Classical Muses and Fashion

Artistic representations of classical muses and figures in fashion, blending historical attire with the depiction of cultural themes in art.

Hope, Jacques de Gheyn (ii) (Workshop of), After Jacques de Gheyn (ii), 1591 - 1595 print Hope, in the form of a woman with an anchor in the left hand and a bird of prey on the right hand. At the top of the show the word 'spes' (hope). This print is part of a series of seven round performances of the virtues, each personified by a female figure with typical attributes, and with Latin inscription. Netherlands paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Melpomene, Charles David, after Hendrick Goltzius, 1605 - 1638 print Numbered in the middle: 3. France paper engraving Melpomene (one of the Muses); 'Melpomene' (Ripa)

A high-pressure fotogal vanography by Paul Pretsch from 1861 showing Sybilla Comaea, depicting costume, pose, and facial expression of the figure.

Thalia; The nine muses. A series of nine muses. In the margin four lines of Latin from Franco Estius.

Terpsichore. The seated Terpsichore, the muse of the singing and dance, plays the lute. Left to her feet are a winch and a book.

Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from the series 'Figures of fashion' (Figures de modes). Artist: Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne); Julius Model (German, Berlin 1838-1920). Dimensions: sheet: 8 1/4 x 6 in. (21 x 15.3 cm)plate: 5 1/16 x 3 1/8 in. (12.8 x 8 cm). Series/Portfolio: Figures of fashion (Figures de modes). Date: ca. 1710. Museum: Metropolitan Museum of Art, New York, USA.

Personification of laziness, represented like a woman's figure with a snail on her shoulder, standing in a niche.

Il ne Voit pas le Precipice, Augustin de Saint Aubin (Paris, France, 1736 - 1807)

Clio; The nine muses. A series of nine muses. Four rules Latin from Franco Estius in margin under print.

This copper engraving by Hendrick Goltzius represents Clio, muse of history, showing symbolic elements, drapery, and classical posture, created around 1592.

Hope, Jacques de Gheyn (ii) (Workshop of), After Jacques de Gheyn (ii), 1591 - 1595 print Hope, in the form of a woman with an anchor in the left hand and a bird of prey on the right hand. At the top of the show the word 'spes' (hope). This print is part of a series of seven round performances of the virtues, each personified by a female figure with typical attributes, and with Latin inscription. Netherlands paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Melpomene, anonymous, after Hendrick Goltzius, 1592 - 1667 print The sitting Melpomene, the muse of the mourning game, holds a horn in her hand and a document on her lap. Ligtering of her are books. paper engraving / drypoint Melpomene (one of the Muses); 'Melpomene' (Ripa)

Thalia, Hendrick Goltzius, 1592 print A series of nine muses. In the margin four lines of Latin from Franco Estius. Haarlem paper engraving Thalia (one of the Muses); 'Talia' (Ripa)

Johanna II, Queen of Naples.

Print made by Edward Le Davis, active 1671-1691, British, Catherine of Braganza, 1682. Line engraving and etching on moderately thick, slightly textured, beige laid paper.

Figure Costume Study: French Lady of Quality in 1501. Date/Period: Between 1793 and 1795. Drawing. Graphite with gray wash and violet chalk on medium, slightly textured, beige, wove paper. Height: 114 mm (4.48 in); Width: 73 mm (2.87 in). Author: Thomas Girtin.

Fontein with bust of Bacchus, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print In a landscape there is an ornamented fountain with volutes and a bust of Bacchus with vines and Thyrsus. There is a garden in the background. A five -line German text in the lower margin. Augsburg paper etching / engraving garden fountain. (story of) Bacchus (Dionysus), Liber

Opalinska, Katharina .

Spanish Crown, unknown, Rubens, Peter Paul, Vorsterman, Lucas (I), Antwerp, H. Barbara, verso lower left - stamped, print, prints, height 322 mm, width 228 mm, Publication (Event), Publication, South Netherlands, 1595 - 1675, publisher, 1619 - 1675, paper, engraving, engraving (printing process), print maker, printmaker, Work conception, 1577-06-28 - 1640-05-30, after a design by, granter of privilege

Fountain with bust from Bacchus; Johann Jacob Schüblers Neunzehende Ausgabe Seines Vorhabenden Werchs, Worons Vorgestellet became Unterschiedliche Modern Garten-Orgenuizen (...). In a landscape there is an ornamented fountain with volutes and a bust of Bacchus with vines and Thyrsus. There is a garden in the background. A five-line German text in the undermarge.

