Classical Mythology and Allegory

Engravings depicting classical stories and characters, such as Numa Pompilius with the Nymph Egeria, and scenes of summer activities framed beautifully.

Vogelaar and Vrouw, Pieter de Jode (I), 1590 - 1632 print Hilly landscape with couple, sitting on a rock. The man points to an owl on a pole. Two hikers in the background. In the margin, in two columns, a two -way verse in Dutch and in French. paper engraving relations between the sexes. owls

View, Anonymous, 1717 print print maker: Francepublisher: ParisFrance paper etching sight, looking (one of the five senses)

Vignette with Woman with Lier and two putti on a cloud, Anonymous, 1778 print The putto on the left holds a praise, while the other putto crowns the woman with a laurel wreath. paper etching vignette. lyre, cithara, psaltery. cupids: 'amores', 'amoretti', 'putti'. sitting or standing on clouds - AA - female human figure. crowning with laurel

Lot and his daughters arrive in Zoar / Lot and his daughters, Pieter Tanjé, 1791 print Two biblical performances. Above: Lot and his daughters arrive at the gate of Zoar. Below: The daughters of Lot feed their father drunk. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving the destruction of Sodom and Gomorrah: Lot and his family flee to Zoar, carrying their belongings; an angel may be showing the way (Genesis 19:24-29). Lot's daughters make their father drunk

Theseus finds the weapons of his father, Daniel Nikolaus Chodowiecki, 1794 print Numbered at the top right: 1. With caption in German. Berlin paper etching (story of) Theseus. Theseus takes the sword and the sandals of his father Aegeus from under the rock; usually in the presence of his mother Aethra

Frieze, from 'Ornament I Di Fregi', Stefano della Bella, Italian, 1610-1664, Etching on paper, Plate 16, Italy, ca. 1648, Print, Print

June; Iunius; The twelve months of the year. In a rocaille frame with floral motifs a representation of people on the water. Right a man and two women are fishing. Left in the foreground are two figures with barrels, behind them a woman climbs into a tree. A four-line French text in the undermarge.

Thetis Standing with Two Tritons. Artist: Anonymous, Italian, 16th century; After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: plate: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm) platemarksheet: 16 x 10 7/8 in. (40.7 x 27.6 cm). Former Attribution: Formerly attributed to Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Museum: Metropolitan Museum of Art, New York, USA.

Allegorical representation with naked angel and wife, François Nicolas Chifflart, 1875 print print maker: Francepublisher: Paris paper etching / drypoint liberation (of an enslaved person). snakes. angels fighting

Herder pulls a thorn from the foot of the shepherdin, Balthasar Anton Dunker, after Johann Heinrich Roos, 1769 - 1772 Numbered at the top right: 1. Paris paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. shed. sheep. 'Spinario', child pulling a thorn out of its foot (+ variant). landscapes - HH - ideal landscapes

Aurora leads the car of Apollo, William Baillie, After Guido Reni, 1753 - 1810 Apollo De Zonnegod is on his car that is pulled ahead by four horses. Aurora points the road. A putto with a torch floats for the car. The print is part of an album. paper etching Apollo De Zonnegod is on his car that is pulled ahead by four horses. Aurora points the road. A putto with a torch floats for the car. The print is part of an album. paper etching

Man puts Manden, Pierre Charles Canot, After Jean Baptiste Pilitment, 1759 print A man walks with a basket in his hand and a basket on a stick over his shoulder. Around the show a frame with trees and leaves. publisher: Londonpublisher: Paris paper etching standing figure. agricultural implements: spade

Underground Water Reservoir in The Albean Hills; Perspective of the pool of the same preserv (...); Archaeological Finds from Albano and Castel Gandolfo; Antiquity of Albano and Castel Gandolfo. View in an underground Water Reservoir in Alanan Hills. Title in The Middle. Numbered Top Left: Attn. XVII.

