Coastal and Nautical Landscapes

Prints illustrating coastal landscapes featuring fishing boats, historical events, and waterway activities rendered in sepia tones.

Pronk, Cornelis, Amsterdam, Philips, Jan Caspar, Salt mining or darink mining, as it was practiced in Zeeland in ancient times, Salt mining in Zeeland, ca. 1600, verso lower left - stamped, Salt mining in Zeeland according to the so-called darink mining, ca. 1600. The digging of the darink from the land, drying and burning to ash, transport by barge to the salt warehouse, mixing with seawater and distilling to white salt. After an old painting in Zierikzee. In the margin a three-line caption in Dutch., print, prent, prints, prenten, height 176 mm, width 297 mm, Noord-Nederlands, 1700 - 1775-04-24, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, engraving, graveren (drukprocesde), 1691-12-10 - 1759-09-29, intermediary draughtsman

Landscape with fishing boats, Nicolas Dufour, After Franz Edmund Weirotter, 1735 - 1818 print France paper etching water course. sailing-ship, sailing-boat

Departure of the Prince of Orange from Scheveningen, 1795, Reinier Vinkeles (I), After Jan Bulthuis, 1796 print Departure of Prince Willem V from the beach from Scheveningen to England, January 18, 1795. The stadholder says goodbye to the beach with his sons while luggage is loaded on board a fisherman spink. Many crowds on the beach and the dunes. Northern Netherlands paper etching / engraving departure ~ travelling Scheveningen

Etched by Joseph Mallord William Turner, 1775-1851, British, Flint Castle, Vessels Unloading, 1807. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Pronk, Cornelis, Amsterdam, Philips, Jan Caspar, Salt mining or darink mining, as it was practiced in Zeeland in ancient times, Salt mining in Zeeland, ca. 1600, verso lower left - stamped, Salt mining in Zeeland according to the so-called darink mining, ca. 1600. The digging of the darink from the land, drying and burning to ash, transport by barge to the salt warehouse, mixing with seawater and distilling to white salt. After an old painting in Zierikzee. In the margin a three-line caption in Dutch., print, prent, prints, prenten, height 176 mm, width 297 mm, Noord-Nederlands, 1700 - 1775-04-24, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, engraving, graveren (drukprocesde), 1691-12-10 - 1759-09-29, intermediary draughtsman

Scheveningen after the storm, 1825. Scheveningen beach after the heavy storm of 4 February 1825. Residents of the village look at the fishing ships that have been thrown away from the beach. Part of a group of clip art from a flooding book of the flood of 1825.

Seaport with fishermen and fishmongers, Aegidius Sadeler (II), after Jan Brueghel (I), 1580 - 1629 print Harbor with fishing boats. In the foreground fishermen, traders and beggars. unknown paper engraving sea and coastal fishery. sailing-ship, sailing-boat. harbour. merchant, salesman

James Duffield Harding, 1798-1863, British, Leeds, 1823. Lithograph.

Weymouth, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Line engraving, etching and stipple engraving (intermediate state, between completed E.P. and 1st state) on thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm), Plate: 9 1/16 × 12 inches (23 × 30.5 cm), and Image: 5 7/8 × 8 5/8 inches (14.9 × 21.9 cm)

Francesco Tironi, Isola del Lazaretto Nuovo, 1778 1779 Isola del Lazaretto Nuovo

Illustration depicting the laying of the foundation stone of the port of Livorno. Dated 1853

New-York. Eno, Amos F., 1836-1915. Prints. 1801 - 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.) , 1800-1899

Kerkhoff, Daniël, Northern Netherlands, Arrival of the Amsterdammers in Utrecht, 1787, verso - stamped, View in Utrecht with the arrival of the barges with the 600 armed Amsterdam citizens, 17 July 1787. Pendant of the print with the departure from Amsterdam., print, prints, Frederik Muller History plates, height 215 mm, width 263 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, engraving, engraving (printing process), 1766-02-05 - 1821-03-05, intermediary draughtsman

