Coastal and River Scenes in Art

Beautiful landscape paintings of coastal and river views, showing boats, lively scenes, and picturesque backgrounds in various artistic styles.

A Summer Evening at Cheyne Walk. Cecil Gordon Lawson (1851-1882). Oil on canvas. Signed and dated 1870-71. 61 x 50.8cm.

J. M. W. Turner, St Mawes at the Pilchard Season , 1812 , Oil paint on canvas, London, England.

view of Bermeo, Luis Paret and Alcazar,. 1783, oil on copper, Museo de Bellas Artes, Bilbao, Spain.

River View, Jan van Goyen (follower of), after c. 1630 painting River face with the houses of a village on the left between trees. In the foreground some figures in rowing boats on the water. panel. oil paint (paint) canals, waters (in village)

Regatta on the Grand Canal, near the Rialto Bridge, Venice, Francesco Guardi, 1780 - 1793 painting Face over the Canal Grande at the height of the Rialtobrug in Venice where a regatta takes place. On the water many small boats and partying spectators on the quays and in the houses on the canal. canvas. oil paint (paint) bridge in city across river, canal, etc.. public festivities - AA - festivities on the water. oaring, sculling Canal Grande. Rialtobrug

'View of Pirna from the Right Bank of the Elba'. Series of 15 Painting created for Count Heinrich von Bruhl. Italy, Circa 1753. Dimensions: 133x237,5 cm. Museum: State Hermitage, St. Petersburg. Author: BERNARDO BELLOTTO.

Procession of Watermen and Lightermen at Southwark, Francis Vincent, 1803-1883, after Francis Vincent, 1803-1883, 1820, Etching and watercolor

A Summer Evening at Cheyne Walk. Cecil Gordon Lawson (1851-1882). Oil on canvas. Signed and dated 1870-71. 61 x 50.8cm.

The Bucintoro Festival of Venice. Date/Period: From 1727 until 1793. Painting. Oil on canvas. Height: 980 mm (38.58 in); Width: 1,380 mm (54.33 in). Author: FRANCESCO GUARDI.

Harbor at Sunset. Dated: late 17th century. Dimensions: overall: 49 x 66.5 cm (19 5/16 x 26 3/16 in.) framed: 70.5 x 88.3 x 7.6 cm (27 3/4 x 34 3/4 x 3 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Follower of Claude Lorrain.

River View at Sunrise, Aert van der Neer (copy after), c. 1640 - c. 1660 painting River face at sunrise. On the water two fishermen in a boat and a few other boats. Two men on the bank in the foreground. In the distance there are mills on both banks, on the right a castle. panel. oil paint (paint) river (+ landscape with figures, staffage). sunrise

River of Mendicanti, Fine Art

pupil of John Varley, 1778-1842, British, View on the Thames at Battersea, undated. Watercolor and gum arabic on moderately thick, slightly textured, cream wove paper.

River view, Jacob de Wet (I) (attributed to), 1640 - 1674 painting River face. Fantasized river landscape with a city located at the foot of hills on a river. In the foreground a long wooden scaffolding with a boat. canvas. oil paint (paint) pier, quay, wharf. mountains. coast. river

View of St Mark's Basin from San Giorgio island, painter from the Francesco Guardi school, Italy 18th century.

Venedig, vom Canale della Giudecca aus gesehen. Date/Period: 1840. Painting. Oil on canvas. Height: 61 cm (24 in); Width: 91.4 cm (35.9 in). Author: J. M. W. Turner.

A Sperm Whale Washed up on the Beach at Noordwijk, 28 December 1614. Dating: 1614 - 1626. Measurements: h 53 cm × w 85 cm; d 7.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Hans Savery (I) (attributed to).

