Classical Sculptures and Statues

Photographs of classical sculptures reflecting ancient artistry, including depictions of deities and historical figures in various poses.

Lazio Roma Anzio Villa Spigarelli0. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Woman associated with the cult of Isis. Roman sculpture, marble. 2nd century AD. NY Carlsberg Glyptotek, Copenhagen, Denmark.

Marble statue of Messalina holding Britannicus, from Rome surroundings, detail

Sculptures.

Tombstone of an unknown young woman with a jug in Athens, c. 1890 - 1895 photomechanical print Part of a group of photos collected by photographer Richard Polak on travel. This photomechanical print was exhibited together with other photos collected on his journeys at the Rotterdamsche Kunstkring (1895), Arti and Amicitiae in Amsterdam (1897-1898) And Societeit 't Collegie in Kampen (date unknown). Athene paper. cardboard collotype piece of sculpture, reproduction of a piece of sculpture. gravestone, tombstone Athene

Niobe, in Greek mythology is the daughter of Tantalus and Dione or Euryanassa, after a statue in the Uffizi Gallery in Florence, illustration from 1880, historical, digital reproduction of an original from the 19th century

Amazone. Vatican. Braccio nuovo. James Anderson (British, 1813 - 1877)

Juno (Hera, Naples Museum) , Antiquities, Sculpture, Goddesses, Juno Roman deity, Hera Greek deity. Nicholas Catsimpoolas Collection

Lazio Roma Rome Gesu9. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alexandre Evarist Fragonard - Equality Alexandre Evarist Fragonard (1780-1850). EQUALITY. Print.

Abruzzo, L'Aquila, Pescocostanzo, Basilica, Italy, 20th century, photo, photography, Europe

Pluto and Cerberus. Pluto (Hades).

Umbria Perugia Norcia Castellina5. Hutzel, Max 1960-1990 Views of exterior and courtyard; views of sculptures, frescoes, and crosses in museum collection (housed in the Castlellina). General Notes: Some of the objects belong in the Palazzo Comunale museum; these have been reassigned numbers in that monument sequence. A number of prints, last noted as stored in Medieval section, are now missing, but we have the negatives which, where possible, have been assigned numbers corresponding to the Hutzel guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Lazio Roma Poli Palazzo dei Conti8. Hutzel, Max 1960-1990 Exterior views of 12th. c. palace, completely redone in 16th. c., including flank, palace chapel and long portal leading to courtyard. Several views of courtyard fountain and loggia, including ceiling frescoes. Many views of the salon and its frescoes. Views of private chapel, with altar painting by Cavaliere d'Arpino and alabaster statues. Many views of entrance hall and its frescoes. Antiquities: Two views of Roman sarcophagus used as water basin. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

Fortuna-Iside restored as the younger Faustina in the clothes of Ceres. Bigio morato marble 2nd century AD. National Archaeological Museum, Naples. Italy.

Sculpture of a savant in front of the University of Athens

Lazio Roma Rome S. Pudenziana7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Unknown photographer, grave stele (without date): View. Photo on cardboard, 30 x 23.5 cm (including scan edges) unbek. Fotograf : Grabstele

'A Woman with a Basket of her Head'. Germany, 1850. Dimensions: height 104 cm. Museum: State Hermitage, St. Petersburg.

Sapho, statuette in bronze by M. Aizelin

EL AURIGA DE DELFOS - DETALLE DE LA ESCULTURA REALIZADA EN BRONCE HACIA EL AÑO 478 AC. Location: MUSEO. DELPHI. GREECE.

Lazio Roma Vicovaro Misc. views. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture. Gothic-arched doorways and windows with sculptural decoration. Post-medieval: Architecture, architectural sculpture. Antiquities: Sculpture. Fragments of ancient sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Roman goddess Diana, marble statue from ancient Rome, Italy, digital reproduction of an original from the 18th century, original date not known, Europe

Abraham, statue by Stoldo Lorenzi (1534-1583), marble, Church of Santa Maria dei Miracoli presso San Celso, Milan, Lombardy, Italy.

