Classical Mythology and Allegory

Engravings depicting classical stories and characters, such as Numa Pompilius with the Nymph Egeria, and scenes of summer activities framed beautifully.

Vogelaar and Vrouw, Pieter de Jode (I), 1590 - 1632 print Hilly landscape with couple, sitting on a rock. The man points to an owl on a pole. Two hikers in the background. In the margin, in two columns, a two -way verse in Dutch and in French. paper engraving relations between the sexes. owls

Numa Pompilius visits the Nymph Egeria; Numa Pompilio, Riceve Le Leggi Dalla Ninfa Egeria; History of the Roman Empire; Frontespizio della Iistantia Romana. Numa Pompilius visits the Nymph Egeria and receives the laws. In the background left a river god and the Lupa Capitolina that suckles the twins romulus and remus.

Telemachus tells mentor about his love for antiOpe. Telemachus, standing for mentor in a garden or park, tells mentor, sitting for a statue to the left of him, about his love for antiope. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. III.

Education of Jupiter with the Goat Amalthea, William Unger, After Jacques Jordaens, 1847 - 1889 print Germany paper. etching infancy, upbringing of Jupiter

Zomer, Joiman Esai Empoims), UFLR Charles Joseph Romequerik Our, 1731 - 17.71 print Human activities during the summer. On the right there are a man and a woman on a couch in the shade. On the right a dog drinks from a fountain. Four women with sickles cut off grain on the left. Augsburg paper etching summer ~ human activities (the four seasons of the year). reaping, picking, mowing ~ harvest

Woman with child for kneeling man, Joseph de Longueil, 1740 - 1792 print France paper etching / engraving kneeling figure. mother and child(ren), woman and child(ren) (family group)

Vogelaar and Vrouw, Pieter de Jode (I), 1590 - 1632 print Hilly landscape with couple, sitting on a rock. The man points to an owl on a pole. Two hikers in the background. In the margin, in two columns, a two -way verse in Dutch and in French. paper engraving relations between the sexes. owls

The Letter S, Giovanni Battista Betti, Italian, active 1754 - 1777, Etching on paper, Horizontal rectangle. Allegorical figure of Sleep in the form of a boy with wings, is sleeping upon a mound and within the letter 'S,' which is formed by a scroll and a flourish. Leafy trees in background, a cornucopia emitting clouds of smoke at lower left. Part of a set of prints of alphabet letters., Florence, Italy, 1775, ephemera, Print, Print

Death of the Count of Hoogstraten, 1568; Death of the Graven v. Hoogstraten / III. vocals; Scenes from the life of Prince Willem I, 1568-1584; Artificial plates belonging to the ancestor Willem den first, in four and twenty dangers by the Netherlands closer J. Nomsz .. Death of the Count of Hoogstraten, in the midst of soldiers, hand held by Prince Willem I, 11 December 1568. Third singing.

Nocturnal Landscape with Shepherd and Herderin at a Beek, Claude Henri Watelet, After Nicolaes Pietersz Berchem, 1759 print France paper etching / drypoint herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. night ~ landscape (sometimes titled 'Nox'). herd, flock. torch

Allegory on poetry, Reinier Vinkeles (I), After Gerard van Nijmegen, 1768 print A female personification of poetry plays a winch under a tree. She is crowned by an angel. In the foreground two kneeled putti with a bowl of flowers. Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). cupids: 'amores', 'amoretti', 'putti'. angels

A copper engraving and etching by Christian Wilhelm Ernst Dietrich depicting the sleeping Paris and Venus on Mount Ida, created around 1800.

Deadly fall of Willem III during a hunting party, 1702, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print The fatal fall of King William III during a hunting party, March 4, 1702. The king falls off his horse, with shocked bystanders. Amsterdam paper etching hunting accidents

Plate 3: Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals) 1720-72 Gabriel Huquier French. Plate 3: Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals) 412643

Etching by Raffaello Schiaminossi depicting the Flight into Egypt, created between 1550 and 1622, showing Mary, Joseph, and the infant Jesus in a peaceful landscape.

Copper engraving and etching by Raphael Sadeler the Elder depicting Amor carving a bow, created in 1588, illustrating classical mythological imagery.

