Coastal and Landscape Etchings

Serene landscapes and coastal scenes capturing natural beauty, showcasing various artistic techniques in subtle monochrome hues and dramatic skies.

Chinese fantasy landscape, draughtsman: Theodoor Wilkens, (possibly), 1779, paper, brush, pen, h 305 mm × w 431 mm

Fight on the water, Charles Emile Jacque, 1844 print France paper etching water course. battle, fighting in general

Chinese fantasy landscape, draughtsman: Theodoor Wilkens, (possibly), 1779, paper, brush, pen, h 305 mm × w 431 mm

Bow and Arrow Castle, Isle of Portland, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Etching and line engraving on thick, slightly textured, cream, wove paper, Sheet: 11 3/8 × 17 1/2 inches (28.9 × 44.5 cm), Plate: 9 1/8 × 12 1/16 inches (23.2 × 30.6 cm), and Image: 6 5/16 × 9 5/8 inches (16 × 24.4 cm)

Lake of Albano, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Line engraving, Early proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm), Plate: 6 1/16 × 8 9/16 inches (15.4 × 21.7 cm), Chine collé: 5 7/8 × 8 1/4 inches (14.9 × 21 cm), and Image: 3 5/8 × 5 1/4 inches (9.2 × 13.3 cm)

View of Saint -Maurice in Valais, Anonymous, 1750 - 1800 print France (possibly) paper etching / engraving city-view in general; 'veduta' Saint-Maurice

Plymouth, with Mount Batten, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1817, Etching and engraving on thick, slightly textured, cream, wove paper, with cream, chine collé, Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm), Plate: 9 1/4 × 11 15/16 inches (23.5 × 30.3 cm), Chine collé: 8 15/16 × 11 13/16 inches (22.7 × 30 cm), and Image: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)

James Baylis Allen, 1803-1876, British, Caudebec, 1834. Line engraving, engraver's proof.

St. Germains, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof

Ospitaletto di San Francesco, fuori di Subiaco. Dated: c. 1795. Dimensions: plate: 28.1 x 37.4 cm (11 1/16 x 14 3/4 in.) sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Wilhelm Mechau.

Taikury. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Jumieges, James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and line engraving, Engraver's proof

Placenza, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving (First Published State)

William Radclyffe, 1780-1855, British, Blenheim, Oxfordshire, 1827-1838. Line engraving, first published state.

Etched by Joseph Mallord William Turner, 1775-1851, British, The Castle above the Meadows, 1808. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Plymouth, from Mount Batten, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1817, Engraving and etching on moderately thick, slightly textured, cream, laid paper, Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm), Plate: 9 1/16 × 12 inches (23 × 30.5 cm), and Image: 6 7/16 × 9 1/2 inches (16.4 × 24.1 cm)

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Betannier (Fl. CA 1840 1843), lithography of H. Nicolet (Neuchtel)

Kirkstall Abbey, on the River Aire, Print made by James Bromley, (or John ), 1801-1838, British, after Joseph Mallord William Turner, 1775-1851, British, 1823 to 1827, Mezzotint, and soft ground etching

Landscape with Jacob, Laban, Lea and Rachel, Richard Earlom, After Claude Lorrain, 1776 print London paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle. landscape with bridge, viaduct or aqueduct - II - ideal landscapes. Jacob serving Laban for Rachel and Leah (Genesis 29:14-30)

William Bernard Cooke, 1778-1855, British, Falmouth, Cornwall, 1816. Engraving and etching , first published state on moderately thick, moderately textured, cream, laid paper.

Pendennis Castle and Entrance of Falmouth Harbour, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Etching, graphite, and line engraving, touched proof on thick, slighlty textured, cream, wove paper, Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm), Plate: 9 1/4 × 12 1/4 inches (23.5 × 31.1 cm), and Image: 6 1/4 × 9 3/8 inches (15.9 × 23.8 cm)

Haven Aan de Mediterrane Kust, Jean Jacques André Le Veau, After Jean Baptiste Lallement, 1773 - 1788 print Paris paper etching / engraving harbour. sailing-ship, sailing-boat

Pallazzola. Dated: 1792. Dimensions: plate: 27.9 x 37.5 cm (11 x 14 3/4 in.) sheet: 39.1 x 49 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Christian Reinhart.

