Cultural Events and Historical Moments

Prints capturing significant historical moments and cultural events, showcasing elaborate scenes with detailed expressions, figures, and narratives.

Entry of the nobles in Brussels, 1566, William Unger, After Charles Rochussen, 1871 - 1873 print Entry of the Nobles in Brussels, 1566. The noble driving on horseback through the streets of Brussels en route to the palace to offer Margaretha van Parma the supplication. print maker: Germanyprinter: München paper etching riding a horse, ass, or mule; rider, horseman Brussels

The Hungarians in Vienna on March , Franz Strelez, publisher

May-Day in the Country (Harper's Weekly, Vol. III). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)sheet: 11 9/16 x 16 1/8 in. (29.3 x 41 cm). Date: April 30, 1859. Museum: Metropolitan Museum of Art, New York, USA.

Entry of the nobles in Brussels, 1566, William Unger, After Charles Rochussen, 1871 - 1873 print Entry of the Nobles in Brussels, 1566. The noble driving on horseback through the streets of Brussels en route to the palace to offer Margaretha van Parma the supplication. print maker: Germanyprinter: München paper etching riding a horse, ass, or mule; rider, horseman Brussels

Napoleon I Bonaparte on triumph wagon with victory and peace, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, 1804 - 1841 print paper etching historical persons. Victory. Pax as Roman personification. (story of the) Muses; 'Muse' (Ripa)

The Sack of the Temple at Jerusalem. Dated: c. 1838. Dimensions: sheet (cut within platemark): 45.2 x 70.2 cm (17 13/16 x 27 5/8 in.). Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: Luigi Ademollo.

More of Werther-The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence May 6, 1786 Thomas Rowlandson. More of Werther-The Separation: Charlotte Preserved from Destruction by Albert and Hymen, whilst Werther in an access of frenzy puts and end to his existence. Thomas Rowlandson (British, London 1757-1827 London). May 6, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

Departure of the league, Caricature on the expulsion of the Liguorians, Franz Werner, publisher

Marat, Jean Paul .

On Vienna, on February , Johann Strauß son leads a move to Vienna caricature from the side of the flea , Karl Klic -, Caricaturist, Johann Tomassich, realization

Copper engraving and etching by Francois Joullain around 1723 depicting Don Quixote attached to a window by Maritorne Malice, showing figures, gestures, posture, and detailed composition.

Hudibras and the Skimmington, plate seven from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 246 × 500 mm (image); 270 × 511 mm (plate); 271 × 512 mm (primary support); 352 × 578 mm (secondary support). Engraving in black on cream paper edge mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Entrance of the Ambassador of Poland into Rome Made 1633 Italy. Stefano della Bella commemorated the entry into Rome of the Polish Ambassador Georges Ossolinsky on Sunday, November 27, 1633. These etched sheets should be contiguously joined as indicated by numbers in the upper corners of each plate. The various groups and personages are identified in the margin with the aid of an alphabetical key.. Etching on ivory laid paper . Stefano della Bella

Thursday, July 29, 1830 / Attack of the Louvre (IT)

Taking the Bastille (TI)

Déchence de Louis Philippe at the House of Deputies on February 24, 1848. (IT)

1. Halka; Z: "Tygodnik Ilustrowany" 1864, No. 232 (March 5), p. 88; 2. Drawing reproduction: Juliusz Kossak (1824-1899), "Auxiliary sketch to invent the dimensions of the image"; Kossak, Juliusz (1824-1899), Styfi, Jan (1839-1921), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939), 1864 (1.); over the 19th and XX. (2.) (1864-00-00-1864-00-00);

Crowds at Greenwich Fair, watching performers in booths, eating, etc.: the twin domes of Greenwich Hospital are visible in the background. Wood engraving by I.B. after Findlay.

Galitzin, Alexander Prince.