In a garden a man kneels for his beloved, Reinier Vinkeles (I), 1772 print Amsterdam paper etching / engraving kneeling figure. garden. gardening-tools

Germanicus at a sacrifice. Germanicus with a sacrifice with priests. On the left a bull decorated with a flower wreath. Numbered at the top right: V.

Job on the Mesthoop, Jan Snellinck (I), 1585 print Job is on a manure heap and is visited and mocked by his friends. One of his friends is in pocket and ash: he has scattered ashes on his head. Under the performance a reference in Latin to the Bible text in Job 2. Antwerp paper engraving Job on the dunghill visited by his friends (and wife)

Lafontaine Tales, Amsterdam 1763 Joseph de Longueil French. Lafontaine Tales, Amsterdam 399379

Pan learns to play the flute. Cupid Learns Pan (or Marsyas) playing the flute, in the background a naked Nymph. With four-line caption in French.

Bianca Cappello and Pietro Bonaventuri on the flight from Venice, Daniel Nikolaus Chodowiecki, 1776 print Scene based on the story of Bianca Cappello, a rich noble woman who fell in love with the Florentine clerk Pietro Bonaventuri at the age of fifteen. In 1563 the young couple fled from Venice to Florence, where they married. Bianca Cappello is sitting under a tree while Pietro Bonaventuri holds her hand. In the foreground is a shepherd who has worn part of the journey on his back. paper etching couple of lovers. flight, running away; pursuing. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Venus finds the dead Adonis, Emmanuel Jean Nepomucene de Ghendt, after Jean Michel Moreau, 1766 - 1815 print paper etching Venus mourning Adonis

Mythological scene with a sacrificing queen in a forest, possibly althaea, and three gorgons. .

Chassinet with Willem van Oranje and Minerva for the Leiden oceans, at the 250-year-old academy party in Leiden, 1825. Willem van Oranje and Minerva standing in front of the urban sitting of Leiden that tries to get up from her throne to greet the two. Behind her two standing men: Johan van der Does and Mayor Pieter van der Werff. Against a background of a broken brick wall. Through the wall view of boats on the water with which food is taken to the city during the relievance of Leiden. Mars leaves in his chariot. This show was depicted on a chassinet prepared on the ruin at the Langegebrug to lead on the occasion of the 250-year-old academy party on 8 February 1825 (from the initiation of the University of Leiden, 8 February 1575).

Artist: Nicolaes de Bruyn, Flemish, 1571-1656, After: Hendrick Goltzius, Dutch, 1558-1617, Christs Agony in the Garden (Passion Series), Engraving, 19.6 × 13.8 cm (7 11/16 × 5 7/16 in.), Made in Flanders, Flemish, 16th-17th century, Works on Paper - Prints

Drunkenness of Silenus, Anne Claude Philippe Caylus, After Anthony Van Dyck, 1702 - 1765 print Numbered at the top right: 82. France paper etching (story of) Silenus. attributes of Bacchus. beasts of prey, predatory animals: panther

Bacchanal, Etienne Fessard, after Jean Antoine Watteau, 1726 - 1735 print France paper etching / engraving Autumn, Fall, 'autumn'; "Autumn" (bank). Male Bacchant (es). Maenad (s), female Bacchant (es)

Love couple in an arcadian landscape, Daniel Nikolaus Chodowiecki, 1778 print Scene based on the poem 'Schwanenlied' (later also called 'Die Liebeskrenke'). paper etching Pastoral, Arcadian Scenes

Rest On The Flight Into Egypt, Léopold Flameng, After Rembrandt van Rijn, 1874 print Paris paper etching rest on the flight into Egypt

Satyr Family (Pan and his Family), from the Scherzi ca. 1743-50 Giovanni Battista Tiepolo Italian Tiepolo who was famed for his luminous frescoes populated by Olympian gods and allegorical figures, gave free reign to his fantasy in his print series the Scherzi, a number of which depict the nymphs and satyrs who were followers of Bacchus (the Greek Dionysos), god of wine. From the Renaissance on, satyrs are often indistinguishable from Panthe goat-legged figure in ancient artyet the seated figure here, with his horns and bristly crown, pipes in hand, could be intended as the woodland god.. Satyr Family (Pan and his Family), from the Scherzi 361896

Copper engraving and etching by Simon Vallée between 1700 and 1730 depicting Amor and Psyche from classical mythology.