James T. Willmore, 1800-1863, British, Okehampton, Devonshire, 1827-1838. Open etching.

Shakespeare's Monument at the Church at Stratford upon Avon, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, first published state, Image: 4 1/8 x 2 7/8in. (10.5 x 7.3cm) and Sheet: 7 3/4 x 5 5/8in. (19.7 x 14.3cm)

Bliżej Kultury Lithography of H. Nicolet (Neuchtel), Hellmuth (Fl. CA 1840 1843), Dubois de Montpereux, Frédéric (1798 1850)

Landscape with forest workers, Nicolas Perelle, 1613 - 1657 print In the middle of numbered: 5. publisher: ParisFrance paper etching / engraving woodcutting, woodcutter ~ forestry. forest, wood

Mayence, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, engraver's proof

Clovelly Bay and Lundy Island, Print made by William Miller, 1796-1882, British, Joseph Mallord William Turner, 1775-1851, British, 1814 to 1826, Etching; open etching on medium, slightly textured, cream wove paper with chine-collé, Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), Chine collé: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm), and Image: 5 1/4 × 8 7/8 inches (13.3 × 22.5 cm)

William Bernard Cooke, 1778-1855, British, Plymouth, with Mount Batten, 1817. Etching and engraving on thick, slightly textured, cream, wove paper, with cream, chine collé.

Un rocher dans les communaux de Rix(Ain). Artist: Adolphe Appian, French, 1819-1898

View of Florence (illustration in: common encyclopedya); Unknown, Carlsruhe im Kunst-Verlag W. Creuzbauer (Fl. Ca 1830-1850), Glücksberg, Krystian Teofil (1796-1876), Glücksberg, August Emanuel (1804-1894); 1836-1840 (1836-00-00-1840-00-00);

Ehrenbreitstein. Dated: 1845. Dimensions: image: 28.1 x 38.7 cm (11 1/16 x 15 1/4 in.) plate: 35.2 x 44 cm (13 7/8 x 17 5/16 in.) sheet: 42.7 x 52.4 cm (16 13/16 x 20 5/8 in.) mat: 55.9 x 71.1 cm (22 x 28 in.). Medium: engraving on chine coll. Museum: National Gallery of Art, Washington DC. Author: John Pye after Joseph Mallord William Turner.

Jan Both, Fishermen at the Tiber, near the Soracte Fishermen at the Tiber, near the Soracte

Italian landscape with face on a ruin and the coast; Italian landscapes. Italian landscape with face on a ruin and a coast with boats. On a country road driving riders and a figure runs behind a bridge behind a packed donkey. There is a three-legged assignment in Latin in the margin. The print is part of a six-part series of prints with Italian landscapes.

William Miller, 1796-1882, British, Marly, 1831. Line engraving, engraver's proof on thick, moderately textured, beige, wove paper.

W. R. Smith, active 1819-1851, Richmond Hill and Bridge, Surrey, 1827-1838. Line engraving, engraver's proof.

Cloudy river landscape, Adrian Zingg, After Aert van der Neer, 1744 - 1788 print print maker: Parispublisher: ParisBazel paper etching / engraving clouds. river. sailing-ship, sailing-boat

John Cousen, 1804-1880, British, St. Michael's Mount, Cornwall - from LXV - 'The Turner Gallery' 1859-1879, 1859-1879.

View of a ruin and a shepherd, Max Josef Wagenbauer, 1823 paper paper

New York. 1828 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History, New York (N.Y.)

