Classical Figures in Court

Engravings illustrating historical settings with prominent figures, emphasizing themes of authority, power, and allegorical representation.

Nancy, Callot, Jacques, Venerations, Veneration of man, verso lower left - stamped, Oval representation of a number of veiled men before a Roman emperor on a throne. This print is part of a series of three prints depicting different types of worship: the worship of God, the worship of the devil and the worship of man., print, prent, prints, height 66 mm, width 49 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1621 - 1628, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings

Young man offers leaf with theses. A young man speaks to the court and offers the frost a leaf with theses. On either side the goddess Minerva and God Janus. On the right there are attributes of science such as books and globes on the ground. Links a group of men from the court. From the large windows there is a view of baroque gardens, on the left a village.

Alexander the Great as Judge. Willem van Swanenburg (Holland, Leiden, circa 1581-1612)Joachim Antonisz Wtewael (Netherlands, Utrecht, 1566-1638). Holland, 1606. Prints; engravings. Engraving

Jacques Callot, King and Queen in Consultation about the Turks, 1612 King and Queen in Consultation about the Turks

Transfer of the Spanish Netherlands by Philip II to Isabella Clara Eugenia, Infante of Spain, 10 September 1597. Interior with Isabella Clara Eugenia, Infante of Spain and Philip II on its throne, a man bends in front of him and kisses his hand.

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Leonard Gaultier, Illustration for Matthew XXII, 1576-80, engraving on paper.

Decapitation of Johan van Oldenbarnevelt, 1619, 1696 - 1700 print Johan van Oldenbarnevelt kneels blindfolded for his beheading on the scaffold on the Binnenhof in The Hague on May 13, 1619. View of the scaffold, the servant Jan Francken is averted with hands in front of the face. Northern Netherlands paper etching violent death by beheading. on the scaffold or place of execution Courtyard

Woman kneels for a first name company, Jan Wandelaar, 1722 - 1723 print A woman in black clothing kneels for a first name looking man. A few men are still shown in the background. At the top left state: I. part. At the top right state: Page: 242. North Netherlands paper etching / engraving kneeling before a ruler

Nancy, Callot, Jacques, Venerations, Veneration of man, verso lower left - stamped, Oval representation of a number of veiled men before a Roman emperor on a throne. This print is part of a series of three prints depicting different types of worship: the worship of God, the worship of the devil and the worship of man., print, prent, prints, height 66 mm, width 49 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1621 - 1628, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings

Woman points to the death that lets a figure drink a cup on his deathbed, Jan Luyken, 1687 print Amsterdam paper etching deathbed. Death as skeleton. drinking

Illustration for 'Ancient, Medieval and Modern History'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1790. Prints; etchings. Etching

. An elegant company has gathered on the street for a house. Two men carry agitated a conversation in the nearby of a woman. Left in the background A lion trying to climb over a wall the house garden.

. Print at the top right labeled: fol. 568.

Displaying of Mars, 1648, Salomon Savery, After Isaac Isaacsz, 1649 print Displaying of Mars disarming. Part of the impressions staged on June 23, 1648 on the Schouwburg in Amsterdam following the conclusion of the Peace of Munster. The third performance shows how Mars is disarmed by peace. A Dutch prince watches in the background. In the caption a verse of 4 lines in Dutch. Amsterdam paper etching theatre, theatrical performance. festivities on events of national importance. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). specific aspects, allegorical aspects of Mars; Mars as patron Schouwburg Keizersgracht (1637-1772)

Emperor Theodosius and Athenais, Willem van de Passe, After Adriaen Pietersz van de Venne, 1623 print Emperor Theodosius shows the apple to Athenais, whom she has given to Paulinus. They are surrounded by courtings. unknown paper engraving Emperor Theodosius (+ variant)

Third pretext: only married, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1581 - 1633 print The king's messenger comes to the third guest and invites him to the wedding party. The guest apologizes with the pretext that he is just married. He points to his bride. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. paper engraving / etching those that are invited to the royal wedding-feast excuse themselves

Jacques Callot, Caesar's Coin, 1635 Caesar's Coin

AAP presents King Akbar rolled documents, Caspar Luyken, 1704 print Nuremberg paper etching / letterpress printing monkeys, apes. king. scroll

