Coastal and Maritime Scenes

Engravings capturing detailed coastal landscapes with boats, fishermen, and seascapes, reflecting the maritime life of historical European ports.

Stefano Della Bella (Italian, 1610 - 1664). Dans un port de mer, 1644. From Divers Embarquements. Etching on laid paper. Only state.

Seascape with boats off the coast, Adam Silo, 1689 - 1760 print A large sailing ship is on a calm sea off the coast. Fishing boats sail around it. Fishermen with nets and baskets are on the beach. A few fishermen's houses in the background. Amsterdam paper etching / engraving sea (seascape) (+ landscape with figures, staffage)

Stefano Della Bella, Galley with Deck Covered with Sails, probably c 1654 1655 Galley with Deck Covered with Sails

View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne) 1655 Stefano della Bella Italian. View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne) 377480

Resting and supplying a double sea barge, Adolf van der Laan, After Sieuwert van der Meulen, 1728 - 1761 print Resting and supplying a double sea barge for the herring catch, on the right a rowing boat loaded with tons. The print is part of a 32-part series of prints with performances about the herring catch. Amsterdam paper etching sea and coastal fishery. bony fishes: herring

River face with fishermen. River face with a fisherman and a rowing boat in the foreground with seven figures, one of which has a rod. The rowing boat is pulled on the side by an eighth figure. Ships and rowing boats can be seen on the river, including a three-master.

Stefano Della Bella (Italian, 1610 - 1664). Dans un port de mer, 1644. From Divers Embarquements. Etching on laid paper. Only state.

Turfboten langs een kade; Landschappen.Two figures at peat boats along a quay. Third print of a series of four.

The port of Aden, 1613; Aden; The Vermaerde Stadt Aden. Van den Broeck ship lying for anchor in the port of Aden, August 1613. Part of the illustrations in the report of the tours of Pieter van den Broecke to East Indies, 1605-1640, no. 3.

Harbor with a village on a cliff, anonymous, after Reinier Nooms, 1656 - 1714 print Copy in mirror image. Haven scene with a number of small boats and three large sailing ships. A village on the cliff on the coast. paper etching coastal cliff or crag. harbour. village

Sailing Driemaster with a rocky coast with trees, Salomon Savery, 1610 - 1665 print The print is part of a six -part series with performances of different sailing ships. Amsterdam paper etching / engraving sailing-ship, sailing-boat

Melchior Küsel after Johann Wilhelm Baur (German, 1626-1683), Ships, 1681, etching

Artist: Wenceslaus Hollar, Bohemian, 1607-1677, Dutch Cargo Ships, no. 11 of 12 in the series Navium Variae Figurae etFormae, Etching, platemark: 14.6 × 23.7 cm (5 3/4 × 9 5/16in.), Made in Bohemia, Czech Republic, Bohemian, 17thcentury, Works on Paper -Prints

Face from Water Salmsteke on Geertruidenberg, Carel Frederik Bendorp (I), 1786 print View of the Hollands Diep at Geertruidenberg. In the foreground, salmon fishermen on a small boat empty the nets that they have attached to wooden stakes in the water. print maker: Dordrechtpublisher: Amsterdam paper etching prospect of village, silhouette of village. sea (seascape). sea and coastal fishery Geertruidenberg

Shipyard with men at work on the quay and three large sailing ships under construction, lying in the yard., Shipyard Thirteen scenes with ships (series title), print maker: Reinier Nooms, Reinier Nooms, Netherlands, 1650 - 1664, paper, etching, h 208 mm × w 298 mm

Galien van Cosimo II de 'Medici surround a Turkish Bertone, Jacques Callot, 1617 print Four Galien (from Cosimo II de 'Medici) have surrounded a Turkish ship, a Bertone. Mutual shelling takes place. In the background another Turkish ship, a petache. Under the show a explanatory caption in Italian. This print is part of a series of four prints that depict the course of the sea battle between Cosimo II Galien de 'Medici and Turkish ships on November 23, 1617 near Corsica, and who have served as illustrations in a news item. Florence paper etching battle. warfare; military affairs (+ sailing-ships). ships (in general)

