Classical Muses and Fashion

Artistic representations of classical muses and figures in fashion, blending historical attire with the depiction of cultural themes in art.

Hope, Jacques de Gheyn (ii) (Workshop of), After Jacques de Gheyn (ii), 1591 - 1595 print Hope, in the form of a woman with an anchor in the left hand and a bird of prey on the right hand. At the top of the show the word 'spes' (hope). This print is part of a series of seven round performances of the virtues, each personified by a female figure with typical attributes, and with Latin inscription. Netherlands paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Hendrik Goltzius, Euterpe, probably 1592 Euterpe

Woman with fan, Hermanus Fock, Abraham Bloemaert, 1781 - 1822.

May: Jongeman with a flower wreath, Jonas Suyderhoef, after Joachim von Sandrart (I), 1645 print In front of a gatehouse stands a young woman who holds a flower wreath in the making, while picking a tulip. Roses and asparagus bloom in the flower bed. The twins, the constellation of this month, hug and kisses each other. Under the show a verse in Latin of two times four lines. Amsterdam paper engraving / etching May; 'Maggio' (Ripa). flowers: tulip. Gemini (zodiacal sign of May)

Dance of death: death and the maiden. Etching attributed to J.-A. Chovin, 1720-1776, after the Basel dance of death.

The Artist's Wife Sewing. Dated: 1753. Dimensions: plate: 12 x 9.5 cm (4 3/4 x 3 3/4 in.) sheet: 12.3 x 9.5 cm (4 13/16 x 3 3/4 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Georg Friedrich Schmidt.

Village beauty. Payne, Albert Henry (1812-1902), graphic artist, Brain & Payne (Londyn ; wydawnictwo ; fl. ca 1820-1860), publisher, Hicks, Lilburne (ca 1814-1861), painter

June, 1670 - 1742 print paper etching / engraving the twelve months (especially personifications); 'Mese in generale' (Ripa). June; 'Giugno' (Ripa). shearing (sheep). sheep

Euterpe, 1592 print A series of nine muses. Four lines of Latin from Franco Estius in margin under print. paper engraving Euterpe (one of the Muses); 'Euterpe' (Ripa)

Adellijke Vrouw the Venetiaanse Drach; A woman from a particular rank in the city of Venice / ausz dem ein weib fürnembsten Adel zu Venedig; Fundamental attitude of people (...). Dame in Venetiaanse Dracht ca. 1577, met to 4 regelig in net Ingles. No. 119 shipped "fundamental habits of people, both men and women are portrayed in a particular skill. TRACHTENBUCH darin fast allerley der Nationen furnembsten on heutigs tags bekandt sein.

Martin Schonguer (around 1450-1495). Les Vierges Sages: Second Virgin Sage (Bartsch 78). Engraving (chisel), 1480-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 76855-13 Acking, art medieval, Christianity, woman, engraving with chisel, Christian iconography, religious iconography, light lamp, Middle Ages, New Testament, biblical character, wise virgin, XVEME XVE XV 15th 15th 15th century, engraving

The Story of Elizabeth (titlepage design) ca. 1867 After Frederick Walker British This photograph records Walker's drawing on a woodblock for the title-page of "The Story of Elizabeth," later engraved by Swain and published in 1867. A visible horizontal joint-line reflects the fact that wood engravings are printed from small pieces of boxwood, cut across the grain, then bolted together.. The Story of Elizabeth (titlepage design) 648530

The Honorable Miss Monckton, Print made by Johann Jacobé, 1733-1797, Austrian, after Sir Joshua Reynolds RA, 1723-1792, British, Published by John Boydell, 1720-1804, British, 1779, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 25 1/2 × 15 1/8 inches (64.8 × 38.4 cm) and Image: 24 × 14 7/8 inches (61 × 37.8 cm)

Gray brush drawing by Johann Georg Wagner from 1758 depicting a lady playing the guitar, showing figure, posture, and musical instrument details.

State bed Princess governess, Anna of Hanover, widow of Prince William IV, Simon Fokke, 1712-1784

Minerva. Minerva with a hand on her chest.