Lazio Roma Rome S. Bernardo alle Terme7. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief of mourning Athena , Antiquities, Bas-reliefs, Goddesses, Athena Greek deity, Pensive Athena Marble sculpture : Mouseio Akropolēs. Nicholas Catsimpoolas Collection

Relief depicting woman playing cithara, from Babakoy, Turkey

Bavaria statue, back view, Munich, Bavaria, Germany, Europe

Symbolic figures of America and Australia on the facade of the Natural History Museum, Vienna, Austria, Europe

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra33. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

SLOVENIA, , LJUBLJANA, STATUE OF THE CITIZEN OF EMONA

Die heilige Katharina von Alexandrien, auch Katharina von Alexandria, eine der bekanntesten Heiligen. Sie wird in der katholischen und der orthodoxen Kirche als Märtyrerin verehrt und gehört zu den sogenannten Virgines capitales, den vier großen heiligen Jungfrauen, 1507, digital verbesserte Reproduktion einer Vorlage aus dem 19. Jahrhundert, Historisch, genaues Datum unbekannt

Maria Column Munich An image of the Maria Column in Munich Germany Copyright: xZoonar.com/magannx 6677488

Roman civilization, statue of actor with comic mask and crown, detail

Figure of Arete, Library of Celsus, Ephesus, Selcuk, Izmir Province, Aegean Region, Turkey, Asia

Bronze statue of orator (Arringatore), from Pila, Perugia, Italy, circa 80 B.C.

ESCULTURA DE CERES SENTADA CON MANTO - MARMOL - SIGLO I. Location: MUSEO NACIONAL DE ARTE ROMANO. MERIDA. Badajoz. SPAIN. CERES DIOSA.

The Niederwald Monument is a monument in the Niederwald Landscape Park near Ruedesheim am Rhein in Hesse, Germany. Germania figure, Historical, digitally restored reproduction of a 19th century original

Augustus or Gaius Octavius, the first Roman emperor, historical illustration

Stele of a hoplite known as Aristion. Artist: Aristokles

white classical ststue.

Tuileries - Aile Sud (Façade sur le Quai); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 31.5 x 45 cm (12 3,8 x 17 11,16 in.)

Representation of the god Jupiter as a statue from Versailles. Illustration from supplement to 'L'antiquité expliquée et representée en figures'; (vols. 1-15, Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology.

Statues of Saint James the Pilgrim and Virgin Mary. Mid 15th century. Spanish School. Alabaster and remains of polychromy. From a funerary monument. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain.

George Washington. 1760 - 1872. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, George, 1732-1799

Venus De Milo (Aphrodite Of Melos) 150 B.C. Greek Art(- ) Marble Sculpture Musee du Louvre, Paris, France

Aphrodite Sosandra, by Unknown artist, 2nd Century, white marble, full relief. Italy: Campania: Naples: National Archaeological Museum. Whole artwork. Statue goddess love Aphrodite Venus young woman mantle/cloak

Italy, Canova, Antonio, Fontana, Pietro, Tomb stele of Giovanni Volpato, verso - stamped, Sculpted tomb monument by the Italian sculptor Antonio Canova for Giovanni Volpato, showing a grieving woman at the tomb stele of Giovanni Volpato., print, prent, prints, prenten, height 439 mm, width 269 mm, 1762 - 1837-09-18, print maker, printmaker, 1807 - 1837, paper, papier, engraving, engraving (printing process), Italian, 1757-11-01 - 1822-10-13, after a sculpture by

Campania Caserta Caserta Palazzo Reale67. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Leaf of Triptych: St John the Baptist'. Byzantium, 14th century. Dimensions: 20,8x17,4x1,7 cm. Museum: State Hermitage, St. Petersburg.

Applique in bronze depicting Juno Dolichena with a deer

Lazio Viterbo Tarquinia Palazzo Vitelleschi18. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the hig

Lady with primroses, marble, c. 1478-80, Verrocchio's Workshop (ascribed to Italian polymath Leonardo da Vinci (1452-1519)

Campania Napoli Naples S. Lorenzo Maggiore226. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Marble statue of Artemis, Diana of Versailles, woodcut, Greece, Europe

Seated statue 'Minerve Assise restauree en Rome'. Made by Italian sculptor Giovanni Maria Mosca. Circa 1520-1574. Porphyte red and gilt bronze.

Bronze statue Vittoria alata, Brescia, Province of Brescia, Italy, Europe

Helm and parade armor of a Roman officer. Ist c. B.C. Roman art. Sculpture on marble. ITALY. LAZIO. Rome. Museum of Roman Civilization.

Galla Placida and her son Valentinian III. Aelia Galla Placidia, 388, 27 November 450, a daughter of the Roman Emperor Theodosius I. Granddaughter of Valentinian I. Mother of the later Emperor Valentinian III. Historical, digitally restored reproduction of a 19th century original, exact original date unknown

Marble Relief at the base of the Borghese Gladiator Statue 100 B.C. Depicting gymnastic exercises.

Reproduction of some statues, from the Houses and Monuments of Pompeii, by Fausto and Felice Niccolini, Volume I, Temple of Fortuna Augusta, Plate II, 1854-1896.

Augustus (63 BC-14 AD). 1st Roman emperor. Augusteum, Herculaneum. Italy. National Arhaeological Museum. Naples. Italy.