Photo production of a drawing by Lili from a poem by Johann Wolfgang Goethe, Anonymous, After Wilhelm von Kaulbach, c. 1875 - c. 1910 cabinet photograph Rotterdam cardboard. photographic support albumen print birds

Evocation of the Dead Made 1770 France. Etching and aquatint on paper . Joseph Francoise Foulquier

November, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of November. Two shepherds have a conversation, there are a number of wild pigs for them. Amsterdam paper etching November ~ other concepts

Cayetano Rodríguez (Lithographer) (After Vos, Cornelis de); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Triumph of Bacchus'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Print, Plate 6, "Suite de douze Pêcheurs et Chasseurs"; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; ethching on paper; 43.3 × 29.2 cm (17 1/16 × 11 1/2 in.)

Children drinking from sheep's milk, Jean Daullé, after François Boucher, in or after 1763 print print maker: Francepublisher: Paris paper etching / engraving child. milking. sheep

Strooming man and wife, Anonymous, 1700 - 1900 print A woman blows smoke in the face of a man. Another woman walks away with a burning wick in hand. Under the show a ambiguous four -line verse in Dutch. Netherlands paper etching / engraving relations between the sexes

No one can make us loose; ¿No Hay Quien Nos Desate; Los Caprichos. A man and woman, with the backs against each other and tied up with a rope. Above them a large owl.

. Title page for a patriot verse entitled: the truth to the ownbalance, 1785. Allegorical representation in which the ownbeat bears the truth on the shoulders and almost collapses under the load.

Marriage sights solemn of Batavieren, Reinier Vinkeles (i), After Jacobus Buys, 1783 - 1795 print Amsterdam paper etching extinct, 'historical' peoples (with NAME). civil marriage ceremony (+ variant)

Apollo en crowns Laurent de la Hire, 1616 - 1656 print paper etching / engraving Apollo shoots Coronis, but repenting his act he tries in vain to recall her to life

Charles François Adrien Macret after Jean Honoré Fragonard, La fuite a dessein, 1783 La fuite a dessein

Clothing and armor of the Batavians, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Warrior and family of Bataven. Amsterdam paper etching / engraving extinct, 'historical' peoples (with NAME) Netherlands

Print, The Letter X; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Mat: 23.3 x 33 cm (9 3/16 x 13 in.); 1918-17-23

Medallions with portraits of Aratos by Sikyon and Marcus Brutus, Reinier Vinkeles (I), 1789 - 1809 print Medallions with portraits of the Greek statesman Aratos and of the Roman senator Marcus Brutus, against a pillar. Next to it an hourglass and a scythe like allegorical symbols of time. Amsterdam paper etching column, pillar ~ architecture. other allegories of Time, e.g. 'Tempo' (Ripa). (story of) Marcus Junius Brutus

Hamlet wants to kill the king, Eugène Delacroix, 1843 print Print is part of a cover with fourteen prints. Paris paper Hamlet, Prince of Denmark

Katharina II., Empress of Russia.

Allegory on architecture. Title page for: Raccolta di Xi Progetti Achetettonici Indentation E Designate. Allegory on architecture with a sitting female personification and writing genius of the fine arts.

Depicts the women of Weinsberg in a woodcut by Bernhard Rode, showing female figures, gestures, and historical narrative created between 1770 and 1804.

Jean-Baptiste Huet (1745-1811). "Shepherdess and children having fun with a dog". Plume and watercolor on paper, 1780. Paris, Cognacq museum Jay. 25919-17 Watercolor paper, sheep, child, woman, game, play, dog, feather

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Moses Striking the Rock, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 16.5 × 18.8 cm (6 1/2 × 7 3/8in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Portrait of Frederik the Great as Roman Keizer, Daniel Nikolaus Chodowiecki, 1776 print Frederik the Great State, dressed as Roman Imperator, with his right foot on a stone cube. His right hand leans on a sword, in his left arm he has a shield. Riders flee in the background. There are fallen horses and soldiers on the floor. Nikè, the goddess of victory, has turned her back to the king. paper etching historical persons. emperor. emperor. (story of) Nike. lightning, flash of lightning, thunderbolt

Vader Troost Henrich Schilling, Daniel Nikolaus Chodowiecki, 1777 print Henrich Schilling has to cry because he found a knife between the stones of the ruin with the name of his deceased mother. His father tries to comfort him. paper etching Literature. weeping. ruin of a dwelling, house, castle, etc.

