Coastal and River Scenes

Ethereal depictions of boats and rivers, featuring early morning light and serene landscapes in various printmaking techniques.

Adolphe Appian, French (1818-1898), Port of San Remo, 1878, etching in black

Night Voyage (The Fishing Net) Made 1861 France. Etching on ivory laid paper . Charles François Daubigny

Clisson(Loire-Maritime). Artist: Auguste Lepère, French, 1849-1918

Rouen, from Bon Secours. Joseph Pennell; American, 1857-1926. Date: 1906-1907. Dimensions: 197 x 308 mm (image); 232 x 340 mm (sheet). Etching on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Edward Lear, Thebes, British, 1812-1888, 1884-1885, gray wash on wove paper

Attack on the island of Annobón, 1602, 1644 - 1646 print Attack by the Dutch on the island of Annobón, October 12, 1602. With sloops, the armed men go ashore from the ships. Part of the illustrations in the report of the first trip to the East Indies for the VOC under Van Warwyck and De Weert in 1602, No. 2. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Annobon

Rotherhithe 1860 United States. Etching and drypoint with foul biting in black ink on ivory wove paper . James McNeill Whistler

Colored artwork depicting Venice at night by Arsène Chabanian around 1900, showing canals, buildings, and night illumination.

View of the Nile with sailing boats, Philip Zilcken, 1890 - 1930 print paper drypoint river. sailing-ship, sailing-boat Nile

Saint Denis, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Westport , Rivers, Cities & towns. Sir David Young Cameron (1865-1945). Prints

The bosom in Willeskop / by Oudewater

Study sheet with various boats, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 224 mm × w 307 mm

Shipwreck in the night, Egidius Linnig, 1854 print paper etching night. shipwreck

View of the Seine with the Pont Neuf in Paris, Jacques Callot, 1630 print Under the show an empty margin. This print is the pendant of a face on the Seine with the Louvre in Paris. paper etching bridge in village across river, canal, etc.. river. bridge in city across river, canal, etc. New Bridge

Artist: Reinier Zeeman, Dutch, 1623-1663, Two Boats (Een Vlodt, EenOnderlegger), Etching, 12.2 × 23.9 cm (4 13/16 × 9 7/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Mill in a landscape, David Emile Joseph de Noter, 1840 - 1875 print paper. etching windmill in landscape. moon as celestial body

The Thames, 1896, London, by James Whistler. Gift of Sir John Ilott, 1968.

Twe master on the Zeeland waters. Draughtsman: Jan Toorop. Dating: 1915. Measurements: h 112 mm × w 158 mm. Museum: Rijksmuseum, Amsterdam.

Canal Grande in Venice, Auguste Numans, 1833 - 1879 print paper etching city-view, and landscape with man-made constructions - II - ideal landscapes. canals, waters (in city) - II - ideal city. gondola Grand Canal. Basiliek van Santa Maria della Salute

Auguste Lepère, Under the Bridge of Bercy (Sous le pont de Bercy), 1894 Under the Bridge of Bercy (Sous le pont de Bercy)

Depicts drying linen in an etching by Eugène Béjot from 1894, showing sheets, lines, figures, and outdoor setting along the Seine River.

Pier at Honfleur. Draughtsman: Johan Barthold Jongkind. Dating: 1862. Measurements: h 268 mm × w 468 mm. Museum: Rijksmuseum, Amsterdam.

At the Nieuwestadsherberg in Amsterdam. .

Coucher de soleil (2nd state). Lalanne, Maxime (1827-1886). 1881. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Sunrises & sunsets

Rade de Marseille (front) / Study of characters including a soldier (verso)

The drinking at Pont-Marie, 1902 (dummy title)

'Le Port', 1919. Artist: CRW Nevinson.

Marin Island. John Marin; American, 1870-1953. Date: 1915. Dimensions: 152 x 185 mm. Watercolor with blotting and graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed). Origin: United States. Museum: The Chicago Art Institute, USA.