Harbor face with ships and a Galei for a palace, Johann Wilhelm Baur, 1686 - 1724 print Numbered in the bottom right: 1; Mid below: No. 78. print maker: Viennaafter design by: Viennapublisher: Augsburg paper etching harbour. trireme, galley. sailing-ship, sailing-boat. palace

THE POET GOWER, RECEIVED BY RICHARD II

View of Fort William in Calcutta, Robert Sayer, After I. van Ryne, 1754 print In the foreground the sea. Numbered at the top right: 3. publisher: Londonprint maker: England paper. watercolor (paint) etching / brush fortress. sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc. Fort William

View of the Town of Gloucester, Mass., 1835-36. Fitz Henry Lane (American, 1804-1865). Lithograph; sheet: 47.8 x 62.2 cm (18 13/16 x 24 1/2 in.). This print depicts the harbor of Gloucester, where Fitz Henry Lane was born. A center for fishing, the town is depicted here as centered on a body of water punctuated by various ships. Lane was known as an early proponent of Luminism, an artistic style that focused on precise depiction of light and atmospheric effects, such as the dramatic sunlight seen through the clouds and on the waters surface here.

Weissenbruch, Jan, Netherlands, Isaac, Beach view with houses on the water and ships, print, prints, height 149 mm, width 213 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception, 1822-03-18 - 1880-02-15

Beach with a sailing ship pulled on the sand, Anonymous, After Reinier Nooms, 1700 - 1799 print People walking on the beach and through the shallow water. A sailing ship pulled on the sand, a number of boats lying in the shallow water and a number of sailing on the open water. A small village on a higher stretch of land. Copy in mirror image. Paris paper etching beach. sailing-ship, sailing-boat

No. 185. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Netherlands, Weissenbruch, Isaac, River landscape with three figures in a ship and a house on the water, print, prints, height 80 mm, width 118 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Scarborough, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint

Solway Firth from Allonby, Cumberland, Print made by Edward Francis Finden, 1791-1857, British, after Anthony Vandyke Copley Fielding, 1787-1855, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé

Boston, Lincolnshire, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Havre, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving on moderately thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm), Chine collé: 5 1/8 × 7 11/16 inches (13 × 19.5 cm), and Image: 3 15/16 × 5 9/16 inches (10 × 14.1 cm)

River view, Cornelis Ploos van Amstel, after Pieter Coopse, 1775 print Sailing ships sail on the water. On the horizon a city with a church. paper etching river. sailing-ship, sailing-boat

Blick auf Bonn. Angerer, Ludwig (Londyn, Berlin, Wiedeń ; wydawnictwo ; fl. 1849-1930), printing house, Mannfeld, Bernhard (1848-1925), graphic artist, Verlag Emil Strauss (Bonn ; wydawnictwo ; fl. ca 1850-1905), publishing house

Orford, Suffolk, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1827, Line engraving and etching, 2nd state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm), Plate: 9 1/2 × 12 inches (24.1 × 30.5 cm), Chine collé: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm), and Image: 6 9/16 × 9 3/8 inches (16.7 × 23.8 cm)

Bedford, Bedfordshire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Loading Merchandise. Dated: probably c. 1630. Dimensions: plate: 11.7 x 25.1 cm (4 5/8 x 9 7/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Kriend ice cream at Tiel, 1799, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1799 - 1800 print Kriend ice on the Waal near Tiel, February 1799. Part of a group of six records of dike breaches and floods in the southern part of Gelderland in February 1799. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Tiel paper etching / engraving storm on land. ice ~ freezing weather Tiel. Waal

Boston: From City Point near Sea Street. Dimensions: sheet (trimmed within plate mark): 48.8 x 68.2 cm (19 3/16 x 26 7/8 in.) support: 53.2 x 72.8 cm (20 15/16 x 28 11/16 in.). Medium: color aquatint with touches of etching, hand-colored, on wove paper; laid down on heavy wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT.