Le Touché, from 'Le Cinq Sens', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Adam and Eva driven out of paradise, Sophie Sibire, François Anne David, After Rafaël, 1808 print paper etching / engraving expulsion of Adam and Eve from paradise (Genesis 3:22-24)

The Donkey magistrate or the end of the past / innocent allegory tem. (IT)

Martyrdom of Saint Jakobus, Giovanni David, after Andrea Mantegna, 1776 print The Apostle James is lying with his head under the block. A soldier raises his hammer to behead him. Soldiers watch. Italian landscape in the background. paper etching beheading of James

Magician consulted on the revolution of 1789. (IT)

Woman is dragged along by soldier in the image of Pan, Pan-herm, Barent de Bakker (mentioned on object), 1762 - 1804, paper, etching, h 130 mm × w 78 mm

The Days of Noah. James Smetham; English, 1821-1889. Date: 1860. Dimensions: 138 × 107 mm (plate); 296 × 222 mm (sheet). Etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Holy Apollonia, Johann Sadeler (I), After Maerten de Vos, 1583 - 1587 print The H. Apollonia, kneeling to the right, the head to the left. Next to her an open book and a rod. In the background, H. Apollonia jumps out of its own will at the stake. The fourth print of a seventeen -part series with female saints. Germany paper engraving the virgin martyr Apollonia of Alexandria; possible attributes: book, crown, palm-branch, tooth in pincers

Design for a print, Two ladies sitting at a tomb, draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 144 mm × w 87 mm

Jacoba van Bavaria shoots goes to the parrot, ca. 1430. Jacoba van Bavaria shoots goes to the parrot, ca. 1430. Puffins.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

A copper engraving and etching by Jan Harmensz. Muller from 1590-1628 depicting Ceres and Bacchus, showing classical deities associated with agriculture and wine.

Suzanna and the elders, anonymous, after Karel van Mander (I), 1558 - 1656 print On the left, the partly undressed Susanna bathed in a fountain. She looks frightened back at the two elders, who try to seduce her. Under the show a two -way caption in Latin. Low Countries paper engraving the elders making advances towards Susanna

Presentation of a story from the Aesopus fables. A man throws an object to a second man. A group of figures runs in the background and is a castle.

Tomb of Napoleon. (IT)

Cleopatra (), François-Nicolas Chifflart, French, 1825 - 1901, Etching in black ink on white paper, France, ca. 1860, Print, Print

Copper engraving and etching by Nicolas Delaunay from 1779 depicting a mother figure in nurturing pose. The print emphasizes detailed linework and Baroque composition.

Duel tussen de Horatii en Curiatii.Duel between the Horatii and Curiatii, two three trembles of Roman and Albian and Allaan, respectively, the war is decided. Here Publius Horatius kills the injured curiatii one by one. Romans encourage him.

Antique fountain under a pergola, Salomon Gesner, 1764 paper etching garden fountain. pergola

Rural concert; Unknown, Titian (CA 1488-1576); 1890-1903 (1890-00-00-1890-00-00);

Woman with two children, Anton Maria I Zanetti, After Parmigianino, 1724 print A woman sat in front of a tree holds a standing child in her hands. There is a second child on the ground. Italy paper mother and child(ren), woman and child(ren) (family group)

Pietro Antonio Martini after Jean Michel Moreau, Le Devin du Village (Colette Weeping), 1779 Le Devin du Village (Colette Weeping)

Print (France)

Bretonse Herderin, Eugène Louis Pirodon, after Jean Pierre Alexandre Antigna, 1863 print Paris paper. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Venus finding Adonis asleep, Sed placidam Pueri metuens turbare quietem, Fixit vicinis Basia mille rosis, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after John Hamilton Mortimer, 1740-1779, British, 1778, Engraving

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket to Wynnstay Theatre, 1785. Line engraving.

