Coastal and Landscape Etchings

Serene landscapes and coastal scenes capturing natural beauty, showcasing various artistic techniques in subtle monochrome hues and dramatic skies.

Chinese fantasy landscape, draughtsman: Theodoor Wilkens, (possibly), 1779, paper, brush, pen, h 305 mm × w 431 mm

James Baylis Allen, 1803-1876, British, Caudebec, 1834. Line engraving, engraver's proof.

Schonenberg (born of Faget) (Madame), Montmartre in 1834. (Faith title), 1834. Musée Carnavalet, Histoire de Paris.

View of Lake Nemi. Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849); after Lameau (French, active 1803-1822). Date: 1815-1825. Dimensions: 204 × 293 mm (image); 255 × 355 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: comte de Charles Philibert Lasteyrie du Saillant.

Joseph Farington, 1747-1821, British, Rydalmere. Pen and ink and watercolor over graphite on wove paper.

Etching by Jan Luyken from 1721-1778 showing the biblical plague of frogs covering Egypt, including people, frogs, and urban and rural structures.

View of a landscape and a dutch village (according to Jan Brueghl velvet) Burin, Pillement, Victor (ca 1764 1814), Bruegel, Jan (St.; 1568 1625), Crousel

Etched by Joseph Mallord William Turner, 1775-1851, British, Lauffenbourgh on the Rhine, 1811. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.

Thomas Jeavons, ca. 1800-1867, British, Canal of the Loire and Cher, near Tours, 1833. Line engraving, engraver's proof.

Print made by Edward Goodall, 1795-1870, British, Carlisle, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

View From the Second Terrace of the Villa d'est at Tivoli 1817 France. Lithograph in black on ivory wove paper . Claude Thiénon

Merdven.. Passek, Vadim, 1807-1842. Illustrations, Prints. 1840. General Research Division

Landscape with the construction of a ship, Victor Marie Picot, after John James Barralet, 1773 print London paper etching / engraving landscapes with waters, waterscapes, seascapes (in the temperate zone). building a ship, ship under construction

Caudebec, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Hougomont (Vignette), William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving

Frederick Christian Lewis the Elder, 1779-1856, British, View of Fountain from the opposite side, c.1818. Aquatint.

Ancienne Tour Près de Lanark, Print made by Richard Parkes Bonington, 1802-1828, British, after Francois Alexandre Pernot, 1793-1865, French, Printed by François le Villain, active 1824-1835, French, 1826, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm) and Image: 6 1/4 x 9 inches (15.9 x 22.8 cm), exploring, forest, hill, landscape, men, ruins, ruins, stones, sunlight, tartan, tour, tourists, town, trees, visitors, women, Lanark, Scotland, South Lanarkshire, United Kingdom

Carlisle, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and line engraving; second state on medium, slightly textured, cream wove paper with chine-collé

Gouache painting by Bocquet depicting the park of Meudon Castle, created in 1779.

Oxford, Print made by Letitia Byrne, 1779-1849, British, after Rev. William Warren Porter, 1776-1804, British, undated, Etching on medium, cream, slightly textured wove paper, Sheet: 9 7/8 x 13 1/2 inches (25.1 x 34.3 cm)

Print made by Samuel Alken, 1756-1815, British, Cori-nan-Urischin, 1802. Aquatint on medium, slightly textured, cream wove paper.

Ungern, Ruinen des Schlosses Vicegrad. Jakob Alt (Austrian, 1789-1872). Lithograph;

Pichelur sinsting Bevulies Wallowing Wallowing Wuling, 1794; Passage you vahal, Sur LA ice cream, le 14 Janvier in 1795, Ou-the LAtch Trops Under 179. In The Background the City of Niity of Nyjmend. NUMBERED: No. 119.

Tomb of Louis XVI. François Alexandre Pernot; French, 1793-1865. Date: 1816. Dimensions: 138 × 130 mm (image); 261 × 181 mm (sheet). Lithograph in black on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Alexandre Pernot.

River by Jean-Jacques de Boissieu, copper engraving, 1803, 1736-1810, Russia, Voronezh, Regional I. Kramskoi Art Museum

James T. Willmore, 1800-1863, British, Tancarville, 1834. Line engraving.