People flee for a fire in Ranst, Henri François Schaefels, 1863 print Brussels paper. etching on fire, ablaze. village Ranct

Taking the doors of the city gate in Franeker, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Removing the doors of the city gate of Franeker, February 1788. Northern Netherlands paper etching / engraving Franeker

Exclusion of the constitution on March , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

Joseph drives a car through Egypt. Joseph drives a car from the pharaoh by Egypt, after he gave him the authority over the country. Illustration of the bible text gene. 41: 43. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Dood van romulus; Romolo First Roman Roman, abusing himself too much of him against Li Senators, comes from the same killed, while he was the magazine of his troops, near the goat's swamp; Geschiefenis van Het Romeinse Rijk; Frontspice of the Romanistoria. Koning Romulus Wordt Gedood Door de Senatoren.

Adieux de Fontainebleau. Artist: Victor Adam (French, 1801-1866). Dimensions: Plate (trimmed): 10 9/16 x 13 11/16 in. (26.8 x 34.7 cm)Sheet: 11 5/16 x 14 9/16 in. (28.8 x 37 cm). Publisher: Lordereau (Paris). Date: after 1814. Museum: Metropolitan Museum of Art, New York, USA.

Man enters the stairs to the guillotine. A man, Maybe Louis XVI () Ensure the stairs to the guillotine.

Receiving and reception of the Hungarians in Vienna on March , Mangold, Lithographers, Ferdinand Tomala, publisher

Christmas Boxes in Camp - Christmas, 1861 (Harper's Weekly, Vol. VI). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 10 7/8 x 9 1/8 in. (27.6 x 23.2 cm)sheet: 15 9/16 x 10 5/8 in. (39.5 x 27 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: January 4, 1862. Museum: Metropolitan Museum of Art, New York, USA.

We will see who will prevail. (IT)

The Studio of Horace Vernet (Intérieur d'un Atelier), 1824 1824 After Horace Vernet French. The Studio of Horace Vernet (Intérieur d'un Atelier), 1824. After Horace Vernet (French, Paris 1789-1863 Paris). 1824. Aquatint on heavy white wove paper. Prints

Antoine, Baron Dubois, in Alexandria. Lithograph by Waher, 1823, after L. Gudin, 1822.

DEATH OF THE YOUNG VANOW PUMBER OF THE POLYTECHNICAL SCHOOL AT THE BABYLONE CARRANES, MARINE THURSDAY (TI)

Allegory in the twenty -five -year anniversary of King William I, 1838, 1838 print Allegory of the twenty -five -year anniversary of King William I in November 1838. At the top of a staircase between columns, the king stands between personifcations of religion, justice, wisdom and caution. At the bottom of the stairs, residents of the country kneel in gratitude for their prince. On the left the Dutch Virgin on the Lion and Putti with all kinds of attributes. Netherlands paper symbolic triumphs of individual persons. allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. personifications of countries, nations, states, districts, etc. The Hague

Brown ink and gray wash drawing by Richard van Orley showing Telemach aided by the goddess Athena in a mythological scene, highlighted with deck white on gray-brown paper with fold marks and slight oxidation.

Photo production of a drawing, representing actors behind the scenes in a performance of the Virgin of Orleans; That MEININGER VON C. W. Allers. .

Venitian Songs, Act V of Cosima; (Verso) Title page for 'Album Musical' 1840; (verso) 1837 Henri-Charles-Antoine Baron. Venitian Songs, Act V of Cosima; (Verso) Title page for 'Album Musical'. Henri-Charles-Antoine Baron (French, Besançon 1816-1885 Geneva). 1840; (verso) 1837. Lithograph. Prints

After Winslow Homer, August in the Country The Sea Shore, published 1859 August in the Country - The Sea Shore

April Showers. Winslow Homer (American, 1836-1910); published by Harper's Weekly (American, 1857-1916). Date: 1859. Dimensions: 149 x 230 mm (image); 197 x 277 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Peruvian sun festival (two illustrations); Picart, Bernard (1673-1733); 1722 (1722-00-00-1722-00-00);

Very humble and very dedicated national guards, reviewed, by their very high, very powerful and very colossal majesty etc. Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Very humble and very devoted national guards, reviewed, by their very high, very powerful and very huge majesty etc, etc." Board published in "caricature" of November 21, 1833. Lithography. Paris, House of Balzac.