Soldier of Marathon, bas-relief discovered at Velanidia, vintage Soldier of Marathon, bas-relief discovered at Velanidia, vintage engraved illustration. Magasin Pittoresque 1845. Copyright: xZoonar.com/PatrickxGuenettex 10673131

Moses by Michelangelo; Robert Macpherson (Scottish, 1811 - 1872); 1850s; Albumen silver print

Staglieno (Genoa). Camposanto - Giuseppe Benetti (1825-1914), Rzecz Baloba, 1872; Ciapai (Genoa; Studio photo; Ca 1857-Ca 1900); around 1860-OK. 1890 (1860-00-00-1900-00-00);

Die Statue des Augustus im Vatikanischen Museum in Rom, Italien, digital verbesserte Reproduktion eines Originaldrucks aus dem 19. Jahrhundert

Lazio Roma Rome S. Bernardo alle Terme5. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"L'estate", the Summer, one of the statues of the four seasons in Piazza del Popolo, Rome, Italy, Europe

Tomb of Henry II, Henry II, originally Henri Plantagenet, 5 March 1133, 6 July 1189, in Fontevraud Abbey, Abbaye royale Notre-Dame de Fontevraud, 1869...

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)86. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

PROFETA EZEQUIEL - PERTENECIENTE AL RETABLO DE SAN BENITO - 1526 - MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Collection of the Dutch Heidematschappij. Part of the relief at the headquarters of the Dutch Heidematschappij on the Apeldoornseweg in Arnhem: woman with field fruits in the poor. undated. Arnhem, Gelderland

Seated Faun Janet Scudder (American, 1873-1940). Seated Faun, 1924. Bronze, 38 x 14 3/8 x 18 1/4 in. (96.5 x 36.5 x 46.4 cm). In Seated Faun, Janet Scudder took as inspiration the part-human, part-goat figure found in classical mythology. One of only a handful of internationally known female sculptors in America at the time, Scudder studied in Paris and became the first woman employed at the Paris studio of the sculptor Frederick MacMonnies. She later made a name for herself crafting ornamental sculptures for the formal gardens of estates designed by the architect Stanford White. Admired by White, whose firm designed the Brooklyn Museum, Scudder was even selected as the only female to produce a sculpture, Japanese Art, for the Museums facade. American Art 1924

Praetorian guard. Roman art. Early Empire. Sculpture on marble. ITALY. LAZIO. Rome. Museum of Roman Civilization.

RAMESES II (THE GREAT) in life and death - left, his mummy in the Cairo museum ; right, his statue in the museum at Turin, Italy

Close-up details of statue in Ephesus or Efes famous site in Turkey

Reproduction of the statue made by the classical Greek sculptor Fidea of the goddess Athena (The Roman Minerva), known as "Athena Parthenos". Engraving by Rico. La Ilustracion Espan_ola y Americana, 1881. Later colouration.

Saint Matthias, relief on the facade of Basilica of Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Saint Matthias, relief on the facade of Basilica of Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20787715

Greek goddess Demeter in doodle style on white background.

Original photograph of the Statue de Balzac by Falguière 34392-11 Balzac Honore de, writer, Falguiere Alexandre, XIX EME CENTURY

The figure represents an ancient Roman nobleman. The illustrations dates to 1882.

Antique statue head of greek sculpture sketch engraving style vector illustration.

The Titus Clockcase, 1776-78. Makers: Boulton & Fothergill.. The partnership between Matthew Boulton and John Fothergill began in 1762.. They created a number of different products at the Soho Manufactory but they were best known for their ormolu mounts. Within a few years they had won the reputation of being the largest producers of decorative ormolu of their day.. Titus, shown here was the elder son of Roman Emperor Vespasian, succeeding as his father in AD79, he became one of Rome's most popular rulers.

Angels. John Melhuish Strudwick (1849-1937). Oil on panel. Signed and dated 1895. 71.2 x 26.4cm.

BUSTO EN PORCELANA DE ALCORA DE PEDRO PABLO ABARCA Y BOLEA CONDE DE ARANDA - SIGLO XVIII. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Campania Napoli Naples S. Lorenzo Maggiore62. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Le Mosaique de Virgile. Unknown

Tombstone of Nebris, 1st century, National Archaeological Museum, Villa Cassis Faraone, UNESCO World Heritage Site, important city in the Roman Empire, Aquileia, Friuli, Italy, Aquileia, Friuli, Italy, Europe

Roman noblemen in laurel wreaths and toga at a sacrificial rite. The lack of beards dates the scene to Hadrians or Neros reign. Pompa Sacra. From a bas-relief in the Pio Clementino Museum. Handcoloured copperplate engraving by Corsi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1843.

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