Crucifixion Artworks

Dramatic depictions of Christ on the cross, characterized by somber tones and spiritual significance, illustrating pivotal moments from the Passion.

Caschus Aan Het Kruis, Giovanni Pazatta, after Piacetta Piazzetta In 1712 - 1786 print Christ hangs on the cross on the Golgota mountain. Venice paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Caschus Aan Het Kruis, Giovanni Pazatta, after Piacetta Piazzetta In 1712 - 1786 print Christ hangs on the cross on the Golgota mountain. Venice paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Copper engraving and etching of Christ on the cross with Maria and Johannes by Philippe Soye, created between 1565 and 1568, showing detailed religious figures and composition.

Christus Aan Het Kruis; The sauor dies for you, only vice for Luy.Christ on the Cross, Against a Landscape with Jerusalem in the distance. Dark Clouds Fill The Sky.

Christ on Het Kruis, Jan Thomas, 1642 - 1678 print Christ on the cross, against a landscape with hills. paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Christ on the cross.

Copper engraving by Nicolas Beatrizet depicting Christ flanked by Mary, Mary Magdalene, and John, created between 1530 and 1565, showing gestures, expressions, and interior setting.

This red chalk drawing by Nicolas Bazin depicts the crucifixion of Jesus, emphasizing the figure, cross, and surrounding elements of the scene in a religious context.

Copper engraving and etching by François de Poilly the Elder between 1640 and 1693 depicting Christ on the cross in a religious composition.

Alessandro Algardi, Christ on the Cross, 1647 Christ on the Cross

Francisco Bayeu / 'The crucified Christ'. XVIII century. White chalk, Black chalk on blue paper. Museum: Museo del Prado, Madrid, España.

Photo production of the painting 'The Saint Francis at the foot of the cross' by Anthony van Dyck; Musée d'Amsterdam. A. van Dijck. - L'Agonie du Christ .. Part of LeporelloAlbum with photo productions from paintings from the Rijksmuseum.

Christ on the cross. Christ suffers from the cross at night. The print has a Latin caption.

Lazio Viterbo Viterbo S. Lorenzo, Cathedral0. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Crucifix in the Dom of Pisa, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights in Italian cities and artworks. Dom photographic support albumen print crucifix ~ personal devotion Dom

Basilicata Matera Matera Duomo08. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"Crucifixion" (from Sketchbook) John William Casilear American. "Crucifixion" (from Sketchbook) 16519

Albrecht Dürer's woodcut around 1520 depicts Christ on the cross, showing religious iconography and early 16th-century German printmaking techniques.

Copper engraving depicting Christ on the cross, showing figures of Mary, John, and other witnesses, with gestures and architectural elements. Produced between 1627 and 1678, emphasizing biblical narrative and composition.

Copper engraving by Cornelis Cort, 1568, showing Christ on the cross, emphasizing crucifixion, figures around him, and religious symbolism.

A steel engraving by Albrecht Dürer depicting Christ on the cross, created after 1500.

Jesus dies at the cross, "Bał Pius Welo -00-1913-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / printing from glass negative; products from Wzkien / Paper / Paper, photographic paper, products from W ókien / Paper / cardboard; photographic print; : height 23.3 cm, width 13.9 cm, sub -podCzęstochowa (Śląskie Voivodeship), Way of the Cross, Jasna Góra (Częstochowa - Śląskie Voivodeship), Weloński, Pius (1849-1931) - collection, Weloński, Pius (1849-1931) - reproduction, sculpture (artist), Polish sculpture , religious sculpture

Umbria Perugia Montefalco S. Agostino3. Hutzel, Max 1960-1990 Exterior views of the 13th century architecture of the church; interior views include frescoes dating from the 14th-16th centuries. Fresco subjects include the Madonna and Child, the Annunciation, the Coronation, the Madonna of the Misericordia, and the following saints: Pietro, Fortunato, Paolo, Severo, Agostino, Nicola da Tolentino and Caterina d'Alessandria. Object Notes: One composite view of the interior is found in the Italy Oversize box in the Medieval core collection (H-7, H-8). General Notes: Hutzel photo campaign date: October 27, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissa

Campania Caserta Capua Museo Campano97. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Umbria Perugia Trevi S. Francesco. Hutzel, Max 1960-1990 Exterior views of the 13th-century Cistercian church focus on the gothic main portal. The interior, restored in 1977, include: frescoes of saints Ventura, Nicola and Andrea (15th century); an organ (16th century); an altar fresco by Angelucci of the Madonna and Child and saints with Christ and Veronica in the lunette; a marble intarsia altarpiece with a painting of the Madonna and Child with saints Peter, Paul and perhaps scenes of the Last Judgment; a painting the Crucifixion; an Umbrian painted crucifix; tomb monuments of the Attavanti family; a tomb effigy (in relief) of the hermit St. Ventura; fresco fragments; and a holy water font. Object Notes: Hutzel photo campaign date: May 11, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical develop

