Conflict and Struggle in Art

Dramatic scenes depicting struggle, alcohol abuse, and conflict among figures, featuring expressive lines and dark tones in traditional etching style.

Impressions of travel. Souvenirs of the royal theater of Coutances. (Dummy title)

'You'll See Later'; a man drinking, a woman trying to stop him; folio 24 from the Black Border Album 'E'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 10 1/2 × 7 3/8 in. (26.7 × 18.8 cm). Date: ca.1816-20. Museum: Metropolitan Museum of Art, New York, USA.

. The lost son is deported by two men the inn and the brothel, because his money is up. Next to him a dog.

Crucifixion of Petrus, Jean Théodore Joseph Linnig, after Peter Paul Rubens, 1884 print paper etching Peter crucified upside down

Three Fighting Men, Johann Andreas Benjamin Nothnagel (Possible), 1739 - 1804 print paper etching hotel, hostelry, inn. drunken brawl (usually peasants fighting in an inn)

Impressions of travel. Souvenirs of the royal theater of Coutances. (Dummy title)

The Republic calls us! Let us be victorious or die, from 'News of the day,' published in Le Charivari, September 20, 1870 September 20, 1870 Honoré Daumier. The Republic calls us! Let us be victorious or die, from 'News of the day,' published in Le Charivari, September 20, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 20, 1870. Lithograph on newsprint; second state of two (Delteil). Prints

Six Banditti with Dog (no.1 of 10), Joseph Haynes, 1760-1829, British, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

Vous ne lui mettez pas une muselière -Oh no c'été inioutile! Il n'avait plus de dents!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1864. Prints; lithographs. Lithograph

Eli's death. .

The Old System satire on the flight of Metternich in March , Unknown

Voter Room, or Bengamin Politics (IT)

Voorbeschikking, Enea Vico, After Francesco Salviati, 1533 - 1567 print A man working on the land, behind him a woman holding a crown over his head. On the right an eagle flies above a woman with a frog on her head. At the top a line of Latin text. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving tailless amphibians: frog. predatory birds: eagle. crown (symbol of sovereignty)

Faust dans la prison de Marguerite (Faust in Marguerites Prison). Artist: Eugène Delacroix, French, 1798-1863

Frontispiece for Fanny Burney's "Evelina": Mr. Lovel Bitten in the Ear by Captain Mirvan's Monkey, vol. III. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Author: Frances Burney (British, 1752-1840). Dimensions: image: 5 7/16 x 3 7/16 in. (13.8 x 8.8 cm)sheet: 5 11/16 x 3 5/8 in. (14.4 x 9.2 cm) (clipped impression). Engraver: Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Publisher: T. Lowndes (London). Date: November 24, 1779. Museum: Metropolitan Museum of Art, New York, USA.

Fabius Maximus before the Senate at Carthage ca. 1761-65 Jean Honoré Fragonard French. Fabius Maximus before the Senate at Carthage 397455

Lot has been drunk by his daughters. He is supported by them. The two women deliberately got him drunk to sleep with him. (Genesis 19:31-36). On the right is a table with a bowl of fruit. On the floor are wine jugs and bowls. In the lower right corner a garment decorated with fur., Lot and his daughters., print maker: Gerard ter Borch (I), (mentioned on object), intermediary draughtsman: Gerard ter Borch (I), Zwolle, (possibly), 1632, paper, etching, w 197 mm × h 134 mm

Illustration No. 4 (from 12) to the novel of Tobias George Smollett The Adventure of Peregrine Pickle (Adventures of Peregrine Pickle), posted in Berliner Genealogischer calender auf das jahr 1786 Chodowiecki, Daniel Nikolaus (1726 1801)

What are they picked!, Francisco de Goya, 1797 - 1799 print Three men with the face of a cat and a wig on. Two offenses of a young girl with the body of a bird. Twenty -first print from the Los Caprichos series. Spain paper etching monsters of mixed human and animal shape; 'Mostri' (Ripa). morphology of human expression (+ attacking somebody). cleaning fowl or small animals

The sculpture storm, 1566. Image storm in a church, 1566. A group of men draws a saints image of Petrus from a niche in the wall, other images are broken on the ground. Design for a print.

La veille des Thermopyles. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Home of the lost son; Story of the lost son; LA 'Historia del Figliol Prodigo. The lost son kneels for his father and is embraced by him. Links two watching men and a group of figures on a staircase.