Dubourg, Louis Fabritius, Folkema, Jacob, Adventures of Gargantua and Pantagruel, Panurge inspects the face of the Englishman, verso - stamped, Panurge inspects the face of an Englishman and puts his finger in his nose. The giant Gargantua sits behind these two on a wall and watches together with a group of curious people. In the margin is a line of text in French, marked lower right: Liv. 2. Ch. 19., print, book illustration, prints, height 226 mm, width 179 mm, Dutch, 1692 - 1767, print maker, printmaker, 1703 - 1767, paper, papier, etching, etsen, 1693 - 1775-09-16, intermediary draughtsman

Plate 28: Cologne Troops Bring Civilis' Wife and Sister to Cerialis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 28: Cologne Troops Bring Civilis' Wife and Sister to Cerialis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Victim of possession or sorcery (Nos. 4-5), ca. 1658. Two performances of an interior with a person suffering from a form of falling illness or madness, interpreted as possessure or sedary. Above: A woman falls on the floor for the fireplace. Under a surrendered or spugouting woman sitting on a chair. Numbered: 4 and 5.

Gusman d'Alfarache at bed with ladies.

Emperor Ferdinand III is congratulated on the birth of his son Leopold, 1640, Caspar Luyken, 1701 print Frankfurt am Main paper etching / letterpress printing congratulation, felicitation. procreation, birth and (early) youth Vienna

Birth of Prince Willem V, 1748; The Hugelyke Birth of the Prince of Orange. The birth of Prince Willem V, 8 Maaart 1748. The princess restored to bed in the maternity room, next to her bed a min with the newborn child. Prince Willem IV shakes the hand of visitors. Under the show three square verses. Signature at the top right: No. 127.

Consultation in a Roman camp; The legal speeches in the vain location of Varus.consultation in a Roman Army Place. Illustration No. 160 In A Work On The Old Residents Of The Netherlands And Their Habits.

The Cult of Men. Dated: probably 1627. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Offering the supplement to the Duchess of Parma, 1566, 1784 - 1799 print Offering the supplement by the covenant of the nobles to the governor, the Duchess of Parma, in the Palace in Brussels 5 April 1566. Hendrik van Brederode hands her the petition. Netherlands paper etching Palace on the Koudenberg

Amsterdam, Wolsgrein, Aart, Luyken, Jan, Man speaks to his weeping housewife, print, prent, book illustration, prints, prenten, height 87 mm, width 77 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1693 - 1693, paper, papier, etching, etchings, Publication (Event), Publication, Northern Netherlands, publisher

Decapitation of James the multiple.

Le concert. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Claude Richard de Saint-Non after Hubert François Gravelot.

Elegant company in an interior; The Valentineing of the English and Scots. Sit in a decorated interior and are elegantly dressed figures around a table pressure to converse. A woman is made in the foreground. Print at the top left marked: p. 467

. The writer Johannes Riolanus kneels for Louis XIII that is on his throne. He offers him his book (with the title in Greek and in Latin). They are accompanied by members of the French court. At the top right a three-legged inscription in Latin. In the margin a four-line caption, in two columns, in Latin. On the versose side the title page of Anthropographia, et osteologia in letterpress in Latin.

Return of Grand Duke Cosimo I from Tuscany to his palace; Family history of the genus the 'Medici (Part 3); Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. After his coronation, Grand Duke Cosimo I returns the "Medici in procession to his palace. In the bottom margin two lines text in Latin. Numbered with pen 4. The print is part of an album.

Displaying of Mars, 1648, 1649 print Displaying of Mars disarming. Part of the impressions staged on June 23, 1648 on the Schouwburg in Amsterdam following the conclusion of the Peace of Munster. The third performance shows how Mars is disarmed by peace. A Dutch prince watches in the background. In the caption a verse of 4 lines in Dutch. Amsterdam paper etching theatre, theatrical performance. festivities on events of national importance. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). specific aspects, allegorical aspects of Mars; Mars as patron Schouwburg Keizersgracht (1637-1772)

Poor Parents, Rich Children, anonymous, 1608 - 1610 print A rich couple with their children stands on the landing in front of their house. There is an old and poor couple in front of the landing. The man leans on a stick and the old woman wipes away her tears with a cloth. The rich children show their poor parents the door. They don't want to worry. Behind the children, father runs time, with a scythe and an hourglass in his hands. He points out that the children also grow old and then have to wait and see if their children act better than themselves. paper engraving poor parents, rich children (absence of filial love). Father Time, man with wings and scythe

Alexander the Great as a Judge, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 10. Artist: Willem van Swanenburg (Netherlandish, ca. 1581/82-1612); After Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: Sheet: 11 11/16 × 15 1/4 in. (29.7 × 38.8 cm). Publisher: Christoffel van Sichem I (Netherlandish, 1546-1624). Series/Portfolio: Thronus Justitiae, tredecim pulcherrimus tabulis.... Date: 1605-6.This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606. Museum: Metropolitan Museum of Art, New York, USA. Author: Willem van Swanenburg. After Joachim Wtewael.

