Dance Caricatures and Social Scenes

A collection of vintage prints showcasing humorous dance scenes and social gatherings, featuring people in elegant attire and animals in human-like situations.

Une école de danse, 1860 - 1869., Paris. Publisher, Imp. d'Aubert & Cie. Colored lithograph with a line border. 20 x 18.3 cm. Dance, caricatures and cartoons, animals in human situations

Une école de danse. Prints. 1860 - 1869. Jerome Robbins Dance Division. Dance , Caricatures and cartoons, Animals in human situations

Scene picture from after sunset, comedy by Georg Lotz theatrical picture gallery for the theater newspaper, st year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Man embarrassed at being made to dance at a country dance. More Miseries. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

Society ball, Anonymous, After Jean François Bosio, c. 1804 Dancing company in a sociéteits building. At the back left is the orchestra on an elevation. In the foreground, a woman is asked to dance. The audience is dressed according to fashion around 1800. Some in travesty, with masks. Paris paper engraving fashion plates. dancing. masquerade, masked ball. invitation to the dance. head bent forward; bowing. ball, formal dance. dress, gown: ball gown (+ women's clothes). ensembles of pieces of clothing (SUIT) (+ men's clothes). party clothes, festive attire. head-gear: bicorne, bicorn (+ men's clothes). arm in arm (lovers). clothes, costume (+ men's clothes). small group of musicians, chamber orchestra, jazz band

Mad, Brünning, Mr, Director Carl and Hr, Find iron in Marie, the daughter of the regiment costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Artist, after, Anton Elfinger -, artist

Theatrical Pleasures, Plate 5: Feasting in the Saloon ca. 1835 Theodore Lane British. Theatrical Pleasures, Plate 5: Feasting in the Saloon 392471

Mr, Wilhelmi as Waldheim and as Müller Reinhold costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Une école de danse, 1860 - 1869., Paris. Publisher, Imp. d'Aubert & Cie. Colored lithograph with a line border. 20 x 18.3 cm. Dance, caricatures and cartoons, animals in human situations

Dance master Pauxel, or carnival pranks Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Mr, Nestroy as a served pike, Dlle Dielen as GenoveFa and Mr, Klischnig as a monkey in The monkey and the groom costume picture No, for the theater newspaper, Unknown

Weiss es Deine Frau, dass Du hier bist Wiener Scene. Schoeller, Johann Christian, 1782-1851. Prints. 1830 - 1839. Jerome Robbins Dance Division. Masquerades, Dance , Caricatures and cartoons

English gentleman arguing with his wife over money in the dining room. She throws a cup of coffee at him and dashes a tray of crockery to the floor. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817.

Chaotic scenes on a Regency stage as the curtain goes up early. A scene not contemplated by the author of the play. The prompter not at his post, the mischievous actor, the manager in grief, the performers in trouble, the audience surprised, the curtains up before time. Handcoloured engraving etched by Theodore Lane from Pierce Egans The Life of an Actor, Pickering and Chatto, London, 1892.

The local singer and her father or the theater in the theater costume picture No, for the theater newspaper, Leopold Zechmayer -, Copper Engraver, after, Johann Christian Schoeller -, artist

Doctor Fausts coat, Magic game by Bäuerle theatrical picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Mr, and Madame Bekmann in the Vaudeville, The miller of Burgos costume picture No, to the theater newspaper, Leopold Zechmayer -, Anton Elfinger -

SCENE FROM 'THE SHERIFF OF THE COUNTY,' AT THE HAYMARKET THEATRE.

Mr, and Madame Bekmann in the Vaudeville, The miller of Burgos costume picture No, to the theater newspaper, Leopold Zechmayer -, Copper Engraver, After, Anton Elfinger -, Artist

Mad, Brüning and Dr, Carl in the Vaudeville Chonchon costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Artist, after, Anton Elfinger -, artist

Frontispiece of the vocal score of opera Un Ballo in maschera by Giuseppe Verdi, Focosi, Roberto (1806-1862)

Scene picture from the opera Martha by Flotow costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Anton Elfinger -, artist

Julie Rettich and Ludwig Löwe as Parthenia and Ingomar in The Son of Wilderness costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Copper Engraver, After, Anton Elfinger -, Artist

Paris - Cabaret Scene at Ramponau Attributed to Etienne Bouricourt. Cabaret scene at Ramponau. Gouache, 1789.