Duck hunters, Gerrit Groenewegen, 1764 - 1826 print On the banks of a river, on which different ships sail, there is a hunter among the reeds. There are also two duck hunters on a boat on the waterfront, the judge of which dissolves a shot. Rotterdam paper etching / engraving bird hunting

Lay the ship, plate no. 5, ca. 1700, 1690 - 1710 print Leaving the ship on the shipyard. No. 5 from series of 16 prints on which the construction and fortunes of a ship are depicted. With captions in Dutch and Latin. print maker: Northern Netherlandspublisher: Amsterdam paper etching launching a ship

Seascape with various ships, Gerrit Groenewegen, 1764 - 1826 print Seasing view with a warship with three masts, next to a smaller sailing ship. In the foreground a piece of land with vegetation and some fencing. In the background the contours of a sailing ship and a mill. Rotterdam paper etching / engraving ships (in general). windmill

Pearl fishing in Persia, Jan Luyken, 1689 print Print at the top right marked: II. Partie p. 576. print maker: Amsterdampublisher: Paris paper etching pearl; pearl necklace Persia

View of Zeelandia. View of Fort Zeelandia on Taiwan, May 1632. Face over water where ships sail to the other side with O.A fort, gallows, official building and different cottages. Part of the illustrations in the trip of the trip to East Indies of Seyger van Rechteren, 1628-1632, No. 2.

The Sunset, 1634. Claude Lorrain (French, 1604-1682). Etching;

Beach Scene with Boats. Artist: Pieter Mulier the Elder (Dutch, Haarlem 1615-1670 Haarlem). Dimensions: sheet: 4 1/2 x 7 7/16 in. (11.4 x 18.9 cm). Former Attribution: Formerly attributed to Jan Porcellis (Dutch, 1584-1632). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Three Moored Sailing Vessels, from Thirteen Naval Scenes 1650-1664 Holland. Etching on ivory laid paper . Reinier Zeeman, (Reinier Nooms)

. The domestic or ending of the whining ship the sun for the VOC on the ship's timmer yard at the East Indian sea warehouse in Amsterdam, in the presence of Stadholder Willem V and Princess Wilhelmina van Prussen, 2 June 1768. Part of a print series with title print and 14 records of the fall From the Prince and Princess in Amsterdam, 30 May - June 4, 1768.

In the year 1688, Anonymous, c. 1789 - c. 1810 drawing Departure from Willem III to the fleet that will take him to England, November 11, 1688. Netherlands paper. ink pen / brush departure ~ travelling

Seascape with a few ships, Willem van de Velde (II), 1643 - 1707 drawing paper. pencil brush sea (seascape). sailing-ship, sailing-boat

View from the Scheldt on the Sint-Michielskaai in Antwerp, Egidius Linnig, 1853 print paper etching sailing-ship, sailing-boat. canals, waters (in city) Antwerp

Rest and supply of a corner for the herring catch, ca. 1725, 1720 - 1730 Resting and supplying a corner for the herring catch, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 4. print maker: Northern Netherlandspublisher: Amsterdam paper etching Resting and supplying a corner for the herring catch, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 4. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Seaport with Village on a Cliff. Artist: Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623-1664 Amsterdam). Dimensions: sheet: 5 3/8 x 8 3/16 in. (13.7 x 20.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Four warships at sea, monogrammist Abk, 1673 - 1709 print Four sailing ships at sea. The right ship fires a cannon. print maker: Northern Netherlandspublisher: Amsterdam paper etching sailing-ship, sailing-boat. sea

Two Marine Scenes. Reinier Nooms, called Zeeman; Dutch, c.1623-1664. Date: 1650-1660. Dimensions: 206 x 302 mm (plate); 215 x 310 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

The yacht donated by the States General to King Frederik I van Pruisen, 1707, Joan Luder à Wolfgang (Possibly), Joan Luder à Wolfgang, 1707 print View of the richly decorated yacht donated by the States General to King Frederik I van Prussia, ca. 1707. The hunt for the water of the IJ, in the background Amsterdam. On the left the assignment in an ornamental cartouche with a fantasy ones and allegorical figures. In the caption a verse of 16 lines in Latin. paper etching / engraving prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat. sailing-ship, sailing-boat. armorial bearing, heraldry Amsterdam. Ij

