Coastal and River Scenes

Ethereal depictions of boats and rivers, featuring early morning light and serene landscapes in various printmaking techniques.

Adolphe Appian, French (1818-1898), Port of San Remo, 1878, etching in black

Moored sailing ships in a cove near a river, Henri Seghers, 1858 - 1913 print paper etching sailing-ship, sailing-boat. river

Capt. Thomas Hastings, 1778-1854, British, Southampton, Hampshire, undated. Graphite on medium, slightly textured, cream wove paper.

Troopships. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 126 x 176 mm (image, trimmed within plate mark); 130 x 176 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Black Lion Wharf 1. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Delivery of sand on the village near Warsaw; Gorazdowski, Edward (1843-1901), Gierymski, Aleksander (1850-1901); 1885 (1885-00-00-1885-00-00);Kłosy (Warsaw - magazine - 1865-1890) - Illustration, Warsaw (Masovian Voivodeship), Wisła (river), Witke -Jeżewski, Dominik (1862-1944) - collection, gift (provenance), Kierbezia bridge (Warsaw), Pialars

Shepperton, Francis Seymour Haden, 1818-1910, British, 1864, Etching and drypoint on medium, slightly textured, cream laid paper, Sheet: 7 15/16 x 6 5/8 inches (20.1 x 16.9 cm), Plate: 5 1/2 x 4 3/4 inches (13.9 x 12 cm), and Image: 5 1/2 x 4 3/4 inches (13.9 x 12 cm), architectural subject, bank, birds, buildings, figures, houses, landscape, reflections, river, rooftops, shore (landform), smoke, trees, village, England, Europe, Shepperton, Surrey, Thames, United Kingdom

Free Trade Wharf. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 3 13/16 × 7 1/4 in. (9.7 × 18.4 cm)Sheet: 8 1/2 × 10 7/8 in. (21.6 × 27.6 cm). Date: 1877. Museum: Metropolitan Museum of Art, New York, USA.

Dutch Winter Landscape with Windmills and Skaters, 1870 print paper etching landscapes in the temperate zone. windmill in landscape. skates (winter sports) Netherlands

L'Embouchure du Vecht et la Zuyderzee, Carel Nicolaas Storm van 's-Gravesande, 1877 print Mouth of the Vecht in the Zuiderzee. Sail boats sail on the water. paper etching / drypoint river mouth, estuary. sailing-ship, sailing-boat Zuiderzee. Vecht

Venice, Hercules Brabazon Brabazon, 1821-1906, British, undated, Watercolor, gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 5 1/2 × 7 inches (14 × 17.8 cm), architectural subject, boats, buildings, canal, cityscape, dome, gondolas, Europe, Italy, Veneto, Venezia, Venice

Battersea Morn Made 1877 United States. Drypoint in black ink on ivory laid paper . James McNeill Whistler

Thames Fishermen. Dated: 1859. Medium: drypoint with etching in dark brown on chine colle. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

River face, Gerard Jan Bos, 1883 print Antwerp paper etching / brush river bank Antwerp

Rafael Estrany i Ros / 'Port of Barcelona', Etching. Museum: PRIVATE COLLECTION.

London Bridge. James McNeill Whistler; American, 1834-1903. Date: 1876-1877. Dimensions: 158 x 234 mm (plate); 208 x 314 mm (sheet). Drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

L’escalier” (stair). Artist: Eugène Béjot, French, 1867-1931

Geldersekade in Amsterdam, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print A figure sails in a boat in the foreground. Netherlands paper canals, waters (in city) (+ city(-scape) with figures, staffage) Geldersekade

Robert Wallis, 1794-1878, British, Scene on the Loire, 1833. Line engraving on medium, slightly textured, cream, wove paper.