Dobbing and making music, George Cuikshank, After George Moutard Woodward, 1800 print Leaf with two performances, each depicted on a roll that is held by two figures. Above an interior with men who play 'Hazard', a popular dice game. Under an interior with men and women who play different instruments, including violin, flute, triangel and drum. paper etching political caricatures and satires. dice-games. making music; musician with instrument

Theatrical Pleasures, Plate 4: Taken Places Occupied ca. 1835 Theodore Lane British. Theatrical Pleasures, Plate 4: Taken Places Occupied 392470

Mr, and Madame Bekmann in the Vaudeville, The miller of Burgos costume picture No, to the theater newspaper, Leopold Zechmayer -, Artist, after, Anton Elfinger -, artist

Regency gentlemen finishing the night with a fight at a notorious bar at 4AM. The Hall of Infamy, alias the Oyster Saloon in Bridges St. or New Covent Garden. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Philibert-Louis Debucourt, Dance Mania (La manie de la danse), 1809, color aquatint and etching, printed à la poupée, on paper.

Mr, Raimund and Dlle Dielen as Valentin and Rosa in The Wastder costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Actress receives advice from the director, Paul Gavarni, 1843 print The actress is advised to walk up the stairs less quickly during the scene, so that her opponent has the time to kill herself. Paris paper actress (on the stage). rehearsal, studying the role ~ theatre. director, producer ~ the stage

Comforts of Bath: The Concert, Thomas Rowlandson, 1756-1827, British, 1798, Watercolor with pen and gray and black ink on medium, slightly textured, blued white wove paper, Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm) and Sheet: 4 13/16 x 7 3/8 inches (12.2 x 18.7 cm), audience, chairs, chandelier, concert, feathers, genre subject, hats, men, ribbons, singer, women, Bath, Bath and Northeast Somerset, England, Europe, Somerset, United Kingdom

Man with gun at a woman; Talland, the father / papers! (...). In an interior a man points his gun to a frightened woman. Scene from the play The conscience of August Wilhelm Iiffland. Legal education labeled: Ifr. XII tone.

Julie Rettich and Ludwig Löwe as Parthenia and Ingomar in The Son of Wilderness costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Copper Engraver, After, Anton Elfinger -, Artist

Mr, Raimund and Dlle Dielen as Valentin and Rosa in The Wastder costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Mr, and Madame Bekmann in the Vaudeville, The miller of Burgos costume picture No, to the theater newspaper, Andreas Geiger -, Copper Engraver

Little Dorrit, Mr. Baptist is supposed to have seen something

A peep at the Parisot with Q in the corner. Prints. 1796-05-07. Jerome Robbins Dance Division. Ballet , England , 18th century, Dance , Caricatures and cartoons, Ballet , 18th century, Parisot, Mlle, fl. 1795-1806

Nicholas congratulates Arthur Gride on his wedding morning. Illustration from the Charles Dickens novel Nicholas Nickleby by H.K. Browne known as Phiz

Scene picture from Ludovic, opera in four acts by G, Kupelwieser theatrical picture gallery for the theater newspaper, No, Andreas Geiger -, Copper Engraver, after, Joseph Schmutzer -, artist

Man kisses the hand of an actress, Paul Gavarni, 1843 print Paris paper kissing the hand (lovers). courting. actor, actress (non-work situations). stage costume - CC - female

All´s Well That Ends Well. Act V. Scene III. Rousillon The Count´s Palace. King, Countess Lafeu, Bertram, Helena, Diana, Lords, Attendants and Widow. From The Boydell Shakespeare Gallery published late 19th century. After a painting by Francis Wheatley.

A Parisian ball--Dancing at the casino , Balls Parties, Dancers, Dance

The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Our taxes by H. Demare // the piano tax. / No. 19.

A Ball at Scarborough, Thomas Rowlandson, 1756-1827, British, ca. 1820, Watercolor, with pen, in red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm), balcony, ball (party), chandeliers, dance, formal dresses, genre subject, men, musicians, room, windows, women, England, Europe, North Yorkshire, Scarborough, United Kingdom, Yorkshire

The Queen Opening St, Thomas`s Hospital, Opening of St, Thomas Hospital by Victoria, Queen of Great Britain and Ireland from The Illustrated London News ,

Garrick in Bristol, comedy from Deinhardstein Gallerie Drollerie Scenen for the theater newspaper, th year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

ASSASSINATION ATTEMPT ON GEORGE III - scene as Mrs Margaret Nicholson attempts to stab the King. Date: 1786

Scene from Don Giovanni as performed at the Kings Theatre. Don Giovanni by His M-y, Donna Anna by a celebrated actress, her first appearance on this stage these 7 years, Leporello by Derry Down Triangle, the other characters by the Corps de Ballet. Print showing George IV, in the title role of Mozart's opera, surprised by the sudden arrival of his wife, Caroline, as Donna Anna, lately returned from Italy, during the wedding feast scene, at which a number of bare breasted women are present; on the left, Lord Castlereagh, playing the role of Leporello, holds a long list of the King's female conquests.

