Decorative and Theatrical Designs

Frescoes and stage designs capturing artistic interpretations of interiors and exteriors in performances and historical settings.

Painted glass plate for perspective box, theater with audience, glass plate perspective box glass paint, hand-painted Rectangular glass plate with black frame handpainted scene of richly ornamented interior theater with columns frames sculptures and balconies Sophisticated audience looks at the stage: stands on other absent glass plate optics perspective culture theater art leisure

Stage design for the ballet The Masquerade by A. Khatchaturyan by Vinogradova-Benois, Nina Alexandrovna (-1986) / State Central A. Bakhrushin Theatre Museum, Moscow / Theatrical scenic painting / 1981 / Russia / Tempera on cardboard / Opera, Ballet, The

Architectural decoration, fresco from the Villa of Boscoreale, province of Naples, Italy, Roman civilization

Legend of St Eligius, by probably Antonio Pisano detto il Pisanello, 15th Century, fresco. Italy, Veneto, Treviso, Santa Caterina Church. Fragmentary fresco St Eligius miracle horse shoes woman blacksmith steps: stairs arches houses red.

DISEÑO PARA EL ESCENARIO DE LA OPERA LAS BODAS DE FIGARO - 1963. Author: TEO OTTO. Location: ARCHIVO COVEN GARDEN. LONDON. ENGLAND.

Joaquín Sorolla/ The House of the Saint 1892. Oil on canvas. Museum: MUSEO SOROLLA, MADRID, SPAIN.

Stage Set. Dated: c. 1938. Dimensions: overall: 53.4 x 59.7 cm (21 x 23 1/2 in.) Original IAD Object: 35" high; 45" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman.

Princesse Schouwburg in The Hague during the performance of Othello, Johan Antonie de Jonge, 1874 - 1927 drawing The stage and part of the room of the Princesse Schouwburg in The Hague, during the performance of the Opera Othello. paper. watercolor (paint) brush large group of musicians, orchestra. opera-singer (male). opera-singer (female). opera. theatre (building). the audience ~ art performance Princessetheater. The Hague

Drawing, Sepulcher in Egyptian Style with Caryatids and a Lion; Louis-Jean Desprez (French, active Sweden, 1743-1804); Italy; pen and black ink; brush and brown, gray, blue-gray wash; traces of graphite support: off-white paper support: off-white paper; Sheet: 14.5 x 28.9 cm (5 11/16 x 11 3/8 in.) Image: 14.2 x 20 cm (5 9/16 x 7 7/8 in.)

Painted glass plate for perspective box, theater with audience, glass plate perspective box glass paint, hand-painted Rectangular glass plate with black frame handpainted scene of richly ornamented interior theater with columns frames sculptures and balconies Sophisticated audience looks at the stage: stands on other absent glass plate optics perspective culture theater art leisure

View of the Interior of a Building. Date/Period: 1700 - 1720. Painting. Oil on canvas. Height: 2,100 mm (82.67 in); Width: 1,520 mm (59.84 in). Author: LEONARDO COCCORANTE.

The Park Gate; La Grille du Parc. Marcel Gromaire (1892-1971). Oil on canvas. Signed and dated 1928. 81 x 65cm

A Reading From the Koran Philippe Pavy (active 1878-1887 British) Oil on wood panel Christie's, London

Glazunov, Ilya Sergeyevich (*1930) State Central A. Bakhrushin Theatre Museum, Moscow 1981 60x90 Tempera on cardboard

Robert WR Taylor, Wall Painting, 1936 Wall Painting

MUSICAL SCIENCE TOWARD INSPIRATION-FRESCO-. Location: PALACIO DE LA MUSICA. Barcelona. SPAIN.

New Year's Day - Last Call.. New York Stereoscopic Company

Inlaid of Monteoliveto Abbey choir, by Giocondo da Verona Giovanni Fra, 16th Century, wooden tarsias. Italy, Tuscany, Chiusure, Siena, Monte Oliveto Maggiore Abbey. Detail. Wooden intarsia: inlays ideal city armillary sphere ink-stand candelabrum astronomical clock books goniometer.

