Cultural Artifacts and Sketches

A blend of historical artifacts and artistic sketches, reflecting cultural narratives through detailed studies and decorative elements.

Japanese man. Japan, Asia. Journey to Japan by Aime Humbert 1863-1864 from Le Tour du Monde 1867

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia71. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel 18th century China. Panel. China. 18th century. Silk, paint; on silk. Qing dynasty (1644-1911). Textiles-Embroidered

Study of Seated Male Figures for Sculpture Base (from Sketchbook) ca. 1860 John Quincy Adams Ward American Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artists working methods. Wards sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.. Study of Seated Male Figures for Sculpture Base (from Sketchbook). John Quincy Adams Ward (American, Urbana, Ohio 1830-1910 New York). American. ca. 1860. Graphite on paper

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo02. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Japanese man. Japan, Asia. Journey to Japan by Aime Humbert 1863-1864 from Le Tour du Monde 1867

Lazio Rieti Magliano Sabina Cathedral08. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Snails and Tawashi Scrubber 18th-19th century School of Katsushika Hokusai Japanese. Snails and Tawashi Scrubber 57284

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia98. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Lady with a Dog Isoda Koryusai (Japanese, ca. 1766-1788). Lady with a Dog, ca. 1770. Pillar print, 28 x 4 3/4 in. (71.1 x 12.1 cm). Asian Art ca. 1770

Woodcut of a nude figure by Gottfried Graf (1881-1938) German painter and wood engraver. Dated 1922

Sketch of Women Doing the Washing. Date: March-April 1890, Saint-Rémy-de-Provence. Dimensions: 24.2 cm x 7.0 cm. Museum: Van Gogh Museum, Amsterdam.

Homenatge a Joan Miró, Joan Miró, 1973-1975, Carborúndum y aguafuerte sobre papel, Mallorca, balearic islands, Spain.

Bending Female Nude. Edward Burne-Jones (England, 1833-1898). England, 1833 - 1898. Drawings. Pencil

Lala Eve Rivol, Petroglyph, 1935 1942 Petroglyph

Work entitled Anxiety by Norwegian artist Edvard Munch (1863-1944). This work was produced in 1896.

In memory of Mr Abijah Lovejoy , Tombs & sepulchral monuments. Erving Public Library Gravestone Rubbings

Stencil Japan. Stencil 70045

La Vague Gustave-Henri Jossot (French, 1866-1951). , 1894. Lithograph in green on laid paper, 20 11/16 x 13 13/16 in. (52.5 x 35.1 cm). European Art 1894

Daigensui Myōō, 1868, Kano Hōgai, Japanese, 1828 - 1888, 29 3/8 × 10 9/16 in. (74.61 × 26.83 cm) (image), Gold paint on red silk, Japan, 19th century, This outstanding work is a hoso-e, a kind of charm used as protection against or recovery from smallpox, as red was believed to ward off plague and disaster. Usually showing a heroic figure, this painting features one of the fierce five Wisdom Kings in Esoteric Buddhism. The painting is accompanied by a letter from Kamiryo Seiju, a physician and good friend of Hōgai, explaining to a priest that this painting was used in rituals as a religious icon.

A Diplomatic (Chinese) Design Present to U.S.

Thailand,Trat Province,Koh Chang,Wat Klong Prao,Mother of Pearl Inlay Door Decoration

Henri Gaudier-Brzeska, 1891-1915, French, Study for a Mother and Child Grouping, between 1910 and 1915. Brushed black ink on thin, slightly textured, blue wove paper.

Okijiro Hironari 18th-19th century School of Katsushika Hokusai Japanese. Okijiro Hironari 57275

Middle ages initial capital letter Q. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Attic Black-Figure Neck Amphora Fragment. Unknown

Heraldry. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1934. Dimensions: 63 x 51 1/4 in. (160 x 130.2 cm). Oil on wood. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Attic Red-Figure Kylix Fragment. Perhaps the Manner of the Epeleios Painter (Greek (Attic))

Escena del libro Don Quichote, de Miguel de Cervantes Saavedra (Alcalá de Henares, 1547-Madrid, 1616). "Lucha contra los molinos de viento confundidos con gigantes" Editado en Zutphen (Países Bajos), año 1930. Author: Albert Hahn jr.

Surrealist Painting by James Gleeson at the Contemporary Art Society's exhibition at the National Gallery. Mr. Gleeson calls it "The Attitude of Lightning towards a Lady Mountain." Surrealist artists claim to work with their subconscious mind. June 12, 1939.