Bliżej Kultury Publisher by Rich. Bong in Berlin, Binde, Heinrich (1862 1929)

Tournament game in Haarlem, illustration of episode from the Roos of Dekama. Design for a print.

Revue on the day of the birth festival Sr, Majestät, April , Emperor Ferdinand I, Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

Good and bad // good. 58

Etching by Carl Conti depicting a scene titled 'The Curse of the Moving People'. Created between 1760 and 1795, illustrating social conflict and rural unrest.

Thomas Rowlandson, 1756-1827, British, Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen, 1798. Etching.

Raymond Lafages drawing depicts the abduction of the Sabine women, executed with brown pen, gray brush washes, and black chalk around 1680.

Les Ouvriers de la Opuerse., 1914-1918, France, by Théophile Steinlen.

Burning military registers for Tsar Fyodor Aleksiejewicz in 1682; Illustration from the magazine: "Zorza polarna", vol. I; Unknown, Charlemagne, Adolf Jossifovi (1826-1901), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953), Henkel, W. E. (St. Petersburg; Publisher; Ca 1860-1870); 1862 (1862-00-00-1862-00-00);

Extravagant follies of France / on the imaginary death / Guillaume III Roy of the Great Britain Prince of Orenege. (IT)

Artist: Henry Bryan Hall, American, born England, 1808-1884, After: Benjamin West, American, active Great Britain, 1738-1820, The Death of GeneralWolfe, ca.1850-1880, Engraving, 24.1 × 29.5 cm (9 1/2 × 11 5/8in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Edelmoedigheid, Jacques -Antoine Friquet de Vauroze, After Sébastien Bourdon, 1663 - 1716 print Artemisia is sitting with two servants in front of the mausoleum of her deceased husband. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching Historical Persons. magnificence; 'Magnificenza' (ripe). Mausoleum at Halicarnassus (Wonnder of the World)

Caius Mucius Scaevola burns his right hand, Bartolomeo Pinelli, 1817 print Caius Mucius Scaevola keeps his right hand in the sacrifice that burns on an altar. He does this to show the Etruscan king Lars Porsenna that he is not fearing him. Porsenna and his army are on the left. In the foreground is the Porsenna secretary who has just been killed by Muscius. Rome paper etching (Story of) Gains Mucius Scaevola Rome

Four performances about the ingenuity of man, Gottfried Chodowiecki, After Daniel Nikolaus Chodowiecki, 1774 print With caption: tab. XXVI. paper etching taming and training of animals. education. Reasoning. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa)

Amsterdam, Bouwer, Johannes, Netherlands, Oortman, Jan (Sr.), Gerrit, Consider, oh youth! this print; laugh freely at this plate, But also read carefully what is written underneath, verso - stamped, Sheet with a large representation of quack Jurgen at the fair. On a podium in front of the public, the quack, together with his accomplices, the harlequin Hansworst, his wife and a monkey with an enema syringe, praises his medicines. Under the representation a verse in two columns. Numbered top right: O., print, prent, volksprent, prints, prenten, volksprenten, height 415 mm, width 330 mm, 1781 - 1822-09-19, print maker, printmaker, 1805 - 1808, paper, papier, houtcut, letterpress printing, boekdruk, Noord-Nederlands, 1753-09-16 - 1823-05-05, Publication (Event), Publicatie, Nederlands, publisher

Work of the Champ de Mars (IT)

The Horatii. Artist: Jean Marie Leroux (French, Paris 1788-1870 Paris); After Jean Jacques François Le Barbier (French, Rouen 1738-1826 Paris); After Le Bachier (French, active 1852) . Dimensions: Sheet: 7 1/16 × 10 3/4 in. (18 × 27.3 cm)Plate: 5 3/4 × 9 in. (14.6 × 22.8 cm). Date: 1852. Museum: Metropolitan Museum of Art, New York, USA.

