Cupid and Venus Engraving

A classic engraving depicting Venus seated on drapery as Cupid prepares to shoot an arrow. The scene has intricate details and a serene yet playful mood.

Neptune and Caenis, Hendrick Goltzius, 1586 - 1590

Cupid prepares to shoot an arrow as Venus, seated on a drapery, looks over her right shoulder, from the series 'Sport of Love' (Scherzi d'amore). Artist: Odoardo Fialetti (Italian, Bologna 1573-1637/38 Venice). Dimensions: sheet: 5 11/16 x 3 11/16 in. (14.4 x 9.4 cm). Series/Portfolio: Sport of Love (Scherzi d'amore). Date: 1617. Museum: Metropolitan Museum of Art, New York, USA.

An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius 1530-40 Lorenzo de Musi. An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius 654229

Sater operates love with a Nymph, Agostino Carracci, 1559 print An erotic scene with a Sater that operates love with a nymph against a tree. Italy paper engraving satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa). satyr(s) pursuing nymph(s). coitus, cohabiting, sexual intercourse

Neptune and Caenis, Hendrick Goltzius, 1586 - 1590

Parmigianino, Judith Judith

Rust (Quies), Hendrick Goltzius, 1582 print Naked woman resting against the pedestal of an image. Print from a series of four. Two lines of Latin and two lines of Dutch under each print from this series. paper engraving Rest; 'Quiete' (Ripa)

Sater spies a sleeping woman, Francesco Brizio (attributed to), Agostino Carracci (Possible), 1584 - 1623 print A satar peeks from behind a curtain to a naked sleeping woman. paper engraving satyr(s) spying upon. sleeping; unconsciousness

Mary Magdalene, reading by a tree. In front of her stands an ointment pot, which refers to a scene from her life that is also depicted in the background: she kneels down before Christ at the Last Supper to anoint his feet. Beneath the scene is a two-line Latin text. This print is part of a series of eight penitent sinners, each print in this series consists of an image of a sinner, above him/her a number of (musical) angels in a wreath of clouds, in the background a scene from the life of the sinner concerned, below the scene two lines of text in Latin, Mary Magdalene as a penitent sinner Eight penitent sinners from the Old and New Testament (series title)., print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (attributed to), Karel van Mander (I), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Amsterdam, 1595 - 1596, paper, engraving, h 204 mm × w 146 mm

Allegorie met Saturn, peanut en de Roem, Giuseppe Diamantine, c. 1660 - c. 1680 print paper etching (Story of) Saturn (Cronus). (Story of) Cupid, Amor (Eros). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Neptune and Caenis. Neptunus, standing on a large fish in the sea, grabs the virgin Caenis at her arm and means while walking along the coast. Under the show two Latin lines.

Hercules kills cacus; Working from Hercules. Hercules pushes cacus with his foot on the floor, has lifted his steel knots to kill cacus. In the background Cacus at a cave, two stolen cows from Geryon herds stuck to the tail. Under the show a two-legged text in Latin. Third print from a series of thirteen with the works of Hercules.

Pan, Pomona and Amor. Pan, Pomona and amor sitting under a tree where musical instruments and a bow and arrow sleeve hanging. Pomona has a cornucopia in her arms.

Venus sailing in a shell. Naked Venus in shell with sail, oar and burning torch. To the sky Cupid with arrow and bow.

Venus and amor.venus sits with amor on her lap. She takes amor at his left arm.

Venus, standing with the three Graces, is offered a flower from a putto 1607-61 Pierre Biard II. Venus, standing with the three Graces, is offered a flower from a putto. Pierre Biard II (French, Paris 1592-1661 Paris). 1607-61. Engraving. Prints

Hercules at the Crossroad. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 12 13/16 × 8 15/16 in. (32.6 × 22.7 cm). Date: ca. 1498. Museum: Metropolitan Museum of Art, New York, USA.