Jacques Callot (1592-1635). "The fights of four galleys, the attack. First issue of a suite of 4 rooms" (Lieure 194, Meaume 550). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99598-12 Etching, engraving

Renier Zeeman (around 1623-1667). Some river ports n ° 8: estuary with two gallions on the right, and a marchand ship on the left (Hollstein 111). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of eight marines engraved in 1634. Combat between several boats and galleys. Seventh piece (A. de Vesme 816. Dutuit 31) (Main title), 1634. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views of the port of Livorno' (Vues du port de Livourne). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 9 3/8 x 10 5/16 in. (23.8 x 26.2 cm). Series/Portfolio: 'Views of the port of Livorno' (Vues du port de Livourne). Date: ca. 1652-57. Museum: Metropolitan Museum of Art, New York, USA.

. Print at the top right labeled: fol. 246.

Later's relocation of the ship De Zon in the presence of Prince Willem V and Wilhelmina van Pruisen, Reinier Vinkeles (I), 1768 - 1772 print paper etching / engraving shipyard, shipdock. launching a ship Amsterdam

Ship in ominous weather, Vincent Laurensz. van der Vinne (II), 1714 print A ship is in ominous weather. On the right in the background a lighthouse and a second ship in need on the left. Symbol on the alertness of a person in his life, because setback always comes unexpectedly. Haarlem paper etching / engraving sailing-ship, sailing-boat. beacon. storm at sea

Noordelijke Nederlanden, Kobell, Hendrik, Retraite du Nevire de garde devant le Fort Lillo Hollandois, Vertrek van het Wachtschip voor het Hollans Fort Lillo, The Imperial Brig Sails Past the Guard Ship on the Scheldt, 1784, Northern Netherlands, verso - stamped, River landscape with the incident in which the Imperial Brig Louis sails past Fort Lillo and the Dutch guard ship on the Scheldt, 8 October 1784. In the margin below the representation the titles, the dedication 'Dedié aux Politiques' and legends in French and Dutch on either side of an allegorical vignette with two fighting putti with the Imperial and Dutch banners. The print has a pendant., print, prints, Frederik Muller Historieplaten, height 252 mm, width 346 mm, print maker, printmaker, 1784 - 1784, paper, papier, etching, etchings, engraving, engraving (printing process), 1751-09-13 - 1779-08-03

A drawing by Johannes Lingelbach showing oriental merchants and riders conversing on a beach, executed with lead handle, brush in gray, and laved technique.

The Three Windmills 1651 Wenceslaus Hollar Bohemian The three windmills; two windmills and cottages on the banks of river on left, windmill with village and church beyond on right; rowing boats and men carrying sacks and loading two barges moored in the foreground. The Three Windmills 361582

Paris, Langlois, François, Nancy, Callot, Jacques, Life of Mary in emblems, Ship in a storm, verso lower left - stamped, Representation of a ship on rough seas, sailing past a rocky outcrop. This sheet is part of the emblem series 'Life of Mary in emblems'. The first state of this series contains, in addition to a title page and 26 emblems, three sheets with hymns to Mary in letterpress without image., print, emblem, prints, height 61 mm, width 84 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1625 - 1629, second quarter 17th century, paper, papier, etching, etchings, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, uitgever, 1646 - 1646

Port face. Three men stand on the quay of a harbor near a tower. A fourth man brings load from a ship landed on the quay.

Jacques Callot, Boarding of the Petaccio, 1617 Boarding of the Petaccio

Two three -masters and other ships, Gerrit Groenewegen, 1793 print Two three -masters and other ships near De Wal. Eleven figures can be seen in the foreground, three of which are depicted in a sloop. This print is part of a series of five prints with different ships on open water. Rotterdam paper etching ships (in general)

Three Masters on troubled water, Gerrit Groenewegen, 1791

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Ships with armed crew in a harbour, verso - stamped, Illustration from Dutch history. In the harbour lie ships manned by armed sailors. In the distance the contours of a city, shrouded in clouds of smoke., print, prints, height 83 mm, width 112 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Le Petit Port pièce appelée aussi Le Port de Mer (The Small Port also called the Seaport), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) ca. 1618 Jacques Callot French. Le Petit Port pièce appelée aussi Le Port de Mer (The Small Port also called the Seaport), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes). Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618.