Political masquerade (IFF 61). (registered title)

Johnny and other Midshipmen on shore leave attend a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

The Mahler and his colors, Posse von Geich theatrical picture gallery for the theater newspaper, rd vol, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Mr Fezziwigs Ball. An illustration by John Leech for A Christmas Carol by Charles Dickens.

What comes from the flute returns to the drum. (IT)

Scene from the Stradella opera, Mr, West and Mr, Radl as the Beyden Bandits costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver

The Dance of Death, The Vision of the Skulls, Skeleton Shows Society an Ossuary, Historical, digitally restored reproduction from a 19th century original.

Bal de la courtille. Prints. 1830 - 1839. Jerome Robbins Dance Division. Dance , France , 19th century, Dance , Caricatures and cartoons, Musicians

Regency theatre troupe passing a turnpike tollgate. A wagon laden with scenery, props and actors on a country road. A Scene full of Effect without the aid of canvas. Actors travelling in search of fame. Proteus in a rage. The turnpike hero paid for his sneers. Handcoloured engraving etched by Theodore Lane from Pierce Egans The Life of an Actor, Pickering and Chatto, London, 1892.

Mad, Fichtner as Catharina, Mr, Lion as Petruchio, Mr, Wilhelmi as Baptista, Mr, Herzfeld as a tramio in the comedy, the refugee according to Schakespeare von Deinhardstein costume picture No, for the theater newspaper, After, Johann Christian Schoeller -, Artist, Andreas Geiger -, Copper Engraver

La mazourka. Selections Mazourka, album à la mode. Guérard, Eugène Charles François, 1821-1866. Prints. 1844. Jerome Robbins Dance Division. Ballroom dancing , France , 19th century

Dance of death ..

Alexis (Bressant), Vanderk (Dupuis), Sophie (Madame Figeac), Victorine (Madame Rose Cheri), Madame Vanderk (Melanie), last scene of Act III from Le Mariage de Victorine, by George Sand, at the Theatre du Gymnase, Paris, France, illustration by Henri Valentin from L'illustration, Journal Universel, No 458, Volume XVIII, December 4-11, 1851.

Tanzmeister Pauxel, oder Faschingsstreiche. Schoeller, Johann Christian, 1782-1851. Prints. 1820 - 1829. Jerome Robbins Dance Division. Ballroom dancing , Caricatures and cartoons

Tom, Jerry and Logic makingthe most of an evening atVauxhall Gardens.Date: 1820

Fashionable men and women playing pool in a billiards room in the 19th century. Handcoloured lithograph after Jean-Henri Marlet from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.

The diamond of the ghost king, Magic game by Raimund Theatrical picture gallery for the theater newspaper, st year, No, Johann Wenzel Zinke -, Artist, after, Johann Christian Schoeller -, artist

Enter the dance See as one dances ... (IT)

Sebaldus in the basket; Seabaldus ascension. While Sebaldus is in the basket and calls for help, Werther's hand grabbed the hand of Eugenia to flee with her. Illustration at a scene from the play 'The Ascension of Sebaldus'.

Fashionable Parisians playing a game of chance called loto or lotto, 1798. Incroyables in high cravats, gilets, redingotes, wigs, breeches and boots. Engraving from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.

The local singer and her father or the theater in the theater costume picture No, for the theater newspaper, Leopold Zechmayer -, Copper Engraver, after, Johann Christian Schoeller -, artist

Les Graces , Inconveniences in quadrille dancing. Prints. 1817. Jerome Robbins Dance Division. Quadrilles, Dance , Caricatures and cartoons

The Gig Shop or Kicking Up a Breeze at Nell Hammiltons Hop February 16, 1811 Thomas Rowlandson Joseph Grego, Rowlandson's early cataloguer, describes this impromptu boxing in "a place of 'fast' resort, where dancing has given way to much rougher diversions...with the place appropriated for the dance...given up to a "mill" conducted on strikingly professional principles. One of the combatants has "peeled" in recognized style, and his opponent has stripped to his shirt; the backers and seconders of the fisticuffing bucks...are members of the fair sex...A ring of delighted spectators are enjoying the fight and the fun from the benches, while other gentlemen are prudently engaged in restraining their fair partners from getting mixed up in the squabble."The term gig in the title refers to something that whirls-dancers and boxers-and "mill" is slang for bare-knuckle boxing. Nell Hammilton may be Elizabeth, Duchess of Hamilton, wife of the 8th Duke, who had promoted boxing. The couple's m