Thisbe kills himself with the sword of Pyramus, Anonymous, c. 1700 - c. 1720 print print maker: Englandpublisher: London paper Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals), plate 3. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris). Dimensions: Sheet: 13 3/8 x 9 5/8 in. (34 x 24.4 cm)Plate: 10 1/4 x 8 1/16 in. (26 x 20.5 cm). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Series/Portfolio: Troisieme Livre de Sujets et Pastorales. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

This copper engraving and etching by Charles Dupuis, dated 1707, illustrates the mythological scene of Armida discovering the sleeping Rinaldo, drawn from literary tradition.

Print, The Letter N; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Mat: 23.1 x 32.3 cm (9 1/8 x 12 11/16 in.); 1918-17-14

Titrentnt Met Bartolomeo Pinelli in Rome, Bartolomeo Pinelli, 1818 Bartolomeo print View of Rome with the Colosseum and ruins of other monuments. The artist Bartolomeo Pinelli, next to him two dogs, stands for the personification of Rome (Roma), a woman in gown with helmet and a shield with the Lupa Capitolina who sits the twin Romulus and Remus. Rome paper etching portrait, self-portrait of artist. personification of a city, town-patron(ess). ruin of a building ~ architecture. city-view, and landscape with man-made constructions. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana' Rome. Colosseum

Dancend in Musicerende putti, Anonymous, After Gerard de Lairesse, c. 1670 - C. 1690 print On the left, three putti dance with a stone vase. On the right, a putto plays the tambourine, while two putti next to him keep a dead bird up for a jumping dog. Three putti in the background with a pedestal. Bottom left: 103. print maker: Low Countriesafter design by: Low Countriespublisher: Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. dog. tambourine - CC - out of doors. group dancing. garden vase

Burial 1835 France. Lithograph in black on cream wove paper . Victor Jean Adam

Allegorical show on the occasion of the marriage of Louis Fabricius Dubourg and his wife, Bernard Picart, After Louis Fabritius Dubourg, 1729 print Allegorical representation on the occasion of the marriage of Louis Fabricius Dubourg and his wife in Amsterdam in 1729. Amor is like the love that overcomes everything on a cloud with the globe under his arm. He is in Hercules, Minerva as a protector of science and painting. On the left a lion and a tiger. The performance is caught in an ornament list with the right above the marriage god Hymen and Putti, which hug each other. In the middle of the motto: Amori Cedant Omnia. paper etching / engraving marriage, married couple, 'matrimonium'. (story of) Hercules (Heracles). (story of) Minerva (Pallas, Athena). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). (story of) Cupid, Amor (Eros). (story of) Hymen(aeus)

Cartouche with sitting man; C Troisime Livre the cartouches. A man is sitting on the left next to a smoking cannon and a cartouche. All around are various weapons and a flag.

Dead Haas and Patrijven, J.L.L.C. Zentner, After Dirk Valkenburg, 1787 print Germany paper etching hunting trophies. hare-hunting, rabbit-hunting. walker and runner birds: partridge

Copper engraving by Crispin van de Passe depicting the announcement of Christs birth to the shepherds, 1600.

Shepherd bag playing for a young woman, Joseph Wagner (Possible), after Jacopo Amigoni, 1739 - 1780 print Bottom right: a. 1. Numbered bottom left: no 1-2. Venice paper etching / engraving spring ~ human activities (the four seasons of the year). bagpipe, musette. one person playing wind instrument - CC - out of doors. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Portrait of general stopped by Minerva and Putti, above time, Philippe Simonneau, After Sébastien Leclerc, 1695 - 1753 print paper engraving / etching (story of) Minerva (Pallas, Athena). historical persons. Father Time, man with wings and scythe

Bacchanal with drunk putti, 1616 - 1656 print paper etching thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus

On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Jean-Baptiste Patas (French, Paris 1744-1802 Paris). Author: Jean de La Fontaine (French, Chteau-Thierry 1621-1695 Paris). Dimensions: Sheet: 13 3/4 × 10 7/16 in. (35 × 26.5 cm)Plate: 12 7/16 × 9 5/8 in. (31.6 × 24.5 cm). Published in: Paris. Publisher: Pierre Didot l'ainé (French, 1761-1853). Series/Portfolio: Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Date: 1795. Museum: Metropolitan Museum of Art, New York, USA. Author: After Jean Honoré Fragonard. Jean-Baptiste Patas.