Landscape with fortress and soldiers on horses by Pieter Paul Rubens, oil on canvas, 1635-1640, 1577-1640, France, Paris, Louvre, 72x106

Gaspar van Eyck / 'Seascape', Flemish School, Oil on canvas, 81 cm x 107 cm, P01507. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Grande Galerie du Louvre with the New Porte, Le Pont Neuf, the Cité, the Collège des Quatre Nations under construction and the Quai Malaquais, around 1665. On the Seine, La Galère Royale ". Anonymous painting. Paris, Musée Carnavalet. 24104-6 Boat, college eighty, Seine river, royal galere, large gallery, 1st i 1st 1 arrondissement, island of the Cite, Louvre, river navigation, new Pont, Quai Malaquais, tower

The Harbor, Liverpool. Robert Salmon (1775-ca.1851). Oil on panel. 20.3 x 25.4cm.

French arrival in Venice, 1848, watercolour. First War of Independence, Italy, 19th century.

Caligula's Palace and Bridge, 1831, Tate Britain, London, England, UK

Venice, Santa Maria delle Salute and the Dogma, 1790 By Francesco Guardi, Boat, Oil Painting, Italy, Religion, Catholic, Rococo, Canal, Church, Cityscape

Dorchester Mead, Oxfordshire. Date/Period: 1810. Painting. Oil on canvas. Height: 101.5 cm (39.9 in); Width: 130 cm (51.1 in). Author: J. M. W. Turner.

Boats In Murano 1648 Joseph Heintz the Younger (b. ca.1600/German)) Museo Correr, Venice

J. M. W. Turner, Regulus , 1828 and reworked 1837 , Oil paint on canvas, London, England.

Harbour at Sunrise, by Claude Lorrain, circa 1637-1638, oil on canvas,Rijksmuseum, Amsterdam, Netherlands, Europe,

St. Mawes, Cornwall. Date/Period: Ca. 1823. Painting. Watercolor. Height: 143 mm (5.62 in); Width: 219 mm (8.62 in). Author: J. M. W. Turner.

The arrival of the fourth Earl of Manchester in Venice in 1707 by Luca Carlevaris (1665-1731)

Regatta on the Grand Canal, by Francesco Guardi (1712-1793), oil on canvas.

Painting titled 'The Rialto' by Calvert Jones (1804-1877) a Welsh mathematician and painter. Dated 19th Century

Giuseppe Canella. 1788-1847. title of the work . La Cité and Pont Neuf from the Quai du Louvre. 1832. oil painting on canvas. cm 104 x 130.

Lambeth, David Roberts, 1796-1864, British, 1861, Watercolor and gouache with some gum over graphite on thick, slightly textured, cream wove paper, Sheet: 9 9/16 x 13 11/16in. (24.3 x 34.8cm) and Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm)

View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo; Bernardo Bellotto (Italian, 1722 - 1780); Italy, Europe; about 1743; Oil on canvas; 139.1 x 236.9 cm (54 3,4 x 93 1,4 in.)

Fish market, Egbert van der Poel, 1650

Winter Scene, Charles Leickert, 1867 painting Winter face. Landscape with snow and ice. Frozen canal outside a village, on the left a church, on the right a few mills on a dike. On the ice is skating and some figures with sledes. On the left a stall where a flag hangs outside. canvas. oil paint (paint) canals, waters (in city). winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports)

Francesco Guardi 017 Capriccio of a Harbor; Szene: Laubengang bei einer turmreichen Stadt

Julius Caesar Ibbetson, 1759-1817, British, Cardiff from the South, ca. 1789. Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper.

The Grand Canal in Venice, ca 1728, by Giovanni Antonio Canal, known as Canaletto (1697-1768), oil on canvas, 45x73 cm.

MARTINEZ DEL MAZO, Juan Bautista (1612-1667). View of the City of Zaragoza. 1647. View from the opposite shore of the River Ebro. Work begun by Velazquez for the Prince Baltazar Carlos, but finished, signed and dated by Juan Bautista del Mazo. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Seaport with Villa Medici, by Claude Lorrain (1604-1682).

Demolition of the Chteau of Meudon; Hubert Robert (French, 1733 - 1808); France; 1806; Oil on canvas; 113.3 × 146 cm (44 5,8 × 57 1,2 in.)