Abraham Bosse, Childhood, 1636 Childhood

Church scholars including Nicolas Perrenot de Granvelle and Michele Maio, plate GG, 1530 - 1536 print Church scholars including Nicolas Perrenot de Granvelle and Michele Maio, plate GG. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Keizer, 24 February 1530. Mechelen paper etching festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Plate 9 for Shakespeare's 'Macbeth'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1784. Prints; etchings. Etching, six per page

Boscoli, Andrea, Florence, Callot, Jacques, The possessed, on loose sheet with print - stamped, Image of a possessed woman who is restrained in a church by two men, while a priest reads from a book to her, in order to drive the demons out of her. Many men and women are standing around these four figures, watching. This scene is set in a decorative frame. At the bottom a cartouche with Italian text., print, prent, prints, prenten, height 300 mm, width 220 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1615 - 1616, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1560 - 1607

Decapitation of Charles I, King of England, in London, 1649, Jan Luyken, 1698 print Amsterdam paper etching violent death by beheading Whitehall

Print at the top right labeled: fol: 336. Legal education: fol: 348.

. Hector, son of King Priam, asks His mother Hecuba and his sisters to bring a sacrifice to Minerva. A sister points to heaven, where Minerva appears. In the margin a four-line caption, in two columns, in Latin.

Personified soul and vanity watching children playing, Jan Luyken, 1714 print Amsterdam paper etching scenes symbolizing 'Vanitas'. the soul. children's games and plays

Print at the top right numbered: 137.

Abraham Bosse (1602-1676). "History of the prodigal child, the return (dutuit page 64)". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-3 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Reproduction of drawing: the municipal magistrates of the city of Paris congratulating the young king / Louis XIII on the occasion of his marriage. Louvre Ref. 20170 (TA)

Print at the top right numbered: 701.

Family around the death bed of father, Jan Luyken, 1712 print Amsterdam paper etching / letterpress printing deathbed

. Print at the top right labeled: fol. 273.

Roman consul flanked by two lictors, Gerard de Lairesse (Rejected Attribution), 1600 - 1699 print A throne Roman consul is flanked by two lictors who both hold a phases, symbol of the jurisdiction of officials. Senators are on either side of the throne. The consul greets a figure that bends in front of him, in the foreground is a dog. paper etching ruler, sovereign. law and jurisprudence (+ 'fasces cum securibus'). head bent forward; bowing. dog

Illustration for V. Weber's 'Stories from Antiquity'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1790. Prints; etchings. Etching

OntWerp Voor Het Frontispiece Van Dessers New Teutschen Mug Book Fourth Part. Ontwerp Voor Het FrontSpiece Van: (J. Sibmacher), Dess New Teutschen Mug Book Fourth Party, Nuremberg, Paul Prince, 1657

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Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Pieter de Jode II Flemish On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Piete

Trunk leader keeps audiency ..

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), Conference of Commissioners of the three Capitals of Overijssel, at His Highness's at the Loo, 4 Sept. 1786, Consultation between the prince and the commissioners of Overijssel, 1786, verso - stamped, Consultation at Het Loo Palace between Prince William V and the commissioners of the three most important cities of Overijssel to advocate suspension of the prince's measures against the cities of Hattem and Elburg, September 4, 1786., print, prints, Frederik Muller Historieplaten, height 178 mm, width 115 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1794 - 1794, paper, papier, etching, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Black and gray wash drawing with deck white by Romeyn de Hooghe depicting the 1667 Peace of Breda, with minor brown spots and a vertical fold mark.