St. Mary Magdalene Penitent, Hendrik Goltzius, Netherlandish, 1558 - 1617, Engraving on laid paper, Standing figure of Mary Magdalen in frontal view. Her head is turned to left, lookking down. She holds a book in her right hand; her left hand rests upon a skull on a rock. In background, hills, houses, and a crucifix. Inscribed, lower left: H. Goltzius inuen. et sculptor exeubat'; center: 'A 1585'; across lower margin: 'Dum su a perpetua deplorat crimina fieta, grata pio, neruit Magdalis este deo'. Cut within platemark., Netherlands, 1585, Print, Print

Venus and Dead Adonis, 1515 - 1565 print The naked Venus squat next to the dead body of Adonis. Amor is on the right. In the Italian fresh fresh in two columns. Italy paper engraving death of Adonis: he is killed by a boar

H. Sebastiaan, anonymous, after Paulus Pontius, after Gerard Seghers, c. 1630 - c. 1680 print Amor pulls an arrow out of the body of Saint Sebastiaan. Southern Netherlands paper engraving / etching St. Sebastian, tied to a tree or a pillar, is pierced by arrows. (story of) Cupid, Amor (Eros)

Venus crouching by a plinth on top of which stands Cupid ca. 1510-27 Marcantonio Raimondi Italian. Venus crouching by a plinth on top of which stands Cupid 342596

Thetis Standing with Two Tritons Anonymous, Italian, 16th century Italian. Thetis Standing with Two Tritons 367771

Apollo en hyacinth, Giovanni Jacopo Caraglio, after Perino del Vaga, 1515 - 1565 print The naked Apollo is sitting on his lap with the naked Spartan prince Hyacinthus. In the background on the left is a putto. In the undermarge Italian fresh in two columns. Italy paper engraving Apollo and blue. Homosexual Love

Albrecht Dürer, Hercules at the Crossroad, 1498 1499 Hercules at the Crossroad

H. Sebastiaan. Amor draws an arrow from the body of the H. Sebastiaan. Left in the foreground is its arrow sleeve. In the margin an assignment and below that a two-person caption in Latin.

Foolishness of Divine, Dirck Volckertsz. Coornhert, After Willem Thibaut, 1532 - 1590 print A crazy in Roman armor leans against a niche. He holds a burning human heart. Two men are involved in a fight in the flames. The print has a Latin caption that warns of the dangers of Twist (Proverbs 17: 11a). paper etching / engraving fool, simpleton, numskull. Disagreement, Discord; 'Discordia' (Ripa). heart symbolism (+ fighting)

Italy, Testa, Pietro, Rome, Giovanni Cesare, Lunette with Caritas and a female personification with sword and compass, recto lower left - handwritten in brown ink, print, prints, verso - stamped, 1132, height 410 mm, width 222 mm, Italian, 1625 - 1660, print maker, printmaker, 1635 - 1660, paper, papier, etching, etchings, Work conception, 1612 - 1650

Susanna and the elders. Susanna, sitting on the edge of a basin to bathe, is harassed by two old men who are in danger of giving her to accusation of adultery if they resist them.

Venus hiring at column on which Amor stands.

Engraver: Pietro del Po, Italian, 1610-1692, After: Domenichino (Domenico Zampieri), Italian, 1581-1641, Saint Jerome in theDesert, Engraving, image: 43.1 × 33.4 cm (16 15/16 × 13 1/8 in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Scriverius, Petrus, Delft, Mierevelt, Michiel Jansz. van, Leiden, Swanenburg, Willem Isaacsz. van, Judgement of Paris, Pallas, Minerva by a tree, Michiel Jansz van, verso lower left - stamped, Minerva stands by a tree. She wears a helmet and holds a spear. Against the tree is the shield with the head of Medusa. Below the image is a four-line Latin text describing Minerva's promise to Paris., print, prints, height 246 mm, width 142 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1595 - 1612, paper, papier, engraving, engraving (printing process), Work conception, 1567-05-01 - 1641-06-27, after a design by, 1576 - 1660, writer

Allegory of transience (vanitas), John de Groot (II), After Johannes de Boekhorst, 1745 print Allegory of transience with three children whose soap bubbles blows. Another holds a parrot and a third plays a lute. There is a skull in the foreground. Northern Netherlands paper engraving (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'. one person playing string instrument (plucked). lute, and special forms of lute, e.g.: theorbo. ornamental birds: parrot. 'Vanitas' symbols

Temperance. From: The Virtues prints, engravings, works on paper

Venus and Cupid; Venus La Tresbelle Doese Damours. Naked Venus and Cupid with Arrow and Bow Sitting on a Cloud. In air putto with banderole with text.