View of Veere, Anonymous, 1696 print View of Veere, seen from the water. At the top in the middle a banderole with the title, underneath two putti with the weapons of Zeeland and Veere. Numbered at the top right: p. 568 No. 2. paper etching prospect of city, town panorama, silhouette of city. harbour. coat of arms (as symbol of the state, etc.) (+ province; provincial). coat of arms (as symbol of the state, etc.) (+ city; municipal) Veere

Jacques Callot, The Small Port, probably c 1630 The Small Port

View from the river Maas of Rotterdam View from the river Maas along the city of Rotterdam Vue du long de la ville de Rotterdam, prise de la Meuse , print maker: Carel Frederik Bendorp (I), (mentioned on object), publisher: Abraham Blussé & Zoon, (mentioned on object), Netherlands, 1746 - 1814, paper, etching, h 254 mm × w 321 mm

Galei for anchor on the quay of the port of Messina, Abraham Casembroot, 1603 - 1658 print View of a quay of the port of Messina. In the foreground is a Galei for anchor. A rowing boat with passengers sails to the ship. Sill in the background. Print from series of thirteen prints with faces of the port of Messina paper etching harbour. quay. warfare; military affairs (+ oared ships, e.g.: galley). fortress Messina

Double seasheschuit on the Nering; A double bodied beach or sea Schuyt on the Neeringh / A Double Shore or Sea Boar upon The Herring Fishing Place; Groote Vissery. A double seacool with a hailed mast fishes at sea to herring, in the background more sailing ships. The print is part of a 32-part series of prints with performances about herring catch.

Seascape with Several Vessels, Simon de Vlieger, 1610 - 1653, draughtsman: Simon de Vlieger, 1610 - 1653, paper, brush, h 157 mm × w 266 mm

Amsterdam, Blaeu, Cornelis, Johannes Willemszoon, Vlieger, Simon de, Savery, Salomon, Festivities during the visit of Maria de' Medici to Amsterdam in 1638, Spelevaart op het IJ, 1638, Spelevaart op het IJ. A large number of all kinds of vessels on the water, in the foreground a yacht with the queen and guests. At the top the old and the new coat of arms of the city of Amsterdam. In front of number 15 at the bottom right. Plate no. 15 in the illustrations in the description of the festivities during the visit of Maria de' Medici to Amsterdam, 31 August - 5 September 1638., print, engraving, book illustration, prints, engravings, Frederik Muller Historieplaten, in the foreground a yacht with the queen and guests. At the top left the coat of arms of the city, top right the city seal. In front of the number 15 bottom right. Plate 15 of the illustrations with the description of the festivities surrounding the visit of Maria de Medici to Amsterdam from 31 August to 5 September 1638., height

Schip of the writer Jean de Thevenot by pirates overpowered, Jan Luyken, 1689 print Print at the top right marked: I. Partie p. 710. print maker: Amsterdampublisher: Paris paper etching sailing-ship, sailing-boat. pirate, corsair, buccaneer

Haring tube sails home, ca. 1725, 1720 - 1730 A herring tube sails back home after the catch at sea, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 11. print maker: Northern Netherlandspublisher: Amsterdam paper etching A herring tube sails back home after the catch at sea, ca. 1725. Part of the series about the Haringvangst. Printed on the same leaf as No. 11. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of eight marines engraved in 1634. A boat full of people. Sixth piece (A. de Vesme 815. Dutuit 31) (Main title), 1634. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Entrée de M. de Brionne (Entrance of Monsieur de Brionne), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe 1627 Jacques Callot French. Entrée de M. de Brionne (Entrance of Monsieur de Brionne), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe. Le Combat a la Barrière. Jacques Callot (French, Nancy 1592-1635 Nancy). 1627. Etching. Prints

The whale is chopped into pieces, ca. 1725; to finish the whale or flange / das abthun der Wallfisches Oder Schinden / They Cut the Whale in Pieces; Whaling. The trapped whale is minced in pieces, ca. 1725. Part of the series about whaling. Printed on the same sheet as no. 7.