View of Płock. Gerson, Wojciech (1831-1901), painter

Stage in the port; Casteels, Pieter, II (Fl. 1673-1674); XVII century (1600-00-00-1699-00-00);Flemish painting, landscapes, sea landscapes, aquatic landscapes, ports, characters, ships, buildings, purchase (provenance), boats

National Gallery, London, England, UK, GB, Europe

MOMMERS, Hendrick (1623-1693). The Louvre viewed from the Pont Neuf, ca. 1666. Flemish art. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Venice. Thomas Moran (1837-1926). Oil on canvas. Signed and dated 1905. 51.5 x 77cm

Pierre Lafontaine (1758-1835). "The innocent market, around 1791". Oil on canvas. Paris, Carnavalet museum. 37953-1 Commerce, Fountain, Fontaine des Halles, Halles, Halles de Paris, building, walking, innocent walking, stand, oil on canvas

Venice. Antonietta Brandeis (1849-1920). Oil on panel. 24 x 34cm

Venice, Dogs Palace Felix Ziem (1821-1911). Venice, Dogs Palace. Oil on wood.

The Valkhof at Nijmegen by Cuyp, Aelbert (1620-1691) / Indianapolis Museum of Art / Baroque / 1652-1654 / Holland / Oil on wood / Landscape / 48,9x73,7

The Heiligewegspoort, Amsterdam, in Winter. Dating: 1660 - 1680. Measurements: h 77 cm × w 122 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan van Kessel (1641-1680).

A View of Richmond Bridge with Boats on the River and Figures Promenading. William Turner of Oxford (1789-1862). Oil on canvas. 67.3 x 87.6cm.

Finch, Alfred William, work name: Helsingin Pohjoissatama, etching, brown tone, graphics, plate width 20.2 cm, plate height 15 cm, leaf width 45 cm, leaf height 34.3 cm

William Daniell, 1769-1837, British, View from the Round Tower, Windsor Castle, 1827. Watercolor, with pen in brown ink, gouache and graphite on moderately thick, slightly textured, blued white, wove paper.

Campo Santi Giovanni e Paolo in Venice, by Michele Marieschi (1710-1743), Italy 18th Century. Detail.

'Street in Cologne'. Holland, First half of the 1600s. Dimensions: 30x36 cm. Museum: State Hermitage, St. Petersburg. Author: JAN VAN DER HEYDEN.

Robert Salmon (Whiteheaven, ca. 1775-Cumberland, after 1845). View of Venice (1845). Oil on canvas. 64.8 x 139.7 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Joseph Mallord William Turner, 1775-1851, British, Venice, The Mouth of the Grand Canal, ca. 1840. Watercolor on medium, slightly textured, cream wove paper.

Francesco Guardi, Santa Maria della Salute, c 1770 Santa Maria della Salute

Italian Harbor. Dating: 1650 - 1674. Measurements: h 60 cm × w 52.5 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: JOHANNES LINGELBACH.

Le Petit Châtelet and Le Petit-Pont ", around 1660. Wood oil. Paris, Carnavalet museum. 27112-16 Arrondissement IV, arrondissement v, prison, seine (la), eighteenth century, bridge

BARRON Y CARRILLO, MANUEL. PINTOR ESPAÑOL . SEVILLA 1814 - 1884. " EL GUADALQUIVIR EN SEVILLA " , DETALLE OLEO 1862. MUSEO BELLAS ARTES . LA HABANA. SEVILLA PINTADO.

Rhine Fantasy. Dating: 1840 - 1870. Measurements: h 37 cm × w 48.5 cm; d 6.1 cm. Museum: Rijksmuseum, Amsterdam. Author: Kasparus Karsen (mentioned on object).

Turkish merchants, detail from The Port of Marseille, 1754, by Claude-Joseph Vernet (1714-1789).

The Grand Canal, Venice', c1732-1790. Artist: Francesco Guardi. Francesco Guardi (1712-1793) was an Italian painter, nobleman, and a member of the Venetian School.