Tomb in landscape, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, d 145 mm

Sepolcro di L. Cellio a Tivoli. Dated: 1795. Dimensions: plate: 28.1 x 37.4 cm (11 1/16 x 14 3/4 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Christoph Dies.

Landscape with travelers, Gaetano Testolini, After Nicolaes Pietersz Berchem, 1750 - 1850 print Mountainous landscape with travelers in the foreground, caught in an oval. Title in the end margin. paper engraving / etching 'en route', traveller under way. city-view, and landscape with man-made constructions

Two faces on Marle, François Denis Née, After Tavernier, 1749 - 1817 print Two etchings on a non -cut leaf. Numbered in the middle right: Dep.t de l'Aisne. No. 40; bottom right: Dep.t de L'Aisne No. 41. paper etching village Gauze

Caerlaverock Castle, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper

The devil pleasure Gärtl or Riebezals Revier dedication: the high and well-mounted Mr. Franz Count of Sternberg Kay. King. Cammer Mr.

Salzburg fictitious title.

Baltimore, Maryland.. Prints. 1830. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

William Miller, 1796-1882, British, Great Yarmouth, 1829. Line engraving, 2nd state on moderately thick, slightly textured, beige, wove paper, with cream, chine colle.

Landscape with ruins and a ship in the Genoa area, Jean François Janinet, After M. Hoüel, 1774 print Paris paper etching / drypoint landscape with ruins. ships (in general) Knee

Thomas Goff Lupton, 1791-1873, British, Scarborough, 1826-1828. Mezzotint, (Engraver's Proof b).

Print made by William Miller, 1796-1882, British, Berwick-on-Tweed, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper wuth chine-collé.

Joseph Mallord William Turner, Bridge and Cows, June 11, 1807, Etching and mezzotint printed in brown inks.

Copper engraving and etching by Bernard Baron circa 1748 showing a village being plundered, with houses, figures, and military presence.

William Miller, 1796-1882, British, Melun, 1835. Line engraving.

Le Porte Balle assis Jean Morin French. Le Porte Balle assis 369187

Egypt and Nubia, Volume II: Wady Dabod, Nubia, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 36.3 x 43.1 cm (14 5/16 x 16 15/16 in.); image: 25.1 x 35.2 cm (9 7/8 x 13 7/8 in.).

View of a waterfall with a walking couple and two children in the foreground. Below the title, the coat of arms of Orange-Nassau and three lines in French, View of the waterfall at Biljoen Ve de la grande Cascade a Biljoen (title on object), print maker: Christian Henning, (mentioned on object), Christian Henning, (mentioned on object), Willem V (prins van Oranje-Nassau), (mentioned on object), Northern Netherlands, c. 1756 - 1795, paper, etching, h 300 mm × w 370 mm

Virginia Water No. 1, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Open etching and line engraving on moderately thick, slightly textured, cream, wove paper, with cream, chind colle, Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm), Plate: 6 × 8 3/8 inches (15.2 × 21.3 cm), Chine collé: 5 3/4 × 8 1/8 inches (14.6 × 20.6 cm), and Image: 3 11/16 × 5 7/16 inches (9.4 × 13.8 cm)

Attributed to Peter Stephens, Horace's Sabine Villa, 1762 Horace's Sabine Villa

Pl. 302 / The caricatures (journal) No 144. / Grrrand Bouques Lumineuses, and where shoulda de fee alone, who devis followezves and there)

M. H. Long, One of Seven Engraved Reproductions from 'Roger's Italy', 1884. Engraving.

Murafa. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

The Maison de Gondi, the Original Palace of St. Cloud - from a painting by an artist of the period, 1856. '...we are enabled to engrave the original Palace, from a painting on vellum, executed in the same style as the Sevres porcelain, by one of the artists of the period of the edifice...This old residence formed the nucleus of the present spacious chateau'. The château was expanded by Phillipe of France, Duke of Orléans in the 17th century, and by Marie Antoinette in the 1780s. After occupation by Napoleon I and Napoleon III, it was destroyed in 1870 during the Franco-Prussian War.

William Bernard Cooke, 1778-1855, British, Tantallon Castle, 1834. Line engraving.