The Golden Age in Literature in the 16th c., from the series History of Civilization in Poland". Matejko, Jan (1838-1893), painter

Drawing, Plazzo Pretorio, Pistoia; Julian Clarence Levi (American, 1874-1971); USA; watercolor; 1972-7-10

Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Stage design for the theatre play Unforgettable Days by Puterbrot, Eduard Moiseyevich (1940-1993) State Museum- and exhibition Centre ROSIZO, Moscow 1983-1987 Pastel on cardboard 50x70 Russia Theatrical scenic painting Opera, Ballet, Theatre Pain

SIN IDENTIFICAR - 1976 - LAPIZ SOBRE PAPEL. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The Ballet from "Robert le Diable" 1871 Edgar Degas French When Degas made this picture in 1871, Giacomo Meyerbeers opera Robert le Diable was forty years old and feeling its age—as reflected by the man at center, indifferent to the action and directing his binoculars at the audience. But Degas was fond of the opera, and particularly of the scene depicted here, from the third act, in which nuns arise from the dead and dance seductively amid the ruins of a moonlit monastery. The painting was exhibited in early 1872, the date inscribed on the canvas; Degas later executed a larger version (Victoria and Albert Museum, London) for Jean-Baptiste Faure, who starred in the opera.. The Ballet from "Robert le Diable". Edgar Degas (French, Paris 1834-1917 Paris). 1871. Oil on canvas. Paintings

VECCHIETTA, Lorenzo di Pietro (1412-1490). Cappella del Sacro Chiodo or the Old Sacristy. 1446-1449. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Frescos on the Old and New Testament. Detail. A priest shows (offers) the church to Jesus and Virgin Mary. Renaissance art. Fresco.

Caryatids, Muses and poets, putti, frescoes by Battista del Moro (1514-1574), Room of muses and poets, Villa Godi Malinverni (UNESCO World Heritage Site, 1994), Lugo di Vicenza, Veneto, Italy.

FOUNTAIN Hubert Robert (1733-1808). "Fountain". Oil on canvas. Paris, Cognacq-Jay Museum.

Dobuzhinsky, Mstislav Valerianovich (1875-1957) Private Collection 35,5x51 Watercolour, Gouache on Paper

Pedro Figari (1861-1938). Uruguayan painter and politician. Quince jelly. National Museum of Fine Arts. Montevideo. Uruguay.

Vanitas. Date/Period: 1670. Painting. Oil on canvas. Height: 500 mm (19.68 in); Width: 640 mm (25.19 in). Author: School: French.

Vase with Pears by Dufy, Raoul (1877-1953)/ Musee national d'art moderne, Centre Georges Pompidou, Paris/ 1912-1913/ France/ Oil on canvas/ Fauvism/ 92x73/ Still Life

Fantastic Pavilions in a Grotto, Set Designs for Drury Lane Theatre, pen and black ink with watercolor and gouache over graphite on wove paper, sheet: 17.4 x 23.9 cm (6 7/8 x 9 7/16 in.), Robert Caney (artist) British, 1847 - 1911

fine arts, Quaglio, Simon (1795 - 1878), stage design ""Palast des Sarastro"" (The Palace of Zoroaster), for ""The Magic Flute"", by Wolfgang Amadeus Mozart, lithograph, coloured, Germany, circa 1818 / 1820, German Theatre Museum, Munich,

Holmqvist, Anders Gunnar, work, Interior view of Turku castle (table in front of the window), 1931, technique text: drypoint and aquatint, graphics, plate width 13 cm, plate height 15.7 cm, leaf width 22.8 cm, leaf height 33.4 cm, image width 12.4 cm, image height 15.1 cm

Stage design for the theatre play Sister Beatrice by M. Maeterlinck by Sudeykin, Sergei Yurievich (1882-1946) State Central A. Bakhrushin Theatre Museum, Moscow 1906 Gouache and Tempera on cardboard 39,5x46,8 Russia Theatrical scenic painting Oper

David Roberts RA (1796-1864) was a Scottish painter. He is especially known for a prolific series of detailed prints of Egypt and the Near East that he produced during the 1840s from sketches he made during long tours of the region (1838-1840). This work, and his large oil paintings of similar subjects, made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.

Set Design for Hippolytus.

Restoration Drawing. Dated: 1935/1942. Dimensions: overall: 35.7 x 24.6 cm (14 1/16 x 9 11/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: A. Regli.