View of Naarden, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Naarden. In the foreground, outside the city walls, fishermen sail in boats over the Zuiderzee and a sailor helps two milkmaids in a boat. A cartouche with the name of the city above the cityscape. Antwerp paper etching prospect of city, town panorama, silhouette of city Naarden

Three sailing ships in a storm off a rocky coast, print maker: Adam Silo, (mentioned on object), Adam Silo, (mentioned on object), Amsterdam, 1689 - 1760, paper, etching, engraving, h 150 mm × w 207 mm

Olinda de Pernambuco Olinda from Pernambuco. Prints. 1671. Rare Book Division. America, Olinda (Brazil), Pernambuco (Brazil), Ships

Haven with merchants and Pakezel, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Haven with merchants whose a few move a load. Behind them a donkey that is stripped of his load. In the background a fort and sailing ships. Fourth print from a series of twelve with Italian ports. Amsterdam paper etching / engraving harbour (+ four persons or more ~ traffic and transport). ass, donkey

View of the Overtoom, Reinier Nooms, 1652 - 1654 print A ship is pulled over the Overtoom, from the Kostverlorenvaart to De Schinkel. Left at the front of the Leidse Veerhuis, at the start of the Amstelveenseweg, behind it the Herberg de Valk on the Sloterkade. Netherlands paper etching / drypoint rolling bridge (Dutch: 'overtoom') Amsterdam

INDUSTRIAS. ESPAÑA. INDUSTRIA PESQUERA. SALIDA PARA LA PESCA DEL BOU EN LA COSTA DE CATALUÑA. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA AÑO 1872.

A brown feather drawing by Albert Flamen showing a city wall along the water, an angler in the foreground, and a rowboat, highlighting architecture and activity on the river.

Sailing three-master with a lighthouse and sailing ships in the background; Fluyt; Sailing ships. The print is part of a six-part series with performances of different sailing ships.

. .

Sailing ship resolves a shot, Johann Jakob Vogel, After Anonymous, 1719 print A sailing ship that dissolves a shot at sea, the various parts of the ship Lettered from A to M. Two sloops near the ship. In the middle above: Fig. 95. Frankfurt am Main paper etching sailing-ship, sailing-boat

. Print at the top right numbered: 287.

The seven imprisoned bishops are taken to the Tower, 1688; The 7 bishops over presenting an address to be expressed to be lesenen der declaration for the Vryheyt of Consiency in the Touer Geset den 8/18 released the 15/25 Juny 1688; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. Seven Anglican bishops are imprisoned on the command of King Jacobus II and brought to the Tower of London by boat on 18 June 1688. They were released again on 25 June. Plate E in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French.

Barge alongside a rowing boat. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 64 mm × w 81 mm. Museum: Rijksmuseum, Amsterdam.

Vissers in a Mediterranean coastal landscape, Pietro Antonio Martini, after Claude Joseph VERNET, 1748 - 1783 print paper etching / engraving coast. fisherman. harbour

The End of the Fishing ca. 1765 After Joseph Vernet. The End of the Fishing. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1765. Engraving; first state of two. Pietro Antonio Martini (Italian, Trescali 1738-1797 Parma). Prints

Figures on Board Small Merchant Vessels. Willem van de Velde the Elder (Dutch, 1611 - 1693)

Backwater with several sailing ships, Anonymous, Reinier Nooms, 1700 - 1799

L'Abordage du Taccio (The Colission of Taccio), from Les Combats de Quatre Galères (The Battles of Four Galleys) early 17th century Jacques Callot French. L'Abordage du Taccio (The Colission of Taccio), from Les Combats de Quatre Galères (The Battles of Four Galleys). Les Combats de Quatre Galères. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching. Prints

Nicolaas Wicart, Tull on the River Waal Tull on the River Waal

The Dutch fleet between Vlieland and Terschelling, Willem van de Velde (II), 1643 - 1707 drawing paper. pencil brush navy (+ sailing-ships). sea (seascape). sailing-ship, sailing-boat. army 'en route' (+ naval force) Vlie. Vlieland. Terschelling

Coastal landscape by Albert Flamen showing a fishing boat and fish seller on the beach, drawn in brown ink, depicting shore, water, and figures.