Portrait of Maria-Anne de Mailly as the Cardinal Virtue 'Power', Jean Joseph Baléchou, After Jean-Marc Nattier, 1726-1763 print print maker: Francepublisher: Paris paper engraving historical persons. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues - MM - triumph. lion's head ~ ornament

Purity, draughtsman: Louis Fabritius Dubourg, 1703 - 1775, paper, pen, brush, h 177 mm × w 144 mm

Woman kneels on a tile, retouging her hairstyle, draw from the French nobility to the Church Abraham Bosse (1602-1676). Woman on his knees on a tile, editing his hairstyle from French nobility to church.

Palm tree, violante.

The Embroiderer 18th century Jacques Fabien Gautier Dagoty French. The Embroiderer. Jacques Fabien Gautier Dagoty (French, Marseille 1716-1785 Paris). 18th century. Mezzotint. Prints

Umbria Terni Narni S. Domenico53. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Duck lock of the Charlotte Corday Illustration Schubert, A., Geyser, Christian Gottlieb (1742 1803)

St. Elizabeth of Hungary or St. Elizabeth of Thuringia (1207-1231). Princes of the Kingdom of Hungary. Daugther of King Andrew II of Hungary. Portrait. Engraving. "Los Héroes y las Grandezas de la Tierra" (The Heroes and the Grandeurs of the Earth). Volume VI. 1856.

Ludwig, Dauphin of France.

An Allegory of Pride. Dated: 1506. Dimensions: sheet (cut within platemark): 9.9 x 7.5 cm (3 7/8 x 2 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

Martin Schongauer (German, c. 1450 - 1491), Fourth Wise Virgin, c. 1490, engraving

Jael; Heroes and heroines from the Old Testament. Jael standing with a tent nail and a hammer in her hand. In the background you can see how they put the cananian army leader Sisera a tent nail in his head. Right behind the battlefield with the two warring parties arranged opposite each other. In oval with peripheral in Latin by Theodorus Schrevelius.

Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5) first published 1800; reissued 1852 James Parker Westall's image centers on Lady Macbeth steeling herself to support the murder of Duncan, king of Scotland. It was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales plummeted when Napoleon blocaded European ports. The impression belongs to an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. Printed on thick cream colored paper, the New York edition added small numbers in the lower left margin, this be

Sforza, Bianca Maria.

Sigismunda. 1761. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Catherine Jagellon by Lowstadt, Carl Theodor (active Early 19th cen.)/ Private Collection/ Sweden/ Copper engraving, watercolour/ Academic art/ Portrait

Manlius, Titus.

Speaking well. According to Vely's image. Łoskoczyński, Józef (1857 1928)

Portrait of Marie Anne de Chateauneuf (calledDuclos). Artist: Louis Desplaces, French, 1682-1739

Broom Peddler 1737 Anne Claude Philippe de Tubières, comte de Caylus French. Broom Peddler 398060

Delilah preparing to cut Samson's hair with scissors in her right hand, below her chest are the head and shoulders of the sleeping Samson ca. 1629 Claude Mellan French. Delilah preparing to cut Samson's hair with scissors in her right hand, below her chest are the head and shoulders of the sleeping Samson 399241

Maria Theresia, Roman-German Empress Lithography by Eduard Schreiner

Young Girl at the Keyboard. Dated: 1767. Medium: transfer technique in gray and red, printed from two plates. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel and Johannes Kornlein after Gerrit Dou.

De Rommelot player, Jan van der Bruggen, 1659 - 1740 print paper engraving improvised musical instruments (kitchen-utensils, etc.).

Bathsheba, seventh daughter of Amiel, wife of Uriah the Hittite and one of King David's wives. The second book of Samuel recounts Bathsheba's adultery with King David. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Marguerite de Navarre, 1492 1549, Queen of Navarre, digitally altered Marguerite de Navarre, 1492 1549, Queen of Navarre Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 21665306

Friendly (IT)

Tasting, Print made by Richard Houston, ca. 1721-1775, British, after Francis Hayman, 1707/8-1776, British, 1753, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 14 5/8 × 10 11/16 inches (37.1 × 27.1 cm), Plate: 13 11/16 × 9 13/16 inches (34.8 × 24.9 cm), and Image: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm)

Pluviose (ti)

Print made by William Dickinson, 1746-1823, British, Diana, Viscountess Crosbie, ca. 1779. Mezzotint on medium, moderately textured, cream laid paper.

Henry Kingsbury, active 1750-1780, British, Girl and Pigeons, 1784. Mezzotint.

