Cultural and Mythological Art

Vibrant watercolor and ink artworks from Eastern India and historical paintings, depicting mythological scenes and cultural narratives.

madhubani painting of Mahabharata, india Copyright: xDebasishxBanerjee/DinodiaxPhotox

Krishna Ferrying Radha Across the Yamuna River (recto), c. 1890. Eastern India, Bengal, Kolkata, Kalighat. Watercolor, graphite, ink, and tin on paper; secondary support: 48.5 x 29.3 cm (19 1/8 x 11 9/16 in.); painting only: 45.5 x 27.4 cm (17 15/16 x 10 13/16 in.). This image is taken from popular dramas where Krishna, lover of the cowgirls (gopis), disguises himself as a boatman to ferry a demure Radha, his favorite gopi. It depicts devotion and the intensity of separated lovers.

BOVEDA LATERAL-ESCENAS DE CAZA-S XV-EPOCA NAZARI-PINTURA CRISTIANA SOBRE CUERO. Location: ALHAMBRA-SALA DE LOS REYES. GRANADA. SPAIN.

Sketches, taken during a residence in one of the Northern Provinces of Western India, 19th century engraving

Statue of Deified Amenhotep I A.D. 1922; original ca. 1279-1213 B.C. Twentieth Century; original New Kingdom Nina de Garis Davies Each year several commemorative festivals were held in the artisans village of Deir el-Medina in celebration of its founder, the deified king Amenhotep I. Here, the horizontal beams indicate that his elaborate statue sits on top of a palanquin, which was used during processions. The palanquin features the protective figures of a goddess with outstretched wings, a striding sphinx wearing the double crown of Upper and Lower Egypt, a so called ba-bird, and a striding lion. Even though the context of this scene does not necessarily derive from an actual festival, it illustrates the type of statues carried during such events.The tall bouquet of flowers at right was presented as an offering. Such bouquets can often be seen in depictions of celebrations or offering scenes. In addition to the flowers decorative qualities and pleasing scent, they had symbolic value

Wall painting ; Raghurajpur a art & craft village near Puri ; Orissa ; India

madhubani painting of Mahabharata, india Copyright: xDebasishxBanerjee/DinodiaxPhotox

Earth Monster / Turkish miniature

Painting. Date/Period: 1800 - 1950. Painting. Author: UNKNOWN.

The Actors Matsumoto Hyozo as a courtesan and Nakagawa Hanzaburo as a young man 1695-1705 Japan. Hand-colored woodblock print; o-oban, tan-e . Torii Kiyonobu I

Ancient frescoes, Devigarh Palace Hotel, near Udaipur, Rajasthan, India, Asia

Kubo Shunman (1757-1820) was a Japanese artist and writer. Shunman was born with the given name Kubo / Kubota Yasubei and was orphaned at a young age. He studied under the painter Katori Nahiko and the ukiyo-e artist Kitao Shigemasa, and took the art name Shunman upon finishing his studies. Other names he used were Shosado and Sashodo, hinting at his left-handed nature. His earliest works date back to 1774, and he would go on to produce ukiyo-e prints, book illustrations, paintings, illustrated novels and poetry. He became the most prolific artist in the Kitao school, with more than 70 paintings to his name surviving. Shunman was a member of various poets' clubs as well, notably the Rokujuen and Bakuro-ren clubs, the latter of which he became head. He eventually stopped designing commercial prints in 1790 to focus primarily on commissioned prints and his poetry.

THAILAND NAN WANGPHA WAT NONG BUA old Paintings Inside the Wat Nong Bua Museum in Wang Pha Village in Province of Nan in North Thailand. Thailand, Nan, November, 17, 2024. LicenseRF Copyright: xZoonar.com/URSxFLUEELERx 23341419

Kagero: Akushichibei Kagekiyo, from the series "Japanese and Chinese Comparisons for the Chapters of Genji (Wakan nazorae Genji)". Utagawa Kuniyoshi; Japanese, 1797-1861. Date: 1855. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Jodhpur (Rajasthani: ोधपुर), (Urdu: جودهپُور ‎) is the 2nd largest city in the Indian state of Rajasthan. It is located 335 kilometres (208 mi) west of the state capital, Jaipur and 200 kilometres (124 mi) from the city of Ajmer. It was formerly the seat of a princely state of the same name, the capital of the kingdom known as Marwar. The city is known as the 'Blue City' due to the vivid blue-painted houses around the Mehrangarh Fort. The old city circles the fort and is bounded by a wall with several gates. However, the city has expanded greatly outside the wall over the past several decades. Jodhpur lies near the geographic centre of Rajasthan state, which makes it a convenient base for travel in the region.