Marches Macerata Tolentino S. Francesco2. Hutzel, Max 1960-1990 Exterior views of S. Francesco include its polygonal apse that faces the Piazza della Liberta, the facade, immured fragments of gothic architectural sculpture, and views of the arcaded cloister. Interior views of the church reveal its baroque remodelling. Most views are of frescoes from the gothic chapel (14th century) and various baroque altars. Also included are views of two organs, confessionals, choirstalls, a crucifix and various paintings in the Sacristy. Object Notes: Hutzel photo campaign date: December 27, 1984 General Notes: Many negatives for this monument are still missing. Several were misfiled under "Belforte del Chienti, S. Maria a Pie di Chienti" and it is possible that other negatives have been similarly misfiled under sites near Tolentino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutze

Christ in a long robe on the cross, Raphaël Sadeler (II), 1622 print Print Maker: Munichprint maker: Munich publisher: Munich printer: Ingolstadt paper engraving / letterpress printing specific forms of the cross

The broken crucifix , Crucifixes. Sir David Young Cameron (1865-1945). Prints

Carl O'Bergh, Crucifix, 1939 Crucifix

Reproduction of Le Christ by Léon Bonnat, Goupil & Cie., C. 1867 - c. 1880 photomechanical print paper painting, drawing and the graphic arts. specific types of crucified Christ (in non-narrative context)

Lazio Frosinone Veroli Madonna degli Angeli0. Hutzel, Max 1960-1990 Most views are of this rural church are of the interior frescoes: Mary Salome, S. Mauro, S. Biagio, S. Demetrio, the Madonna Lactans, and the Eternal Father. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Crucifixion, photograph of bas-relief by M. Justin. Bilordeaux, Adolphe (1807-1870), photographer

Christ of the Wawel Castle. Wyczółkowski, Leon (1852-1936), graphic artist

The broken crucifix , Crucifixes. Sir David Young Cameron (1865-1945). Prints

Copper engraving by Pieter de Bailliu depicting the crucifixion of Christ accompanied by Saint Francis of Assisi, showing figures, cross, and surrounding landscape, created in 1643.

Etching by Sigmund Ferdinand von Perger from 1816 depicting Christ on the cross, showing the crucifixion with figures at the base in a religious context.

Crucifixion of Christ, Anonymous, 1600 - 1699 print paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Christ with the cross; Salvator Mundi; Christ and thirteen apostles; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Christ with the cross. In the undergarment the Bible text of Mattëus 10:16 in Latin and Dutch. The print is part of an album.

Risen Christ , Antiquities, Sculpture, Jesus Christ, Michelangelo Buonarroti, 1475-1564. Risen Christ. Nicholas Catsimpoolas Collection

Jesus Christ on the cross Driendl, Thomas (1805 1859)

Lazio Rieti Rieti Museo del Tesoro del Duomo9. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Listened to prayer Photographic Republic of Piotr Stachiewicz's image Sebald, Józef (1853 1931)

Imagen de Cristo en la Cruz.

Wszyscy Święci w MNK unknown

Copper engraving and etching from 1590-1750 depicting Christ on the cross accompanied by two angels, showing figures in a biblical narrative with architectural background.

`Jezus umiera na krzyżu` Jesus dies on the cross, sculpture by Pius Weloński - cast of group for station no. 12 of the Way of the Cross in Jasna Góra, Poland. Raczyński, Jan (fl. 1905-ca 1925), photographer

Crossing, Lodewijk Schelfhout, 1924 - 1926 print Christ who carries the cross. paper drypoint carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Crucifix, Raphael Sadeler (2), 1622 print Print Maker: Munichprint maker: Munich publisher: Munich printer: Ingolstadt paper engraving / letterpress printing specific forms of the cross. altarcross, crucifix

Crucification from Mari I W. Jan; 1780-1810 (1780-00-00-1810-00-00);

Crucifixion; Paintings and sculptures in Rome. Christ on the cross; At his right hand an image of the Holy Paul, at his left hand a depicting the Saint Peter, above his head a representation of the pelican who feeds his boy with his own blood. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print).