Waltzer au mouchoir , Ballroom dancing, Dancers, Waltz. John D. Merriam Collection

Theatrical Pleasures, Plate 1: Crowding to the Pit ca. 1835 Theodore Lane British. Theatrical Pleasures, Plate 1: Crowding to the Pit 392468

N ° 15 / Our winners by H. Demare / dialogue bright and animated / Nix! ... Nix! ... Ah! ... Nix! (IT)

Renewed entertainment of Guillaume Tell ... / 2 (title registered (letter)) | Country festivals. (Title of all)

Scene from the Stradella opera, Mr, West and Mr, Radl as the Beyden Bandits costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver

Opera Reminiscences, Plate 1st: Desdemona and Otello July 15, 1829 William Heath ('Paul Pry') Desdemona stands at left, one arm outstretched towards Otello, who wears Turkish costume, has his arms raised and his mouth open as if in song. Rossini's opera was based on a French adaption of the story, rather than directly on Shakespera's play, and was first performed in London in 1822.. Opera Reminiscences, Plate 1st: Desdemona and Otello. William Heath ('Paul Pry') (British, Northumbria 1794/95-1840 Hampstead). July 15, 1829. Hand-colored etching. Thomas McLean (British, 1788-1875). Prints

Schmidt and Wenzel Scholz in The Schneider and his daughter costume picture No, for the theater newspaper, section right side of the leaf, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Scene picture from The Feast of the Craftsmen, Posse by Angely Theatrical Image Gallery for the Theater newspaper, st year, No, After, Johann Christian Schoeller -, Artist, Andreas Geiger -, Copper Engraver

Regency fops, celebrities and Cyprians, including Mrs. Bertram or Bang, dining and drinking at the Royal Saloon, Piccadilly. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Two actresses in the wings, Paul Gavarni, 1843 print Paris paper actress (on the stage). behind the stage. stage costume - CC - female

Cogrès-femino-littéraire masculères. ... / 15 839. 2Med 2Med 2st. (Turitelism) | Bullin with ridicules modes. (IFF 13) Is Untitru di Ensemble)

The Taming of the Shrew. Act III. Scene II. Padua Before Baptista´s House. Petruchio, Katharina,Bianca,Baptista, Hortensio, Grumio and Train. From The Boydell Shakespeare Gallery published late 19th century. After a painting by Francis Wheatley.

The dance of death: the dram shop. Coloured aquatint by T. Rowlandson, 1816.

Barcelona. Representación musical en un café-teatro de la ciudad. Año 1890.

First scene of the hunters, from the barrier of La Villette: Sunday / evening 23. (IT)

Les embarras de la rue St. Honoré au coin de celle d'Orléans. Prints. 1820. Jerome Robbins Dance Division. Harlequin (Fictitious character), Pierrot (Fictitious character)

Having free rein of the large barrels in the cellar, Dr Syntax makes merry with several gentlemen. Date: 1813

La leçon de danse. Prints. 1810 - 1820. Jerome Robbins Dance Division. Dancers , France , 19th century, Dance , Study and teaching , France , 19th century, Dance teachers

Charcoal porters brawling at a cabaret bar. A woman tries to stop them, while a seated oyster shucker looks on. Handcoloured aquatint engraving after an illustration credited to Victor Auver from "A Tour through Paris," William Sams, London, 1825.

Prologue by two actors and an actress, Anonymous, 1739 - 1792 print Numbered at the top right: 2. With six -line fresh in French above the performance from the opera 'Les Petits Comediens'. Paris paper etching theatre, theatrical performance. comedy. group of actors, troupe; actors on the stage

SCENE FROM THE NEW COMIC OPERA OF 'THE QUEEN OF A DAY,' AT THE HAYMARKET THEATRE

Scene from Act 1 of Freiheit in Krahwinkel with the Viennese actor Nestroy

France, Paris, A play about Gargantua at the Tivoli Gardens in Paris, engraving, 1805

The Gig Shop or Kicking up a Breeze at Nell Hammiltons Hop Published 1811 England. Hand-colored etching on ivory wove paper . Thomas Rowlandson

Pastoral scene, 1850 - 1859, (Questionable), Dance, 19th century, Musicians, Lithographs, Lithograph, colored, 20.5 x 30 cm

The Gin Palace. Old color illustration for Hard Times. Charles Dickens

The first quadrille danced at Almack's, London, UK, 19th century engraving

A French valet playing the fife in the kitchen of an auberge in Amiens. The chambermaid, cook, scullion and maitre dhotel dance. The Dance at Amiens. Handcoloured copperplate engraving by Thomas Rowlandson from Laurence Sternes A Sentimental Journey through France and Italy, Thomas Tegg, London, 1809.

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