Campania Caserta Capua Museo Campano01. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

'Series "Bestiary". Pyotr Tchaikovsky'. Russia, Moscow, 1998. Dimensions: 29,5x21 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Woman Standing Beside a Balustrade with a Poodle ca. 1895 Paul Ranson French. Woman Standing Beside a Balustrade with a Poodle. Paul Ranson (French, Limoges 1864-1909 Paris). ca. 1895. Oil on panel. Paintings

Attic Red-Figure Cup Type B Fragment; Onesimos (Greek (Attic), active 500 - 480 B.C.); Athens, Greece; about 500 B.C; Terracotta; 15.9 × 14 × 5.1 cm (6 1,4 × 5 1,2 × 2 in.)

Attic Red-Figure Stamnos Fragment (comprised of 2 Joined Fragments). Kleophrades Painter (Greek (Attic), active 505 - 475 B.C.)

Petroglyph. Dated: 1935/1942. Dimensions: Overall: 37.3 x 28.5 cm (14 11/16 x 11 1/4 in.) overall: 46.2 x 38 cm (18 3/16 x 14 15/16 in.). Medium: lithograph on paper. Museum: National Gallery of Art, Washington DC. Author: Lala Eve Rivol.

Spur. Dated: 1935/1942. Dimensions: overall: 24.4 x 35.5 cm (9 5/8 x 14 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Ann Gene Buckley.

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Apulian Red-Figure Bell Krater Fragment. Close to Iliupersis Painter (Greek (Apulian), active about 375 - 350 B.C.)

Untitled, from Pour Jorn. Karel Appel; Dutch, born 1921. Date: 1976. Dimensions: 750 x 540 mm (sheet). Color lithograph on ivory wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Study for "Greek Girls Bathing". Dated: c. 1872. Dimensions: sheet (irregular): 25.72 × 16.35 cm (10 1/8 × 6 7/16 in.). Medium: oil on prepared wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

DF-SN-85-07684. Country: Unknown

Poke Bonnet. Dated: c. 1938. Dimensions: overall: 38 x 30.2 cm (14 15/16 x 11 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Nancy Crimi.

Middle ages initial capital letter L. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Unbekannte Initiale 1939 Klee, Paul(1879-1940 Swiss) Oil On Paper Christie's Images, London, England

The Mourning Magdalen 18th century possibly French, Provence. The Mourning Magdalen. possibly French, Provence. 18th century. Wax, fabric, glass. Sculpture-Miniature

J Henry Marley, Spur, c 1936 Spur

Henri Gaudier-Brzeska, 1891-1915, French, Five Figure Studies, between 1910 and 1915. Pen and black ink on medium, smooth, cream wove paper.

Original caricature, Berlin milieui from the 1940s, by artist Rudolf Führmann, 1909 to 1976, Lüneburg, Lower Saxony, Germany

Silhouette of figure with outstretched arms, anonymous, c. 1700 - c. 1790 Square glass plate in a wooden rating. A figure in front has stabbed both arms to the left. The figure is saved from a completely black -painted plate. The face of the figure is black. Netherlands glass. wood (plant material). oil paint (paint). oak (wood) Square glass plate in a wooden rating. A figure in front has stabbed both arms to the left. The figure is saved from a completely black -painted plate. The face of the figure is black. Netherlands glass. wood (plant material). oil paint (paint). oak (wood)

This 1918 image illustrates the scene in the Odyssey when the Greeks grab hold of the monster Proteus. Proteus is an early prophetic sea-god or god of rivers and oceanic bodies of water. Homer, in Book IV of the Odyssey, says the sandy island of Pharos situated off the coast of the Nile Delta was the home of Proteus, the oracular Old Man of the Sea and herdsman of the sea-beasts. Menelaus was a Trojan warrior looking to return from Troy, however, the winds were so fierce he was unable to get his ship back out onto the seas. A sea nymph, Eidothea, daughter of Proteus, took pity on Menelaus and

PINTURA. Author: LUIS EDUARDO AUTE. Location: PRIVATE COLLECTION. MADRID. SPAIN.

In memory of Caroline M. Sumner , Tombs & sepulchral monuments. Erving Public Library Gravestone Rubbings

Rabbits Roasting a Hunter and His Dogs. Virgilius Solis (German, 1514-1562). Engraving;

This scene was uncovered on a wall in the palace at Amenhotep III, known as Malkata Palace, located near Deir el Bahari (also spelled Bahri), the village of the workers on the tombs in the Valley of the Kings and surroundings. Only fragments of the paintings survive, but these water fowl were originally shown flying above plants growing in a pool. Amenhotep III was the ninth pharaoh of the 18th Dynasty (New Kingdom). He ruled from about 1386 to 1350 B.C. His father was Thutmose IV. His son was Amenhotep IV, but then changed his name to Akhenaten.