Mier Józef Poniatowski's book; unknown, Vernet, Horace (1789-1863); after 1830 (1830-00-00-1855-00-00);Biała Elster (Czech Republic, Germany-river), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Woźnicki, Kazimierz (1878-1949), Woźnicki, Kazimierz (1878-1949)-collection, Battle of Leipzig (1813), Battle, Dar (provenance), Napoleonic era (1799-1815), legend of Prince Józef Poniatowski (iconographer), Poland (culture), portraits, horse portraits, death, death, death of Prince Józef Poniatowski (iconogr. )

Etching by Bartolomeo Biscaino depicting the birth of Christ, produced between 1650 and 1657.

Landscape with two women with child and two men.

Pierre Etienne Moitte's 1748 print depicts the mythological scene of Dido and Aeneas, emphasizing characters, gestures, and narrative composition using copper engraving and etching techniques.

Chansons badines de Collé. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1882. Prints; etchings. Etching

Ivan after Martin of your Jan Sadeler (1550-1600). Ivan after Martin of your. Burin. Seventeenth century.

Third Day of Creation: God creates land and sparking plants and trees with fruits wearing seeds; From creation to expulsion from paradise. Third Day of Creation: God creates land and sparking plants and trees with fruits wearing seeds. The water pulls itself back into rivers and the sea. In medallion with a letter text in Latin from Genesis 1, within rectangular frame.

Le Villageois Qui Cherche sonVeau. Artist: Gustave-Marie Greux, French, 1838-1919 After: Nicolas Vleughels, French, born Flanders, 1668-1737

Allegory on the 25th anniversary of the Society Tot Nut van 't General, 1809, Ludwig Gottlieb Portman, After Wybrand Hendriks, 1809 print Allegory of the 25th anniversary of the Society for the Nut of General, on November 16, 1809. Statue of a young woman surrounded by a partying and sacrificing crowd of adults and children in antique clothing. A temple in the background. print maker: Netherlandspublisher: Haarlem paper etching / engraving

Etching by Johann Elias Ridinger from 1761 depicting an Auer ox in a pastoral landscape, showing muscular anatomy and traditional livestock representation.

Paulus and Virginia in a forest near thunder, Reinier Vinkeles (I), 1751 - 1816 print In a forest, Paul and Virginia avoid a lightning bolt that hits a tree right next to them. Illustration in the story 'Paul et Virginie', about the love between a white girl and a white boy who grew up together in a French colony in the early 18th century. Amsterdam paper etching / engraving lightning, flash of lightning, thunderbolt. forest, wood

. Apollo with a winch in his hand standing in the forest. On the right one of the muses and women with the flame of inspiration on the head. On the left the goddess Diana with a bow in her hands.

Jacob's Vision, Francesco Bartolozzi, Italian, active England, 1727-1815, Lodovico Carracci, Italian, 1555 - 1619, John Chamberlaine, English, 1745 - 1812, Line engraving in brown ink on white paper, Jacob lies in foreground, with his head against a rock, his club at his side. Just beyond, mounting to the left, stairs are enveloped in clouds, with five angels on them indicicating the way up., England, 1797, Print, Print

Two workers with rope and shelves, Johannes Josephus Aarts, 1881 - 1934 print Two workers with hats, one sitting and the other standing. The sitting man binds a rope around a tree trunk. The standing man holds a stack of demolition wood. In the background, two workers pry with a rod under a rectangular object. paper engraving working class, labourers. plank, board ~ building material. tools, aids, implements ~ crafts and industries: rope

Young Shepherdess and old man with a Monkey, from the Scherzi ca. 1740 Giovanni Battista Tiepolo Italian. Young Shepherdess and old man with a Monkey, from the Scherzi 399449

Eponina has stabbed herself with a dagger, Jan Punt, 1738 print Eponina is on the ground for an army tent after she stabbed herself with a dagger. Her twins are crying with her. Her husband Sabinus comes running. Amsterdam paper etching / engraving (story of) Julius Sabinus. tragedy. specific works of literature

The Happy Shepherd, Arabesque. Louis Crépy (French), after Jean Antoine Watteau (French, 1684-1721). Engraving;

"Copper engraving and etching by Simon François Ravenet depicting the phrase 'Et in Arcadia ego', showing figures, landscape, architecture, and classical setting in 1763."