View of Tobolsk, Jan Caspar Philips, After Jean Baptist Leprince, 1771 print View of the city of TObolsk in Siberia, seen from the river. Ships moored in the foreground. Amsterdam paper etching landscapes in polar regions Tobolsk

Avercamp, Hendrick, Amsterdam, Fokke, Simon, North Holland landscapes, Outside Alkmaar, Ao 1619, Ice skating near Alkmaar, 1619, verso - stamped, Ice skating near Alkmaar. On the ice are skating figures and kolf players. In the distance the city of Alkmaar., print, prints, height 189 mm, width 256 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, 1585 - 1634

Seaport with many figures and two buildings, Richard Earlom, After Claude Lorrain, 1774 print London paper etching sunset. sailing-ship, sailing-boat. harbour (+ view ~ vehicle, ship, etc.). landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

unknown artist, eighteenth century, A View of Westminster Bridge from Labeth, undated. Engraving.

The port and castle of Civitavecchia, View of the castle of Civitavecchia, draughtsman: Jacob van der Ulft, Civitavecchia, (possibly), 1660 - 1689, paper, brush, h 264 mm × w 390 mm

View of Zaandam with boats in the foreground, Henri François Schaefels, 1883 print paper etching city-view in general; 'veduta'. water course (+ landscape with figures, staffage). windmill in landscape Zaandam

James C. Allen, active 1821-1831, British, Harborough Sands, 1819-1826. Etching and engraving on moderately thick, slightly textured, beige, wove paper, with gray, chine colle.

Buildings on a river, Jan de Visscher, after Jan van Goyen, 1682 - 1709 print View of a river and the wall of a city that is directly on it. Rowing boats and sailing ships sail on the river. A man is fishing in the foreground. Northern Netherlands paper etching / engraving river. sailing-ship, sailing-boat. city-walls. fisherman

Face at Zwammerdam, draughtsman: Abraham de Haen (II), 1717 - 1748, paper, pen, brush, h 163 mm × w 246 mm

Scene on the Loire, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof

Maxime Lalanne, Rade de Bordeaux, 1868 Rade de Bordeaux

Harbor by Moonlight. Dated: 1753. Dimensions: plate: 30.7 x 45.8 cm (12 1/16 x 18 1/16 in.) sheet: 35.8 x 51 cm (14 1/8 x 20 1/16 in.). Medium: etching and engraving in black with scraping on laid paper. Museum: National Gallery of Art, Washington DC. Author: Adrien Manglard.

Gezicht op Tegal. Taggal (title on object). Draughtsman: A. de Nelly (possibly). Dating: 1762 - 1783. Place: Java. Measurements: h 312 mm × w 471 mm. Museum: Rijksmuseum, Amsterdam.

N ° 94. / Well done! well done! well done!! Courage! (IT)

Nouvelle Zélande, Presqu'ile de Banks (View of Collier's Point, New Zealand). Dated: 1863. Dimensions: plate: 15.5 × 32.7 cm (6 1/8 × 12 7/8 in.) sheet: 35.2 × 50.7 cm (13 7/8 × 19 15/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

City of Detroit, Michigan: Taken from the Canada Shore near the Ferry. Dated: published 1837. Dimensions: sheet (trimmed within plate mark): 53.2 x 72.9 cm (20 15/16 x 28 11/16 in.). Medium: hand-colored aquatint with touches of engraving on wove paper. Museum: National Gallery of Art, Washington DC. Author: William James Bennett after Frederick K. Grain.

William Bernard Cooke, 1778-1855, British, Dartmouth, Devon, 1814. Etching and engraving, 2nd state on moderately thick, slightly textured, cream, wove paper.