Shadow player 19th century China. Shadow player 73280

The Head of Saint John the Baptist on a Charger (La tête de saint Jean-Baptiste dans le plat) James Tissot (French, 1836-1902). The Head of Saint John the Baptist on a Charger (La tête de saint Jean-Baptiste dans le plat), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 4 3/8 x 7 3/8 in. (11.1 x 18.7 cm). Although Herod had imprisoned John the Baptist for speaking against his marriage to Herodias, the ruler admired the Baptist as a wise and righteous man. On the occasion of Herods birthday, Salome, the daughter of Herodias, dances before the guests, pleasing the host so much that he promises her anything she wants. Tissot notes that he found inspiration for his image of Salomes acrobatic dance in ancient reliefs from sources as diverse as Egypt, India, and Persia as well as the reliefs of the Cathedral of Rouen in his native France. To Herods dismay, the young woman, following her mothers wish, demands the head of John the Baptist on a platter. Although loath

Blue #3 Georgia O'Keeffe (American, 1887-1986). Blue #3, 1916. Watercolor on paper, 15 7/8 x 10 15/16 in. (40.3 x 27.8 cm). American Art 1916

This 1918 images illustrates the passagein Homers epic poem, Odyssey, when the god of fire, Hephaestos, makes a shield for the Greek hero Achilles. Hephaestus, the god of fire, is the smith who forgedAchilles'shield. He begins with twenty hot bellows and fires bronze, tin, gold, and silver in his kiln. He then proceeds to hammer the metals upon his anvil to create a massiveshieldforAchillesto wield in the trojan war - the war between the Greeks and Trojans.

Speedway. Sybil Andrews (1898-1992). Linocut printed in colours on Japan. Dated circa 1934. 32.5 x 23cm. Numbered 55/60.

deatail from the 'The Garden of Earthly Delights' triptych painted by the Early Netherlandish master Hieronymus Bosch. Created: 1503ñ1504

Architectural drawing of art features in the Forbidden City at Hu, the imperial capital of Vietnam under the Nguyen Dynasty (1802-1945). The drawing was made for the Association des Amis du Vieux Hue (Association of the Friends of Old Hue) in the 1920s, before the disasters of 1947 and 1968. Today, less than a third of the structures inside the citadel remain. In 1947 the French army shelled the building, and removed or destroyed nearly all the treasures it contained. Most of the buildings in the Forbidden City were destroyed by fire. Further massive destruction occurred when Hue’s Citadel became the symbolic centre of the 1968 Tet Offensive. Major artillery battles were fought when the National Liberation Front and North Vietnamese forces overran Hue. The US forces finally recaptured the citadel 25 days later, but not before shelling the citadel with heavy naval bombardments as well as extensive bombing from the air. The former Imperial City was made a UNESCO World Heritage Site in 1

Shadow Puppet (Wayang Kulit) of Gendari, from the set KyaiDrajat

No Heroes Developed, from General Dynamic F.U.N. Eduardo Paolozzi (British, 1924-2005); printed by Lyndon Haywood at Alecto Studios, London; published by Editions Alecto, London. Date: 1970. Dimensions: 380 x 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Joan Vila Pujol (1890-1947), conocido por el pseudónimo D'Ivori, dibujante e ilustrador catalán. Autocaricatura de 1923.

Heads or tails by Saul

Peasant woman, painting by Leon Bakst (1866 - 1924), Russian theatre designer

Saturn (pictured in this 1915 illustration) was one of the Titans who once ruled earth in Greek and Roman mythology. To prevent this from occurring, Saturn response, he ate his children as soon as they were born. But the mother of his children, Rhea, hid one child, Zeus (Jupiter to the Romans). Once Zeus grew up, he gave his father a potion, forcing him to regurgitate his siblings. With his siblings, Zeus then defeated his father and became kings of gods and men, with his home on Mount Olympus.

Albuquerque, New Mexico, USA. Central Ave, Route 66, Cow skull wall sconce detail at the Kimo Theater

CARTEL DE LA GUERRA CIVIL ESPAÑOLA - EL BULISTA. Author: PIIYO. Location: ARCHIVO HISTORICO NACIONAL. SALAMANCA. SPAIN.

Ochiyo and Hanbei 1779-1789 Japan. Color woodblock print; hashira-e, nishiki-e . Torii Kiyonaga

Josep Serra Massana (1896-1980), dibujante e ilustrador infantil catalán. Autocaricatura de 1923.

Poem..

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia77. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Shah Jahan with a Falcon Indian. Shah Jahan with a Falcon, 1875-1900. Opaque watercolor and gold on paper, sheet: 19 3/4 x 11 7/8 in. (50.2 x 30.2 cm). Asian Art 1875-1900

Rats and a Kabuki Actor in the Role of Nikki Danj 19th century Hokusai School. Rats and a Kabuki Actor in the Role of Nikki Danj. Hokusai School. Japan. 19th century. Unmounted drawing; ink on paper. Edo period (1615-1868). Paintings

Juicio Final. Museum: COLECCION PARTICULAR. Author: WILLIAM BLAKE.