Ashby de la Zouch, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Etching and engraving 1st state on thick, slightly textured, cream, wove paper, with gray chine colle, Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm), Plate: 9 3/8 × 12 1/16 inches (23.8 × 30.6 cm), Chine collé: 9 1/8 × 11 7/8 inches (23.2 × 30.2 cm), and Image: 6 11/16 × 9 5/8 inches (17 × 24.4 cm)

Pope's Villa, Print made by John Pye, 1782-1874, British, figures by Charles Heath, 1785-1848, British, after Joseph Mallord William Turner, 1775-1851, British, Published by Longman, active 1804-1914, British, 1811, Etching and line engraving on medium, slightly textured, cream wove paper

Print made by Frederick Christian Lewis the Elder, 1779-1856, British, New Weir on the Wye, 1825. Mezzotint; first published state.

View of Hillbank on the River Thames near London. Francis Jukes (English, 1745-1812); after John Laporte (English, 1761-1839). Date: 1795. Dimensions: . Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with church and wading cows, Pierre Jacques Duret, after Jacob van Ruysdael, c. 1760 print print maker: Francepublisher: Amsterdampublisher: Paris paper etching water course. church (exterior). cow

View of Dolo towards Padua, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of Dolo towards Padua. The River Brenta flows in the foreground. Gondels sail on the water. A gondola is moored in the foreground. Numbered in the middle: XV and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. gondola Brenta

Environs of Venice -3. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Yazlovets on the Olhovec River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Rivier de Solo Te Java, Jean Baptiste Ambroise Marcellin Jobard, 1824 text sheet paper letterpress printing river Solo

Faces on Lago Maggiore and Lake Como, Carel Christiaan Antony Last, 1854 - 1876 print Below the top image are the names of the islands: Isola Bella and Isola Madre. With the bottom image is the name of the Bellagio town. The Hague paper lake (+ landscape with figures, staffage) Lake Maggiore. Comomeer. Bella Isola (Lake Maggiore). Mother Island (Lake Maggiore). Bellagio (Italië)

"Etching and copper engraving by Richard Saint-Non depicting views of Naples and Sicily, including towns, harbors, landscapes, mountains, and coastal scenery in 1781."

St. Catherine's Hill, James H. Kernot, active early 19th century, after Joseph Mallord William Turner, 1775-1851, British, 1832, Line engraving and etching, 2nd state on thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm), Plate: 9 15/16 × 12 1/2 inches (25.2 × 31.8 cm), Chine collé: 9 9/16 × 12 3/16 inches (24.3 × 31 cm), and Image: 6 5/16 × 9 5/8 inches (16 × 24.4 cm), architectural subject, barrel, boy, carriage, celebration, chapel, cloud, crowd, Drum, drummer, embracing, flag, girl, hill, horse, infant, landscape, man, pig, pilgrimage, religious and mythological subject, road, ruins, sign, tent, valley (landform), woman, Artington, England, Guildford, Pilgrims' Way, St. Catherine's Chapel, St. Catherine's Hill, Surrey, United Kingdom

Royat Groove 1831 Eugène Isabey French This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'.. Royat Groove 688332

Bolesławiec on the Prosna River. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Newark Castle, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé

Ashby de la Zouch, Leicestershire, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Open etching

Winter face with city wall, Willem de Koning, after Andreas Schelfhout, 1840 - 1843 print Two figures with a sledge run on the ice. On the right, with a frozen boat, there are two more figures. To the right of the city wall with a tower. The Hague paper. winter landscape; landscape symbolizing winter (the four seasons of the year). towers ~ fortified city. sleigh, sledge (non-sport)

William Bernard Cooke, 1778-1855, British, St. Michael's Mount, Cornwall, 1813. Etching and line engraving on moderately thick, moderately textured, cream wove paper.

William Daniell, 1769-1837, British, Windsor Castle from near Brocas Meadows, 1827. Watercolor, with pen, in brown ink, gray ink, graphite, gouache and scratching out on medium, slighly textured, cream wove paper, mounted on, thick, slightly textured, beige, wove card paper.

