpture of a gladiator, anonymous, c. 1875 - 1900 paper. photographic support albumen print paper. photographic support albumen print

Portret van William Baillie, William Baillie, 1753 - 1810 Two putti reveal a portrait of William Baillie. The print is part of an album. paper etching Two putti reveal a portrait of William Baillie. The print is part of an album. paper etching

Etching by Danker Danckerts depicting children and putti, created between 1648 and 1666, showing playful figures and decorative elements in a pastoral setting.

Mercury and Argos. Mercury and Argos. Print no. 6 on leaf 4 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Sketches: Nude Man, Standing Man, Two Profiles, and Box, George Augustus Sala, 1828-1895, British, 1888, Pen and black ink on medium, smooth, cream wove paper, Sheet: 8 × 10 inches (20.3 × 25.4 cm), figure study, man, nudes, profiles (figures), standing

Death of Isaac, from Wells Cathedral. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: Maria Denman after John Flaxman.

Portraits of Thomas More and Maria I Stuart. Leaf 20 Verso from a sketchbook with 52 sheets.

Fresco from Herculaneum. A faun kisses a bacchante. At her feet are a pastoral crook (pedum), seven-reed flute (syrinx), thyrsus (staff), cercle sans fond, and rattle-drum (tympanum) painted with a cistrum (rattle). Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Anatomical drawing 18th century Anonymous, French, 18th century French. Anatomical drawing 384402

Sleeping Ketter is attacked by a cat, Caspar Luyken, 1710 print Nuremberg paper etching / letterpress printing heretic. cat

Six ornament heads; Ornaments; Disegni, et abbozzi di Agostino Mitelli Intagliati Dal Figluolo di Lui Gioseppe Maria Mitelli. Six ornament heads in two rows of three among each other. The print is part of an album.

Politician April 1808 Thomas Rowlandson. Politician. A Lecture on Heads. Thomas Rowlandson (British, London 1757-1827 London). April 1808. Etching. Thomas Tegg (British, 1776-1846). Prints

. Saint Paul, for feet, standing in a mountainous landscape, a book in the right hand, a sword in the left hand. Under the show four lines of Latin. Pendant of print of Petrus.

Statue of a woman wearing two vases; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman wearing two vases, one on the shoulder and one on the hip. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Putto leaning on skull and bubble blower. Putto leaning against a skull. In his right hand a pipe with which he blows bubbles, a shell in his left hand, behind him a keg that smell rises. At the bottom of the show the words Quis Evadet in mirror magazine on expired stone.

Sculpture of a standing woman with pitcher. Classic sculpture of a standing woman in stola. She has a jewel in her hair. In addition to her is a pitcher. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Wall painting of tradespeople from the House of the Pygmies (Casa dei Pygmeii) at 9, Regio IX, Insula V. At left, a plasterer or stucco artisan, and at right a man casting a net, perhaps a fisherman. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Ticket: Anacreontic Society Meeting, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after William Lawranson, 1742-1783, British, 1779, Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper, Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm), Plate: 5 7/8 x 4 1/2 inches (14.9 x 11.4 cm), and Image: 4 3/4 x 3 5/8 inches (12.1 x 9.2 cm), bust, doves, flowers (plants), inscriptions, literary theme, man, meeting, monument, nudes, stone, trees, vase, woman

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket: Anacreontic Society Meeting, 1779. Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper.

Eurasian woman sleeping on a couch, Esaias Boursse, 1662 A Eurasian woman is sleeping on a wide wooden sofa bed (enda) stretched with rope or rattan. She is lying on her right side, her lower body and legs covered with a floral cloth. She rests with her head on an elongated pillow. She wears a wide Portuguese blouse with V-neck and long sleeves (Hatte). The bed seems to be set up outside, a window can be seen in the background. Page 111 from a sketchbook with 117 sheets. Sri Lanka paper. ink brush Eurasion, half-caste. clothing for the upper part of the body (with NAME). couch, sofa, settee. bed Colombo. Sri Lanka

Six coins with portraits of men and women from the antique: Letter M.Six Coins With Portrait Bustles of Men and Women from the Antique. Among Others a Portrait of Ancus Martius, According to the Surrender The Fourth King of Rome.