Seascape with various ships, Gerrit Groenewegen, 1795 print Seasing view with various sailing ships. On the right and left two pieces of land with some figures. On the left, sun rays break through the clouds. This print is part of a series of six prints with different sailing ships on the water. At the bottom of the margin on the right: 4. Rotterdam paper etching ships (in general)

Repairs to a large sailing ship, Reinier Nooms, 1656 - 1659 print A large sailing ship, an Amsterdam warship, lying in a yard. Repairs are carried out on the hull. Netherlands paper etching / drypoint dry-dock, floating-dock. sailing-ship, sailing-boat

Dutch Ships near the Coast A29385 Painting; oil on panel; overall: 59.4 x 83.5 cm (23 3/8 x 32 7/8 in.) framed: 68.6 x 93.4 x 3.2 cm (27 x 36 3/4 x 1 1/4 in.);

View of Deventer, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Deventer. In the foreground, outside the city walls, the IJsel River. A sloop brings passengers to a sailing ship. Walkers and carts go across the bridge towards Deventer. A cartouche with the name of the city above the cityscape. The print has a Dutch and French caption. paper etching prospect of city, town panorama, silhouette of city Deventer

A group of men and women in a small boat are pushed away from an island by a skeleton. Ship of Fools, 18th century. Copperplate engraving by Scottish engraver David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Le Débarquement des Troupes, ca. 1628. Jacques Callot (French, 1592-1635). Etching;

River face with ships, Leendert Brasser, After Cornelis de Griendt, 1727 - 1793 print paper etching river. ships (in general)

Face outside Haarlem about Het Spaarne, Johannes Swertner, 1763 print A girl with a yoke is talking on a road along the Spaarne, on which sailing ships sail. Houses and a mill on the shore. Haarlem paper etching yoke Haarlem

Oestervangst, Philips Galle (attributed to workshop of), after Hans Bol, 1582 - 1633 print Divers jump into the sea from boats and raise oysters. The print has a Latin caption and is part of a series of 54 prints. Antwerp paper engraving oyster and mussel culture

Mirror fight in honor of the visit of the Great Muscovite Envoy, Caspar Luyken, 1697, The mirror fight held in honor of the visit of the Great Muscovite Envoy to Amsterdam on September 1, 1697. Design for a print., draughtsman: Caspar Luyken, Sep-1697, paper, pen, brush, h 191 mm × w 268 mm

Turfschip van Breda, 1590, Simon Fokke, 1753 drawing Intake of Breda through the Turfschip, March 4, 1590. The ship is in the ice for the lock. Design for a print. paper. ink pen / brush Breda

Beach with a sailing ship drawn on the sand, print maker: Reinier Nooms, 1654 - 1658.

A Dutch Hulk and a Boeier from The Sailing Vessels. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); Frans Huys (Netherlandish, 1522-1562). Dimensions: sheet: 13 1/4 x 10 1/4 in. (33.7 x 26.1 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1565. Museum: Metropolitan Museum of Art, New York, USA.

Plate Four from La Siège de la Rochelle Made 1631 France. Etching on paper . Jacques Callot

Haarlem, Numan, Hendrik, Figures in a peat area working with peat, verso lower left - stamped, print, prints, height 102 mm, width 136 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, woodcut

Face on muiden; Cities and branches in the Republic of the Netherlands; Thooneel of the cities of the Sterckten van 't Verenight Nederland with d'Aeng-brightened plaster. View of the city of Muiden. In the foreground, outside the city walls, the Zuiderzee with fishing boats. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption.

IJ with ships; Seascapes. The IJ with ships, in the background Amsterdam. In the foreground, Neptune and the urban dawn of Amsterdam drove through the water with a carriage drawn by a horse and a unicorn. Print from a series of ten seascapes. Among this print a poem by L. Bakhuysen of six rules, printed from a second plate.

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