. Allegorical performance with Neptune (as a person's personification), seen on the back, and cybele (as a personification of the earth). Cybele is next to a curnu copia and is crowned by an angel with a laurel wreath. In the foreground a river god, blowing in a shell. With an empty margin under the show.

Two seated angels, facing left, reading from a song book, from The Angels' Concert 1583 Cherubino Alberti (Zaccaria Mattia) Italian. Two seated angels, facing left, reading from a song book, from The Angels' Concert 652042

Groupe d'enfans 17th century Anonymous, French, 17th century French. Groupe d'enfans 344371

Venus and Cupid. Dated: 1528. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Venus and Adonis ca. 1570 Giorgio Ghisi Italian. Venus and Adonis 367694

Angelica en medor, Giles Sadeler (2), after Carlo Caliari, 1580 - 1629 print The loving couple Angelica and Medoro next to a stream. Amor lies next to them on the ground with burning torch in their hands as a symbol of their love. Medoro Make their names in a tree. On the right a putto with a goat. The print has an Italian caption about the epic story Orlando Furioso. print maker: Italypublisher: Venice paper engraving Angelica. Medoro. Cupids: 'Amores', 'Amoretti', 'Putti'

Venus in Cupid, Lucas van Leyden, 1528 print Naked Venus and Cupido with arrow and bow sitting on a cloud. In air putto with banderol with text. Low Countries paper engraving Venus and Cupid (Cupid not being mere attribute)

Roman soldier with fasces seen on his back.

Satyr carrying a nymph restraining her right arm. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Anonymous, Italian, 16th to early 17th century. Dimensions: Sheet (Trimmed): 7 5/16 × 4 15/16 in. (18.6 × 12.5 cm). Date: ca. 1515-1600. Museum: Metropolitan Museum of Art, New York, USA. Author: After Giulio Romano. Anonymous, Italian, 16th to early 17th century.

Orpheus en Eurydice, Heinrich Aldegrever, After Marcantonio Raimondi, 1528 print Orpheus, standing by a tree, naked and playing on a fiddel, a bag around his shoulder with a flute in it. Eurydice sitting at the foot of the tree, her head leaning on her hand. Germany paper etching Orpheus and Eurydice. one person playing an instrument

The Sea Monster ca. 1498 Albrecht Dürer German. The Sea Monster 391044

Jupiter en Callisto op een Bed, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching Jupiter, in the guise of Diana, and Callisto

Feather and lavated drawing by an anonymous artist showing Salome holding the head of John, depicting figures, gestures, drapery, and composition; upper left corner damaged.

Lucretia puts herself dead in chest, Giacomo Francia, after Marcantonio Raimondi, 1490 - 1557 print paper engraving death of Lucretia: she commits suicide by stabbing herself

. A women's figure with a second face on her mind as a personification of adversity (Prudentia). In her one hand she has a mirror and in her other hand two snakes.

Amor breaks his bow. Amor breaks his bow over his knee. A putto is defeated on the ground, chained to a rock wall. The arrows of Amor are in the foreground.

Hercules Squeezing Antaeus to Death. 1550. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venus keeps Adonis van de Jacht, Jan Verkolje (I), 1660 - 1693 print Venus and Amor try to prevent Adonis from going hunting. However, Adonis is going to hunt; His two hunting dogs are already ready. In the foreground a spear and a hunting horn. print maker: Delftpublisher: Amsterdam paper Venus and Adonis as lovers

Speculum Romanae Magnificentiae: Young and Old Bacchant ca. 1514-36 Marcantonio Raimondi Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of print

The Cupme Land Entraco di a Apresponday deign Francesco France () (Bavesch 438) Marc Antoine Raimondi (1480-vers1534). The sleeping man at the entrance of a wood after Francesco Francia (Bartsch 438). Fight, chisel. 16th century.