Lazio Viterbo Viterbo S. Andrea. Hutzel, Max 1960-1990 Views of 12th c. Romanesque church exterior, including facade, portico, portal. Interior views of nave, apses, altar, frescoes, baptismal font, columns, capitals. Stored with Hutzel collection are four prints, showing stained glass window, crucifix, tabernacle, painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Todi SS. Annunziata, Duomo0. Hutzel, Max 1960-1990 Medieval core collection: exterior and interior views of this 12th-16th century structure. Exterior photo coverage includes the three rose windows, architectural sculpture of the apse and nave walls, bell tower and a sculpted man's head in a roundel with an inscription. Views of the interior, restored in 1958, focus on the nave capitals (c. 1270) which are largely Corinthianesque. Between the acanthus of some pier capitals are sculpted figures, including St. Peter, St. Paul, St. Michael, Christ, and the Virgin with the Holy Spirit.. Hutzel collection: exterior views of the main rose window, portal sculpture (c. 1520) and details of the wooden doors carved with bishops. Interior views include: a large fresco of the Last Judgment by il Faenzone (inspired by Michelangelo's); wood intarsia choirstalls; a painted crucifix in the style of Cimabue (late 13th century); a gothic baptismal font; marble statues; an altarpiece from

Jacques Callot, The Crucifixion, 1608 1611 The Crucifixion

Christ on the cross; Thoma, Hans (1839-1924); around 1906-1908 (1906-00-00-1908-00-00);

Christ (Christ in the adoration of Polish kings); Wyczóżó KOWSKI, Leon (1852-1936), Cotty, Jan (Warsaw; printing and lithographic infection; 1863-1939); 1915 (1915-00-00-1915-00-00);

Jesus on the cross in the church in Zarwanica, Podolia unknown

Christ on the cross; Thoma, Hans (1839-1924); around 1910 (1905-00-00-1915-00-00);

17th-century copper engraving depicting Christ on the cross with detailed representation of figures, clothing, and religious iconography.

Adoration of the Cross, Adriaen Collaert, 1570 - 1618 print Central is the cross on which Christ died. Engelen left and right with the passion tools in their hands. At the bottom of the cross -mourning angels. Above the cross the holy trinity in the clouds. On the cross is a pelican who piercates his chest to feed his young with his blood, a symbol for Christ's self-sacrifice. Antwerp paper engraving venerating the cross (+ Holy Trinity). venerating the cross (+ angel(s))

Photo production of (presumably) a print of a boy sitting at a text stroll, c. 1850 - c. 1870 photograph Part of album with photos of sights and landscapes in England and of art. England paper. photographic support albumen print child

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Cross out. The body of Christ is taken from the cross by Jozef van Arimatea and Nikodemus. The Maria's mourn under the cross. The two murderers still hang on their crosses on the left and right. In the background a city.

Pencil and ink sketches by Moritz von Schwind from spring 1859-1860 depicting the burial scene of the Way of the Cross, showing figures, gestures, and composition.

The crucifixion of Christ, with Mary and John the Evangelist, and vignettes relating to the Passion. Woodcut.

Crucifijo, Nuestro Senor de Chalma Mexican. ., 8 x 6 in. (20.3 x 15.2 cm). American Art

Ah! May your heart is insensitive / if you see me without love me

Marches Macerata San Severino Marche S. Lorenzo in Doliolo8. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Jesus Christ hanging on the cross in liturgical robes unknown

Christ on Het Kruis, Wenceslaus Hollar, After Albrecht Dürer, 1642 print paper etching crucified Christ with Mary and John on either side of the cross; Holy Rood

Umbria Perugia Todi S. Fortunato5. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqu

For example, Golgotha had to die from the prince of life / to gain it eternal life for the zyns (...). The crucified Christ on Golgota. Below the cross are Maria and Maria Magdalena. Christ is offered a sponge with acidic wine. Bottom left the cross dice soldiers for the dress of Christ. Under the show a verse in two columns. Numbered at the top right: No. 91.

Lazio Roma Rome S. Ignazio di Loyola94. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

This copper engraving by Cornelis Bloemaert, created between 1620 and 1692, depicts Christ carrying the cross and Christ on the cross, emphasizing devotional narrative and detailed figure composition.

A pencil drawing by Bartolomeo Altomonte showing Mary Magdalene under the cross, emphasizing figure, gesture, and narrative context.

Matthew, holy evangelist.

Campania Caserta Capua Museo Campano10. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339623

Vilnius. Basilica Stanis "Cathedral." Crucifix sacristy of the 17th century ( 1937-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / bromine printing / bromine printed print; color cardboard / black cardboard; photo printing: height 11.8 cm, width 8.2 cm, card in the album: height 16.5 cm, width 24.7 cm; Di 67094/21 MNW; All rights reservations they.