Amsterdam, Tirion, Isaak, Philips, Jan Caspar, Title page for: Thomas Salmon, Hedendaagsche historie, of Tegenwoordige staat van alle volken, XIVde deel, 1742, Title page for: Thomas Salmon and Jan Wagenaar, Tegenwoordige staat of the United Netherlands, Fourth part, Allegory of the province of Holland, verso - stamped, Departure with the Dutch Maid on a throne, talking to a knight. Behind them the coat of arms of the province. They are accompanied by the city maidens of Dordrecht, Haarlem, Delft and Leiden. In the background a view of the Binnenhof in The Hague. In the margin a six-line caption in Dutch., print, engraving, title page, prints, engravings, height 176 mm, width 107 mm, Noord-Nederlands, 1700 - 1775-04-24, print maker, printmaker, 1742 - 1742, paper, papier, engraving (printing process), etching, Work conception, after own design by, Publication (Event), Publication, Northern Netherlands, 1705 - 1765, publisher

Planting the orange and lemon trees in Genoa, Johann Friedrich Greuter, After Guido Reni, 1646 print Men plant orange and lemon trees in a palace garden in Genoa, in the presence of various women (possibly hesperides). Italy paper engraving trees: lemon-tree. trees: orange-tree. garden. gardening-tools Knee

Reproduction of an engraving after L. Bobrun, the body of the city of Paris at the foot of the young Louis XIII, 1620 (TF)

Oldenbarnevelt is led to the scaffold, 1619, 1668 - 1670 print Johan van Oldenbarnevelt is led to the scaffold, 13 May 1619. Van Oldenbarnevelt is accompanied by a soldier and his servant Jan Francken. With caption of four lines in Dutch, date and page number. paper etching / engraving (person under sentence of death) on the way to the scaffold or place of execution

unknown, Bosse, Abraham, Parable of the Prodigal Son, La Parabole du Fils prodigue, L'Istoire De L'Enfant Prodigue, The prodigal son squanders his inheritance, verso - stamped, print, prints, height 263 mm, width 329 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1636 - 1637, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, granter of privilege

Specklin, Veit Rudolf, Holbein, Hans (II), Esther is introduced to Ahasuerus, Esther kneels before the enthroned King Ahasuerus and is introduced to him. In the margin above the image is the text Esther I & II., print, book illustration, prints, images, height 60 mm, width 85 mm, height 84 mm, width 97 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

The Banished Duke of Otnop, 1512-1516. Hans Burgkmair (German, 1473-1531). Woodcut;

A Lord kneels on the ground for a lady and makes her a proposal. The lady is half naked to her dressing table. Panically, other women enter the room. Title illustration for part 2 of a book about the tricks of love.

Alexander the Great and Campaspe in the Studio of Apelles. Dated: 1744. Dimensions: plate: 29.5 × 39.3 cm (11 5/8 × 15 1/2 in.) sheet: 32.6 × 43.1 cm (12 13/16 × 16 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Fontebasso.

Camillus arrives at the Gauls, Agostino Veneziano, After Baccio Bandinelli, 1531 print Camillus arrives on horseback with the Gauls, where Brennus has just thrown his sword on the scales. On the right a table with bowls filled with gold pieces. In the lower margin a four -line text in Latin. Italy paper engraving Brennus throws his sword onto the scales to raise the ransom of the Romans, crying 'Vae victis'; Camillus is shown arriving on horseback

Rudolf II van Habsburg, Crispijn van de Passe (II), After Crispijn van de Passe (I), 1611 print Rudolf II of Habsburg on a throne under a laurel wreath. In his left hand he holds a rich apple and a sword in his right hand. Next to him his coat of arms. At the bottom left an eagle. In the background the festive entry of Rudolf II of Habsburg. In the middle of a Bible quote from Matt. 12 in Latin. In the margin an eight -line praise, in four columns, in Latin. Second print from a series of four with world rulers. Utrecht paper engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Throne. Scepter, Staff (Symbol of Sovereignty)

Hendrik Eemkens in Utrecht killed by hitch, 1561, Jan Luyken, 1685 print Amsterdam paper etching execution of heretic, e.g. by burning at the stake, 'auto-da-fé' Utrecht

Who litigates must be shameless, patient and rich, Hendrick Goltzius, 1597

Drawing by Crispin van de Passe depicting the Adoration of the Kings, executed with stone chalk, pen, brush, ink, and bister.