18th dynasty, Egyptian wooden chest depicting a hunting scene on one side and King Tutankhamen crushing enemies on the other side. 1323 BC

Collective portrait of the actors ten men and a woman Kunisada, UTAGAWA (1786 1864)

fine arts, Korea, graphic, month Sul (""dog""), coloured woodcut, circa 17th - 19th century, private collection,

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

COMENTARIOS AL APOCALIPSIS - SIGLO XI - FOLIO 147 R. Author: BEATO DE LIEBANA. Location: CATEDRAL-BIBLIOTECA. BURGO DE OSMA. Soria. SPAIN.

Textile Fragment with Confronted Deer in Partial Pearl Roundel with Serrated Outer Border 8th-9th century Eastern Iran or Sogdiana. Textile Fragment with Confronted Deer in Partial Pearl Roundel with Serrated Outer Border 73310

Fresco from the tomb of Nebamun, shows Nebamun on a small papyrus boat with his wife Hatshepsut behind him and his son below. He is about to let fly a throw stick into a mass of birds above a papyrus thicket. Thebes, Egypt 18th Dynasty, around 1350 BC

Dong Ho painting full name Dong Ho folk woodcut painting is a genre of Vietnamese woodcut paintings originating from Dong Ho village in Bac Ninh Province, Vietnam. Using the traditional diep paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tet holiday in Vietnam.

Jaume Ferrer II / 'Sant Julià', siglo XV, procedente de la iglesia Sant Julià d'Aspa. Museum: Museu Diocesà i Comarcal, Lleida.

Detail of a Bull from a Procession of Offering Bearers 1914; original ca. 1390-1352 B.C. Twentieth Century; original New Kingdom Nina de Garis Davies. Detail of a Bull from a Procession of Offering Bearers. Nina de Garis Davies (1881-1965) , Egyptian Expedition Graphic Section. 1914; original ca. 1390-1352 B.C.. Tempera on paper. Twentieth Century; original New Kingdom. From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb TT 226, facsimile. Dynasty 18

Fresco depicting The Holy Women. Romanesque. 12th century. Fragment. South side of the apse. From the Church of Saint Peter ad Vincula (Lavelilla, Huesca province). Diocesan Museum of Barbastro. Aragon. Spain.

India, Rajasthan, Dungarpur, Juna Mahal Palaces, detail of fresco

Deities Battle a Tiger Deities Battle a Tiger, ca. 1830-1850. Watercolor on paper, 11 1/4 x 16 1/2 in. (28.6 x 41.9 cm). Asian Art ca. 1830-1850

Three Figures: woman with two children playing ball, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 27 x 23.3 cm (10 5/8 x 9 3/16 in.).

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Gatten (Buddhist Hanging Scroll Painting) , 14th century. Hanging scroll, ink and color on silk, Image: 41 x 15 7/8 in. (104.1 x 40.3 cm). Asian Art 14th century

Fowling in the marshes. ca. 1400 BC. Painting of the Nebamun' s tomb. Lower left detail with plants and animals of Nile river. Egyptian art. New Kingdom. Painting. UNITED KINGDOM. ENGLAND. London. The British Museum. Proc: EGYPT. QUENA. Luxor. Thebes.

Fresco at Bonampak. The Chief (also known as Batabob) is dressed for a ceremony wearing a jaguar-skin and embroidered bell. Dated 11th Century.

Temple sculpture: a headless figure standing over a crouching man. Pencil drawing.

'Thangka: Nine Dalkha Riders'. Mongolia, Early 19th century. Dimensions: 101x71 cm. Museum: State Hermitage, St. Petersburg.

The Allegory of the Union of Kazan and Russia by Kustodiev, Boris Michaylovich (1878-1927)/ State Tretyakov Gallery, Moscow/ 1913/ Russia/ Oil on cardboard/ Russian Painting, End of 19th - Early 20th cen./ 86x88/ Mythology, Allegory and Literature,Histor

A noble woman burns incense while being carried on a palanquin, ancient India. Two punkhawallahs in turbans wave large fans to keep her cool. Smithsonian-process colour print after Art Deco master George Barbier from Richard le Galliennes Romance of Perfume, Hudnut, New York, 1928.