Copper engraving and etching by René Gaillard, created between 1742 and 1790, representing a scene described as the fall of the fall.

Print, Figures in a Landscape; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Allegory on the 25th anniversary of society to the usefulness of 't General, 1809. Allegory on the 25th anniversary of society to the usefulness of' t General, on 16 November 1809. Statue of a young woman surrounded by a partying and sacrificing crowd of adults and children in antique clothing. A temple in the background.

Robert Smirke, 1752-1845, British, Untitled: Two Classical Domestic Scenes. Engraving.

Flora honored by the four seasons, Daniel Nikolaus Chodowiecki, 1799 print Berlin paper etching Literature. (story of) flora. Seasons of the Year (Esp. Personifications); 'Season', 'The four season of the year' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'. Sacrifice

The Mysterious Swing 1762-1804 France. Etching, with stipple, roulette, and engraving, on cream laid paper . Gérard Vidal

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1795 Jean-Baptiste Patas French. Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369337

This 1898 etching with stitch by Max Klinger, Opus XIII, Blatt, titled 'Elend', presents allegorical imagery with detailed printmaking and engraving techniques.

Telemachus stort in zee, Bernard Picart, 1732 print Mentor pushes telemachus from a rock and jumps after him. In the background, the ship that Mentor built burns. The nymphs watch and can no longer stop them from escaping from the island. In the margin a two -way caption in French. Amsterdam paper etching / engraving (story of) Telemachus - death

This point etching by Maria Anna Angelika Catharina Kauffmann depicts the mythological figures Jupiter and Calista, showing classical posture and interaction, created in the late 18th to early 19th century.

Hercules in Omphale, Laurent Cars, After François Le Moine, c. 1728 print print maker: Franceafter painting by: Romepublisher: ParisFrance paper etching / engraving Hercules in love with Omphale; the hero is set to spin wool or to do other women's work among the servants, while Omphale wears his lion's skin and wields his club and bow

Herders Brengen Apollo Gifts, Daniel Nikolaus Chodowiecki, 1798 print With caption in German. Gdansk paper etching (story of) Apollo (Phoebus). attributes of Apollo: lyre. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. bringing gifts; exchanging gifts

Wars of the Batavieren, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Amsterdam paper etching extinct, 'historical' peoples (with NAME)

Title page for: Pieter Huisinga Bakker, 'Poëzy, third part', 1790 ..

The Three Peacefulness: De Wisdom, 1713, 1713 print The wisdom (Minerva), part of a series of three allegorical figures (the three peacefulness), in connection with the Peace of Utrecht, 1713. In the album verses in Dutch and French. Part of a group of 28 new and old records adapted to illustrate the Peace of Utrecht in 1713. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper engraving / etching specific aspects, allegorical aspects of Minerva; Minerva as patroness

Title page for: Joannes le Francq van Berkhey 'Poems', 1776, Reinier Vinkeles (I), 1776 print Title page with putti that make music, read, whip, carry pigeons and show a laurel wreath. Amsterdam paper etching / engraving one person playing an instrument. other birds: dove. cupids: 'amores', 'amoretti', 'putti'. reading

S. Pietro martire, graphic, Steinberg, Leo, 1920-, Zuliani, Felice, d. 1834, ca. 1516-ca. 1899

Wapen of Stadholder William IV, 1747, Jan Punt, 1747 print The coat of arms of Stadholder William IV surrounded by playing naked angels on the waterfront. Possibly in response to the elevation of William IV to Erfstadhouder in 1747. Amsterdam paper etching / engraving armorial bearing, heraldry

Fight between Barthold Entes and Agulo in Vlissingen, 1572; Battle between B. Entes and Agulo / V. Zang; Scenes from the life of Prince Willem I, 1568-1584; Artificial plates belonging to the ancestor Willem den Eersten, in four and twenty dangers by the Netherlands poet J. Nomsz .. fight between the Watergeus Barthold Entes and the Spaniard Agulo in Vlissingen, 1572. Fifth vocals.