HarbourScene. Artist, style of: Abraham Rademaker, Dutch, 1675-1735

Arteries of Great Britain: The Tyne. William Walcot (British, 1874-1943). Drypoint;

Sea with fishing vessels, draughtsman: Louis Meijer, 1819 - 1866, paper, h 184 mm × w 270 mm

Print, Abingdon; England; etching on paper; Plate: 25.2 × 35.5 cm (9 15/16 in. × 14 in.) Paper: 27.7 × 37.8 cm (10 7/8 × 14 7/8 in.); Bequest of George Campbell Cooper; 1896-3-406

James McNeill Whistler (American, 1834-1903), Little Wapping, 1861, etching

The Outer Harbor of La Rochelle Made 1904 France. Etching and plate tone on ivory laid paper . Gustave Leheutre

The boat is on dry land, the sails have been taken down In the foreground are pieces of wood In the background another sailboat, Fishing boat undergoing repairs, print maker: Carel Christiaan Antony Last, (mentioned on object), Carel Christiaan Antony Last, (mentioned on object), print maker: E. Rensburg, (mentioned on object), The Hague, 1818 - 1876, paper, h 305 mm × w 245 mm

San Trovasso Canal 1885 United States. Etching on cream Japanese paper . Frank Duveneck

Shepperton. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1864. Prints; etchings. Etching on vellum

Shored Boats. Cornelius Varley (English, 1781-1873); published by John Varley (English, 1778-1842) and Cornelius Varley. Date: 1809. Dimensions: 207 × 300 mm (plate); 252 × 339 mm (sheet). Etching on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

View of the Amstel from the Blauwbrug, Rembrandt van Rijn, c. 1645 - c. 1650, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1645 - c. 1650, parchment (animal material), pen, h 132 mm × w 231 mm (arched top)

Windmills at Kinderdijk, Adolf Le Comte, 1860 - 1921 drawing paper. chalk windmill in landscape. windmill Children's dike

Warsaw from the Wis Stankiewicz, Zofia (1862-1955); Before 1914 (1910-00-00-1913-00-00);Young Poland (Styl), Partage Plus, Old Town (Warsaw), Warsaw (Masovian Voivodeship), Wisła (River), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection , gift (provenance), Polish graphics, Poland (culture), city views, boats

The Little Putney, No. 2. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879. Prints; etchings. Etching and drypoint

Sailing ship for anchor for a coast, 1830 - 1860 The bow of the ship is decorated. Also a study of a sailing ship on the water. Page 4 Recto from a sketchbook with 10 sheets. paper. pencil The bow of the ship is decorated. Also a study of a sailing ship on the water. Page 4 Recto from a sketchbook with 10 sheets. paper. pencil

Rotherhithe (Wapping) 1860 James McNeill Whistler American. Rotherhithe (Wapping) 372521

Harry Kelly's Putney. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1867. Prints; etchings. Etching and drypoint

Nozal, Alexandre (n.1852-08-07-D.1929), three boats, Beuzeval La Dives (main title), 1893-09. Graphite pencil, pen and ink wash on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Edelfelt, Albert, work, Sketch book, drawing, 12 cm x 18.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Ship's Boy Pulling on the Line (Hauling on the Rope) Made 1861 France. Etching on ivory laid paper . Charles François Daubigny

The Two Sailboats, from Cahier de six eaux-fortes, vues de Hollande 1862 Netherlands. Etching in brownish-black on ivory laid paper . Johan Barthold Jongkind

Adolphe Appian (French, 1818 - 1898), Barque de Pecheurs, 1874, etching on laid paper

In Holland--The Buoy. Paul Signac (French, 1863-1935); printed by Auguste Clot (French, 1858-1936). Date: 1896. Dimensions: 320 × 470 mm (image, with stray marks); 320 × 470 mm (sheet). Lithograph in blue-gray, slate-blue, yellow, pink, red and green on ivory wove China paper. Origin: France. Museum: The Chicago Art Institute, USA.

View of Venice, Italy, Robert Frederick Blum, American, 1857-1903, Pen and ink on wove paper, Sketch of gondolas and sailboats in Venice., Venice, Italy, 1880, seascapes, Drawing, Drawing

1892 Art Work - There's a Floating Corpse - Louis Auguste Lepere.

At the Locks at Dolo. Giovanni Antonio Canal (called Canaletto) (Italy, Venice, 1697-1768). Italy, 1734-1746. Prints; etchings. Etching

sailing boats, Narcís Puget Riquer, charcoal drawing,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, balearic islands, Spain.