'Heng O Flies to the Moon', 1922. In the legend of Chang'e or Heng O, the Goddess of Immortality. ...a young wife becomes immortal and flies to the moon while her husband watches her depature. From "Myths and Legends of China", by E. T. C. Werner. George G. Harrap & Co. Ltd., London, Calcutta, Sydney, 1922

Mural on the wall of the City Palace showing Krishna, Udaipur, Rajasthan, India.

A Lady at Her Toilette. India, Himachal Pradesh, Kulu, circa 1720. Drawings; watercolors. Opaque watercolor and gold on paper

India, Rajasthan, Dungarpur, Juna Mahal Palace, detail of fresco

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral7. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Rider and four-legged bovine creature in mauve, chartreuse and black palette, 1900s. Eastern India, Bihar State, Mithila or Madhubani School, 20th century. Ink and color on paper; overall: 36.3 x 26 cm (14 5/16 x 10 1/4 in.).

Cretans Bringing Gifts of Metal and Jewelry, Tomb of Rekhmire ca. 1504-1425 B.C. New Kingdom Nina de Garis Davies This facsimile painting copies a detail from a scene depicting foreigners bringing gifts in the tomb of Rekhmire (TT 100) at Thebes. This part of the scene shows Aegean islanders bringing ingots of metal (31.6.42, 31.6.45) and metal vessels (30.4.84).. Cretans Bringing Gifts of Metal and Jewelry, Tomb of Rekhmire 544608

Deer Mandara Deer Mandara, early 17th century. Hanging scroll, ink, color and gold on silk, Image: 34 5/8 x 15 3/8 in. (88 x 39 cm). Asian Art early 17th century

Equestrian Portrait of a Noble ca. 1775 Attributed to Bakhta Indian Rajput paintings are often jewel-like in their minute details and labored finish. A drawing such as this one shows how swift, expressive, and varied the Rajput artist's line could be, whether in suggesting the bulge of a muscular forearm, the taut belly of a horse, or the wiry bristle of a Rajput mustache. Equestrian portraits were a common, formal, and often stiff means of honoring a nobleman or warrior. This portrait, however, appears to be a caricature of its subject, whose mustache and beard curl back on his face with scratchy pomposity and whose horse seems to bend and whinny under his prodigious weight. Deogarh was a tikhana, or a feudatory state, of Mewar, situated to the north.. Equestrian Portrait of a Noble 39651

Ema (Votive Painting) of Chinese Lion Led by Uteno. Culture: Japan. Dimensions: 10 3/4 x 14 3/8 in. (27.3 x 36.5 cm). Date: dated 1627.This ema depicts the Chinese lion mount of the bodhisattva Monju (Sanskrit: Manjushri) and its handler, the deity Uteno. Written on either side of the image is a text, now partly abraded, which once read:This ema is respectfully presented to the deity on the twenty-fifth day of the third month of the year 1627.Squeezed beneath the lion's back legs are the (partially illegible) names of four donors. The two names which can be read in their entirety are Gorosuke and Sanzo. The location of their residence, Nabeyacho, an area only a short distance from the Kofukuji Temple, appears between the lion's front legs. The back of the ema has another inscription, now also difficult to make out, which refers to Monju and his wisdom. Museum: Metropolitan Museum of Art, New York, USA.

Anantasayan (Vishnu Reclining on Serpent Ananta), c. 1890. Shri Gobinda Chandra Roy. Woodcut with black ink on paper; secondary support: 30.8 x 49.9 cm (12 1/8 x 19 5/8 in.); painting only: 26.5 x 40.8 cm (10 7/16 x 16 1/16 in.).