Diomedes doodt Rhesus, Bernard Picart (workshop of), after Bernard Picart, 1710 print Diomedes kills Rhesus, king of Thrace. Odysseus steals the horses from the tent camp. In the margin a caption in French. Amsterdam paper etching / engraving Ulysses and Diomedes kill Rhesus and his companions and take away his horses

GRABADO-MASCARADA DURANTE LA PRIMERA REPUBLICA 1873. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN.

A university = barricade on May , Joseph Albrecht, Lithographer, Mossbeck, publisher

The death of Tarquinius de Older, Bartolomeo Pinelli, 1818 print The dead body of Tarquinius the elder is taken care of by two men. The two perpetrators walk outside with an ax. Rome paper etching (story of) Tarquin the Elder (Tarquinius Priscus) - death of person from classical history

Radetzky pulls from Verona against Sona on July , Franz Werner, publisher

Ruychaver at the corpse of a Spanish -minded counsel in Alkmaar, 1573, Theodoor Koning, After Jacobus Buys, 1781 print Nicolaas Ruychaver stands with raised sword with the corpse of a Spanish -minded counsel he thrown out of the window, Alkmaar 1573. The counsel is lying on the shards of the broken window, which may have fallen down. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration of the ninth singing. Amsterdam paper engraving Alkmaar

Watercolor ink drawing by Fritz von Dardel from 1858. Nordic

Final award of the general company of the sweeping of our City of Paris (IT)

M. T., Winter-Quarters in CampThe Inside of a Hut, 24 Jan. 1863, wood engraving on newsprint.

A scene for negotiators at the Naschmarkt, March , The end of the Naschmarkt king, Sempta, Lithographer, Franz Werner, publisher

Rév. from Paris. - English hunted with Toulon - Nº219 p.355. (IT)

. Monument in memory of the folly of the year 1720. On a large car laid down by a jet the fortune of the action shares in the round. The cart is drawn by personifications of the companies of the South Sea and Mississippi (an invalid Indian) and others. The car is led by the fame in the direction of a poor house and madhouse. Around the cart are traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearance is deceiving in Latin. In the question the statement of the show in French and Dutch. Print 18 in the series of large scene of foolishness with cartriders at the 1820 wind trade.

Scene from Pantagruel from Rabelais in which five men, Ponocrates, Panurge, Epistémon, Gymnaste and Frère Jean, walk in Paris; Ils S'en Allaient Dodelinant de la Tête et Barenant du Cul (Rabelais). Scene from Pantagruel from Rabelais in which five men, ponocrates, panurge, epistémon, gymnastic and freer jean, arm in arm walking in Paris. According to the caption, they move their heads up and down and sing. Seen on the back and in old costumes it is a foreign group in which the monk is particularly striking. On the right in the background, the silhouette of the Nortre Dame signs against heaven.

Hooghe, Romeyn de, Northern Netherlands, Illustration and true story How the Gentlemen, Mr. Johan de Witt, Councillor-Pensioner of Holland and West Friesland, as well as his Brother, Mr. Cornelis de Wit, former Mayor of the City of Dordrecht, and Ruwart van den Lande van Putten, were killed in The Hague, 20 August 1672, Large plate of the murder of the De Witt brothers, 1672, Print in which the various episodes of the murder of the De Witt brothers are processed into one large representation. At the top of the representation are portraits of Johan and Cornelis de Witt. At the bottom are the same descriptions of the events in 2 columns in Dutch and 2 columns in French, and an explanation of the image, as in FM 2401a., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 325 mm, width 430 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1672 - 1672, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, eng

Photo production of (presumably) a painting by Georges Washington, representing an oriental scene near a city gate, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support. lacquer (coating) albumen print