Fishermen by Moonlight, by Hendrick Avercamp, 1595-1634, Dutch drawing, ink on paper. Waterscape with fishing boats, fisherman with wading boots and the buildings on the distant shores (BSLOC_2016_3_145)

The Pool of Bethesda (from "The Holy Land: Syria, Idumea, Arabia...) 1842 David Roberts (1796-1864 Scottish) Illustration Newberry Library, Chicago

Fishmarket. Date/Period: Ca. 1824. Painting. Oil on canvas. Height: 822 mm (32.36 in); Width: 1,226 mm (48.26 in). Author: Richard Parkes Bonington.

The Disembarkation of Cleopatra at Tarsus by Lorrain, Claude (1600-1682) / Louvre, Paris / 1642-1643 / France / Oil on canvas / Landscape,Mythology, Allegory and Literature / 119x170 / Baroque

View of the Nieuwe Kerk and the Nieuwezijds Voorburgwal in Amsterdam, from the north, draughtsman: William Callow, 1853, drager, :, brush, h 744 mm × w 1127 mm, h 99.8 cm × w 136.1 cm × d 5.1 cm

View of the Brenta near Dolo, late 18th century, painter Giambattista Cimaroli, Veneto, Italy, Historic, digitally restored reproduction of an original painting from the period, exact original date unknown, Europe

London Bridge and The Monument, Francis Nicholson, 1753-1844, British, Formerly attributed to Thomas Malton, 1726-1801, British, ca. 1795, Watercolor with pen and black ink over graphite on medium slightly textured, cream wove paper, Sheet: 11 5/8 × 16 3/8 inches (29.5 × 41.6 cm), architectural subject

Algeciras. Antoine-Leon Morel-Fatio (1810-1871). Oil on canvas. 46.3 x 123.2cm.

Te return of the Bucentaur to the pier on Ascension Day, ca 1760, by Giovanni Antonio Canal known as Canaletto (1697-1768), oil on canvas, 102x58 cm.

River Bank, Jan Brueghel (I) (copy after), 1600 - 1650 painting River landscape. All kinds of people are loaded in and out of boats on the banks of a water. copper (metal). oil paint (paint) river. sailing-ship, sailing-boat

EL GUADALQUIVIR A SU PASO POR SEVILLA 1851-DET BARCOS Y EMBARCADERO. Author: MANUEL BARRON Y CARRILLO (1814-1884). Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Painting titled A View of Greenwich from the River by Canaletto

fine arts, Noter, Pieter de, (1779 - 1842), painting, ""Winter View of Ghent"", oil on canvas, 1838, Museum voor Schone Kunsten, Ghent,

Francesco Guardi Francesco Guardi, Garn Canal and San Simeone Piccolo, 18th century, oil on canvas, National Museum of Fine Arts MNBA, Buenos Aires, Argentina Copyright: xZoonar.com/Tolox 21818455

The Piazza del Popolo, Rome, c. 1660, Johannes Lingelbach, Dutch, 1622 - 1674, 22 3/4 x 28 7/8 in. (57.79 x 73.34 cm) (canvas)31 1/2 x 37 x 5 in. (80.01 x 93.98 x 12.7 cm) (outer frame), Oil on canvas, Netherlands, 17th century, Johannes Lingelbach is usually considered a Dutch artist, because he moved with his parents from his native Germany to Amsterdam when he was about 15. In the later 1640s, he spent several years in Rome, and continued to paint scenes of southern Europe even after returning to Amsterdam. Here, he depicts a small market on the Piazza del Popolo, the first glimpse of Rome for travelers arriving from the north. Lingelbach freely rearranged the citys layout in his pictures. In this case, he moved the fountain and changed the appearance of Santa Maria del Popolo, the church in the background.

Whitehall. Date/Period: Ca. 1775. Painting. Oil on canvas. Height: 711 mm (27.99 in); Width: 911 mm (35.86 in). Author: William Marlow.

'Sea Shore'. Holland, 1662. Dimensions: 90x118,5 cm. Museum: State Hermitage, St. Petersburg. Author: Abraham Begeyn.