Traditional painted cart, Palermo, Sicily, Italy, Europe

Beautiful frescoes on walls of the Juna Mahal Fort, Dungarpur, Rajasthan state, India, Asia

Indonesia, Bali, Semarapura Palace, fresco

Painting (China); gouache on rice paper

Costume design for the opera Prince Igor by A. Borodin by Roerich, Nicholas (1874-1947)/ Museum of Private Collections in A. Pushkin Museum of Fine Arts, Moscow/ 1914/ Russia/ Pencil, Gouache and gold colour on paper/ Symbolism/ 27x15,4/ Opera, Ballet, T

Illustrations, in ink and opaque watercolours, of a pregnant woman with abdomen and chest opened to reveal the internal organs and foetus. Surrounding the figure are drawings of at the top two hearts, lower right the lungs, and something unidentified in the lower left (labelled the opening of the vagina). Undated and unsigned, probably 18th century, India

India, Tamil Nadu, murals in Bodinayakanur palace, 18th century

The Dancing Fox. Artist Unknown; Japanese, mid- to late 18th century. Date: 1761-1771. Dimensions: 25.2 x 18.8 cm. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Kumagai Nnaozane to Taira no Atsumori, The warriors Kumagai Naozane and Taira no Atsumori., between 1811 and 1830, 1 print : woodcut, color ; 37.5 x 25.4 cm., Print shows two warriors on horseback with bow and arrows.

Squared patterns above four figures below. Gouache by a Chinese () painter.

According to Egyptian Mythology, a pharaoh fell in love with the wife of a man named Bitou, who killed all who came to take her. The pharaoh, however, enticed her away. She then told the pharaoh of Bitou's secret - his heart was atop an acacia tree. The pharaoh had the tree cut down and Bitou died. Bitou's brother, through magic, learned what happened, came to his brother, revived him and Bitou changed into an Apis Bull, the sacred bull worshipped by Egyptians. As this bull, he visited his former wife (pictured here in this 1915 illustration by American artist Evelyn Paul). The wife had the pharaoh promise to kill the bull, which he did, but the bull came back as an acacia tree. More treachery followed and finally the wife, in the end, meets her own death.

Krishna Riding a Composite Horse. India, Andhra Pradesh, circa 1800. Drawings; watercolors. Opaque watercolor on paper

Bodhisattwa Wieloron; the beginning of the 20th century (1901-00-00-1920-00-00);

Coloured illustration of Theseus wrestling with the minotaur. Illustrated by Edmund Dulac (1882-1953), a French British naturalised magazine and book illustrator.

Wall-painting fragment depicting a woman from a ceremonial procession. From the later Tiryns palace. 14th-13th Century BC Mycenaean Greek

Saltan Saltanovich.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Maffet Ledger: Indian Counting Coup (yellow horse, two figures) ca. 1874-81 Southern and Northern Cheyenne. Maffet Ledger: Indian Counting Coup (yellow horse, two figures). Southern and Northern Cheyenne. ca. 1874-81. Graphite, watercolor, and crayon on paper. United States, Oklahoma. Paper-Drawings

VIGA MUDEJAR POLICROMADA PROCEDENTE DE PALACIO FORTALEZA DE CURIEL DE LOS AJOS HOY CURIEL DE DUERO (VALLADOLID) - SIGLO XIV. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Mixed media sketch by Richard Teschner depicting a Javanese princess, using cover color, gold paint, ink, and pencil.

Detail of a painting in Prince Rangsit's collection showing a performance of shadow theatre, Bangkok,Thailand

India, Rajasthan, Bundi, Chitrasala, Palace, murals, wall paintings, miniature style,

Iran, Shiraz. The colored tiles over the entrance to the Kharim Khan citadel depict a scene of Rostam killing the white demon. The citadel was built in the late 18th century to become the state capital and living quarters of the king.

Asia, Iran, Shiraz. Tile archway, Ghavam Orange.

Mural from the House of the Toilet of Hermaphrodite (Casa della Toelletta dell'Ermafrodito) found in 1836, with a faun and bacchante dancing in mid air. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn's Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Interior with Pink Wallpaper II (Intérieur aux tentures roses II). Dimensions: 39 cm x 30.7 cm, 34.5 cm x 27.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Detail from a 19th century marble table from Italy. Using colourful floral inlays to create the design.

Tomb of the Black Knight, rider in black, tomb painting from a chamber tomb from c. 340 BC Lucanian period, in the Museum of Paestum, Campania, Italy, Europe

india, rajasthan, nawalgarh, local haveli, fresco

The Thieves and the Ass, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Two men wrestling, center. Tree, left, with bag hanging from a limb. Man riding to right; far right, bird overhead., USA, ca. 1916, Drawing, Drawing

Tile (Spain), late 18th-early 19th century; earthenware, glazed, high fire decoration

Brahma Hides the Cowherds and the Calves in the Cave, page from a Bhagavata Purana, c. 1760-1765. India, Pahari Hills, Basholi School, 18th century. Ink and color on paper; image: 27.5 x 37.8 cm (10 13/16 x 14 7/8 in.); overall: 30.6 x 40.2 cm (12 1/16 x 15 13/16 in.).