Veen, Otto van, Tempesta, Antonio, Copies after Tempesta's Batavian Revolt, Attaque du second jour du vieux camp, planche XIV, New attack on a Roman fortress, 69-70, A new attack on a Roman fortress using a wooden tower. Print 14 in a series on the Batavian Revolt, copied after the series Batavorum cum Romanis bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux dépens de Marc-Michel Rey, Amsterdam 1770. Representations printed in a large ornamental frame in which a cut-out title is pasted at the top and a caption in French at the bottom. Printed on the back of planche XII., print, history print, prints, Frederik Muller History plates, height 140 mm, width 202 mm, height 370 mm, width 300 mm, print maker, printmaker, 1768 - 1770, third quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian,

Invalides and riders (Cosques) In front of the hotel of the invalids.

Accident of Count Johan Maurits on the bridge of Franeker, 1665, Jan de Visscher, after Philips Wouwerman, after Pieter Jansz. Post, 1665 print Accident of Count Johan Maurits on the bridge of Franeker, January 6, 1665. The drawbridge over which the count drives over and the count falls into the water. Northern Netherlands paper etching accident with horse (or kindred animal). collapsing building. bridge Franeker

A Shell in the Rebel Trenches Published 1863 United States. Wood engraving on paper . Winslow Homer

Judicial fight in Valenciennes.

The Death of Wat Tyler, Print made by Thomas Milton, 1743-1827, British, after Robert Smirke, 1752-1845, British, Published by J. Stratford, active 1792-1813, British, 1810, Etching and line engraving on thin, slightly textured, cream wove paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 7/8 × 7 5/8 inches (30.2 × 19.4 cm), and Image: 10 1/8 × 6 3/8 inches (25.7 × 16.2 cm), bows (weapons), frame (furnishing), historical subject, horses (animals), houses

Urbania (Marche - PU), Palazzo Ducale, Hall of Honor. Nicolaus Hogenberg, Triumphal procession of Emperor Charles V, etching. 1530

The speaker Burian , is worn away from the country house to the courtyard, on March , Johann Höfelich -, printer

The funeral pump of very high and very drawing Prince Charles de France, Duke de Berry. / Font in Saint-Denis .... 15may 1714. (IT)

The Scots triumph, or a peep behind the curtain, 1768, the entrance to a large building furnished with columns, from which heavy curtains are suspended. In the distance is the dome of St. Paul's to signify that the scene is in London. A coach, which is about to crush a Scotch thistle in the road, occupies the middle of the foreground, and contains John Wilkes and three of his supporters. In the foreground Britannia lies mourning, saying: I am griev'd at the unhappy fate of my dear country, and m

Historical Gallery of Versailles / 80 / Entrance of Charles VIII in Naples / May 12, 1495. (IT)

The Rescue of JohnWesley. Artist: D. Wiest, American

Image reproduction: Juliusz Kossak (1824-1899), Czarniecki entered Poznań; Z: "Biesiada Literacka" 1907, No. 20 (May 17), p. 389; Löwy, Joseph (Vienna; Graphic Zak 1907 (1845-00-00-1870-00-00);

The sturdy of the St, Marxer = Lienie , the th Octob, Heinrich Gerhart, Lithograph

Nebuzaradan takes the gold and silver and puts the temple of Jerusalem on fire, Abraham de Blois, after Bernard Picart, 1728 print Nebuzaradan takes the gold and silver and sets fire to the temple of Jerusalem. Under the show is the title in six languages. print maker: Amsterdampublisher: The Hague paper engraving Nebuzaradan, commander of the Babylonian army, burns down the temple and the palace of Jerusalem ~ second siege of Jerusalem