On the Zaan, 1914, by Henry Brown. Gift of Mrs Harold Wright, 1965.

James McNeill Whistler, Isle de la Cite, Paris, 1859 Isle de la Cite, Paris

The fisherman, Fredericus Jacobus van Rossum du Chattel, 1873 - 1892.

Stadsgracht, Henri Wouters, 1876 - 1918 print paper etching / drypoint canal

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Boston Light. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 3 5/8 × 5 1/4 in. (9.2 × 13.3 cm)Plate: 2 5/16 × 3 9/16 in. (5.9 × 9 cm). Date: ca. 1911. Museum: Metropolitan Museum of Art, New York, USA.

Boat for pleasure games Unknown, Lasteyrie du Saillant, Charles Philibert de (1759 1849)

An etching from 1890 by Auguste Lepère titled 'The Bridge of Arts', printed on Japanese paper, depicting the bridge structure and surrounding urban scenery.

Landscape with mill aan Water, Albertus Brondgeest, 1796 - 1849 print Netherlands paper etching windmill in landscape. windmill

Farm on the Water, Anonymous, 1750 - 1885 print Homes on the water. On the left a man and a woman at a rowing boat. Another man comes with a bucket in hand. paper etching farm or solitary house in landscape. rowing-boat, canoe, etc.

Fishing Boats in Port Artist's working dates 1825-1835 England. Graphite on tan wove paper . Follower of Richard Parkes Bonington

The Seine at the Ile. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

River view with windmill, Cornelis Claesz van Wieringen, 1590 - 1633 drawing paper. ink pen / brush river. windmill

Rowing boat with figures at a tweemaster. The man on the bow of the boat blows on a horn. Also a study of a resting traveler with a pipe next to a camel in a desert landscape. Leaf 8 Recto from a sketchbook with 10 sheets.

Le Moulin de la Galette. 1875. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Windmills, Montmartre (Paris, France)

Childe Hassam, Old Lace, 1915 Old Lace

Eenhoornsluis, Reinier Nooms, 1657 - 1662 print Face from the water on the Eenhoornsluis and the Korte Prinsengracht in Amsterdam, on the far right the house on the Brouwersgracht number 162. paper etching city-view in general; 'veduta' Unicorn lock. Brouwersgracht

Sailing ships on the water, Adolf Le Comte, 1860 - 1921 print paper sailing-ship, sailing-boat

Landscape with a canal and two windmills, draughtsman: Jean Bernard, 1775 - 1833, paper, pen, brush, h 129 mm × w 185 mm

Cologne, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1824, Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper, Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm) and Image: 13 1/8 × 18 1/2 inches (33.3 × 47 cm)

Old Hungerford Bridge. James McNeill Whistler; American, 1834-1903. Date: 1860-1861. Dimensions: 137 x 213 mm (plate); 162 x 238 mm (sheet). Etching and drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Normandy. Eugène Isabey (French, 1803-1886); printed by Francois Seraphin Delpech (French, 1778-1825). Date: 1831. Dimensions: 174 × 223 mm (image); 189 × 238 mm (chine); 450 × 293 mm (sheet). Lithograph in black on ivory China paper laid down on rosy-cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

. The ship jammed and lifted by the ice, 27 August - September 1, 1596. The crew brings the sloop and provisions to land. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 12.

Rhine face with covered barge. A river face with a loaded shit in the foreground, with a sail covered, right on the shore an old wall, a hilly landscape in it.

The Steamboats or Watch Out for the Steamers 1862 Charles-François Daubigny. The Steamboats or Watch Out for the Steamers. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper, redrawn in graphite on verso. Drawings

Auguste Louis Lepère (French, 1849 - 1918). Bords de la Somme, Amiens, 1907. Etching.