Marriage of Tobias and Sara, Anonymous, After Maarten van Heemskerck, 1556 - 1633 print Raguel marries Tobias and Sara, while the Archangel Rafaël and Raguel's wife Edna watch. Back right asks Tobias before the meal started whether Sara can become his wife. At the bottom of the margin a single -line caption in Latin from Tobit 7. print maker: Low Countriespublisher: Antwerppublisher: Antwerp paper engraving Raguel gives Sarah to Tobias as his wife. Tobias asks for Sarah in marriage

Antwerp, Bochius, Joannes, Galle, Philips, Straet, Jan van der, Collaert, Adriaen, Encomium Musices, Song of Praise to Music, David plays his harp for King Saul, verso middle - stamped, David plays before the throne of King Saul. The harp playing drives away the evil spirit that torments Saul. (1 Samuel 16:23) The print has a Latin caption with verses. The print is part of a series with scenes from the Old Testament that have to do with music., print, prints, height 219 mm, width 291 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1587 - 1591, paper, engraving, engraving (printing process), Southern Netherlands, 1523 - 1605-11-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1537 - 1612-03-29, publisher, 1555 - 1609, writer

Decapitation of Lady Jane Gray in London, 1554, Jan Luyken, 1698 print Amsterdam paper etching violent death by beheading Tower of London

Ill-treatment of pastor Langerak from Laren in the house Netelhorst near Lochum by Baron van Heeckeren, the Lochum mayor doctor de Wolf and Mr. Sölner. The preacher was mistreated for refusing to drink to the health of the Duke of Brunswick at the baptismal feast of Baron van Heeckeren's son, born on June 14. Preacher Abbink from Lochum stands to the right of the fighting people. On the right one looks into the maternity ward where Mrs. van Heeckeren is lying in bed and a sitting woman is holding the newborn son. Beneath an eight-line text in Dutch, Mishandeling te Lochum., print maker: Joannes Hulstkamp, (mentioned on object), bookseller: D. de Vries, (mentioned on object), print maker: Rotterdam, bookseller: Delfshaven, 1784 - 1786, paper, etching, h 138 mm × w 100 mm

A man stands on a stool singing. Surrounding him are spectators. Below the scene a two-line verse in Dutch. The print is part of a series of five prints depicting the five senses., Hearing The five senses (series title), print maker: anonymous, print maker: Aert van Waes, (possibly), publisher: Joachim Ottens, (possibly), 1689 - 1720, paper, etching, h 205 mm × w 145 mm

Display of the desired freedom, 1648; Desired Vryheydt; Allegories on the Peace of Munster; The six shows that opened on the Schouburg (...) are den 23 Iunij 1648. Display of the desired freedom. Part of the impressions raised on June 23, 1648 at the Schouwburg in Amsterdam following the conclusion of the Munster peace. The second performance shows the personification of freedom sitting on a pedestal, in the air the fame. In the caption a verse of 4 lines in Dutch.

Passe, Simon van de, Netherlands, The Princely Ravel Game for Schenckenschans, Le Ravel des Princes pour le Fort de Schentks, The Game for Schenckenschans, 1635-1636, Cartoon on the battle for Schenckenschans in the years 1635-1636. Frederik Hendrik and Cardinal Infante Ferdinand are playing dice at a table around the fort. Also present are the Pope, the Bishops of Mainz and Cologne, the King of Spain, the Emperor, the King of France and Cardinal Richelieu. The victims of the game are the peasants of Kleef and Gulik who lie groaning under the table. Below the image a verse of 4 lines of text in Dutch., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 200 mm, width 252 mm, print maker, printmaker, 1635 - 1636, second quarter 17th century, paper, papier, engraving, engraving (printing process), etching, Northern Netherlands, 1595 - 1647-05-06

Empress. Dated: 1651. Medium: etching with border "Minerva and Hercules" (Pennington 233B). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik, 1629, 1629 print Allegorie on the conquest of 's-Hertogenbosch by Frederik Hendrik on September 17, 1629. On a stage, the Stadholder Frederik Hendrik is married by the Bishop Ophovius to the city-contest of Den Bosch. Behind the Stadzensmaag is the Governor of Grobbendonck, as the father of the bride. The columns on either side of the stage decorated with weaponry and medallions with earlier military conquests under the policy of the stadholder. At the top hangs a cloth with a map of the siege of Den Bosch. On the left portraits of Palatgraaf Frederik van Bohemen, Frederik Hendrik and Ernst Casimir, on the right the portraits of their spouses. Completely printed from three plates. Northern Netherlands paper engraving civil marriage ceremony. capture of city (after the siege) the Bosch