Follower of Marcantonio Raimondi after Raphael, Psyche Carried to Olympus Psyche Carried to Olympus

Three naked men in landscape, Marcantonio Raimondi, After Lucas van Leyden, After Michelangelo, 1510 print paper engraving male sex; man. the (nude) human figure; 'Corpo humano' (Ripa)

Mercury, Argus en Io, Jacques Kuyper, 1771 - 1808 print Under a tree, Mercurius plays his shepherd's whistle to appease Argus, which is opposite him. Next to Mercury are his staff and a dog. Diagonally behind Argus is in the form of a cow. paper etching Mercury lulls Argus into sleep by making music. dog

Cimon Breastfed by his Daughter Pero. Beham, Sebald (1500-1550), graphic artist

Attributed to Jacob Matham, after Hendrick Goltzius, Venus and Cupid, c1587 Venus and Cupid

Rome, Rossi, Giovanni Giacomo de', Italy, Carracci, Ludovico, Agostino, Annibale, Mitelli, Giuseppe Maria, L'Enea Vagante pitture dei Caracci, Wanderings of Aeneas, Man Subduing a Harpy, verso - stamped, Console with a naked man, one of Aeneas' soldiers, sitting on a Harpy. The Man Pulls the Harpy's Hair., print, prints, height 336 mm, width 210 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1663 - 1663, paper, papier, etching, etchings, 1560-11-03 - 1609-07-15, after a painting by, 1557 - 1602-03-22, 1555 - 1619-11-13, 1627 - 1691, printer, drukker

Satyr and Nymph. 1557 - 1600. Carracci, Agostino, 1557-1602. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris ca. 1580-1600 Adriaen Collaert Netherlandish Plate 4 from a series of six devoted to the figures in the mythological story of the Judgment of Paris. Vertical panel with Venus reaching out to Cupid, set in a landscape in a medallion at center. The nude figure of Venus holds up an apple in her right hand, while gesturing down to the figure of Cupid at her left. Surrounding the medallion, a dark background with grotesque ornament, including a vase flanked by outward-facing birds at top center.. Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris 425855

Diana en Endymion, anonymous, after Annibale Carracci, 1570 - 1659 print The goddess Diana embraces the eternally sleeping young man Endymion. A dog sleeps in the foreground. Two putti in the background. print maker: Italyafter painting by: Rome paper etching Hercules wooing Iole. (story of) Cupid, Amor (Eros)

Venus and Amor. Venus is located right at the foot of a tree. With her arm she leans at Amor who is next to her. In his left hand, Amor holds his arrow, and with his right arm he supports his bow. The arrow sleeve is located next to him on the floor. A city on the water in the background.

Rome, Paulus V, Stefanoni, Pietro, Cambiaso, Luca, Italy, Schiaminossi, Raffaello, Assumption of Mary Magdalene, verso - stamped, Mary Magdalene, her naked body partly covered by her long hair, is carried up to heaven by five angels. Dedication and three-line Latin text in bottom margin., print, prints, height 287 mm, width 203 mm, Italian, 1572 - 1622, print maker, printmaker, 1612 - 1612, paper, papier, etching, etchings, Work conception, 1527-10 - 1585, after a design by, Publication (Event), Publication, 1589 - 1627, publisher, uitgever, 1552 - 1621, granter van privilege

Creation of Eva, Heinrich Aldegrever, 1540 print God kneeling in paradise and with a crown on the head, Eva pulls up from the side of the sleeping Adam. First print from a series of six with the story of Adam and Eva. Germany paper engraving Eve emerges from Adam's body

Tactvs; Five senses. Personification of the feeling, a naked woman with a snake around her right leg walks into a landscape. Fifth print from a series with the five senses engraved by N.J. Clock and C.J. Drebbel.