View of the Escorial, Hendrik Roosing, 1786 - 1826 print Face from a rocky path on the Escorial Abbey Complex, near the city of San Lorenzo de El Escorial. In the foreground some travelers. Rotterdam paper etching 'en route', traveller under way. cloisters ~ monastery Dump

Margate, Kent, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching and engraving, (Completed Engraver's Proof)

Fécamp, Print made by John Cousen, 1804-1880, British, after Clarkson Stanfield, 1793-1867, British, Published by Longman, active 1804-1914, British, 1834, Line engraving on medium, slightly textured, cream wove paper

A Mill. Artist: David Lucas (British, Northamptonshire 1802-1881 London); After John Constable (British, East Bergholt 1776-1837 Hampstead). Dimensions: Image: 5 9/16 × 8 1/2 in. (14.1 × 21.6 cm)Sheet (trimmed within plate): 7 1/16 × 9 13/16 in. (17.9 × 24.9 cm). Date: 1832.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention--to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project. Museum: Metropolitan Museum of Art, New York, USA.

Print made by William Miller, 1796-1882, British, Coombe-Martin, Devonshire, 1814 to 1826. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Edward Francis Finden, 1791-1857, British, View of Lichfield, The Birth Place of Dr. Samuel Johnson, 1835. Etching and line engraving on moderately thick, slightly textured, beige wove paper.

The Little French Colony at Akaroa, 1845 1865 France. Etching on grayish ivory laid paper . Charles Meryon

W. R. Smith, active 1819-1851, Lago Maggiore, 1828. Line engraving, 2nd state on medium, slightly textured, beige, wove paper, with beige, chine colle.

Salisbury Cathedral from the Meadows (Small Plate), 1855. David Lucas (British, 1802-1881), after John Constable (British, 1776-1837). Etching and roulette; sheet: 29.3 x 40.7 cm (11 9/16 x 16 in.); platemark: 17.6 x 25 cm (6 15/16 x 9 13/16 in.).

Edinburgh from the Calton Hill, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1820, Open etching and line engraving on moderately thick, moderately textured, cream, wove paper, with gray, chine colle, Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm), Plate: 9 15/16 × 12 7/8 inches (25.2 × 32.7 cm), Chine collé: 9 11/16 × 12 9/16 inches (24.6 × 31.9 cm), and Image: 6 3/4 × 9 15/16 inches (17.1 × 25.2 cm)

Lochmaben Castle, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper

The Loretto Necklace, Charles Cousen, 1813-1889, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Ancient Italy - Ovid Banished from Rome, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper, Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm), Plate: 20 3/4 × 28 1/8 inches (52.7 × 71.4 cm), and Image: 17 × 23 5/8 inches (43.2 × 60 cm)

View of Tancarville on the Seine, Isodore -Laurent Deroy, 1829 - 1831 print Print is part of a cover with fourteen prints. print maker: Parisafter drawing by: Tancarvillepublisher: Paris paper. river (+ landscape with figures, staffage). ships, boats on land, beached. castle Tancarville

St. Malo, Print made by James Baylis Allen, 1803-1876, British, after Clarkson Stanfield, 1793-1867, British, Published by Henry Graves & Co., ca. 1812-1892, British, 1834, Line engraving on medium, slightly textured, cream wove paper

Print made by Edward Goodall, 1795-1870, British, Tivoli, a Composition, 1827. Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper.

Kirkstall Abbey, on the River Aire, Print made by James Bromley, 1801-1838, British, after Joseph Mallord William Turner, 1775-1851, British, 1823 to 1827, Etching; soft ground etching

James H. Kernot, active early 19th century, Wolf's Hope, 1843. Line engraving.

Montjen, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

Copper engraving by Andries Jacobsz Stock depicting the months of August and October, created in 1614, showing seasonal landscapes and figures.