Artlenburg den 24 Januar 1851. Menzel, Adolph (1815-1905), graphic artist

Victor Hugo (1802-1885). "Oriental landscape". Plume and Lavis of Brunette ink, 1837. Paris, house of Victor Hugo. ARABE, BROWN WASHING, DESSIN, LAVIS, MOYEN-ORIENT, Middle East, NEAR EAST, Oriental, PAYSAGE, PEN AND INK DRAWING, PROCHE-ORIENT, WASH DRAWING, arab, architecture, landscape, plume

New York Harbor. Dated: 1888. Dimensions: image: 325 x 751 mm sheet: 387 x 774 mm. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Reginald Cleveland Coxe.

Winter scene in Amsterdam, draughtsman: Gerrit Lamberts, 1786 - 1850, paper, brush, pen, h 126 mm × w 138 mm

Adolphe Appian, French (1818-1898), Barque de Pecheurs, 1874, etching on laid paper

Park NearHarbor. Artist: Unknown After: Thomas Romey (?), American

Quinta Valle at Castello. Artist: Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). Dimensions: 4 13/16 x 7 13/16in. (12.3 x 19.9cm). Date: 1764-1835. Museum: Metropolitan Museum of Art, New York, USA.

Foundry at Canon. Artist: John Baptist Malchair (British, Cologne 1731-1812 Oxford). Dimensions: 7-1/4 x 8-7/8 in. (18.4 x 22.5 cm). Date: 1792.When he made this atmospheric study of a working foundry during a trip to Herefordshire in July 1792, John Baptist Malchair carefully inscribed the location, date, and time on the back. The drawing appears to have been made at Canon Bridge, a village close to the Welsh border. Bold watercolor washes were applied over sketched graphite lines, to capture the effects of smoke and fire belching from a furnace against a night sky, together with buildings reflected in a bordering river. The artist shared his interest in the impact of the industrial revolution upon the English landscape with contemporaries such as Joseph Wright of Derby (1734-1797). Born in Cologne, Malchair had moved to Oxford in 1759 to work as a musician and drawing master. In the latter capacity, he encouraged his students to sketch from nature. The free execution of this work ma

Communipaw, N.J.. Artist: Thomas Moran, American, born England, 1837-1926

Eagle Wharf James Abbott McNeill Whistler (American, 1834-1903). Eagle Wharf, 1859. Etching, Sheet: 8 7/8 x 13 5/16 in. (22.5 x 33.8 cm). American Art 1859

Port of Antwerp, 1868 Antwerp copper (metal) etching

Beaugency, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige, wove paper, Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm) and Image: 3 5/8 × 5 3/8 inches (9.2 × 13.7 cm)

The Phantom Ship 1865-1875 France. Lithograph in black on white wove paper . Théophile Narcisse Chauvel

Sir David Young Cameron, 1865-1945, British, Dinant Belgian Set: No. 9, 1907. Etching and drypoint.

The Concièrgerie, Paris Made 1908 United States. Etching with aquatint in black on cream wove paper . Donald Shaw MacLaughlan

Color artwork by Paul Signac titled 'The Boats', created in 1895, depicting boats on water with emphasis on light and color.

Félix-Hilaire Buhot (French, 1847 - 1898), Un Débarquement en Angleterre (Landing in England), 1879, etching, drypoint, aquatint (dust ground and spirit ground), roulette, and burnishing in black on oatmeal paper

Soleil couchant, Honfleur Sailboats (black ink on tan paper). 1895. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Sunrises & sunsets, Sailboats, Honfleur (France)

The Port of St Tropez II, from the seventh album of L'Estampe originale 1894 France. Lithograph in yellow, dark blue, light blue, green, red and peach on ivory wove paper . Paul Signac