Two figures at a tomb surrounded by large plants and other vegetation, Carl Wilhelm Kolbe (I), c. 1801 print Text in German in the lower margin. paper etching pastorals, Arcadian scenes. grave, tomb. fantastic plants, fabulous vegetation

Tiiresias hits two pairing snakes, 1728 Tiresias hits two pairing snakes in a forest. He then turns into a woman. In the background he hits the same snakes in the form of a woman eight autumns later, to change back to his men's body. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Tiresias hits two pairing snakes in a forest. He then turns into a woman. In the background he hits the same snakes in the form of a woman eight autumns later, to change back to his men's body. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving

The bathing ladies are spied on, Two bathing ladies are being spied on by two gentlemen in the scrub. In the background a few figures walk among the trees., Washing and bathing, peeping, voyeur, Simon Fokke (mentioned on object), 1722 - 1784, paper, etching, h 379 mm × w 269 mm

Dead Christ with Angels 1866-67 Edouard Manet French. Dead Christ with Angels 337432

Returning a fisherman to his family, Anonymous, After Jozef Geirnaert, in or before 1837 - in or after 1840 print Belgium paper fisherman

Three cupidos with a bird, John Smith (Print Maker/ Publisher) (Attributed to), after Gerard de Lairesse, 1662 - 1742 print London paper cupids: 'amores', 'amoretti', 'putti'. child teasing animals

Copper engraving and etching by Jean Charles Le Vasseur from 1754-1816 depicting the mythological figures Mars and Venus in a classical 18th-century composition.

Iphigenia, Eugen Eduard Schaeffer, After Wilhelm von Kaulbach, 1812 - 1871 print paper. etching Iphigenia. (story of) Iphigenia

Opwekking van Lazarus, Johann Daniel Laurentz, after Christian Wilhelm Ernst Dietrich, 1763 print Germany (possibly) paper. watercolor (paint) etching / brush the raising of Lazarus ('Lazarus, come out'). weeping. curtains

The Genius of Salvator Rosa 1657-1667 Italy. A bizarre and brilliant artist, Salvator Rosa was also known as an eccentric and extraordinary personality in the Baroque era, a persona embodied in The Genius of Salvator Rosa. The inscription reads ìSincere, free, fiery painter and equable, despiser of wealth and death, this is my genius, Salvator Rosa,î while the trumpeting cherub and prominent figure of Fame especially underscore his ambitions as a painter of profound allegories and histories. Finally, the crumpled music pages and grass growing over a sculpture reveal his admission that there is a possibility of failure.. Etching and drypoint on ivory laid paper . Salvator Rosa

Etching by Jacob Coelemans from the 18th century depicting the Holy Family with putti, highlighting figures, drapery, and composition.

Coat of arms of Stadholder Willem IV, 1747. The coat of arms of Stadholder Willem IV surrounded by playing naked angels on the waterfront. Possibly as a result of the uplifting of Willem IV to the Erfstadholder in 1747.

Offer from Noah, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)

Diana by Domenichino; James Anderson (British, 1813 - 1877); Rome, Italy; about 1845 - 1855; Albumen silver print

The tomb of brave (IT)

Storm, Francesco Bartolozzi, After Giovanni Battista Cipriani, After John James Barralet, 1738 - 1815 print River landscape with left A group of people trying to save two men in a boat. A lightning bolt in the dark sky above. On the right a settlement on a cliff. Text in English in STUDMARGE. London paper etching / engraving storm. thunderstorm. waterfall

Three women in a garden, 1829 - 1894 The garden is probably part of the estate of a villa, which can be seen in the background. Drawing in a frame. Leaf 33 Verso from a sketchbook with 35 sheets. paper. pencil garden. country-house

of 3