PortraT van Clara Augusta von Braunschweig-Wolfenbüttel, Conrad Buno, 1650 print Above the motto 'temperantia et vigilantia' with left reins that are kept from the air above a grasshopper and a rooster and a crane on the right. Wolfenbüttel paper engraving historical persons - BB - woman. dress, gown (+ women's clothes). cut flowers; nosegay, bunch of flowers. fan

Margarete of Austria Stecher: Sicking, Karel

Lola deValence. Artist: Édouard Manet, French, 1832-1883Printer: Société des aquafortistes, Paris, founded 1862

Urania, Charles David, after Hendrick Goltzius, 1605 - 1638 print Numbered at the bottom left: 9. print maker: Francepublisher: Paris paper engraving Urania (one of the Muses); 'Urania' (Ripa)

LEau Merveilleuse. Artist: Paul Gavarni, French, 1804-1866

Krystyna Eberhardyna (1671 1727) Queen of Poland, wife of August II unknown, Wolff, Jeremias (1663/73 1724)

Wilhelm III., Prince of Orania, King of England Breast image, half from left; m. Lorewerranz on Allon wig; in Harnisch, m. Lacejabot, medal of trouser band order to chest band; In round framing, occupied with wreath thread made of bay leaves; On pedestal, right next to it orange branch before stored spring-shaken helmet; on the left hand covered by drapery and a hide-back glory angel with an antique spring helmet, which, backed back to the viewer, with the left left the draperie to the side of the side, with the right fanfare coached with Wilhelm's Wappable cloth blows; His wing tips protrude at the bottom left of the picture. Etching, without legend, name (Gerard de Lairness attributed).

Fille Turque, qui brode 1714-15 After Jean Baptiste Vanmour. Fille Turque, qui brode. Plate 52; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

Back turned nymph holding the horn of abundance full of flowers, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 5, 1757-1787, Naples.

Noble Woman with a Small Hat. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Little girl holding a garland of flowers, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France) after 1757 Pierre François Tardieu French. Little girl holding a garland of flowers, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France) 413961

Tuileries' Quality Woman Nicolas Arnoult (around 1650- to 1722). "Quality woman at the Tuileries". Engraving.

Lewes, ... Lee .

Mujer quakera (cuáquera), habitante de Filadelfia. Grabado en color de 1805.

Female Personification of Science. Joseph Fratrel; French, 1730-1783. Date: 1776. Dimensions: 339 × 257 mm (plate); 565 × 395 mm (sheet). Etching on pale bluish-green laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Anne Catharine Mouy, Countess of Broglia, as the Goddess Diana Artist's working dates 1680-1718 Netherlands. Mezzotint on paper . Pieter Schenk

Thalia, in Greek mythology one of the nine Muses, Historical, digitally restored reproduction from an original from prehistoric times

Mulier Generosa Anglica. Dated: 1643. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Sitting woman with averted head. Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 138 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Amsterdam, Sichem, Karel van, Christoffel van (I), Portrait of Margaret of Parma, governor of the Netherlands, verso bottom center - stamped, governor of the Netherlands. She holds a piece of paper in one hand and a rosary in the other. On a pedestal next to her lie a second rosary and another rolled up piece of paper. Her coat of arms stands against the pedestal. In the background is a landscape with a city on a river. Her name, titles and position are at the bottom of the print. Below the print text in letterpress, with an ornamental frame., print, prints, height 184 mm, width 141 mm, height 294 mm, width 170 mm, 1575 - 1604, print maker, printmaker, 1611 - 1611, paper, papier, engraving, engraving (printing process), etching, etchings, woodcut, letterpress printing, Work conception, Northern Netherlands, 1546 - 1624-10-20, after a design by, Publication (Event), Publication, publisher

Hagar and Ishmael in the desert, Erin Corr (attributed to), after François Joseph Navez, 1815 - 1862 print paper steel engraving Hagar and Ishmael in the wilderness

Sweeper 1746 Anne Claude Philippe de Tubières, comte de Caylus French. Sweeper 398360

Buste of a young woman, Louis Marin Bonnet, After Louis Jean François Lagrenée (I), 1773 print Bust of a young woman, looking at the bottom left. Decorated with flowers and a ribbon in an oval frame. print maker: Francepublisher: Paris paper etching adolescent, young woman, maiden (+ front view)

Figures à la mode. Dated: 1685. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques Sébastien Le Clerc.

September; Septembre; Persons of the twelve months.

Francesco Bartolozzi, The Libyan Sibyl, c. 1780, etching in black and red ink on laid paper.

The Right Honorable Lady Anna Maria Stanhope (1783-1857), Duchess of Bedford, published by John Sharpe on August 1, 1805, possibly in Piccadilly, London

Daniel Nikolaus Chodowiecki, Girl with Fan, Facing Right, 1784 Girl with Fan, Facing Right

Bedrog, Philips Galle, c. 1585 - c. 1590 print Standing woman with a mask on. In her left hand she holds a rod with a fish on the hook. She has a mouse trap behind her back. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). mouse trap. angling. catching animals. mask

Flute player. In a garden with classical images is a boy with a flute. He wears a beret with feathers.