J. M. W. Turner, Colchester, Essex for Picturesque Views in England and Wales , 1825-6 , Graphite, Watercolour , bodycolour, scaping on wove paper, now laid down on Japanese tissue, London, England.

Dunbar, James C. Allen, active 1821-1831, British, after Joseph Mallord William Turner, 1775-1851, British, 1824, Line engraving and etching on moderately thick, smooth, cream, wove paper, Sheet: 10 7/16 × 14 3/4 inches (26.5 × 37.5 cm), Plate: 10 1/16 × 14 inches (25.6 × 35.6 cm), and Image: 6 3/4 × 10 3/16 inches (17.1 × 25.9 cm)

Kalisz on Prosna River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

A lithograph by Peter von Hess titled 'The Morning,' depicting a morning landscape, created between 1830 and 1890.

Alt Sandecz (Stary Sącz) Lang, Rudolf ( 1884), Alt, Rudolf von (1812 1905)

Shooting: Verse 1. Thomas Sutherland (English, active c. 1785-1827); after Dean Wolstenholme (English, 1798-1882); published by Rudolph Ackermann (English, born Germany, 1764-1834). Date: 1819. Dimensions: 170 × 250 mm (image); 222 × 277 mm (sheet). Hand-colored aquatint and etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Last pilgrimage to the tomb of Napoleon. (IT)

Landscape with Shepherds, Anonymous, After Nicolaes Pietersz Berchem, 1754 - 1842 print A landscape with shepherds in the foreground with a herd. In the distance mountains and a river. Italy paper etching / engraving city-view, and landscape with man-made constructions. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock

Bliżej Kultury Schmied (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of A. Sonrel (Neuchtel)

Print made by David Lucas, 1802-1881, British, Yarmouth, Norfolk, 1832. Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper.

Piła. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

S. Fisher, active 1831-1844, Saint Denis, 1835. Line engraving, third state.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Merzbach, Ludwik (1820 1890), Żupański, Jan Konstanty (1804 1883)

John Horsburgh, 1791-1869, British, Laugharne Castle, Caermarthenshire, 1827-1838. Line engraving, first published state.

From the Viennese world exhibition, After a sketch by F, Bach p, From the Vienna World Exhibition Place illustration from over the country and sea , th year, No, After, Bach, artist

Gaeta 1807 Germany. Lithograph on wove paper . Simon Petrus Klotz

Robert Wallis, 1794-1878, British, Warwick Castle, Warwickshire, 1827-1838. Line engraving, first published state.

Entry to the Village of Bains 1831 Eugène Isabey French This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'. This particular plate was included in volume I of the series. The composition resembles that of a watercolor painted during the same period, with the same title, attributed to Isabey which is now in the Collection Destailleur held by the Bibliothèque Nationale.Curtis suggested in his catalogue raisonné of Eugène Isabey's work that the watercolor seems more likely to be by the artist's nephew, Eugène Cicéri, which would explain why Cicéri's name is included on this lithograph, implying a collaboration between the two artists.. Entry to the Village of Bains 688330

At Isleworth, Charles J. Hullmandel, 1789-1850, British, after William Westall, 1781-1850, British, 1823, Lithograph

Lismore Castle, Ireland, Francis Wheatley, 1747-1801, British, 1783, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm), boats, bonnet, breeches (trousers), bridge (built work), chimneys (architectural elements), cloak, cloth, coastline, foliage, genre subject, geology, hat, hills, houses, masts, men, net (textile), oars, parasol, river, rocks (landforms), shirt, skirt (garment), stockings, trees, wall, water, windows, women, Blackwater, Ireland, Lismore Castle

Paris.. Nash, Frederick (1782-1856). Prints. 1823. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Paris (France)

James Baylis Allen, 1803-1876, British, Loch Leven Castle, 1836-1837. Engraving.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Tiziano Vecellio (CA 1488 1576)

John Landseer, 1769-1852, British, Fall of the Tees, 1821. Line engraving and etching, engraver's proof on medium, moderately textured, cream, wove paper.

Danube views, Hungary, Alt-Eyen Budapest, After, Jakob Alt -, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

unknown artist, Edzell Castle, Forfarshire?; page 101 (Volume One).