San Giorgio Maggiore Artist's working dates 1732-1796 Italy. Giambattista Brustolon was a printmaker from Belluno, Italy, who used a combination of etching and engraving in his reproductive prints. Employed by the best Venetian publishers, he was well known for his works after Canaletto views of Venice, published in 1763, and scenes of ceremonies and festivals, published around 1770.. Etching and engraving on paper . Giovanni Battista Brustolini

Flood at the Molenwater and the harbor in Veere, 1808, Izaak Jansz. de Wit, after Johannes Hermanus Koekkoek, 1808 print paper etching flood. dike-break Veere

Margate Harbor, Samuel Owen, 1768-1857, British, ca. 1806, Brown wash and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 12 1/8 × 19 1/8 inches (30.8 × 48.6 cm)

Wieringen, Cornelis Claesz. van, Amsterdam, Visscher, Claes Jansz. (II), Amaeniores Aliquot Regiunculae, Dutch landscapes, Shipyard on a frozen canal, verso - stamped, Shipyard on frozen water. On the left the shipyard, in front of which two men are building a boat. On the right, on the ice, a second boat being worked on. Skaters on the ice., print, engraving, prints, engravings, VIC fe:, lower right - engraved, C. CW. in, lower left - engraved, 5, Ships are being worked on on the left and right of a frozen canal. People are skating on the ice., height 140 mm, width 190 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Work conception, 1577 - 1633-12-29

Ruin of Canopus and Port of Alexandria; Construction of canopus / the new harbor of Alexandrie. Two images of one plate; Above a ruin of Canopus, in antiquity a place in the Egyptian Nile Delta and under a face on the port of Alexandria. At the top right: pl.iii.

William Bernard Cooke, 1778-1855, British, Nottingham, 1833. Line engraving, 3rd state on moderately thick, slightly textured, beige, wove paper.

Danube views, Moldova, City of Gallatz Galati, First view , After, Ludwig Erminy, Drawer, Alois von Saar -, Lithographer, Adolf Friedrich Kunike -, editor

View of Vauxhall Bridge, Robert Havell, 1769-1832, British, after Robert Havell, 1769-1832, British, 1821, Aquatint, hand-colored, Sheet: 9 5/8 x 13 3/4in. (24.4 x 34.9cm)

Coal Pockets at NewBedford. Artist: Robert Swain Gifford, American, 1840-1905

Frost Fair on a Frozen River with Ships. IJsvermaak op een bevroren rivier met schepen. Draughtsman: Hendrik Kobell. Dating: 1773. Measurements: h 188 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

Venice's own design, Marieschi, Michele, Venice, Magnificentiores selectioresque urbis Venetiarum prospectus, Views of Venice, Grand Canal in Venice, View of the Grand Canal in Venice. On the right the Fontego dei Tedeschi., print, prints, height 316 mm, width 472 mm, 1696 - 1743, print maker, printmaker, 1741 - 1741, paper, etching, plate tone, Work conception, after own design of

Watermill and Overtoom, 1696 print A landscape with a river. In the foreground an Overtoom and a Watermolen. A man pulls his ship over the Overtoom. Numbered in the top left and top right: 15. print maker: Italyafter design by: Italypublisher: Rome paper etching river. watermill. rolling bridge (Dutch: 'overtoom')

September 1772 Hendrik Meijer Dutch. September 387480

Peasant Girl with a Calf in a Rowboat, Adriaen Pietersz van de Venne, c. 1625, Woman with a cow in a rowboat. On the bank, an elegant couple looks on. Design for a print., draughtsman: Adriaen Pietersz. van de Venne, 1620 - 1625, paper, pen, brush, d 117 mm

Nieuw Amsterdam ofte nue Nieuw Iorx opt't Eylant Man (title on object). Draughtsman: anonymous. Dating: c. 1660. Measurements: h 43.5 cm × w 64.5 cm. Museum: Rijksmuseum, Amsterdam.

View of Heligoland archipelago as seen from Sandinsel island, about 1825, historic cityscape, steel engraving created in the 19th century, Schleswig-Holstein, Germany, Europe

Anonymous early 19th-century drawing of a whale's fang, executed with pen in black and watercolor.

William John Cooke, 1797-1865, Irish, Nottingham, Nottinghamshire, 1827-1838. Line engraving, first published state.