Artist: Truman Seymour, American, 1824-1891, Harbor Scene, BeachedBoat, 19thcentury, Graphite, 20.6 × 30.5 cm (8 1/8 × 12in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

The Old Port in Honfleur, state II. Pankiewicz, Józef (1866-1940), graphic artist

Landscape with mill, left foreground figures walking along water towards wooden bridge, Landscape with mill, print maker: Jan van Lokhorst, 1847 - 1874, paper, etching, h 119 mm × w 178 mm

The Ark of Noah, Jacques Callot, 1646 print Presentation of Noah's Ark, who sailed over the water. A pigeon with an olive branch flies in the mouth above the ship. In the background the contours of a mountain. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching the ark floating on the waters (destruction of mankind not visible). the dove returns with an olive-branch ~ story of Noah

Design illustration for Alexander Cohen's From Anarchy to Monarchy: Arrival in London. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 130 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Mill at a Vaart, Chris van der Windt, 1887 - 1952 print paper etching windmill in landscape

Portsmouth, N.H. Stephen Parrish (American, 1846-1938). , 1884. Etching on Japan paper, Plate: 7 7/8 x 13 15/16 in. (20 x 35.4 cm). American Art 1884

Quai de Paris, à Rouen Camille Jacob Pissarro (Saint Thomas, (former Danish West Indies), 1830-1903, Paris, France). Quai de Paris, à Rouen, 1896. Etching on buff laid paper, Sheet: 9 1/4 x 12 1/4 in. (23.5 x 31.1 cm). European Art 1896

Three Windmills, Johannes Gijsbert Vogel, 1838 - 1915 drawing paper. chalk landscapes. windmill. factories and mills in landscape

Swift-Sailing Proa, Mulgrave Archipelago, Oceania 1866 France. Etching on ivory laid paper . Charles Meryon

Rotherhithe 1860 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Am Nadelwehr (Breslau). Laboschin, Siegfried (1868-1929), graphic artist

James McNeill Whistler, The Troubled Thames, c 1875 The Troubled Thames

Molen, Jan Veth, after Jacob Maris, 1880 - 1900 print A stone mill in a landscape with houses in the background. Netherlands paper windmill in landscape

Quai des Grands Augustins. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 131 x 184 mm (image/plate); 153 x 199 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Attributed to Francesco Guardi, Gondolas Gondolas

England, Hedderly, James, Whistler, James Abbott McNeill, The Adam and Eve, Pub on the Bank of the Thames, verso lower right - stamped, A row of houses on the bank of the Thames, including the pub The Adam and Eve., print, prints, recto lower left - stamped, height 176 mm, width 303 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1879 - 1879, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, English, 1815 - 1885-02-20, after a photo by

View of the Scheldt at Breskens. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 115 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Solec. Różański, M. (fl. 1882-1889), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist, Bojarski, Władysław (1843-1912), workshop

La Petite Marine - Souvenir de Medway. Dated: 1879. Dimensions: plate: 16.6 x 21.8 cm (6 9/16 x 8 9/16 in.) sheet: 31.8 x 38.2 cm (12 1/2 x 15 1/16 in.). Medium: etching, drypoint, aquatint, and roulette in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Old Gdynia. Łopieński, Ignacy (1865-1941), graphic artist

Drawing by Ferdinand Boberg. Västmanland, Västanfors sn., Fagersta Nordic

At Harlem (Holland), 1877. Maxime Lalanne (French, 1827-1886). Etching; sheet: 25.4 x 34.5 cm (10 x 13 9/16 in.); image: 20.9 x 30.3 cm (8 1/4 x 11 15/16 in.).

Fulham (Chelsea) 20th century James McNeill Whistler American. Fulham (Chelsea) 372689

Evening in the AtlanticDocks. Artist: Henry Farrer, American, 1843-1903

Cologne barge. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 122 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

Sarre Mill, Edgar M. Wilson, 1861-1918, undated, Etching on wove paper, Plate: 2 7/8 x 2 7/8in. (7.3 x 7.3cm) and Sheet: 8 x 5in. (20.3 x 12.7cm)

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with two crossed lances with freedom hats between a burning altar and window of the building. A river face in the background. Above the weapon of Willem III with a saying: Honi soit qui mal y Pense. Inscription: Ie Maintiendray / Pro Aris et focis. On the back a children's drawing of a man with a hat. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities)

Rotherhithe, 1860. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

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