Face, Jacob de Backer, 1570 - 1590 print A half -naked lady looks in a mirror. At her feet is an eagle, as a symbol for a sharp look. Print from a series with five allegorical representations of the senses. paper etching sight, looking (one of the five senses)

Chéron, Louis, Amsterdam, Picart, Bernard, Apollon Consacre sa Lire à la Verité, Apollo en Waarheid, verso lower left - stamped, Apollo hands his lyre to the allegorical figure of Truth (Veritas). She sits on a cloud and holds a mirror in her hand. Pegasus flies in the background on the left. In the margin the title in French., print, prent, prints, height 148 mm, width 82 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1725 - 1725, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), supervision, Work conception, French, 1660-09-02 - 1715

This copper engraving by Sebald Beham depicts the allegorical theme of caution, showing human figures, gestures, and symbolic composition.

Venus gives Amor a position; Scenes with Venus and Amor (copies); Scherzi d'Amore.venus and Amor in a Landscape. Venus is Against A Tree and Gives Amor a position. Amor is in tears. Italian fresh in undermarge.

Diana and Endymion; Paintings in Palazzo Farnese in Rome. The goddess Diana embraces the eternally sleeping young man Endymion. A dog is sleeping in the foreground. Two putti in the background.

Francesco Salviati (Francesco De' Rossi) (Attributed to) / 'Cupid'. Second third of the XVI century. Wash, White lead, Pencil, Grey-brown ink on tinted paper. Museum: Museo del Prado, Madrid, España.

Saint Sebastian. Master I.B. with the Bird; Italian, active c. 1500-1525. Date: 1506-1507. Dimensions: 204 x 144 mm. Engraving, on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The personification of the element water (aqua): a female figure lying by a stream with fish. Next to her is a shell from which water is flowing. In the background a sky with rain and two boats. First print from a series of the four elements, Water (Aqua) Aqua The four elements , print maker: Jacob Matham, (workshop of), intermediary draughtsman: Jacob Matham, publisher: Jacob Matham, (mentioned on object), Haarlem, 1606 - 1610, paper, engraving, h 119 mm × w 148 mm

Avarice, Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print The Personified Germanship; A female figure with many money fairs, standing in a landscape. A path next to her on the ground. Haarlem paper engraving Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins

Sixth Day: Creation of man, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print The sixth day of creation: God creates Eva, while Adam is sleeping on the ground. In the background God the Father and Adam. Adam points to the animals. To the Bible text in Gen. 1: 26-31. print maker: Amsterdampublisher: Haarlem paper engraving creation of man; the Garden of Eden (Genesis 1:26 - 2)

Frygische Sibille, Philips Galle, After Anthony Blocklandt, 1575 print The Frygian Sibille is on a tree trunk. A book is open on her knees. The print has a Latin caption and is part of a ten -part series about the Sibillen. Antwerp paper engraving sibyls (with NAME)

Antwerp, Schut, Cornelis (I), Eynhoudts, Remoldus, H. Sebastiaan, verso - stamped, Saint Sebastian is tied to a tree by his arms. An arrow pierces his leg. Next to him are two people and a basket with arrows, on the other side an angel tending his wounds. Below the representation are two lines of Latin., print, prent, prints, prenten, height 338 mm, width 230 mm, 1613 - 1680, print maker, prentmaker, 1626 - 1680, paper, papier, counterproof, tegendruk, etching, etchings, Zuid-Nederlands, 1597-05-13 - 1655-04-29

Judith with her sword raised in her right hand and placing the head of Holofernes in the sack with her left ca. 1540-45 Andrea Schiavone (Andrea Meldola) Italian. Judith with her sword raised in her right hand and placing the head of Holofernes in the sack with her left 396458

Vanity, Jacques de Gheyn (2), 1580 - 1595 drawing A naked child is sitting on a skull and looks in a convex mirror that he holds in his right hand. He has a rose in his left hand. A vase on a rock rises smoke. Left behind the child three Corners, the seeds of which fall from one ear on the ground. A second skull for the child and a rose bush on the right. paper. ink pen mirror

Mercury brings Paris the golden apple. Mercury and Paris in a landscape. Mercury floats in the air and gives Paris the golden apple.