Facade No. 2. Domenico Gnoli (1933-1970). Oil on canvas. Signed and dated 1954. 66 x 50cm

Second Floor Stair Landing and Hall. Dated: 1935/1942. Dimensions: overall: 78.3 x 57.3 cm (30 13/16 x 22 9/16 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

Detail of ancient Roman fresco Odyssey illustration representing Land of giants Laestrygonians, 1st Century B.C.

Street with arch by Francesco Guardi, oil on canvas, 1770s, 1712-1793, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 38x26

Vanity by French master Private Collection 1670 Oil on canvas 50x64 France Baroque Still Life Painting

imitator of John Sell Cotman, 1782-1842, British, A Piscina in Blickling Church, Norfolk, 1814. Watercolor and graphite on medium, moderately textured, cream wove paper.

Street scene with oriental dressed women in Chioggia, draughtsman: Carel Nicolaas Storm van 's-Gravesande, 1888, paper, brush, h 251 mm × w 235 mm

Khosné Ahmed el Bordeyny. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Architecture, Islamic , Egypt, Decoration and ornament, Islamic, Children , Egypt , Cairo, Koran stands, Men , Clothing & dress , Egypt , Cairo, Water pipes (Smoking), Children , Clothing & dress , Egypt , Cairo, Reading , Egypt , Cairo

19th century design for the recreation of a medieval hall in the Chteau de Roquetaillade; a castle in Mazères (near Bordeaux), France. The extraordinary interior decorations, with its furnishings and paintings, were created by Viollet-le-Duc during the 19th century. Eugène Emmanuel Viollet-le-Duc (1814 - 1879) was a French architect and theorist, famous for his interpretive "restorations" of medieval buildings

'A ruin by John Piper harmonizing decorative balance', 1949. Creator: John Piper.

Jean-Jacques Henner (1829-1905). "Ruelle in Rome". Oil on marouflaged paper on canvas. Around 1859-1864. Museum of Fine Arts of the City of Paris, Petit Palais. 23702-17 Oil on paper, walking, maroufle on canvas, passage, small, street, alley

Wall Painting: Restoration Drawing. Dated: 1940. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.

The Nave and Choir of the Mariakerk in Utrecht. The nave and choir of the Mariakerk in Utrecht, seen from the west. Dating: 1641. Measurements: support: h 121.5 cm (*) × w 95 cm (*); d 7.3 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter Jansz. Saenredam.

Perro Semihundido/ 1820-1820. Museum: MUSEO DEL PRADO MADRID ESPAÑA. Author: FRANCISCO DE GOYA.

Armonia, (Harmony). Remedios Varo (1908-1963). Oil on masonite. Painted in 1956. 76 x 94cm.

Picture Gallery with Views of Ancient Rome (Roma Antica) by Panini, Giovanni Paolo (1691-1765) / Louvre, Paris / 1757 / Italy, Roman School / Oil on canvas / Architecture, Interior / 231x303 / Rococo

Home by Alexander Yakovlevich Golovin, tempera on cardboard, 1916, 1863-1930, Russia, Moscow, State Central A. Bakhrushin Theatre Museum

Benois, Alexander Nikolayevich (1870-1960) Private Collection 1909 28,5x39,8 Watercolour and ink on paper

Harold Scene 3 Cathedral (The relics covered with cloth at centre)', Set Designs for Drury Lane Theatre, pen and black ink with watercolor over graphite on light tan board, sheet: 17.1 x 24.9 cm (6 3/4 x 9 13/16 in.), Robert Caney (artist) British, 1847 - 1911

Blue Star Line, Mediterranean Cruises. Maurice Randall (Active 1899-1929). Lithograph in colours. Dated C.1930. 101 x 64cm.

Italy. Rome. Drawing by Jose Maria Marques (1862-1936). Engraving. La Ilustracion Artistica, 1885. Colored.

John Singer Sargent, Staircase, c. 1878, oil on canvas.

