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Crucifixion Scenes in Art

Depictions of the crucifixion of Christ, featuring figures such as Mary and John, captured in detailed engravings and prints from various artistic periods.

Crucifixion with Maria, Maria Magdalena and Johannes, 1585 print Christ is nailed to the cross in the middle of the composition. Maria Magdalena is sitting at the foot of the cross. Maria and the Apostle (later Evangelist) Johannes Flankeren the Cross. Jerusalem in the background. Two lines of Latin in margin under print. paper engraving crucified Christ with Mary, John, and Mary Magdalene
Crucifixion with Maria, Maria Magdalena and Johannes, 1585 print Christ is nailed to the cross in the middle of the composition. Maria Magdalena is sitting at the foot of the cross. Maria and the Apostle (later Evangelist) Johannes Flankeren the Cross. Jerusalem in the background. Two lines of Latin in margin under print. paper engraving crucified Christ with Mary, John, and Mary Magdalene
245 assets in this story
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Pieta surrounded by scenes of crucified martyrs, Hieronymus Wierix, 1597 - 1619
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Etching by Lodovico Mattioli depicting Christ on the cross, created in 1731.
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De Kruisraging, Johann Wilhelm Kaiser (I), After Cornelis Kruseman, 1853 print Christ wears half kneeling the cross on his shoulders to Golgotha. Simon van Cyrene helps him wear the cross. paper etching carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)
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Jacques Callot, The Crucifixion, c 1624 1625 The Crucifixion
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Christ on the cross.
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The Crucifixion, Pen, ink and dark brown watercolor on paper; verso: red crayon, Crucifixion with cross made of rough logs; verso: oriented horizontally with four men scourging while a fifth binds a fagot., Italy, late 16th-early 17th century, figures, Drawing, Drawing
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Christ on the Cross, Arnold Houbraken, 1725 print Christ on the cross. In the foreground three dice soldiers, next to the cross a warrior with the shield on the left arm and a spear in the right hand. Title page of the sixth edition of Antonius Baynaeus crossed Christ, in 1725. Dordrecht paper etching / engraving the crucifixion of Christ: prelude to Christ's death on the cross (Matthew 27:34-44; Mark 15:23-32; Luke 23:33-43; John 19:18-24). soldiers throwing dice for Christ's seamless garment ~ Christ's death on the cross
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Christ on the Cross. Dated: c. 1490. Medium: woodcut, hand-colored in red, light blue, and gray. Museum: National Gallery of Art, Washington DC. Author: French 15th Century.
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Christ on the cross. Schelte Adamsz. Bolswert, Peter Paul Rubens, 1596 - 1659
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Harmensz van Rijn Rembrandt (1606-1669). "The descent of the cross, in line (B 82 - single condition), 1642". Museum of Fine Arts of the City of Paris, Petit Palais. 26995-17 Bible, corpse, Catholic, Christian Christian, Cross, Christ, Descent, Execution, Death, New Testament, Biblical Scene
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Feather and chalk drawing depicting the Crucifixion with three crosses, three women, John, mounted figures, standing people, and towers of Jerusalem, 17th century.
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The Crucifixion of Christ, historic steel engraving from 1860
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Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos
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Christ on the cross. Draughtsman: Giovanni Benedetto Castiglione. Dating: 1650 - 1659. Measurements: h 390 mm × w 277 mm. Museum: Rijksmuseum, Amsterdam.
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Castle Church - Crucifixion GroupReplacement. Castle Church - Crucifixion Group
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Personified soul in front of a cross on a hill The Soul climbs the hill, on which the cross stands, print maker: Jan Luyken, Amsterdam, 1714, paper, etching, h 89 mm × w 74 mm
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Marches Macerata San Severino Marche S. Lorenzo in Doliolo8. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,
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Jacques Callot, Nun Embracing the Holy Cross, 1628 Nun Embracing the Holy Cross
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This etching by Heinrich Friedrich Füger, produced after 1748, depicts narrative scenes from The Messiah, including characters, actions, and musical or religious motifs.
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Kampen, Warnerssen, Peter, Netherlands, Rejoice with me: for I have found my lost sheep, Christ on the cross as the Good Shepherd, verso bottom center - stamped, Christ on the cross with sheep around his neck. Cross stands in fenced-off piece of grassland with sheep. Around ornamental borders and texts from the Bible in Dutch about the good shepherd., print, prent, prints, height 156 mm, width 109 mm, height 265 mm, width 340 mm, print maker, prentmaker, 1550 - 1565, third quarter 16th century, paper, woodcut, Publication (Event), Publication, Northern Netherlands, publisher
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Etching and copper engraving by Matthys Pool from 1690-1732 depicting Christ on the cross accompanied by Maria, Johannes, and Magdalena, showing a Crucifixion scene with multiple figures.