Hercules is struggling with Antaeus, Agostino Veneziano, After Rafaël, 1533 print Hercules holds the giant Antaeus around his waist. Because Antaeus was invincible as long as he stayed in contact with the earth, Hercules lifted him off the ground. Next to them is an old woman watching on the floor. In the background a landscape with buildings and ruins. In the lower margin a cartouche without text. Italy paper engraving / etching the giant Antaeus is lifted in the air and crushed to death by Hercules. old woman (+ sitting on the ground)

Diana, anonymous, Jost Amman, 1580 print paper (story of) Diana (Artemis)

Bacchus taking Ariadne by the hand, Herculaneum, Campania, Italy, engraving by Rocco Pozzi from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 28, 1757-1787, Naples.

Albrecht Dürer, The Expulsion from Paradise, 1510 The Expulsion from Paradise

Allegorie op de overvloed.Female personification of abundance with a cornucopia filled with fruits, accompanied by a nude little boy and a naked girl. The latter carries a large palm branch.

Two putti that wear a sphere, Heinrich Aldeglever, 1512 - 1560 print Flat decoration with two putti that keeps a sphere up. Germany paper engraving ornaments ~ art. Cupids: 'Amores', 'Amoretti', 'Putti'

Sideline; The five senses. A half-naked lady is tapped into her finger by a bird. On the right in the foreground a turtle runs. In the background you can see how a woman embraces images. Print from a series of five allegorical representations of the senses.

The first prohibition, Lucas van Leyden, 1529 print God points Adam and Eva to Boom of Good and Evil. Low Countries paper engraving the giving of the test commandment: God warns Adam and Eve not to eat from the tree of knowledge of good and evil

Venus tries to keep Adonis from hunting, Anonymous, After Hans Rottenhammer (I), 1650 - 1716 print Venus is under a rose bush and tries to stop Adonis who goes hunting because she knows that he will die. At the front left is a hunting dog at an arrow cooker. On the right Amor holds another hunting dog. Under the show a twelve -line caption in Latin and a Latin saying in a cartouche. print maker: Low Countriespublisher: Paris paper engraving Venus trying to prevent Adonis from going hunting

Justice and caution (Justitia / Prudentia), 1580 - 1584 print Justitia and Prudentia in the foreground; A building can be seen in the background on the right. Print from a series of four. A combination of two virtues can be seen on each leaf. A rule of Latin under each print from this series. paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Justitia (justice) as Roman personification. homosexual love - CC - homosexual love between women: lesbianism

Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from a series of mythological gods and goddesses 368127

Putto with a vase sitting on the end; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 16th century (1561-00-00-1561-00-00);

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Jan Pietersz Saenredam after Abraham Bloemaert, Adam Naming the Animals, 1604 Adam Naming the Animals

Strada, Vespasiano, Rome, Carracci, Agostino, Santini, Little saints, Mors mea vita tua, Corpus Christi, verso - stamped, The body of Christ supported by angels., print, prints, height 88 mm, width 74 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1581 - 1581, paper, engraving, engraving (printing process), Work conception, 1582 - 1622-08-05

Elevation of Saint Mary Magdalen, Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, In the foreground, a nude Mary Magdalen is being carried to heaven by angels from Mt. Pilon. In the background, the sea with ships and landscape., Germany, ca. 1500, figures, Print, Print

Sixth Day: Creation of man, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print The sixth day of creation: God creates Eva, while Adam is sleeping on the ground. In the background God the Father and Adam. Adam points to the animals. To the Bible text in Gen. 1: 26-31. print maker: Amsterdampublisher: Haarlem paper engraving creation of man; the Garden of Eden (Genesis 1:26 - 2)

Saint John the Evangelist 1567 Italy. Etching in black on paper . Paolo Farinato

Procris Bespiedt Cephalus, Georg Pencz, 1539 print Procris hides in the scrub to spy Cephalus during hunting, but Cephalus hears rustles and focuses on her. paper engraving CEPHALUS and Procris

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