The Prodigal Son. unknown, graphic artist, Verlag von G.J.Manz (fl. ca 1840-1870), publisher

Print, Three Putti; Designed by François Boucher (French, 1703-1770); Published by Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Title page for: W. Kist 'Life, feelings and eccentric reize of the Land-Jonker Govert Hendrik Godefroi from Blankenheim to the Stronk', 1800, Reinier Vinkeles (I), 1800 print Title page with a baroness that is about to sit on a bench next to a man. Amsterdam paper etching / engraving castle. couch, sofa, settee

Unknown (1900-1900); Otto Spkter (1807-1871), two illustrations for W. Hey "Halfthundred Fables for Boern", 1848

Attributed to Charles Eisen, Two Putti Playing with Swans Two Putti Playing with Swans

Amor overcomes Pan, Abraham Blotling (Possible), After Agostino Carracci, 1655 - 1690 print Amor restrains Pan. Pan kneels with one leg on the floor, his flute is in the grass. On the left are two nymphs on a stone. The fight symbolizes the struggle between Divine Love (Amor) and the earthly love (Pan). Amsterdam paper etching / engraving 'Omnia vincit Amor', Love the conqueror, Love triumphant. Cupid vanquishing Pan

Dancing couple at Galant company in a garden, Pierre Filloeul, After Jean Baptiste François Pater, 1738 print publisher: ParisFrance paper etching / engraving garden of Love, court of Love, 'fíªte galante'. one pair dancing; man and woman dancing as a couple. statues, sculptures in garden

Plate Thirteen of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Circumcision, Jean Honoré Fragonard, After Jacopo Tintoretto, 1763 - 1764 print The circumcision of Christ by a priest at the altar. Maria watches. Italy paper etching circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!) 380702 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!), 1799, Etching, burnished aquatint, drypoint and burin, Plate: 8 3/8 x 5 15/16 in. (21.3 x 15.1 cm) Sheet: 11 5/8 8 1/4 in. (29.5 20.9 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(52))

Lucas van Leyden, Christ Carrying the Cross, 1509 Christ Carrying the Cross

Labor is the task of the third position; The different tasks of the three positions. In the foreground, farmers are working on the field and in the field. They sow, mow, plow and dig. Built and harvested in the background. These farmers represent most of the population, the third position. They must work to feed the rest of the population. The print has a Latin caption and is part of a series about the different tasks of the three positions.

Abraham drives Hagar and Ismaël, Louis Surugue, After Eustache Lesueur, 1711 print paper etching / engraving Hagar and Ishmael (often with bow and arrow) depart

Jongen in Meisje Met Lam, Jacques Chéreau (Possible), Jacques Chéreau, 1698 - 1776 print print maker: Francepublisher: Paris paper etching boy (child between toddler and youth). girl (child between toddler and youth). birds. sheep

Lazio Roma Monterotondo Palazzo del Municipio3. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hertzberg, Ewald Friedrich Graf Eraser: Rode, Bernhardmaler: Rode, Bernhardada: 1772/1792

Phaëthon's sisters turn into poplars and his friend in a swan; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. The daughters of the sun god (Helias) mourn to their brother Phaeton and turn into poplars. The tears change into amber. The mother embraces them for the last time. Phaëtons boyfriend and related cycles already changes mourning into a swan. Under the show twice two fresh rules in Latin. The print is part of an album.

Gallus after Martin of your Raphael Sadeler (said the old, 1560-1632). Gallus after Martin of your. Burin, 17th century.