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Óleo de Murillo: San Francisco de Asis. Author: BARTOLOME ESTEBAN MURILLO.
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. Print at the top right numbered: 145.
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Crucifixion; verso: Portrait of Leon Szeptycki, the Bishop of Lvov. Filipowicz, Jan Józef (ca 1710-ca 1767-1770), graphic artist
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Behold the man. .
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French 19th century, illustration, showing the crucified Christ with the Mary Magdalene and the Virgin Mary, Woodcut circa 1830
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The Ascension of Christ (). Coloured engraving.
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Christ crucified between the two thieves: an oval plate, Rembrandt van Rijn, c. 1641 print paper etching / drypoint the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)
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The crucifixion, execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, crucifixion with crucifixion made of rough logs, 1620, Italy, Historical, digitally restored reproduction from a 19th century original.
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Crucifixion Ren� Marjolin (1812-1895). Crucifixion. Graphite pencil on laid paper. Paris, museum of romantic life.
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Jesus on the cross with Mary, Mary Magdalena and John, Arent van Bolten (attributed to), c. 1600 - c. 1625 Rectangular, gilded bronze plaque with Jesus on the cross with Mary, Mary Magdalena and John. Northern Netherlands bronze (metal) gilding Rectangular, gilded bronze plaque with Jesus on the cross with Mary, Mary Magdalena and John. Northern Netherlands bronze (metal) gilding
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Jesus carries the cross, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.
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For example, Golgotha had to die from the prince of life / to gain it eternal life for the zyns (...). The crucified Christ on Golgota. Below the cross are Maria and Maria Magdalena. Christ is offered a sponge with acidic wine. Bottom left the cross dice soldiers for the dress of Christ. Under the show a verse in two columns. Numbered at the top right: No. 251.
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Nun Embracing the Holy Cross. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.
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Descent from the Cross Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil on Canvas Alte Pinakothek, Munich, Germany
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Christ on the Kruis, Jacob Coelemans, After Luca Cambiaso, 1701 print Christ on the cross in the night, a jet wreath around his head. Under the performance a Bible from Marcus 14. Aix-en-Provence (possibly) paper engraving Christ triumphing (with crown, head usually upright)
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Woodcut by Albrecht Altdorfer from around 1513 depicting the direction of the cross, showing Christ carrying the cross with figures and gestures.
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Lons, Dirk Eversen, unknown, Sadeler, Aegidius, Theatrum Passionis Christi, Instruments of the Passion, Angel with the cross, verso center bottom - stamped, Angel holding the cross on which Christ died. The print has a Latin caption, print, prent, prints, prenten, height 155 mm, width 109 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1580 - 1629, paper, engraving, engraving (printing process), Publication (Event), Publication, 1600 - 1686, publisher
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`Cyrenejczyk pomaga dźwigać krzyż Chrystusowi` Simon of Cyrene helps Jesus carry the cross, sculpture by Pius Weloński - cast of group for station no. 5 of the Way of the Cross in Jasna Góra, Poland. Raczyński, Jan (fl. 1905-ca 1925), photographer
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Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Descent from the Cross, 1634. The State Hermitage Museum. Saint Petersburg. Russia.
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Rembrandt - The Three Cross Harmenszoon van Rijn Rembrandt (1606-1669). The three crosses (B 78-2th state), between 1653 and 1661 (before restoration). Engraving.
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Christ Carries the Cross, Hendrick van Beaumont, 1696, Christ stands in loincloth next to the cross, which he holds with both hands. Sheet 33 recto from a sketchbook with 91 sheets., draughtsman: Hendrick van Beaumont, 1696, paper, brush
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Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos
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Crucifixion of Christ (middle part), Anonymous, 1600 - 1699 print France paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)
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Turnhout, Brepols & Dierckx zoon, Miraculous image of Our Lady in Scherpenheuvel, Image miraculous by the Dutch Catholic Church in Montaigu, The Godly blessing of the house, La Bénédiction du Ménage, verso - stamped, Sheet with 2 representations. On the left the appearance of the miraculous image of Mary with child in a tree in Scherpenheuvel. People praying before the tree. Caption in letterpress. On the right Christ on the cross with the weeping Mary Magdalene at his feet. Text in letterpress all around. Numbered in the middle below: N. 1., print, prent, volksprent, prints, prenten, volksprenten, height 341 mm, width 424 mm, Publication (Event), Publicatie, publisher, uitgever, 1833 - 1911, paper, papier, houtsnede, kleuren, letterpress printing, boekdruk, print maker, prentmaker