Cupid and Venus Engraving

A classic engraving depicting Venus seated on drapery as Cupid prepares to shoot an arrow. The scene has intricate details and a serene yet playful mood.

Neptune and Caenis, Hendrick Goltzius, 1586 - 1590

Bacchus seated on a barrel in front of grapevines, with bacchantes, satyrs, and children surrounding him 1758 Pietro Peiroleri. Bacchus seated on a barrel in front of grapevines, with bacchantes, satyrs, and children surrounding him. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). 1758. Etching and engraving. Prints

A copper engraving by Marcantonio Raimondi from the first half of the 16th century depicts a woman with her hair styled up, showing figure, posture, gesture, and compositional details.

. Venus and Cupid sleep naked against a tree. The print has a Latin caption.

Italy, Strada, Vespasiano, Mary with Child and rose, verso - stamped, Mary sitting on a cloud formation with the standing Christ Child on her lap. In his left hand the Child holds a rose. Above them two cherubs., print, prent, prints, prenten, height 193 mm, width 143 mm, Italian, 1582 - 1622-08-05, print maker, printmaker, 1592 - 1622, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Delft, Boitet, Reinier, Bleyswijck, François van, Leiden, Continuation of A. Moonens Poëzy, Title page for: Arnold Moonen, Continuation of poetry, Delft 1720, Muse and putti sit at grave monument of poet Arnold Moonen, verso bottom center - stamped, A muse and putti sit at the grave monument of poet Arnold Moonen. On a cloud lies Fame, she blows a trumpet. The landscape in the background shows Mount Parnassus with the Muses and Pegasus., print, title page, prints, height 187 mm, width 140 mm, Northern Netherlands, 1671-05-24 - 1746-10-15, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Marcantonio Raimondi possibly after Francesco Francia, Man and Woman with a Ball Man and Woman with a Ball

The Lovers 1527-1530 Parmigianino (Girolamo Francesco Maria Mazzola) Italian Following the example of Raphael, Parmigianino had a great interest in using prints to disseminated knowledge of his designs. In Rome, he produced drawings for Giovanni Jacopo Caraglio (Italian, ca. 1500/1505-1565) to translate into engravings, while in Bologna he may have drawn directly on the woodblocks carved by Antonio da Trento (Italian, active 1520s-30s) to produce chiaroscuro woodcuts. Parmigianino's involvement in printmaking went even further when, sometime in the mid-1520s, he took up the etching needle himself to experiment with this new technique. He was the first Italian to exploit the possibilities of etching, in which lines are freely scratched through a waxy ground, to directly translate the draftsman's manner. He produced no more than fifteen etchings, yet his example was to inspire the future development of a distinctly Italian printmaking tradition. This is one of Parmigianino's most beautif

Alliance of Peace and Abundance, 1642. Bartolommeo Coriolano (Italian), after Guido Reni (Italian, 1575-1642). Chiaroscuro woodcut;

Francesco France (Brazil 12) Mar Antoine raimonda (1480-Vers1534); France (Francesco Raiabolini, Dit). Francesco Francia France (Brazil 12). Heau-fort, burin. XVEME-XIVIE and sixty.

Fall of Man. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Hercules plans a tree, Stefano della Bella, 1662 print Hercules is kneeling at a young tree that he has just planted. On the left a woman appears on a cloud (the validity) That the tree water. Under her the weapon of the della Rovere family. At the top left, Mercury and Minerva are on a cloud. Florence paper etching (story of) Hercules (Heracles). Truth; 'Verití' (Ripa). trees. watering plants. (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes)

Venus tries to prevent Adonis from hunting. Venus is under a rose bush and tries to stop Adonis who goes to hunt because she knows he dies. Left front is a hunting dog at a wrench. Right Amor holds another hunting dog. Under the show a twelve-line caption in Latin and a Latin proverb in a cartouche.

Drunk Silenus; Vinum Cautis Innocum. Silenus, the teacher of Bacchus, lies drunk under a tree. Under his left leg lies a wine jug, next to him sleep two drunk satin children. Seeing three women Silenus mocking, the right woman lays a grape food on his head. Pendant of a print with the depicting of a bacchante surrounded by children.