Forging; Professions. Four forgur to work in a smithy.

Ontwerp voor het titelblad van de klucht Den Bedrogen Bedrieger. Den Bedrogen Bedrieger. Kluchtspel. (title on object). Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 143 mm × w 83 mm. Museum: Rijksmuseum, Amsterdam.

Théodore Chassériau, Othello Suite: No. 4 (Act. 1, Scene 3: Othello Confiding Desdemona to Iago), 1844, etching on paper.

Daniel's vision Harmensz van Rijn Rembrandt (1606-1669). The vision of Daniel, 1st state: Illustration for the piedra Gloriosa, 1655.

Killing an Enemy November 15, 1779 Etched and published by Robert Blyth British. Killing an Enemy 407859

Mosieu le maire, le vrai peut quelquefois n’etre pas vrai”, sans blague.. Artist: Paul Gavarni, French, 1804-1866

Populacho.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Beating

Comment, ils emportent mon argent ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Caricature of Daedalus and Icarus, Honoré Daumier, 1842 Paris paper caricatures (human types). death i.e. the fall of Icarus (Daedalus present)

The Influence of the Peace Congress Oh you scoundrels, you are fighting again.. you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités 1849 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Henry Stafford, 2nd Duke of Buckingham executed for treason by King Richard III, 1483. Beheaded in a courtyard in Salisbury market-place. Death of the Duke of Buckingham. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

A French gentleman, of the court of Louis XVIth. A French gentleman, of the court of Égalité 1799 , Etiquette. James Gillray (1756-1815). Prints and Drawings

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "True and Faulse Gayeté." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101779-20 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Interior scene with soldiers pillaging. Artist: Attributed to Anonymous, 17th century. Dimensions: sheet: 4 5/16 x 3 9/16 in. (11 x 9.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling enthusiasts at the show Louis-Philibert Debucourt (1755-1832). "Ceiling lovers at the living room". Engraving (aquatint and pencil way).

Duel between Faust and Valentin Meph: Pousse. Val: Oh! (...) Faust (series title) Faust, tragédie de M. de Goethe (series title), print maker: Eugène Delacroix, (mentioned on object), printer: Charles Etienne Pierre Motte, printer: Goyer & Hermet, (mentioned on object), Paris, 1828, paper, h 322 mm × w 487 mm

Death Giving Audience. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

THE END. A. DE NEUVILLE. 'Dying as the fool dieth'

Figure photography:Noah (Bible), Rafael (1483-1520) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of the work of art (artist), biblical scenes

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "The murderer." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101783-18 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Print made by Daniel Nikolaus Chodowieki, German, 1726-1801, German, 'Henry IV, Part I,' Act II, Scene II, undated. Etching on moderately thick, slightly textured, beige laid paper.

Caricature of Le Figaro and Le Charivari as Jesters Vas te coucher Figaro, tu sens la fievre , print maker: Honoré Daumier, (mentioned on object), 1833, paper, h 289 mm × w 217 mm

Jonatan and Achimaäs are hidden / death of Absalon.two Representations of A Plate in a well. At the Top Right Numbered: 371 and 374.

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Gondel at Moonschijn, Johann Wilhelm Kaiser (I), After Gerrit Postma, 1840 - 1877 print A young man is in a gondola in a gondola, a lute in his hands, in front of a door of a home in Venice. He has a money pouch. Two bridges in the background. paper etching gondola. tuning the lute. full moon Venice

King George III and Queen Charlotte, seated at a latrine, receive with agitation news from William Pitt the younger, who tells them that the King of Sweden had been assassinated. Etching by J. Gillray, 1792.

Luigi Sabatellis ink drawing depicts Eleasar storming between numerous warriors to the right and attacking an elephant, executed with feather and ink.