Mist on the Thames (La Tamise) Joseph Pennell (American, 1860-1926).. Aquatint, Image: 8 1/4 x 10 3/8 in. (21 x 26.3 cm). American Art

IN THE UNITED STATES

The view of Canal Grande from Palazzo Bembbo, in: urbis venetiarum prospectus celebroses ex antonii Canal tabulis xl aere expressi ab antonio visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (State), album, gondolas, Italian graphics, channels, city landscapes, reproductive graphics, relay, weduty, Italian (culture), boats

Before and after the fire 1871 / The Docks of the Villette / 10

Spindlhof Castle, oldest known depiction of Spindlhof Castle, oil painting from around 1800

Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Visitors' Boat, 1887. Etching on medium, slightly textured, cream laid paper.

Venetian Noontide. Dated: probably 1916. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Donald Shaw MacLaughlan.

Rome, Castle of St. Angelo (vignette), Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828 to 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper

Below Atlantic City Joseph Pennell (American, 1860-1926). , 1881. Etching, plate: 9 13/16 x 13 3/4 in. (25 x 35 cm). American Art 1881

Photo production of Painting by Willem Witsen with the Oudschans and the Montelbaanstoren. .

Considered at Vitty Le Franis.Design for and Print.

Etching. Etching on yellowed paper showing a number of sailing ships moored at the warred ship in Karlskrona. In the foreground there are some people, including a squad with sailors and a horse span. In the eye, a Nelson painted line ship (probable Stockholm) is flanked by some smaller sailing ships. At the bottom of the paper, someone has written with pencil "Stockholm", "Falken" and "Saga" to mark the folding vessel which is. Text printed on the etching: "School ship on Carlskrona Varf". Signature in the lower left corner: "J Hägg 1888" .Runt motive yellowed passepartout. The blackboard framed with simple gold frame with a relief pattern consisting of small buds along. The etching has belonged to the deceased commander Kurt locking man, born about 1880. Quotes from the former owner Kurt Lockmans' own inventory list: "An etching of Admiral Jacob Hägga over 'healthy winds' I on the shipyard in Karlskrona I have received from my good friend Commander Ericbraunerhielm. The The board has

The Punta di Santa Marta, Opposite the Giudecca. Artist: Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). Dimensions: 4 15/16 x 8 3/8 in. (12.5 x 21.2 cm). Date: ca. 1804-28. Museum: Metropolitan Museum of Art, New York, USA.

Snow face over the Damrak in Amsterdam, George Hendrik Breitner, c. 1890 - c. 1910 photograph Amsterdam paper Damra

Elbbrucke. Dated: 1893. Medium: watercolor. Museum: National Gallery of Art, Washington DC. Author: Fritz Stoltenberg.

Pont-au-Change, Paris 1854-1900 France. Etching in brown on ivory laid paper . Edmond Gosselin

Le Pont des Arts. Maxime Lalanne; French, 1827-1886. Date: 1869. Dimensions: 197 × 129 mm (image); 214 × 144 mm (plate); 352 × 272 mm (sheet). Etching and drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

La Riva John Singer Sargent (American, born Italy, 1856-1925). La Riva, ca. 1903-1904. Opaque and translucent watercolor with graphite underdrawing, 14 x 20 1/16 in. (35.6 x 50.9 cm). American Art ca. 1903-1904

Delft blue and white painted tiles painted by Delft Blauw, Netherlands, Holland, Europe

Leeds drawings, works on paper

St. Anthonie Sluys in Amsterdam, Willem Wenckebach, 1870 - 1926 drawing Amsterdam paper. deck paint. pencil. ink pen sluice, weir Sint-Antoniesluis. Amsterdam

The Amstel. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 148 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

The Amstelsluis. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 133 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Oude Zijds Kolk in Amsterdam. Draughtsman: Willem Wenckebach. Dating: 1870 - 1937. Place: Amsterdam. Measurements: h 162 mm × w 156 mm. Museum: Rijksmuseum, Amsterdam.

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