The temptation of Adam and Eva in Paradise, Andries van Buysen (Sr.), After Gerard Hoet (I), c. 1711 - c. 1720 print Adam and Eva between the animals in paradise. Eva offers Adam an apple of the forbidden tree. The snake that Eva has tempted to eat fruit from the tree is hidden under a bush. Illustration for the Old Testament, Gen. 3, 6. Under the show a title in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper etching / engraving Eve offers the fruit to Adam

Drawing, Design for Frame Surrounding the Portrait of Francis Russell, Second Earl of Bedford; Hubert-François Gravelot (French, active England, 1699 - 1773); France; pen and black ink, brush and black wash, red chalk on paper; 36.8 × 22.8 cm (14 1/2 × 9 in.)

Charity, from the series The Virtues 1530 Lucas van Leyden Netherlandish. Charity, from the series The Virtues 364781

Diligence and caution. The personscript zeal, with beehive and oil lamp, and caution, with mirror, sit side by side. Mercury holds a curtain. In the background ships. Left in the foreground a monogram on a paper.

Venus prevents adonis from hunting. Venus and Amor try to prevent Adonis to go hunting. However, Adonis is going to hunt; His two hunting dogs are already ready. In the foreground a spear and a hunting horn.

Leda or Venus () with bird and putti in front of a shell, Alonso Berruguete, 1500 - 1561, Design for a fountain., draughtsman: Alonso Berruguete, 1500 - 1561, paper, pen, h 182 mm × w 122 mm

Vatican City, Alexander VII, Rome, Collignon, François, Italy, Carracci, Annibale, Cesio, Carlo, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, Mercury giving a lyre to Apollo, verso - stamped, Mercury giving a lyre to the kneeling Apollo in a landscape., print, prints, height 94 mm, width 158 mm, Italian, 1622 - 1682, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings, Work conception, 1560-11-03 - 1609-07-15, after a design by, Publication (Event), Publication, French, 1610 - 1687, publisher, uitgever, 1599-02-13 - 1667-05-22, granter of privilege

An Angel. Artist: Bartolomeo Passarotti (Passerotti) (Italian, Bologna 1529-1592 Bologna). Dimensions: 16-3/4 x 10-1/8 in. (42.6 x 25.7 cm). Date: 1529-92. Museum: Metropolitan Museum of Art, New York, USA.

Venus en Anchises, 1656 print Venus and anchises are in bed. Anchises takes off the sandal of Venus. In the foreground, Amor leans on the leg of Venus. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Venus and Anchises

Giuliano Giamberti da Sangallo's drawing depicts Judith holding Holofernes' head with a servant, executed in chalk and feather with gold washes and gray wiping.

Relief with personification of the element Air above arch on the west side of the Burgerzaal in the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1719 - 1783 print Relief with personification of the element air above the left (southern) arch on the west side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In her left hand a peacock, a chameleon in her right hand - the animal that did not ate or drank according to Pliny, but feeds on air (Historia Naturalis 8:33). Numbered in the bottom right: CII. N. 2. Relief with personification of the element Air above the left (southern) arch on the west side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In her left hand a peacock, a chameleon in her right hand - the animal that did not ate or drank according to Pliny, but feeds on air (Historia Naturalis 8:33). Numbered in the bottom right: CII. N. 2. Amsterdam paper etching / engraving air (one of the four elements). lizards: chameleon. orna

Tactvs, Cornelis Jacobsz. DREBBEL, After Hendrick Goltzius, 1596 print Personification of the feeling, a naked woman with a snake around her right leg runs in a landscape. Fifth print from a series with the five senses engraved by N.J. Clock and C.J. Drebbel. Netherlands paper engraving feeling (one of the five senses)

Artist: Albrecht Dürer, German, 1471-1528, Hercules at the Crossroads Choosing Between Virtue &Vice, Engraving, platemark: 32.4 × 22.5 cm (12 3/4 × 8 7/8 in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Italy, Raphael, Master of the Dice, Apollo and Marsyas, verso attachment sheet - handwritten in brown ink, The satyr Marsyas is tied to a tree and is about to be flayed. On the right sits Apollo with his lyre and a woman looks on. In the background a landscape., print, prints, verso - stamped, Rafie v... Gin, height 185 mm, width 284 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Courage 1511-1525 Italy. Engraving in black ink on paper . Marco Dente da Ravenna

Three bourgeois women masturbating a monk in a parlour, 18th century. The monk wears a hooded robe, the women are naked or semi naked. A painting on the wall shows a Sapphic scene. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.

Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Antwerp, Cornelis (II), Crescetis Amores, Venus suckling three Amors, verso - stamped, Venus kneels on the ground and suckles Amor. Two other putti, one with wings, the other with dragonfly wings, stand in line waiting to also receive the breast., print, prent, prints, height 218 mm, width 173 mm, 1615 - 1678-10-18, print maker, printmaker, 1610 - 1678, paper, papier, engraving, engraving (printing process), 1576 - 1650-03-29, 1577-06-28 - 1640-05-30

Venus spied by a Sater. The sleeping Venus is glued by a Sater. Amor is sleeping next to Venus.

Saint Sebastiaan, master of the dice, c. 1530 - c. 1560 print Saint Sebastiaan tied to a tree. A landscape and buildings in the background. Italy paper engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk. city-view, and landscape with man-made constructions

Father Time Unveils De Waarheid, Jacob Folkema, 1702 - 1767 print The personification of history records with a writing spring in a book what she sees happening before her eyes. She looks at father time that stands hand in hand with truth, a naked woman surrounded by clouds. The head of truth is adorned with a radiant sun, in her hands she holds a palm branch. paper etching 'Historia'; 'Historia' (Ripa). Time revealing Truth; Time carrying Truth aloft

Two Boys with a Helmet and Standard 1527 Lucas van Leyden Netherlandish. Two Boys with a Helmet and Standard. Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). 1527. Engraving. Prints

The temptation of Adam and Eva in Paradise, Andries van Buysen (Sr.), After Gerard Hoet (I), c. 1711 - c. 1720 print Adam and Eva between the animals in paradise. Eva offers Adam an apple of the forbidden tree. The snake that Eva has tempted to eat fruit from the tree is hidden under a bush. Illustration for the Old Testament, Gen. 3, 6. Under the show a title in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper etching / engraving Eve offers the fruit to Adam

Bacchus and Ariadne, Print made by Bernard Lens, 1659-1725, British, Published by John Smith, 1652-1743, British, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 9 × 7 inches (22.9 × 17.8 cm) and Image: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm), armband, beauty, cherub, cloth, clouds, crown, god, grapes, love, nude, religious and mythological subject, satyr, staff, trees, vines, wife, wings, wreath

The Elevation of Saint MaryMagdalen. Artist: Albrecht Dürer, German, 1471-1528

Bacchus. Dated: 1740s. Dimensions: plate: 11.7 x 9.3 cm (4 5/8 x 3 11/16 in.) sheet: 13.5 x 10.7 cm (5 5/16 x 4 3/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Anton Maria Zanetti.

Heinrich Aldegrever, Chastity, 1552 Chastity

Paris, Oenone and Cupid; Paris, Venus and Cupid. Paris with a shepherd staff, in addition to his first love Oenone. She points to Cupid with a bow in his hand with her right hand. Under the show a two-legged text in Latin.

Woman standing, holding a sickle in her left hand and a horn of plenty in her right Copy after a depiction from the drawing book of Abraham Bloemaert, in the edition of Nicolaas Visscher Numbered 47 in the lower left, Woman with a horn of plenty, Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, print maker: anonymous, Netherlands, (possibly), c. 1679 - c. 1750, paper, etching, h 200 mm × w 153 mm

Lucretia and Sextus. Sextus fails Lucretia, which is naked on a four-poster bed, with a dagger and forces her to submit to him.

Louis XIV (King of France), Paris, Picart, Bernard, Roger, Léonard, Statues from the Gardens of Versailles, Autumn, verso lower left - stamped, Statue in the Gardens of Versailles. The male personification of Autumn, a drinking cup in his hand. At his feet a bunch of grapes. In the margin a caption in French., print, prent, prints, prenten, height 175 mm, width 105 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1709 - 1709, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), supervision, French, 1644 - 1694, after image of, Publication (Event), Publicatie, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener of privilege

Venus en Amor en Athena Anonymous, after Marcantonio Raimondi, after Rafaël, 1510 - 1520 print paper engraving Venus and Cupid (Cupid not being mere attribute). (story of) Minerva (Pallas, Athena)

Charity, Heinrich Aldegrever, 1551, Design for a print., draughtsman: Heinrich Aldegrever, 1551, paper, pen, brush, h 105 mm × w 61 mm

Strength or courage; Fortitudo. Courage or power (Fortitudo) walks with a lion on a lead band along a fire in a landscape.

Marcantonio Raimondi, The Birth of Venus The Birth of Venus

Trunk woman figure looks up at Venus. In a palace on a throne is a woman (possibly the personification of civilization), she keeps a lion on the bridle. In addition to her a stack of famous philosophers. She travels a devil with her feet. She looks forward to a statue of Venus, goddess of fertility, in her hand a staff of Diana from Efese. In the foreground figures that run anxiously from the departure. On the stairs are scissors and a bobbin yarn. In the middle of numbered: ii.