Joseph Mallord William Turner, Venice The Dogana and San Giorgio Maggiore, 1834 Venice: The Dogana and San Giorgio Maggiore

Alfred-Alexandre Delauney. "The Pont des Saints-Pères, around 1866". Oil on canvas. Paris, Carnavalet museum. Tree, arrondissement of 6th 6th, mooring boat, Seine river, Pont des saints peres, quai, oil on canvas

Enjoying the Ice, by Hendrick Avercamp, c. 1615-20, Dutch painting, oil on panel. Dutch Golden Age scene with men in foreground playing a hockey-like game. Other details include crows on a dead animal, recreational and traveling skaters, sleds, boats, ice fishing, and vendors tents with flags. In the background is a church and a city skyline (BSLOC_2016_2_13)

Canaletto (Giovanni Antonio Canal); Italian; Venice 1697-1768 Venice; Piazza San Marco; 1720s; Oil on canvas.

Aeneas Rescuing Anchises From The Sack Of Troy Jan Bruegel the Elder (1568-1625 Flemish) Oil On Copper Christie's Images, London, England

Quillebeuf, embouchure de la Seine. Quillebeuf, Mouth of the Seine. Painting. Huile sur toile. Height: 91.5 cm (36 in); Width: 123.2 cm (48.5 in). Author: J. M. W. Turner.

The Porto di Ripetta in Rome, Robert, Hubert (1733-1808)

Pierre-Antoine Demachy (1723-1807). "Architectural Caprice - A palace inspired by the Louvre and the Pont -Neuf getting worse in the ark of a bridge, in the foreground, a drinker". Oil on canvas. Paris, Carnavalet museum. ABREUOVOIR, Arche, Arrondissement Vieme VI 6th 6, Caprice Architectural, Column Jumelee, Frame, Seine river, Louvre, Palais Inspire, Pont-Neuf, Equestrian statue, Cow, Oil on canvas

Francesco Guardi (Venice, 1712-1793). The Grand Canal with San Simeone Piccolo and Santa Lucia (ca. 1780). Oil on canvas. 48 x 78 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Gloucester, Peter DeWint, 1784-1849, British, undated, Watercolor, white gouache, graphite and scraping out on thick, cream, rough wove paper, Sheet: 17 7/16 x 23 7/8 inches (44.3 x 60.6 cm), boats, cathedral, factories, harbors, masts, mountains, river, ships, smoke, towers, England, Europe, Gloucester, Gloucester Cathedral, Gloucestershire, Severn, United Kingdom

Francesco Guardi - Capri Tricomphal Francesco Guardi (attributed to). "Caprice with triumphal arc in ruin and landscape at the edge of the lagoon". Paris, Cognacq-Jay Museum ".

Foundation picture from 1621, right part, the cities of Siegburg, Bonn and Cologne

Saint Nicholas Cathedral by Benjamin Paterssen, Oil on canvas, 1800, 1748-1815, Russia, St. Petersburg, State Hermitage, 68x66

'Carnaval en la lonja de Sevilla', 1841, Oil on canvas, 73 x 60 cm, CE0055. Author: JOAQUIN DOMINGUEZ BECQUER (1819-1879). Location: MUSEO DEL ROMANTICISMO-PINTURA. MADRID. SPAIN.

Francesco Guardi; Italian; Venice 1712-1793 Venice; The Ridotto Pubblico at Palazzo Dandolo; ca. 1765-68; Oil on canvas.

Episode of July 29, 1830, in the morning Paul Carpentier (1787-1877). Episode of July 29, 1830, in the morning. Oil on canvas.

Racetrack at Scheveningen, Opened 3 August 1846, Charles Rochussen, 1846 painting Horse races on the racecourse in Scheveningen in 1846. Three horses run past the stand decorated with flags with the audience, many spectators have also gathered along the fences. On the right a few horses in a meadow, in the distance the church of Scheveningen. Netherlands panel. oil paint (paint) horse-racing Scheveningen

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