Mantle ("The Paracas Textile") Nasca. Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, 24 5/8 × 58 11/16 in. (62.5 × 149 cm). This extraordinarily complex mantle, or cloak, is one of the most renowned Andean textiles in the world. It was most likely used as a ceremonial object. The ninety figures decorating the border, created by needle knitting, have been interpreted as a microcosm of life on Perus South Coast two thousand years ago, with a particular focus on agriculture. Many of the images illustrate native flora and fauna as well as cultivated plants. Costumed figures may represent humans impersonating gods and acting as intermediaries between the real and supernatural worlds. Severed human trophy heads are shown as germinating seeds, suggesting the practice of ritual sacrifice and the interconnected cycles of birth and death. Este extraordinariamente complejo manto, o capa, es uno de los textiles andinos más conocidos en el mundo. Fue usado probablemente como

Shadow Puppet (Wayang Kulit) of Putro Ngalengko, from the set KyaiDrajat

Hajime Sorayama, Untitled, Sexy Robot type II floating, UV curable resin, plexiglas, silver plating, light emiting diode, stainles steel, steel, 2022, Moco Museum, Amsterdam, Netherlands.

Whale and Andromeda from the series "Astronomical compositions"; Witkiewicz, Stanisław Ignacy (Witkacy; 1885-1939); 1918 (1918-00-00-1918-00-00);

"Loose Jawed" Bit. Dated: c. 1936. Dimensions: overall: 35.5 x 24.9 cm (14 x 9 13/16 in.). Medium: watercolor, pen and ink, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Eva Fox and Harry Mann Waddell.

Two frames on a gallows and one naked person, Anonymous, in or after 1793 - c. 1830 Square glass plate in a wooden rating. Two fragments hang on a gallows. In addition, a naked person, seen from the back, gesturing to the two frameworks. The background is black. Netherlands (possibly) glass. wood (plant material). oak (wood). oil paint (paint) violent death by hanging

Fire, Oil on wood. Giuseppe Arcimboldo (c1530-1593) Italian painter. Bizarre portrait composed of articles associated with fire including guns, candle, oil lamp, wood and wax taper.

MASCARA TEATRAL PARA REPRESENTACION (JAVA). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Breeches Buoy. Oldtimer Lifesavers - One of a series of sketches on the former U.S. Lifesaving Services (forerunner of the U.S. Coast Guard), by M. J. Burns c. 1879 and c. 1900, published in the Old Harper's Weeklies. In some of the sketches there appear other initials in addition to Burns' name. Sketch from Old Harper's Weekly - by M.J. Burns, c. 1879 on U.S. Lifesaving Service.

The ruins of CFS Lac St. Denis, Québec, Canada and its graffiti and strcutural damages.

Anefo photo collection. unknown . Exhibition of tapestries from the Rotterdam made by Gisela van Waterschoot van de Gracht. July 27, 1959

Lazio Viterbo Viterbo Museo Civico52. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Dwergen en muzikanten.Four glasses in wooden mount with handle. Extremely left: Dwarf in large cloak with collar and bows. On his top hat a half moon and a star. To the right: Female dancing dwarf with feathers on her hat and dress. To the right: Wide female dwarf in dress, to the Dwergengenoeleel. Extreme right: two musicians, one with bagpipe and the other with Schalmei. Between them in a dwarf or child with a piece of paper.

Couple sitting statue Black glossy ceramic statue of a nude couple kissing Copyright: xZoonar.com/YannxPoirierx 12908559

Weather Vane. Dated: c. 1937. Dimensions: overall: 40.5 x 30.6 cm (15 15/16 x 12 1/16 in.) Original IAD Object: 78" high; 36" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gordon Saltar and Edward L. Loper.

Above, red-figured Greek cup decorated with a naked man; below, red-figured Greek lamp decorated with a stylised leopard and a palm motif. Watercolour by A. Dahlstein, 1760/1780 ().

Cartel de Ramon Ribas, 'Fiestas de la Merced, Festivales de Otoño. Barcelona septiembre/octubre 1966'. Colección privada.

Illustration depicting a man being dragged to the Pillory on a sledge. Dated 17th Century

Black-skinned figure, children's drawing, Zoutelande, Zeeland province, The Netherlands, Europe

Digging Your Grave, Antique Skeletons of Amsterdam

Artwork: "Checking the Plates" Artist: Charles Waterhouse. Country: Unknown

O'Keeffe, Georgia (1887-1986) New Orleans Museum of Art 1936 Oil on canvas Surrealism The United States Mythology, Allegory and Literature

Shadow Puppet (Wayang Kulit) of Sabrangan Bagus, from the set KyaiDrajat

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