Umbria Terni Amelia Palazzo Petrignani4. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Seated Personification of Charity with two Children. Artist: Jost Amman (Swiss, Zurich before 1539-1591 Nuremberg). Dimensions: sheet: 2 13/16 x 2 1/8 in. (7.1 x 5.4 cm). Date: 1539-91. Museum: Metropolitan Museum of Art, New York, USA.

Venus breaks Amors bow; Scenes with venus and amor; Scherzi d'Amore.venus and Amor in a Landscape. Venus Breaks Amors are on her knee.

Angelica and Medor. Giorgio Ghisi (Italy, Mantua, 1520-1582). Italy, circa 1570. Prints; engravings. Engraving

Johannes de Baptist as a child, Jacob Matham, after Hendrick Goltzius, 1595 - 1599 print John the Baptist as a child, resting in a landscape next to a stream, with a cross in his hand and a lamb next to him. He has a shell in his left hand. Haarlem paper engraving story of the birth and youth of John the Baptist (Luke 1:5-25, 1:57-80). John the Baptist in the wilderness, usually accompanied by a lamb (+ variant)

Moses with the Tablets of Law. Ludolph Büsinck (Germany, Hanoversch Münden, 1599/1602-1669)Georges Lallemand (France, Nancy). Germany, 1623/30. Prints; woodcuts. Chiaroscuro woodcut from three blocks

The Little Fortune 1495-96 Albrecht Dürer German. The Little Fortune 391051

Liefde (Caritas), anonymous, after Jacob Matham, after Hendrick Goltzius, 1587 - 1637 print The personalized love; A female figure surrounded by children. paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Earth ca. 1748 Jean Daullé French. Earth 394370

Ewa Sitz Beham, Sebald (1500-1550); 1519 (1st edition) (1519-00-00-1550-00-00);

Mercy. Beham, Sebald (1500-1550), graphic artist

Copper engraving by Hendrick Goltzius, circa 1587, depicting Habinet with human figures and symbolic or allegorical features.

Man with Torch between Flaming Altar and Statuette published ca. 1599-1622 Engraved by Anonymous, Italian, 16th century Italian. Man with Torch between Flaming Altar and Statuette 371844

Venus appearing with Bartsch 288) Marc Antoine Raimondi (1480-vers1534). Venus appearing with Bartsch 288). Fight, chisel. 16th century.

Artimesia drinks the axis of her man's mausolus; Arthimeesia. Artemisia is sitting at the armor of her deceased husband and has been scattered from a servant the axis of her husband in a drinking cup. In the background his body is burned by Artemisia near a building, which probably imagines the mausoleum to imagine his death.

Death of Lucretia ..

A drawing by an anonymous artist illustrating Noahs drunkenness, executed in chalk and feather with wash and red highlights.

Narcissus. Narcissus in a landscape.

Copper engraving by Albrecht Dürer circa 1498 showing the Sea Miracle with figures, boats, waves, and detailed composition.

Madonna and Child on clouds 17th century Attributed to Simone Cantarini Italian. Madonna and Child on clouds 341535

Mars, Venus and Cupid 1530 Lucas van Leyden Netherlandish. Mars, Venus and Cupid 364760

Diana as hunts. The naked goddess Diana sleeps under a tree. Her arrow sleeve is next to her.

Judith with head of Holofernes and Zwaard, Barthel Beham, 1523 print Nuremberg paper engraving Judith and Holofernes (Judith 8-16)

Eve Seated. Dated: 1519. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

. The personalized love; A women's figure surrounded with children.

Feather drawing by an anonymous artist depicting Kephalos accidentally wounding his wife Prokris while hunting, with laved and oxidized white heightening, based on Ovid's Metamorphoses, 16th century.

Study of Leda and the Swan by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Figure of Christ 16th century Anonymous, Italian, Bolognese Italian. Figure of Christ 342141

Bathsheba at the Bath 1532 Heinrich Aldegrever German Bathesday, seated on the edge of a bath at the lower right, with a standing female figure at left. Above, David on a Balcony.. Bathsheba at the Bath 428363

Peace; Pax; Virtues and vices. Personification of peace (PAX). A woman with a laurel wreath to the head, next to her the cornucopia and in her hand a branch with leaves and fruits. Second print from a series of fourteen with personnifications of virtues and vices.