Repentance of St. William 1764-98 Vincenzio Vangelisti Italian. Repentance of St. William. After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). 1764-98. Mixed method engraving and etching, printed in gray-blue ink. () John & Josiah Boydell (British, 1786-1804). Prints

Toujours l'influence du congres de la paix ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Erichthonius found by the three daughters of Cecrops, Arnold Houbraken, 1670 - 1719 print Erichthonius, born from the wasted seed of Vulcanus on Mother Earth and by Minerva locked in a basket, is found by the three daughters of Cecrops, the king of Attica. The child has a snake tail instead of legs, which scare the three daughter violently. Amsterdam paper etching early life, prime youth of Erichthonius

Thomas is pushed into the gate of the prison by his brothers. Print from a series of 30 prints depicting the life story of Thomas Aquinas. The prints, designed by and published by Otto van Veen, were made by C. Boel, E. van Paenderen, C. Galle and G. Swanenburgh, Thomas goes through the prison gate The life of St. Thomas Aquinas (series title), print maker: Cornelis Boel, (mentioned on object), intermediary draughtsman: Otto van Veen, publisher: Otto van Veen, print maker: Southern Netherlands, publisher: Antwerp, 1610, paper, engraving, h 211 mm × w 148 mm

Hussard and Hussarde, by Gavarni / Galop, by Gavarni

CHARMER OF SERPENTS

Young couple and death. A young couple at a table. Behind the table on which an opened money box, coins and jewelry, the young woman is attacked by death with an arrow. The young and richly dressed man stands out to death with his sword.

Two soldiers, Salvator Rosa, c. 1656 - c. 1657 print Two soldiers sitting on blocks of stone. Seen the right soldier on the back, pointing with his left hand. Italy paper etching / drypoint the soldier; the soldier's life. armour. index finger forwards, pointing, indicating

Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

The Physick; - or - The News of Shooting the King of Sweden, James Gillray, 1757-1815, British, 1792, Engraving, Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)

Theudis (d. 548). King of the Visigoths in Hispania (531-548). He was the sword-bearer of king Theodoric the Great. Death of Theudis on June, 548 in his palace in Barcelona. It is believed that he was the victim of a personal revenge by one of his entourage. Engraving. Historia General de España by Father Mariana. Madrid, 1852.

Masquerades. Dated: 1597. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Robert Boissard after Jean-Jacques Boissard.

Martyrdom of Saint Agatha. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo.

Violin player / hearing, Cornelis Visscher (II), After Adriaen Brouwer, 1720 - 1772 print In an inn, three men and a woman are singing by the fireplace. They are accompanied by the violin player in the foreground. This print may be an imagination of the 'Hearing' sense. Print Maker: Haarlem Publisher: Amsterdam paper engraving / etching violin, fiddle. hotel, hostelry, inn. vocal music, singing. hearing, listening (one of the five senses)

Willemynken fights with bull and duyfken reprimand her, Boëtius Adamsz. Bolswert, 1638 print Willemynken fights with a bull and duyfken reprimand her. Another scene again shows Willemynken in a plight because she walks just below a window where a woman empties a bucket of water. paper engraving pilgrim(s). bull

The infamous son who poisoned his parents ca. 1900 José Guadalupe Posada. The infamous son who poisoned his parents. José Guadalupe Posada (Mexican, 1851-1913). ca. 1900. Metal-plate engraving. Prints

Horace Vernet, La Reconciliation La Reconciliation

Pair dressed according to Napolitan fashion, Anonymous, After Pieter Lastman, 1720 - 1772 print Landscape with couple, dressed in fashion from Naples, Italy. The pair is displayed out, walking to the left. The man wears puffed pants and a top hat, the woman on the right wears a dress with body and a long veil. The print is part of a twelve -part series of prints with Italian costumes. Amsterdam paper etching Europeans (with NAME) (+ costume)

Convision of Maciek Borkowice, The Poznań Voivode Matejko, Jan (1838 1893), Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Honoré Daumier, Au Jardin des Plantes, 1859 Au Jardin des Plantes

Burning the freedom tree in Breda 1793; Burning the freedom tree in Breda. Burning the freedom tree in Breda, after the French troops left the city, 8 or 9 April 1793.

Lazio Viterbo Tuscania S. Maria del Riposo8. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Despair of a dentist or leakage of jaws. (IT)

Amsterdam, Looy, SL van, L'Assiette au Beurre, Veber, Jean, British gallantry, print, prints, French, 1864-02-13 - 1928-11-28, print maker, printmaker, 1874 - 1928, paper, lithography (technique), Publication (Event), Publication, publisher

The Republic calls us! Let us be victorious or die, from 'News of the day,' published in Le Charivari, September 20, 1870. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 5/8 × 8 3/4 in. (24.5 × 22.3 cm)Sheet: 13 11/16 × 10 5/8 in. (34.8 × 27 cm). Series/Portfolio: 'News of the day' (Actualités). Date: September 20, 1870. Museum: Metropolitan Museum of Art, New York, USA.