Modern Italy, Print made by William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper with cream chine-collé, Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm), Plate: 22 1/4 × 28 inches (56.5 × 71.1 cm), Chine collé: 21 5/8 × 27 1/2 inches (54.9 × 69.9 cm), and Image: 16 7/8 × 23 7/8 inches (42.9 × 60.6 cm)

Samuel Ireland, active 1760-died 1800, British, Design for a New Order of Architecture, May 1, 1799.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the four elements. Earth. First issue of a suite of 4 rooms. (A. de Vesme 753; dutuit 136) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

W. R. Smith, active 1819-1851, Richmond, Yorkshire, 1827-1838. Line engraving, first published state.

Tirpenne, Jean Louis, Uusikaarlepyy, according to Lauvergue, book page (1000 - 2000), lithography, graphics, image width 41.2 cm, image height 23, 9 cm

Etched by Joseph Mallord William Turner, 1775-1851, British, Norham Castle on the Tweed, 1816. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Cori-nan-Urischin, Print made by Samuel Alken, 1756-1815, British, Published by Longman, active 1804-1914, British, 1802, Aquatint on medium, slightly textured, cream wove paper

Neustadt and Bremberg in 't Odewald. Drawing from album with 13 drawings made in Germany by Captain Bauble, during the 1800 campaign.

Dumbarton Rock, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink Engraver's proof (e) on moderately thick, slightly textured, cream laid paper, Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm), Plate: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm), and Image: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)

View of the forelands of the Rhine near Doorwerth View of the Dorenweerdsche Bosch Scenes from the surroundings of the city of Arnhem (series title), print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), intermediary draughtsman: Abraham Johannes Couwenberg, (mentioned on object), publisher: Isaac Anne Nijhoff en Zn, (mentioned on object), Arnhem, 1838, paper, steel engraving, h 250 mm × w 300 mm

Nottingham, Nottinghamshire, William John Cooke, 1797-1865, Irish, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Evening, Louis Jacques Cathelin, after Claude Joseph VERNET, 1765 - 1767 print Imagination of the evening with figures on a river near a waterfall and a bridge in the distance. publisher: ParisFrance paper etching / engraving evening. waterfall. landscape with bridge, viaduct or aqueduct

George Cooke, 1781-1834, British, Naples, from the Mole, 1818-1820. Etching and engraving on medium, smooth, cream, wove paper.

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Unknown, lithography of H. Nicolet (Neuchtel)

La Terre, from The Elements 17th century Reinier Nooms, called Zeeman Dutch. La Terre, from The Elements 392977

Thomas Jeavons, ca. 1800-1867, British, Canal of the Loire and Cher, near Tours, 1833. Line engraving.

Paris, Aliamet, Jacques, Netherlands, Neer, Aert van der, France, Vue de Boom sur le Rupel, View of Boom on the Rupel, verso - stamped, print, prints, height 384 mm, width 520 mm, French, 1726 - 1788, print maker, printmaker, 1750 - 1788, paper, papier, etching, engraving, engraving (printing process), Northern Netherlands, 1604 - 1677-11-09, after, after painting by, Publication (Event), Publication, publisher

Naples, from the Mole, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and engraving on moderately thick, smooth, cream, wove paper, with cream, chine colle, Sheet: 11 × 15 inches (27.9 × 38.1 cm), Plate: 10 1/16 × 13 inches (25.6 × 33 cm), Chine collé: 9 9/16 × 12 1/2 inches (24.3 × 31.8 cm), and Image: 5 1/2 × 8 5/8 inches (14 × 21.9 cm)

Port de St. Paul, Paris. Charles-Melchior Descourtis (French, 1753-1820); after Pierre Antoine de Machy (French, 1723-1807). Date: 1783. Dimensions: 398 × 615 mm. Etching and engraving printed in color from at least four plates on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Chateau de la Mailleraie, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving

Face from the Needle's Eye cave, at Banff, James Fittler, After John Claude Natttes, 1801 print Noticed: pl. 9. paper etching / engraving cave, grotto Aberdeenshire

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