Gilles Demarteau, the Elder after Carle Van Loo, Seated Nude Man, Seen from Behind, Pulling a Rope, c 1760 Seated Nude Man, Seen from Behind, Pulling a Rope

Saint Luke. Engraving by A. Mannelli after P. Guglielmi after G. de' Vecchi.

Photo production of an engraving by Jupiter who kisses love through Marcantonio Raimondi, Benjamin Delessert, after Marcantonio Raimondi, c. 1848 - in or before 1853 photograph photographic support salted paper print love-affairs of Jupiter. Love personified. (lovers) kissing each other

Love and Death (El amor y la muerte) Francisco de Goya y Lucientes (Spanish, 1746-1828). Love and Death (El amor y la muerte), 1797-1798. Etching, aquatint, and burin on laid paper, Sheet: 11 15/16 x 8 in. (30.3 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monste

Print made by William Blake, 1757-1827, British, For Children. The Gates of Paradise, Plate 9, "Alas!", 1793. Etching and line engraving on moderately thick, slightly textured, cream wove paper.

Europe. A Prophecy, Plate 9, "Arise O Rintrah ." (Bentley 11). Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Graftombe of Saint Cecilia.Saint Cecilia Lying in a Tomb.

Vestigia delle Terme di Tito. Venus toilet. Quadro from the field of room decoration of the room 25; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Amor, DESA - collection, Rome, Italy, Town, Terme di Tito, Umiastowski, Roman, collection, Venus, Nero's golden house, antique, architecture, archeology, leather, decorations, lens, purchase (provenance)

Flowers, Pieter van, Last, Carel Christiaan Antony, Sleeping dog, verso - stamped, Numbered top left and right: '1te Lev' and 'Pl. 4'., print, prent, prints, height 340 mm, width 465 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1818 - 1876, paper, papier, lithografie (technique), 1657-01-17 - 1720-03-06

Ancient Etruscan alabaster grave effigy of a dead man wearing a triumphal crown, gold necklace and precious ring, holding a scroll. Defunto insignito di corona trionfale. Handcoloured copperplate engraving by Corsi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1843.

A child being rescued from a shipwreck, two women are in the sea about to be rescued by a boat. Stipple engraving by A. Roffe after F.R. Roffe after W. Wyon.

The Infant Hercules ; Hercules Conqueror Pierres Gravées Antiques still image. Illustrations. 1789 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Heracles (Greek mythology), Hides & skins, Mythology, Hercules (Roman mythology), Snakes, Warriors , To 499, Male nude in art, Nemean lion (Greek mythology), Clubs (weapons)

Etching by Jan Punt depicting childrens whole figures and heads as part of a proportion study, created in 1747.

The Spanish dwarf knight Castiliano Kikeboe, 1720, Joost van Sassen, 1718 - 1720 The one -eyed Spanish dwarf knight Castiliano Kikeboe. In the caption verses in German, French and Dutch. Numbered right in the middle: 11. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel. print maker: Northern Netherlandspublisher: Amsterdam paper etching The one -eyed Spanish dwarf knight Castiliano Kikeboe. In the caption verses in German, French and Dutch. Numbered right in the middle: 11. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Alexander Farnese, Duke of Parma, kneeling praying for a crucifix, 1592, 1596 - 1598 Alexander Farnese, Duke of Parma, Knelt on the ground for a crucifix on a coffin in a landscape. An open book with psalms on the coffin. On the ground, helmet, around his neck, are the golden fleece. Cologne (possibly) paper engraving Alexander Farnese, Duke of Parma, Knelt on the ground for a crucifix on a coffin in a landscape. An open book with psalms on the coffin. On the ground, helmet, around his neck, are the golden fleece. Cologne (possibly) paper engraving