Print made by Frederick Landseer Maur Griggs, 1876-1938, British, Maur's Farm, 1913. Etching on medium, slightly textured, cream wove paper.

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

William Westall, 1781-1850, British, Mortlake, 1823. Lithograph on slightly textured, moderately thick, cream wove paper.

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758-1838, British, John Warwick Smith, 1749-1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)

Xanthus, Lycia, women milling. Lithograph by George Scharf junior, 1847.

Troy, General View, Plate 41 from a set of 54views. Lithographer: Isidore Laurent Deroy, French, 1797-1886 After: August Köllner, American, 1813-1906Printer: Cattier, active Paris, mid-19th century Publisher: Goupil & Cie, French, 1827-1879

Słupy Herkulesa na Dnieprze. Podbereski, Andrzej (ca 1812-ca 1863), amateur painter

Plymouth, Devonshire, William John Cooke, 1797-1865, Irish, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Artist: George John Morant, British, 1799 - possibly 1865, View ofPaestum, Watercolor, image: 15.3 × 22.2 cm (6 × 8 3/4 in.), Made in United Kingdom, British, 19thcentury, Works on Paper - Drawings andWatercolors

Mirów. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Print made by David Lucas, 1802-1881, British, Spring, 1829 to 1830. Mezzotint and drypoint on medium, slightly textured, cream laid paper.

Robert Brandard, 1805-1862, British, Graville, 1834. Line engraving.

Breakthrough in Ochten, 1784, Roeland van Eynden, 1789 print Dike breach in Ochten in the Betuwe on March 1, 1784: The water flows with great power through the gap in the dike. A farm is up to the roof on which two men are sitting under water. On the right, some people save household goods and animals. In the caption the title, assignment and a weapon. print maker: Northern Netherlandsafter own design by: Ochten paper etching Dike-Break Matting

. Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

Children with push sleigh on the ice, Dirk Jurriaan Sluyter, after Jan Gerard Smits, 1854 print A boy kneels on the ice to put on his skate. Two girls next to a push sled look. A fishing net between two posts hangs on the bank. A mill in the background. print maker: Amsterdampublisher: Haarlem paper etching / engraving skates (winter sports). sleigh, sledge (non-sport). windmill in landscape. commercial fishery

Robert Wallis, 1794-1878, British, St. Germain-en-Laye, 1826-1837. Line engraving on medium, slightly textured, beige, wove paper.

Turris Magna or Tourmagne, Print made by Cornelis Apostool, 1762-1844, Dutch, 1794, Etching and aquatint printed in brown ink on medium, slightly textured, cream wove paper

Face outside the Utrechtse Poort at Nacht, Johannes Ludovicus van den Bos, 1815 - 1827 print paper etching Utrechtsepoort

Oeuvres de Joseph Vernet...representant divers ports de mer en France et d'Italie ca. 1750-1800 Joseph Vernet French. Oeuvres de Joseph Vernet...representant divers ports de mer en France et d'Italie 358372

View of a park crossed through the river Theems in the vicinity of the city of London, Jacques Gabriel Huquier, 1735 - 1805 print A number of figures walk in the park. A covered rowing boat sails on the left. In the foreground, a number of figures fishes on the waterfront and a man's sheep. Numbered: 34. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush public gardens, park (+ city(-scape) with figures, staffage). river (+ landscape with figures, staffage). rowing-boat, canoe, etc.. fishing (sports). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Thames. London

A Cività Castellana, 1794, Collection ou Suite de Vues Pittoresques de l'Italie (plate 38), etching on laid paper, plate: 28 x 37.5 cm (11 x 14 3/4 in.), sheet: 39 x 49.1 cm (15 3/8 x 19 5/16 in.), Feuchtmayr 1975, Vol. A, no. 66, State iii/iii, Johann Christian Reinhart (artist) German, 1761 - 1847

William Miller, 1796-1882, British, Pont-Neuf, Paris, 1835. Line engraving, engraver's proof.

Sir Richard Colt Hoare, 1758-1838, British, Castle of Schrecstein on the Elbe, ca. 1817. Watercolor and black ink over graphite on wove paper.

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