Holy Family with St. John the Baptist ca. 1640-1642 Simone Cantarini Italian. Holy Family with St. John the Baptist 341426

Barthel Beham, Cleopatra, 1524 Cleopatra

Italy, Testa, Pietro, Rome, Giovanni Cesare, Lunette with Caritas and a female personification with fasces, verso - stamped, print, prints, height 403 mm, width 250 mm, Italian, 1625 - 1660, print maker, printmaker, 1635 - 1660, paper, papier, etching, etchings, 1612 - 1650, intermediary draughtsman

Lying Venus in landscape, Domenico Campagnola, 1517 print Italy paper engraving (story of) Venus (Aphrodite)

Niche with Aurora, the goddess of dawn, as a female personification of the Morning. She is accompanied by a parrot. In the cartouche below the niche a deer hunt., Morning Avrora Amica Mvsis The four times of the day (series title), print maker: Crispijn van de Passe (I), (mentioned on object), unknown, 1574 - 1637, paper, engraving, h 87 mm × w 43 mm

Portrait of Johanna Koerten.

A circa 1495 copper engraving by Albrecht Dürer depicting the Holy Family with a dragonfly, showing detailed figures, composition, and early Renaissance symbolism.

A woman lies across the knees of her husband as a boy raises the posy of flowers he has in his hand to chastise her. Engraving by L. Valperga after A.E. Gibelin.

Vanitas. Draughtsman: Jacob de Gheyn (II). Dating: 1580 - 1595. Measurements: h 169 mm × w 129 mm. Museum: Rijksmuseum, Amsterdam.

Vertumnus and Pomona, Jan Saenredam, After Cornelis Cornelisz. van Haarlem, 1605 print The naked Vertumnus and Pomona, the God and goddess of fruit, sit on a stone in front of a tree. Vertumnus requires the apple that Pomona has in hand. Fruit is in the foreground. The print requires a Latin caption. paper engraving Vertumnus and Pomona

Sine Cerere et Baccho Friget Venus. Dimensions: sheet: 27 x 20.2 cm (10 5/8 x 7 15/16 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Abraham Bloemaert Jan Pietersz Saenredam.

Spring, Drawing for Engraving of the Same Subject. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Overall: 7 5/8 x 5 11/16in. (19.4 x 14.5cm). Date: ca. 1594. Museum: Metropolitan Museum of Art, New York, USA.

Toorn (IRA); IRA Fvror Brevis SVM; Seven deadly sins. Winged woman as a personification of wrath (IRA) standing and dressed in a harness with helmet, she holds a sword and torch in her hands. Next to her is a bear.

This copper engraving by Giovanni Antonio da Brescia from 1509-1525 depicts a woman pouring a plant, showing figures, gestures, attire, and botanical subject in early 16th-century Italian printmaking.

3. At Stoicism / 4. To Love (IT)

Copper engraving by Hendrick Goltzius circa 1597 showing the biblical figure Rebecca, depicted with detailed robes, expressive gesture, and narrative background.

Jacopo de' Barbari, Satyr's Family, c 1503 1504 Satyr's Familytitle QS:P1476,en:Satyr's Family label QS:Len,Satyr's Family label QS:Lde,Satyr Familie

Rear and front views of a statue of Autumn, with a horn of plenty filled with grapes Numbered LXX and LXXI below the representation, Statue of Autumn lAutomne , print maker: Matthijs Pool, (mentioned on object), intermediary draughtsman: Barend Graat, (mentioned on object), Francis van Bossuit, (mentioned on object), Amsterdam, 1727, paper, engraving, etching, h 152 mm × w 115 mm

Venus () and Cupid. Circle of Bernardino Campi (Italian, 1521-1591); or possiby Pierino da Vinci (Italian, c. 1530-1553). Date: 1541-1591. Dimensions: 227 x 139 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on cream laid paper prepared with tan wash. Origin: Italy. Museum: The Chicago Art Institute, USA.

Narcissus, Anonymous, After Arnold Houbraken, 1700 - 1750 print Narcissus looks in a cave at his own reflection in the water. A mountain landscape in the background. At the bottom right: X. Copy to a print from Houbraken from part 2 of a series of prints with emblems. Northern Netherlands paper etching / engraving (story of) Narcissus

Venus suckles three amors; Crescetis Amores. Venus kneels on the floor and suckers amor. Two other putti, one with wings The other with dragonflies wings are waiting in line to also get the chest.

. An old man embraces a young prostitute and gives her his money exhibition.

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