English Noblewoman. Wenceslaus Hollar (Czech, 1607-1677); after Anthony van Dyck (Flemish, 1599-1641). Date: 1644-1649. Dimensions: 90 × 57 mm (trimmed within plate mark). Etching on gray Asian paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Portrait of Marie Desbrosses as Germaine in the opera La journ, print maker: Alexandre Marie Colin, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Francisique Noël (et Cie.), (mentioned on object), Paris, 1823 - 1824, paper, h 425 mm × w 288 mm

Sitting woman, holding a veil over the head, draughtsman: Taco Scheltema (I), 1770 - 1837, paper, h 307 mm × w 237 mm

Standing woman with hands in the side. Draughtsman: anonymous. Dating: 1700 - 1799. Place: Netherlands. Measurements: h 162 mm × w 99 mm. Museum: Rijksmuseum, Amsterdam.

Lady Mary O'Brien, John Dixon, ca. 1740-1811, Irish, after Sir Joshua Reynolds RA, 1723-1792, British, 1774, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 21 1/16 × 15 1/4 inches (53.5 × 38.7 cm), Plate: 19 7/8 × 14 inches (50.5 × 35.6 cm), and Image: 18 1/16 × 13 15/16 inches (45.9 × 35.4 cm)

Mulier Wiennensis in Domo. Dated: 1649. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Deception; Fraus; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. Standing woman with a mask. In her left hand she holds a fishing rod with a fish on the hook. She has a mouse trap behind her back. Under the show two lines text in Latin. The print is part of an album.

The Servant (IFF 227) (registered title)

Copy of La Dame au Masque (The Lady Wearing a Mask), from La Noblesse (The Nobility) 17th century Anonymous. Copy of La Dame au Masque (The Lady Wearing a Mask), from La Noblesse (The Nobility). La Noblesse. Anonymous. 17th century. Etching. Prints

A brown ink drawing with gray washes and chalk by Sébastien Le Clerc from 1650-1664 depicting a woman from Metz, mounted on a leaf with a pierced decorative strip.

Lady Hamilton as the Comic Muse, Thalia 1791 Raphael Morghen. Lady Hamilton as the Comic Muse, Thalia. Raphael Morghen (Italian, Naples 1758-1833 Florence). 1791. Engraving; second state of two. Prints

Shepherdess walking to the right, flower basket in the right hand, Shepherdess with a flower basket, Gilles Demarteau, intermediary draughtsman: François Boucher, draughtsman: anonymous, after 1763, paper, h 480 mm × w 305 mm

Girl with a Crown of Flowers. Dated: 1784. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

The Second of the Foolish Virgins, ca. 1490. Martin Schongauer (German, c.1450-1491). Engraving;

Leiden, Luchtmans, Samuel (I), Nehalennia altar with standing Nehalennia with arms under her cloak, verso on cardboard - stamped, A Nehalennia altar that was found near Domburg on Walcheren. The goddess Nehalennia standing with her arms under her cloak. Next to her a dog., print, book illustration, prints, height 128 mm, width 70 mm, print maker, printmaker, 1715 - 1715, paper, etching, etchings, Publication (Event), Publication, Dutch, 1685-11-20 - 1757-01-13, publisher

Study for Mascarille disguised as a woman, François Boucher, 1713 - 1734 drawing Man dressed in a domino. paper. pencil. chalk man dressed as woman, travesty. coat (DOMINO) (+ women's clothes)

Metellus, fifth.

Ollivier, Michel Barthélémy, France, Etudes de figures drapées, Figure studies, Young woman seen from the back, verso lower right - stamped, Standing young woman, in a long dress, seen from the back., print, prints, R, height 190 mm, width 150 mm, French, 1712 - 1784-06-15, print maker, printmaker, 1722 - 1784, 18th century, 18e eeuw, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Little girl holding grapes with a basket of them by her side, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France). Artist: After François Boucher (French, Paris 1703-1770 Paris); Pierre François Tardieu (French, Paris 1711-1771 Paris); After Pierre Etienne Falconet (French, Paris 1741-1791 Paris). Dimensions: Sheet: 9 13/16 x 7 7/16 in. (25 x 18.9 cm). Series/Portfolio: Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France. Date: after 1757. Museum: Metropolitan Museum of Art, New York, USA.

Woman standing on a bridge holding a basket with fish, drawn in brown ink and black chalk with light blue washes by Willem Pietersz. Buytewech around 1621.

Josephine Girardelli, a woman impervious to fire. Steel engraving, 1819.