TESS OF THE D'URBERVILLES

Jacobs ladder; Four illustrations for Spanish book.Copy to the Print of the Same Name by Rembrandt.

Honoré Daumier, Usant jusqu'a son dernier homme , 19th century Usant jusqu'a son dernier homme ...

Thomas Rowlandson drawing depicting two sailors at the rear of a ship adjusting sails, executed with pencil and black, brown, gray, and blue ink in 1792.

Alfred Rethel (German, 1816-1859), Der Tod als Erwurger, 1851, wood engraving

THE RETURN OF THE MASSACHUSETTS PRODIGAL.

Christian finds simple, sloth and Vermoetle Sleeping, Jan Luyken, 1687 print Print at the top right numbered: 76. Amsterdam paper etching / letterpress printing sleeping; unconsciousness

Honoré Daumier, Un citoyen exaspéré par les buffleteries, 19th century Un citoyen exaspéré par les buffleteries

Lazy is sleeping; Story of the sloth. King Salomon walks through a vineyard and points his company on a sloth that is sleeping in broad daylight, while his vineyard has ended. A second sloth is in a stable on a chair and sleeps.

Saint Jerome. Etching by F. Caporali after Dè-Antoni after G. Contarini.

A ragged man sits on a bench in front of a wooden gate He feels a bump on his head, The Feeling: man with bump on his head Tactus le Sentiment 't Gevoel Five Senses , print maker: Abraham de Blois, Andries Both, publisher: Nicolaes Visscher (I), Amsterdam, 1679 - 1717, paper, engraving, etching, h 155 mm × w 119 mm

Honoré Daumier, Prenez garde, madame la Majorité!, 1871 Prenez garde, madame la Majorité!

Gustave Doré (1832-1883), designer and Aristide Louis (1815-1852), engraver. "Ung against six." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101790-15 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Charles V, German Emperor, receives the keys of the gates and the rod of justice of Utrecht, Jacobus Buys, 1787 - 1789, Kezier Charles V is received as Lord in Utrecht by light of torches and presented with the rod of justice and the keys of the city. Design for a print., draughtsman: Jacobus Buys, 1787 - 1789, paper, pen, brush, h 149 mm × w 90 mm

The Collector, George Dance RA, 1741-1825, British, undated, Pen, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 14 5/8 x 9 1/2 inches (37.1 x 24.1 cm), ancient, collection, collector, genre subject, man, men, sculpture

Illustration No. 5 (from 12) to the formers, Newer and Latest History, Posted in: Gothaischer Hof Calendar, for the benefit and pleasure of 1792. Gotha Bey C. W. Ettinger Chodowiecki, Daniel Nikolaus (1726 1801)

Qué hai que hacer mas (What More Can Be Done), pl. 33 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Eugène Delacroix, Mephisto Appears to Faust Mephisto Appears to Faust

Honoré Daumier, La Presse réactionnaire cherchant en vain, 1866 La Presse réactionnaire cherchant en vain...

The Praetorians hailing Claudius as emperor Bone, Herbert A.. still image. Conjectural works. 1885. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Draperies, Claudius, Emperor of Rome, 10 B.C.-54 A.D, Emperors , Rome, Soldiers , Roman+ , To 499, Hiding, Coronations , Rome , To 499, Praetorian Guard, Cowardice, Rome , History , Empire, 30 B.C.-284 A.D

The Harlequin (Dutuit 39) Dusart, Cornelis. The Harlequin (Dutuit 39). Black way.

A fall of fish Date: 1557

March. Wojtkiewicz, Witold (1879-1909), draughtsman, cartoonist

The Three Drinkers. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Bega.

Etching and copper engraving by Rembrandt around 1631, depicting the biblical beheading of John the Baptist, showing figures, execution scene, and architectural elements.

Jean Louis Forain, Voila le Moment de te Chantes Wacht am Rhein, 1914 1919 Voila le Moment de te Chantes Wacht am Rhein

The Lost Son plays a card game, Jacques Callot, 1628 - 1629 print Oval representation of a company at a table that plays a card game with the light of a single candle. In the middle is a lady who is helped by a gentleman to determine her next move. Behind her is a man who with a mirror shows the cards of the woman to the player opposite her. On the right at the table is a harp player. To the show an edge script in Latin. paper etching / engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. card games

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