Untitled. Gustave Le Gray; French, 1820-1884. Date: 1857. Dimensions: 28.2 × 36.2 cm (image/paper); 52.8 × 63.7 cm (album page). Albumen print, from the album "Souvenirs du Camp de Chlons". Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Allegory of the second centenary of the Athenaeum Illustre at Amsterdam, 1832, François Joseph Pfeiffer (II), 1832, Allegory of the second centenary (1632-1832) of the Athenaeum Illustre at Amsterdam, celebrated January 10-12, 1832. Allegorical figures, including Apollo and Minerva, with laurel wreaths gathered around an altar bearing the coat of arms of Amsterdam. In the clouds Father TIjd. Design drawing for the engraved title page of a memorial book., draughtsman: François Joseph Pfeiffer (II), Netherlands, 1832, paper, pen, brush, h 227 mm × w 137 mm

Etching and aquatint by Francisco Goya showing the strength and brutality of war, using cold needle reap technique between 1812-1815, first edition 1863.

Departure from Karel II from Scheveningen to England, 1660, Pieter Hendricksz. Schut, 1660 print The departure of the English king Charles II from Scheveningen to England, 2 June 1660. On the beach a crowd of spectators, in the middle, Karel says goodbye to his sister and aunt. On the left carrots, the dunes and the village of Scheveningen, fires in the background. In the air a portrait of Charles II stopped by two angels with trumpets. In the caption De Legends 1-19 in Dutch and English. Amsterdam paper etching / engraving departure ~ travelling Scheveningen

Print made by A. M. Ireland, active before 1801, Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery, 1794. Etching on medium, slightly textured, cream wove paper.

. Cartoon on the departure of the Hertog van Brunswijk from the Netherlands, October 14, 1784. The Duke, brought to the border frame on a wheelbarrow, is struck by the lightning of justice from heaven and kicked out of the country; On the right, the Prince Willem V is supported by his alleged Maikeste Freule Constance van Lynden and Prof. Petrus Hofstede and brought into his disposal with English fragrance salt. On the leaf under the plate An explanation of the representation in two columns in fresh form.

John Law on the donkey of Sancho Panza, 1720, 1720 Cartoon on John Law driving like a second Don Quixotte on the donkey of Sancho Panza, 1720. The devil lifts the tails of the donkey, so that actien are shed from the rear. The wind traders are moving the donkey towards the Quincampoix coffee house. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix Cartoon on John Law driving like a second Don Quixotte on the donkey of Sancho Panza, 1720. The devil lifts the tails of the donkey, so that actien are shed from the rear. The wind traders are moving the donkey towards the Quincampoix coffee house. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix

The Nose Foot of Petit Conde Fucking with Father M. (TI)

A steel engraving and etching by Moritz von Schwind after Carl Spindler from 1833 depicting scenes from the book 'Saragossa', showing detailed narrative and figure illustrations.

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery, Print made by A. M. Ireland, active before 1801, after William Hogarth, 1697-1764, British, 1794, Etching on medium, slightly textured, cream wove paper

The Unfortunate Death of Major André, Print made by John Goldar, 1729-1795, British, after William Hamilton, 1751-1801, British, 1783, Etching and line engraving on medium, slightly textured, cream laid paper

Fair company on a country road with a village fair further on, Ferdinand Roybet, 1865 print Paris paper etching / drypoint pleasure fair and circus. troupe (actors) 'en route'. monkeys (circus performance). wandering communities: Romani or Roma

The Parisian of Mr. Casimir Delavigne (IT)

The Tiwer of London: the Armory, the Horse Armory and Wild Beasts in the Tower. Beefeater showing tourists weapons from the Spanish Armada in the Armory 13, suits of armour of English kings mounted on horses in barding 14 and lions and tigers in cages at the zoo in the White Tower 15. Woodcut engraving after an illustration by Isaac Taylor from City Scenes, or a Peep into London, by Ann Taylor and Jane Taylor, published by Harvey and Darton, Gracechurch Street, London, 1828. English sisters Ann and Jane Taylor were prolific Romantic poets and writers of childrens books in the early 19th century.

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