Artist: Richard Gilson Reeve, British, 1803-1889, Artist: Samuel Walters, American, 1811-1882, The President SteamShip, Aquatint, platemark: 39.2 × 60.9 cm (15 7/16 × 24 in.), Made in United States, American, 19thcentury, Works on Paper -Prints

View of the Hogesluis, ca. 1790, 1824 - 1825 De Hogesuis, in Amsterdam, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Hogesluis. Amstel (river) De Hogesuis, in Amsterdam, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Hogesluis. Amstel (river)

Isaac Weld, 1774-1856, Irish, Caernarvon Castle, 1809. Pen and brown ink, brown wash and graphite on thick, moderately textured, beige, wove paper.

GRABADO-DETROIT DESDE LA COSTA DE CANADA. Location: PRIVATE COLLECTION. France.

View of the Overtoom; The Overtoom; Different ships and cityscapes from Amsterdam, third part; Third part. Different ships and sights of Amsterdam, Naer T Leven scored and opt Cooper, by Reinier Nooms, Alias Zeeman.A ship is pulled over the Overtoom, from the cost drop-down to the Schinkel. At the front left the Leidse Veerhuis, at the beginning of the Amstelveenenseweg, behind the Herberg de Valk on the Sloterkade. Leged at the bottom right: 6.

Face of the Bushluys on the Kolvenierdoeldoel etc. in Amsterdam. In two sheets next to each other. In the air four geniuses containing the weapon of the A.V.O.I. Company and a Banderolle with inscription. In the margin a two -way French caption "Vue du Bosjesluys" etc. To the left of this caption The Dutch Declaration of the seven on the album and to the right of that caption The French Declaration of the NOS, Adolf van der Laan print paper etching / engraving

Cityscape. Draughtsman: anonymous. Draughtsman: Hendrik Meijer (rejected attribution). Dating: 1700 - 1800. Measurements: h 93 mm × w 154 mm. Museum: Rijksmuseum, Amsterdam.

View of Dordrecht from the south-west, Jacob van Strij, after Jan van Goyen, 1766 - 1815, draughtsman: Jacob van Strij, after: Jan van Goyen, (possibly), 1766 - 1815, paper, pen, brush, h 355 mm × w 878 mm

Norte de Africa. Egipto. El cólera. Habitantes de Boulak (El Cairo), huyendo de la epidemia. Grabado por Tomás Carlos Capuz (1834-1899). La Ilustración Española y Americana, 22 de agosto de 1883.

George Cooke, 1781-1834, British, Fair on the Thames, February 1814, 1814. Engraving.

Rustic French landscapes by Gabriel Perelle. Fishermen on a boat on a canal with church tower and windmill. Large fortress on an island in a river. Handcoloured copperplate engraving directed by J. Couse after Gabriel Perelle from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Fisherman fishing to supply Buenos Ayres (Buenos Aires). Vintage Picturesque illustrations of Buenos Ayres and Monte Video, by E.E.Vidal, printed by Ackermann, 1820.

Pieter Pietersz. Bekjen preaches to eight people in a rowing boat on the Amstel, 1568, Jan Luyken, 1691 - 1693 print Baptist Pieter Pietersz. Bekjen preaches to eight people standing in a rowing boat on the Amstel, 1568. In the distance the city walls and the Swygh Utrecht tower. Northern Netherlands paper etching preaching (in general). persecution of heretics Amsterdam. Amstel (river). Swych Utrecht

Boulogne. Dated: 1900. Dimensions: plate: 24.9 x 30.2 cm (9 13/16 x 11 7/8 in.) sheet: 32.5 x 43.4 cm (12 13/16 x 17 1/16 in.). Medium: etching with aquatint in gray-green on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: THEO VAN RYSSELBERGHE.