Clara Beek Before and after an operation of a tumor, Cornelis Visscher (II) (Rejected Attribution), 1689 print paper engraving / letterpress printing external tumours

Free couple, man and female dressed, c. 1750 - c. 1850 print unknown paper etching man and woman cohabiting

SCULPTURE OF MELEAGER; Antiquum ex Pario Marmore in Aedibus Hadriani Epsicopi Aquinatis, et Numeris omnibus absolutum et omniu Quae muleis ab Hinc Annis Eruta Romae Suntinte Gerrimu Simulacrum. A sculpture of meleager with a dog, a spear and the Calydonic wild boar cup. The print is part of an album.

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Portraits of two courts; La Belle Zauonnare Cour / Anna La Vetze; Le Miroir des Courtisannes. Portraits of two Courtisanes that are dressed according to the fashion of their time. Numbered in the upper corners: 15 and 16.

An Etruscan triclinium or dining room. A woman reclining on a bed in a dining room furnished with rich cushions and curtains. From an urn the Museum of the Knights of the Order of Saint Stephen, Cortona Triclinium Etruscum in Urna Fictili ap Eq. Coratium. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

The angry chip / satirical sheet / n ° 3/1871 cover (IT)

Egyptian sculpture. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Sculpture, Egyptian

Schematic representation of female and male face and two putti with coats of arms and easel, Hieronymus Sperling, after Johann Georg Bergmüller, 1723 print In the middle of the top: Fig. 11. paper etching tools, implements of painter. postures of the head. cupids: 'amores', 'amoretti', 'putti'. face. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. the (nude) human figure; 'Corpo humano' (Ripa)

Oval Shaving Mug. Dated: 1936. Dimensions: overall: 27.9 x 35.4 cm (11 x 13 15/16 in.) Original IAD Object: 4" High 6" Long 3 1/2" Wide. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: J. Howard Iams.

A malformed foetus. Wood engraving.

Bladdersteen van Wynand Corsten, Anonymous, 1696 - 1700 print Image of De Blaassteen who came out on May 21, 1696 with the 19-year-old Wynand Corsten via the Scrotum. The text under the print says that Wynand Corsten had been cut 'of the stone' several times. paper engraving

Trade Card for Robert Jackson, Picture Dealer, Printseller, and Restorer 19th century Anonymous, British, 19th century. Trade Card for Robert Jackson, Picture Dealer, Printseller, and Restorer. Anonymous, British, 19th century. 19th century. Engraving

To protect his mother, Danae, the mythical Greek hero Perseus accepted the task assigned him by a king named Polydictes of slaying the monster Medusa, whose hair was snakes and whose eyes turned all to stone who gazed at them. In this 1914 illustration Perseus, prepares to slay Medusa. Helping him find Medusa was his guide, the messenger god Hermes (Mercury to the Romans), and Athena. With them he had found the three daughters of Porcus and Ceto (who was a sister to the Gorgons). They were named Enyo, Pephredo, and Deino and were old from birth. They shared one eye and one tooth, as seen here,

Free couple, Aristide Maillol, 1935 print paper letterpress printing couple of lovers. coitus, cohabiting, sexual intercourse

Ancient Germanic deities. Statue of the sun god Sunna 1, moon god Mani 2, witches, magas mulieres or Haliurunna 3, goddess of fertility Ziwa or Siva 4. Divinita di Germani. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

Alexandre Ferdinandus (dit F. Avenet). "ECCE HOMO. Untntedrate cul-de-lamp project. Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-13 Cul-de-lamp, drawing, eccce homo, ink, illustration of literary work, book, skeleton, death head, 19th 19th 19th 19th 19th 19

Antoine Louis Barye (1795-1875) was a Romantic French sculptor. He is best known as a sculptor of animals (therefore, an animalier). This bronze sculpture by Barye is titled Panther Seizing a Deer.

Masks Used in Greek Tragedy.

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