Charlotte von Lengefeld, wife of Friedrich Schiller, steel engraving from "Schiller Gallery", 1869, Germany, Europe

Crispijn de Passe I, Clio Clio

Joffroi, Louise.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche00. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St. Catherine of Alexandria ca. 1644-50 Wenceslaus Hollar. St. Catherine of Alexandria. After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). ca. 1644-50. Etching and engraving; first state of two. Prints

Cader Idris, Samuel Davis, 1757-1819, British, undated, Watercolor, with pen, in brown ink and graphite on medium, slightly textured,cream, wove paper, mounted on, medium, slightly textured, cream, wove paper, Mount: 18 9/16 × 23 7/8 inches (47.1 × 60.6 cm) and Sheet: 16 1/16 × 20 1/8 inches (40.8 × 51.1 cm), landscape, mountains

Copper engraving and etching by Hendrick Goltzius from around 1593 depicting the allegorical figure of Sientia, representing knowledge and wisdom, showing figure, posture, and symbolic elements.

Saint Cecilia with two angels, Gesina ter Borch, in or after c. 1660 - in or before c. 1661, draughtsman: Gesina ter Borch, (signed by artist), Zwolle, in or after c. 1660 - in or before c. 1661, paper, h 368 mm × w 242 mm

The second wise Virgin, Martin Schongauer, c. 1470 - 1491 print One of the five wise virgins from the Biblical parable, a burning oil lamp in hand, with the other hand a fold of her skirt. This print is part of a series of ten prints, five with wise virgins and five with foolish virgins. Germany paper engraving representation of wise virgin(s)

Woman sitting in a garden next to a large garden vase, draughtsman: Taco Scheltema (I), 1770 - 1837, paper, h 308 mm × w 249 mm

First Wise Virgin. Dated: c. 1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Copper engraving from around 1470 by the Meister der Propheten und Sibyllen showing the Light-Spontic Sibyl seated with scroll.

Urania, 1592 print The Muse Urania sitting with Globe and Passer. There is an Armillarium next to her. Four lines of Latin from Franco Estius in margin under print. Haarlem paper engraving Urania (one of the Muses); 'Urania' (Ripa)

Lazio Roma Rome S. Maria in Vallicella69. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of an unknown standing man. Knee piece from a man with a long wig; The right arm on a balustrade with relief from Putti, the left hand on the hip.

Mole-Raymond, Elisabeth Félicité.

Recueil des modes de la cour de France, 'Femme de qualité aux Thuilleries'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paper

Christine, Queen of Sweden.

Brides of Friuli; Ancient habits, modern et all over the world .....

Girl with a sconce at an open window. A young woman closes a window at night. In one hand she has a candle and with the other she holds the closure of the window.

Portret van Hannah Pritchard als Hermione in 'The Winters Tale'; Mrs. Pritchard in the character of Hermione in the Winters Tale. .

Woman at a Window. Jean-Pierre Norblin de la Gourdaine (French, 1745-1830); after Ferdinand Bol (Dutch, 1616-1680). Date: 1759. Dimensions: 142 × 117 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

'Marie Louise Archiduchesse d'Autriche Impératrice des Français', c1810, (1921). Portrait of Marie Louise, Duchess of Parma (1791-1847), 'Archduchess of Austria, Empress of the French', and second wife of Napoleon Bonaparte. She is holding a letter from Napoleon requesting her hand in marriage, and wears round her neck a portrait which accompanied the letter. Napoleon's first wife, Josephine, had not provided him with an heir, and he divorced her on 10 January 1810. He married Marie-Louise in March 1811. Engraving by Nicolas Colibert. From "Napoleon", by Raymond Guyot, H.

Illustration for 'Caroline of Lichtfield'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

Basel Woman Made 1644 Bohemia. Etching on gray Asian paper . Wenceslaus Hollar

Historical drawing, Margaret, Duchess of Parma, 1522 - 1586, Governor of the Habsburg Netherlands, 16th century

Design for a title page with a woman with a monstrans, Abraham van Strij (I), 1763 - 1826 drawing Woman with monstrans, seated at the dining of the law for an Oranjeboom. Banderol with inscription: Vici-Mooge-Fantenzi (). paper. ink brush / pen ostensorium, monstrance. the ten commandments represented together on stone tablets. trees: orange-tree

VICTORIA I. REINA DE INGLATERA E IRLANDA. 1819 - 1901. " LA REINA VICTORIA PRESTANDO JURAMENTO ". GRABADO DE UN CUADRO DE G. HAYTER. ILUSTRACION ESPPAÑOLA Y AMERICANA.