Photo production of (presumably) a print to a painting by Ary Scheffer, c. 1850 - c. 1870 photograph Part of album with photos of sights and landscapes in England and of art. England paper. photographic support albumen print the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Interior of the Church of the Assumption of the Virgin Mary in Osek (Teplice District), Altars in the Czech Republic, 1912, Ústí nad Labem Region, Ossegg, Totenkapelle in der Stiftskirche

Jesus Christ crucified on Golgotha Crucifixion Mantegna, Andrea (ca 1431 1506), unknown

Photo production of (presumably) a print with a cross -bearing Christ, c. 1850 - c. 1870 photograph Part of album with photos of sights and landscapes in England and of art. England paper. photographic support albumen print carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Wrought Iron Cross (Restored). Dated: c. 1938. Dimensions: overall: 35.7 x 28 cm (14 1/16 x 11 in.) Original IAD Object: 46"high; 40"wide; 1/2-3/8"diam of rods forming cross. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gordena Jackson.

Umbria Perugia Bettona S. Maria Maggiore3. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 17th century remodel Specific Location: Piazza Cavour Antiquities: Architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jesus meets Mother His "," Pius Welo - Group's casting to Station IV of the Cross Road in Jasna Góra photography taken in the foundry of Pius Welo, in Mokotów near Warsaw; Raczyk ski, Jan (Fl. 1905 -Ca 1925); around 1906 (1905-00-00-1906-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photo printing / printing from glass negative; products from W Dzkien / paper / paper / photographic paper / paper , products from Wzkien / Paper / Carton; Photographic Print: height 19.8 cm, width 16.8 cm, pod Adka: height 33.6 cm, width 23.8 cm; Di 92331/6 MNW ; All rights reserved.Częstochowa (Śląskie Voivodeship), Way of the Cross, Jasna Góra (Częstochowa - Śląskie Voivodeship), Weloński, Pius (1849-1931) - collection, Weloński, Pius (1849-1931) - reproduction, sculpture (artist), Polish sculpture , religious sculpture

The Descent from the Cross. Medium: chiaroscuro woodcut in black and brown. Museum: National Gallery of Art, Washington DC. Author: Ugo da Carpi after Raphael.

Lazio Rieti Rieti Museo del Tesoro del Duomo1. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Crucifixion Crucifixion of Jesus. Illustration source: Harpers Monthly Magazine may 1877. Copyright: xZoonar.com/J.xSandvikx 2824709

Etching and aquatint by Johann Friedrich Bause from 1783 depicting Christ in a multicolored print, showing detailed figure study and religious composition.

Lithograph by Johann Nepomuk Strixner from 1820 depicting Saint Veronica holding the veil with the image of Christ, showing figure, gesture, and drapery details.

Christ on The Cross in Serious Open; Travel and Italy, and Sicily and Malta - 1778. Drawing from The Album 'Travel and Italy, and Sicily and Malta', 1778.

Study of Head of Christ. F. Holland Day; American, 1864-1933. Date: 1898. Dimensions: 13 x 11.7 cm (image/paper); 18.2 x 17.3 cm (first mount); 35.5 x 27.9 cm (second mount). Platinum print. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: F. Holland Day.

12/31/1912. Santo Cristo, work of Juan Martínez Montañés, which is venerated in the parish church of Vergara, Guipúzcoa.

Christ on the Cross, Matthew Beat Recreates, After Erasmus Quellinus (II), 1625 - 1670 print Under plate. In the foreground of the print Christ on the cross. He looks desperately at heaven. At the top of the cross, a inscription is nailed. It says "Jesus of Nazareth, king of the Jews" in Hebrew, Greek and Latin. The print has a Latin caption. paper engraving Christ on the cross on Golgotha (alone, without bystanders)

Image of St. Mary kneeling in front of crucified Christ on ornate ceramic tiles on a house in Seville, Andalusia, Spain, Europe

Vintage Photograph. Golgotha by GD Tiepolo in the Boymans-van Beunignen Museum Rotterdam Holland.

Die leichnam Christi. The dead Christ.. Cavedone, Giacomo, 1577-1660. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Jesus Christ, Angels

The Crucifixion Workshop of Francisco de Zurbarán Spanish. The Crucifixion. Workshop of Francisco de Zurbarán (Spanish, Fuente de Cantos 1598-1664 Madrid). Oil on canvas. Paintings

American 20th Century, Plate 26 Christ Crucified From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 26: Christ Crucified: From Portfolio Spanish Colonial Designs of New Mexico

The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, Alphabets, Numbers, Verses, and the Crucifixion, Grips Elizabeth Whitmore, daughter of Rolon and Ann Whitmore, was born July 11, 1734, England, Historical, Digitally restored reproduction from a 19th century original.

Gallery of the Ossuaire, Catacombs, 14th arrondissement, Paris Gallery of the Ossuaire, Catacombs, Paris (14th arr.). 1893. Anonymous photography.

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