The Rose Garden, Study, 1862 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Chalk, Female, Works on Paper

Femme de Boulogne, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 9. Artist: After François Boucher (French, Paris 1703-1770 Paris); Simon Francis Ravenet, the elder (French, 1706-1774). Dimensions: Sheet: 10 7/16 x 6 5/16 in. (26.5 x 16 cm). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Series/Portfolio: Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Autumn 1643-44 Wenceslaus Hollar. Autumn. Full-length Seasons (New Hollstein 438-441). Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). 1643-44. Etching; only state. Prints

Kneeling Female Figure with Upraised Arms late 16th-mid-17th century Abraham Bloemaert Netherlandish. Kneeling Female Figure with Upraised Arms 335071

Chit chit. Medium: stipple engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques-Louis Copia after Jean-Baptiste Mallet.

Anna von Bretagne.

Old Italian Masters: Mary Magdalen, 1889. Timothy Cole (American, 1852-1931). Wood engraving;

"Etching and aquatint by Francisco Goya from 1799, depicting a scene from Los Caprichos series showing figures and gestures with expressive line work and symbolic elements."

Maria met Kind, Michel Dorigny, after Simon Vouet, 1651 print France paper engraving / etching Madonna: i.e. Mary with the Christ-child. trees: oak. armorial bearing, heraldry

Wenceslaus Hollar, Mulier Anglica Habitans in Pago, 1643 Mulier Anglica Habitans in Pago

Strasbourg Woman Made 1644-1650 Bohemia. Etching on gray Asian paper . Wenceslaus Hollar

Lazio Roma Rome S. Andrea della Valle15. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

William Angus, (after Ritcher), 1752-1821, British, Two Gentlemen of Verona, Act I, Sc. II, 1790.

Woman kneeling for a grave; Figures Dessinées d'après Nature du Bas Peuple à Rome. Woman kneeling for a grave. Part of a series of prints with figure studies of residents of Rome.

A woman in ragged clothing. Etching by Jean Duplessi-Bertaux.

West Window of the Chapel, New College Oxford: The Virtues - Prudence, George Siegmund Facius, 1750-1804, after Sir Joshua Reynolds RA, 1723-1792, British, 1782, Stipple engraving on thick, rough, beige, laid paper, Sheet: 24 1/2 × 18 1/8 inches (62.2 × 46 cm), Plate: 19 15/16 × 12 7/8 inches (50.6 × 32.7 cm), and Image: 18 3/8 × 11 13/16 inches (46.7 × 30 cm), allegory, arrow, mirror, prudence, religious and mythological subject, shawl, snake, woman

Quid Juvat Errores Mersa, Print made by Pieter Schenck, 1660-1719, Dutch, undated, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 10 1/4 × 7 7/16 inches (26 × 18.9 cm), Plate: 9 9/16 × 7 1/16 inches (24.3 × 17.9 cm), and Image: 8 15/16 × 7 1/16 inches (22.7 × 17.9 cm)

Mulier Diepana. Dated: 1649. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Rembrandt van Rijn, Woman Sitting Half Dressed beside a Stove, 1658 Woman Sitting Half Dressed beside a Stove

A woman is raising a glass On the table beside her a plate with a peeled lemon and a jug She may be depicting laziness, Woman with a Glass, print maker: Jan van Somer, (mentioned on object), 1676, paper, h 265 mm × w 217 mm

The Department, Louis Faniius Dubbourg, 1747 drawing paper. ink. chalk pen / brush Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa) (+ abstract concept reprified by female figures)

Wenceslaus Hollar, Mulier Basiliensis, 1644 Mulier Basiliensis

Ms Roland.

Portrait of a Woman ca.1793-1800 baron Antoine Jean Gros French Baron Gros was a highly successful student of Neoclassical painter Jacques Louis David (French, 1748-1825). Gros received many commissions for large history paintings during the Napoleonic period, but eventually relied on portraiture to support himself. This signed pair of half-length portraits (see also 2014.271.1) offer few clues as to the sitters identities. Presumably a husband and wife, they sit in simple chairs against an unadorned background.Their frank and intimate expressions alone carry the force of expression.. Portrait of a Woman 655421

Paul Gavarni (French, 1804-1866), The Model and the Figure (La sculpture monumentale), 1847-1856, lithograph

Copper engraving by Cornelis Visscher from 1638-1662 depicting the goddess Minerva. The print shows the figure, attire, helmet, shield, spear, and symbolic elements in 17th-century Dutch style.

MIGNON REGRETTING HER COUNTRY.

Beggar woman carrying a bowl, from The Beggars (La mendiante a lasebille). Artist: Jacques Callot, French, 1592-1635

October; Octobre; Persons of the twelve months.

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