Yarmouth, Norfolk, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1832, Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/4 x 17 1/8 inches (29.8 x 43.5 cm), Plate: 7 5/8 x 11 1/4 inches (19.4 x 28.6 cm), and Image: 5 1/2 x 8 3/4 inches (14 x 22.2 cm), England, Europe, Great Yarmouth, Norfolk, United Kingdom

Whistler, James Abbott McNeill, England, Hurlingham, verso middle left - stamped, A row of boats lies at anchor in the water, two with their sails still up. On the bank a number of houses., print, prints, height 136 mm, width 201 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1879 - 1879, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Harbours of England, Margate, 1856. Author: J M W Turner. Engraver: Thomas. Lupton. Author: John Ruskin. Publisher: E. Gambart and Co. Printer: Spottiswoode & Co

A Selection of Twenty of the Most Picturesque Views in Paris: View of Belle Vue & Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856). Softground etching and aquatint, printed in brown, hand-colored with watercolor; sheet: 43.5 x 63 cm (17 1/8 x 24 13/16 in.); platemark: 22.5 x 54 cm (8 7/8 x 21 1/4 in.).

Veüe and perspective of Isle Nostre Lady and the Gate St Bernard sic

Scenes In Baltimore Artist Unknown Etching

Saumur, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving on medium, smooth, white, wove paper, Sheet: 7 × 10 5/8 inches (17.8 × 27 cm), Plate: 5 15/16 × 8 1/2 inches (15.1 × 21.6 cm), and Image: 3 11/16 × 5 9/16 inches (9.4 × 14.1 cm)

IV.Eme Vüe of Livorno Widmung: Dedicated to His Royal Highness Monseigneur The Archduke Pierre Leopold Royal Prince of Hungary and Boheme Archduuc of Austria Grand Duke of Tuscany &. &. &.

Charles Graham, Riverside Park, 1885, wood engraving on paper.

Baltimore from Federal Hill. Dated: published 1831. Dimensions: sheet (trimmed within plate mark): 53.2 x 67.2 cm (20 15/16 x 26 7/16 in.). Medium: color aquatint with touches of etching, hand-colored, on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT.

Samuel Davis, 1757-1819, British, River View with a Junk (near Rajmahal), between 1777 and 1808. Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper.

Vues des Travaux de Dissection de la Baleine (...) / looks of the decomposition work of the Walvisch and from the te animal rejected party (...) 18 and November 1827 (...). Decomposition and examination of the skeleton of the whale (vinvis) in Ostend on 4 November and the festivities on the occasion of the birthday of the Kings Wilhelmina van Prussen on November 18, 1827. In the foreground to the right dancing four couples on music in space The bones of the lower jaw of the whale. The animal was purchased by H. Kessels that toned the bones. In the caption on either side of the weapon of the Kingdom of the Netherlands the titles in French and Dutch. See also the pendant.

Exeter, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1829, Line engraving, 2nd state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm), Plate: 10 × 12 1/16 inches (25.4 × 30.6 cm), Chine collé: 9 11/16 × 11 9/16 inches (24.6 × 29.4 cm), and Image: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)

Destruction of Both Houses of Parliament, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm), Plate: 8 1/2 × 5 3/8 inches (21.6 × 13.7 cm), Chine collé: 8 3/8 × 5 1/16 inches (21.3 × 12.9 cm), and Image: 4 3/4 × 3 5/8 inches (12.1 × 9.2 cm)

Newport 1776-1827 England. Watercolor, over graphite, on ivory wove paper . Thomas Rowlandson

Announcement in Rotterdam of the news from the elevation of William IV to Stadholder, 1747, 1853 - 1855 print Announcement in Rotterdam of the news of the elevation of William IV to Stadholder, 1747. Arrival of boats from Zeeland is welcomed on the quay. Netherlands paper Rotterdam

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

View of the Lands Zemagazijn in Amsterdam (left part), Johann Wilhelm Windter, After Adolf van der Laan, 1725 - 1731 print Nuremberg paper etching shipyard, shipdock. city-view, and landscape with man-made constructions Lands Sea Magazine

Renier Zeeman (around 1623-1667). Some sea ports n ° 4: Port view with a tower (Hollstein 99). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

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