Peasant and Pigs Made 1803 England. In the late 18th century John Raphael Smith persuaded his drinking companion George Morland to give himcontrol over the reproduction of his pastoral paintings. Smith created a profitable market for these prints and even paid James Ward, a pupil of his and brother-in-law to Morland, to paint copies of Morlandís pictures to sell alongside the prints in the gallery. Most of Morlandís pastorals feature rustic country settings. This may reflect his frequent excursions to rural England to escape creditors, where he amused himself by mixing with the peasants and sketching scenes like the one depicted in this Smith mezzotint.. Mezzotint on off-white wove paper . John Raphael Smith

Danaë and Perseus are put in a boat, Battista Angolo del Moro (Possible), After Giorgio Ghisi, 1543 - After 1573 print King Acrisius puts his daughter Danaë and her son Perseus in a boat because it was predicted that he would be murdered by his own grandson. Italy paper etching Acrisius puts Danae and Perseus, her child by Jupiter, in a chest and casts it into the sea. river

Thetis and Achilles 1757 Germany. Etching on ivory laid paper . Johann Heinrich Tischbein, I

Residents of Luanda, 1726, 1726 print Man and wife of Luanda in Angola, dressed in local costume, in the background the city. Plate no. 491 in Part XX of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Amsterdampublisher: Leiden paper etching / engraving Africans. folk costume, regional costume Luanda

Vignette with a putto with symbols of victory, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving snakes. lance, spear (symbol of sovereignty). cupids: 'amores', 'amoretti', 'putti'

Copper engraving and etching by Lucas Kilian from the 16th to 17th century depicting the miraculous growth of bread, showing figures and symbolic elements.

Of Orangiste, 1695, 1695 print The Orangiste. Dancing woman in hand an orangist pamphlet. Under the show a Latin title and a Dutch verse of four lines. Part of a series of eight prints produced in response to the conquest of names by the Allies on 5 September 1695. print maker: Northern Netherlandspublisher: Amsterdam paper festivities on events of national importance Names (city)

Lepralijder, Alexander Ver Huell, 1865 print A leprosyer is in front of a ruin. In the background, two women turn away from the man. Netherlands paper leprosy

Knoet The Great tries to let the waves give way, Reinier Vinkeles (I), after Jacobus Buys, 1786 print Knout the great, king of England, Denmark and Norway, tries in vain to let the waves give way, to show that the elements are more powerful than he is. Amsterdam paper etching / engraving coast (+ landscape with figures, staffage). sceptre, staff (symbol of sovereignty). arm stretched forward - AA - both arms or hands

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Two gentlemen in a room, and two gentlemen in nature, Two representations of one plate. Left: Two men are seated at a table in a room where the open windows and doors give a view of a garden. One of the men smokes a pipe, a second pipe is on the table. Print on top left marked: I. Right: Two gentlemen sit in nature and have a conversation in which one of them points with his cane in the distance. Print on the upper right marked: II., Simon Fokke (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 143 mm × w 232 mm

Moses hits water from the rock, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13)

The writer Nicholas Boileau-Despréeaux sitting on a chair. Minerva, the goddess of wisdom, together with putti shows his portrait. Two putti with books and writing material play in the foreground.

Allegorical design with House of Lancaster.. Loutherbourg, Phillipe-Jacques de (1740-1812). Prints. 1805. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bas -relief with two Vestal virgins, 1636 - 1647 print Bas-relief with two Vestal virgins, who go to a temple. In the middle of the coat of arms of Vincenzo Giustiniani, who owned this Bas-relief. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. Vestal virgin(s). column, pillar ~ architecture

Paphnutius Jan Sadeler (1500-1600). Paphnutius. Burin, 17th century.

2027: Caprichos: Devout Profession. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Grave monument for a deceased woman. Grave monument for a deceased woman: pyramid with sarcophagus and man with five children.

Six months of the year, Daniel Nikolaus Chodowiecki, 1777 print From left to right: January, December, March, September, May and August. paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'

Photo production of a painting by Bartolomé Esteban Murillo, representing two children with a shell and a lamb. Part of travel album with recordings of artworks, people and sights in Spain.

Roof van Ganymedes, Salomon Gessner, 1769 - 1771 print paper etching the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. attributes of Jupiter: eagle. (story of) Ganymede

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