Iphis, Jephtha's Daughter. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

Furtive message (Messaggio furtivo) 1870-71 Luigi Crosio Plate XII from a set of prints published in 1870-71 by "L'Aqua Forte - Società d'Artisti Italiani.". Furtive message (Messaggio furtivo). Luigi Crosio (Italian, Alba 1835-1915 Turin). 1870-71. Etching. Prints

LOUISE DE SAVOIE duchesse d'ANGOULEME mother of Francois 1 of France and regent for him during his minority Date: 1476 - 1531

Gilles Demarteau, the Elder after François Boucher, Young Woman with a Rose, c 1776 Young Woman with a Rose

Stewart, Alicia .

Portrait of the Prince of Wales with his children's lady; It's ordained dead child called Prince of Walles. Who can have a dead minus. The young prince of Wales with his children's lady. Possibly Jacobus Frans Eduard Stuart (1688-1766) also known as The Old pretender. He is depicted in court dress with a headdress.

Diamantine (registered title)

'Kaiserin Katharina II. Von Rußland 1729-1796. - Gemälde von Lewitzky', 1934. Artist: Unknown.

March, 1670 - 1742 print paper etching / engraving the twelve months (especially personifications); 'Mese in generale' (Ripa). March; 'Marzo' (Ripa). angling. fishing net

Dame ragone Henri Bonnart (1642-1711). "Lady Ragonde". Water-strong colored with golden enhants.

A woman with a very elaborate hair style and a rump extended with cork armatures is being pursued by winged uncorked bottles. Etching, 1777.

Portrait of Francis Couplet, John Faber (II), After Gottfried Kneller, 1736 print Text in Latin in the lower margin. London paper etching historical persons. spreading the gospel; missionary work

St George Series - The King's Daughter or The Princess in the Garden,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Autumn, Jan Broedelet, Caspar Specht, 1690 - 1700

Portrait of Catharina de "Medici; Portraits of kings and queens for feet. Portrait of Catharina the 'Medici, Queen of France, Fut out to the left at a table. A range in her right hand and a glove in her left hand. At the top left of her coat of arms.

Giuliani, Veronica.

Admission von clare.

Egyptian Sibille, 1601 - 1627 print Bust of the Egyptian Sibille. In her left hand she holds an olive branch and her right hand she holds against her chest. The performance is caught in a medallion with a border script in Latin. Under the performance a six -line caption in Latin. Around a frame with flowers. Print is part of an album. paper engraving sibyls (with NAME). flowers

Mildheid, Louis FAIIUS Dubbourg, 1747 drawing paper. ink. chalk pen / brush Generosity, liberality; 'Generosity', 'liberality' (Ripa) (+ abstract concept reprified by female figures)

Banknote motif with a girl's head derived from Leonardo da Vinci against a patterned band. Artist: Associated with Cyrus Durand (American, 1787-1868); Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: sheet: 3 1/4 x 1 1/4 in. (8.2 x 3.2 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-37. Museum: Metropolitan Museum of Art, New York, USA.

Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2) first published 1795; reissued 1852 Francis Legat Holding an axe, Cassandra laments the fall of Troy, which burns behind her. Lines from the play, engraved below, read: "Cry, Trojans, cry; lend me ten thousand eyes, And I will fill them with prophetic tears." Romney's related painting was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales had plummeted when Napoleon blocaded European ports. This impression comes from an 1852 American reissue spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily wo

Antwerp, Galle, Theodoor, Sanitas, Health (Sanitas), recto top left - stamped, In an oval frame the female personification Health (Sanitas). Her attributes are a rooster (vigilance), a snake coiled around a staff and a chalice with water. The print is mirrored, print, prints, height 68 mm, width 52 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1607 - 1607, paper, papier, etching, etsen

Psyche Zwinger. still image. 1829. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Psyche (Greek deity), Butterflies, Wings (Anatomy), Hairstyles , 1800-1899

Print made by unknown artist, eighteenth century, October, 1767. Mezzotint on medium, slightly textured, cream laid paper.

Umbria Terni Acquasparta Palazzo Cesi4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portret Van Isabella d'Este, 1624 - 1673 print Knee piece of Isabella d'Este in an interior. In the background, some women come in through an entrance. paper engraving

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