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Den Grooten Figuer-Bibel, Ghelijckenisse van d'wtghedeelde Talenten, Man gives talents to his servants, lower right - handwritten in brown ink, A man at a table gives his money to three servants before he sets off on a journey. He gives five talents to the first. The other two are waiting behind him. A secretary notes down the amounts. In the background the man leaves in his carriage. Below the scene a reference in Latin to the Bible text in Mat. 25:14. This print is part of an album., print, album sheet, prints, 118, height 206 mm, width 288 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

. Print at the top right labeled: fol. 707.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), The Great Figurine Bible, Passion of Christ, Of the Lying and Passion of Christ, Pilate washes his hands in innocence, bottom right on album page - handwritten in brown ink, Christ is condemned to death and taken away. Pilate washes his hands in innocence. In the presence of the crowd he washes his hands in a bowl of water. Below the image a four-line verse in Latin. Bottom right the letters: gg. This print is part of an album., print, album leaf, prints, 139, height 210 mm, width 128 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), hand-coloured, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Marianne is taken away to be killed.

Judgement of Solomon. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Allegory of the Government of a Wise King. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague); after Karel van Mander I (Netherlandish, Meulebeke 1548-1606 Amsterdam). Dimensions: sheet: 8 5/8 x 12 3/8 in. (21.9 x 31.5 cm). Publisher: Joos de Bosscher (Netherlandish, active Amsterdam 1587-died 1591). Date: 1588. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Picart, Bernard, Sir Politick, Comedie, A woman dances in the throne room, verso lower left - stamped, A woman dances in the throne room. The queen and her ladies-in-waiting look on., print, engraving, book illustration, prints, height 135 mm, width 81 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1724 - 1724, first quarter 18th century, paper, etching, engraving (printing process), supervision

France presents Prince Louis XIV; La Joye de la France. The allegorical figure 'France', seated on a throne and dressed in a dress decorated with the Fleur de Lis under a canopy with the weapon of the Dauphin, presents the young Louis XIV, standing on her lap. Left Louis XIII with Gaston Jean-Baptiste, Duke of Orléans and the right Anna van Austria.

Painter and female model in studio; Houwellyck. A painter is behind his easel, palette and brush in hand. On the donkey. The portrait of an elegantly dressed lady standing, right, standing in front of him. Behind her a table on which some bonts and two antique heads. There are different panels on the floor. On the left an elegant gentleman with a dog comes in the room. A young man and a dog behind the painter.

A gray ink and brush drawing by Johann David Schubert illustrating a figure raising a glove, referencing the phrase about virginity, showing posture and gesture, 1793.

Louis XIV from France and his mother Anna van Austria between traders and aldermen, Claude Mellan (attributed to), 1644 print print maker: Francepublisher: Paris paper engraving historical persons. historical persons - BB - woman. ruler, sovereign

Fokke, Simon, Amsterdam, La Princesse Rosette, Two figures kneeling before a king, verso - stamped, Illustration from the fairy tale La princesse Rosette by d'Aulnoy. Two figures kneel before an enthroned king whose crown is adorned with feathers. The king is flanked by two bearded men and holds a scepter. To his right stands a handcuffed woman with a handkerchief. Print marked at top right: No. 7. Pag. 270. Mm, print, prent, prints, height 119 mm, width 68 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

. A group of gentlemen has collected in a lecture hall of the Academy of Sciences. A portrait of the king on the back wall.

Gnaeus Marcius Coriolanus beseeched by his mother Veturia, wife Volumnia and his two sons, to halt his attack on Rome, 5th Century BC. Roman general Corolianus had led a Volscian army to besiege Rome. Coriolan flechi par sa mere. Copperplate engraving by Joseph Stöber after a design by Hubert-François Gravelot from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

. Master Janotus asks the Reus Gargantua, which is under a canopy, to make the church bells come back. In the background the cathedral. Illustration at the stories of François Rabalais about Pantagruel and Gargantua. There is a line of text in French in the margin, at the bottom right: L. I. CH. 19.

Story of Joseph, Plate 87 Georg Philipp Rugendas I (German, 1666-1742). Story of Joseph, Plate 87. Mezzotint in blue ink, 10 3/4 × 15 3/16 in. (27.3 × 38.5 cm). European Art

Mankind Awaiting the Last Judgement 1568-1600 Johann Sadeler I Netherlandish. Mankind Awaiting the Last Judgement 395629

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