Tile panel, Earthenware, glazed, high fire decorated, Standing man, en face, holding club () and shield., Alcora, Spain, late 18th-early 19th century, tiles, Decorative Arts, Tile panel

Egypt, Thebes, Luxor, Valley of the Kings, Tomb of Horemheb, Vestibule, Mural paintings, Osiris

Max Ernst, The Horde, 1927, oil on red ground, Amsterdam, Netherlands.

Turkey, Ephesus, Private house mural

Egypt, Thebes, Luxor, Sheikh 'Abd al-Qurna, Tomb of steward to first Amon prophet at Karnak Djehuty, mural paintings from 18th dynasty

Case (Inrō) with Design of Courtier on Horseback (obverse); Landscape with Trees (reverse) 19th-20th century Japan. Case (Inrō) with Design of Courtier on Horseback (obverse); Landscape with Trees (reverse) 58579

Japanese hand coloured woodcut. The scene shows the Doctor Huatuo attending to the warrior Guanyu's wounded arm. Created in 1853.

American 20th Century, Plate 43 Painted Chest Design From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 43: Painted Chest Design: From Portfolio Spanish Colonial Designs of New Mexico

Battle of the knights, by Antonio Pisano also known as Pisanello, 1440, 15th Century, fresco. Italy, Lombardy, Mantua, Ducal Palace. Detail. Kneeling warrior armor: cuirass greaves arm-greaves beige white black background.

España. Barcelona. Cartel del establecimeinto El Ingenio, dedicado a la fabricación y venta de artículos para fiestas y figuras de cartón-piedra desde 1838.

Fresco with hunting scene from Tomb of Nebamun at Thebes, Detail

Hanuman, c. 1880. Eastern India, Bengal, Kolkata, Kalighat. Watercolor, graphite, and ink on paper; overall: 46 x 27.5 cm (18 1/8 x 10 13/16 in.).

Wall hanging depicting episodes from Tristian and Isolde, the tale of doomed love. Dated 14th Century

paintings ajanta caves, Aurangabad, Maharashtra, India, Asia Copyright: xAnilxDave/DinodiaxPhotox

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Iskander with bird, anonymous, 1400 - 1500 Persian miniature. drawing The harnessed knight fights against a large blue and red -feathered bird; Two other warriors behind the knight. Persia paper brush

Ladies watching scenes of punishment among men. unknown c. 1465-1500 Tapestry Dimensions: H 8'7" x W 11'2" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Spanish Art Gallery 8/1/1919; sold to J. Goldman 3/19/1926 SS 21161. French & Co. purchased from J. Goldman, invoiced 5/2/1927; sold to M. Rudinoff /22/19 SS 14103. French & Co. purchased from M. Rudinoff 3/27/1931; sold to Carlos Zamborain 7/10/1947 SS 17121. Inscriptions: Inscriptions identifying 4 figures: Ipolite & 3 illegible 1 figure identified as Hippolyte, 2 male figures identified by inscriptions Fragment of tapestry. French & Co. stock sheet in archive, 14103 also lists: 30611 French & Co. stock sheet in archive, 17121 French & Co. stock sheet in archive, 21161 Related Works: Panels in set: GCPA 0237116-0237119, 0184570-0184571, 0184374

KAMA DIOS INDIO EN ELEFANTE SIMBOLICO-PINTURA TRICHINO POLU. Location: VICTORIA AND ALBERT MUSEUM. LONDON. ENGLAND.

Illustration 'Prince kissing a beautiful princess in a tower; Russia' by Dulac. From Contes et légendes des Nations Alliées, 1917. Edmund Dulac (born Edmond Dulac; October 22, 1882 - May 25, 1953); was a French-born, British naturalised illustrator

Fresco of playing polo match, Mukundgarh palace, Shekhavati, Rajasthan, India Copyright: xPxMistry/DinodiaxPhotox

King Shah Abbas, standing with sword, Anonymous, 1615 - 1625 Indian miniature. drawing paper brush

India: Vishnu as Vishvarupa. Watercolour painting, Jaipur, Rajasthan, c. 1800-1820.

of 2