A Gallery Of The Museum Devoted To Ancient Roman Art (Imaginary View Of The Grand Gallery Of The Louvre) Before 1800 Hubert Robert (1733-1808 French) Oil On Canvas Musee du Louvre, Paris, France

fine arts, Spitzweg, Carl (1808 - 1885), painting, ""Der Briefbote im Rosenthal"" (The Postman in Rosenthal), oil on canvas, 48 cm x 74 cm, 1858, Marburg University Museum for Art and Cultural History, detail,

Set design for a Ballets Russes production of Cleopatra, 1909. Artist: Leon Bakst

Frescoes on the wall of the hunting lodge, wall painting, fresco from historic Pompeii, digitally restored

Medallion showing a landscape on a yellow background, a fresco from the House of Menander, Pompeii (UNESCO World Heritage List, 1997), Campania. Roman Civilization, 1st Century.

A Large Fountain, Walter Shirlaw, American, b. Scotland, 1838-1909, Brush and watercolor, graphite on paper, A large fountain with figures in foreground., USA, ca. 1885, architecture, Drawing, Drawing

History of Medicine, 17th century. Rome. Anatomical theatre of Doctor Giovanni Guglielmo Riva (1627-1677) at the Ospedale della Consolazione.

2020.13.49. The Critics, 1883-85. Artist: Elizabeth A Armstrong, later known as Elizabeth Forbes (d. 1912)

The statue of Athena Parthenos by Pheidias in the Cella of the Parthenon, Greece, reconstruction by G. Rehlender, digital improved reproduction of an original print from the 19th century, Europe

PLAZA MAYOR DE LA CIUDAD DE MEXICO EN LA SEGUNDA MITAD DEL SIGLO XVIII. Author: ANONIMO (S. XVII) I. Location: MUSEO NACIONAL DE HISTORIA CASTILLO DE CHAPULTEPEC. MEXICO CITY. CIUDAD DE MEXICO.

Interior of State Opera theatre Vienna during production of opera watercolour by Rudolf Hermann 1902

Kuznetsov, Pavel Varfolomeyevich (1878-1968) State United Art Museum, Kostroma 1934 65x55 Oil on canvas Soviet Art Russia

'The Bronze Doors of El-Maristan El-Kelaun', c1880, (1904). Artist: Robert George Talbot Kelly.

Mother songs: cards depicting children, mothers and a father, singing, gazing at the fireplace, at the pond, and sleeping.. Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Children, Singers, Families, Mothers

Drawing, Rendering of the Grand Gallery of Honor, Palazzo Paz, Buenos Aires, Argentina; Designed by Unknown; pen and black ink, brush and watercolor, gouache, graphite, charcoal on cream wove paper; 78.8 x 63.4 cm (31 x 24 15/16 in. )

British, Rococo frame, Unknown framemaker, mid-18th century, Carved wood, later gildiing over original gilding

Illustration 'Palace of the Red Dragon, Serbia' by Dulac. From Contes et légendes des Nations Alliées, 1917. Edmund Dulac (born Edmond Dulac; October 22, 1882 - May 25, 1953); was a French-born, British naturalised illustrator

FINAL DE UN ACUEDUCTO Y EMBARCADERO EN LA LAGUNA ESTIGIA (II)-1982- DOS HOJAS DE 31 X 46 CM- ACUAREL. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Genke-Schifrina, Margarita Genrikhovna (1889-1954) A. Pushkin Memorial Museum, St. Petersburg 1945 41,5x54 Watercolour, Gouache on Paper

British, Neoclassical Revival frame, Unknown framemaker, 1st half of 19th century, Wood and compo, original oil and water gilding

Morocco street with Muslim woman by Louis Gabriel Eugene Isabey, oil on canvas, 1835, 1803-1886, Russia, Moscow, State Pushkin Museum of Fine Arts, 35x38

Stage design for the opera The scarlet Rose by N. Krotkov by Polenov, Vasili Dmitrievich (1844-1927) State Museum Abramtsevo Estate, near Moscow 1884 Watercolour on paper 25,3x31,2 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

Watercolor, tempera, and pencil depiction by Hugo Charlemont showing a collection of bridal gifts, including boxes, fabrics, and decorative items.

Sir Charles D'Oyly, 1781-1845, British, active in India, The Winter Room in the Artist's House at Patna, 1824. Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper.

Wall Painting and Baptismal Niche. Dated: c. 1941. Dimensions: overall: 35.5 x 26.5 cm (14 x 10 7/16 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Juanita Donahoo.

Landscapes and Interiors: Interior with Pink Wallpaper I, 1899. Edouard Vuillard (French, 1868-1940). Color lithograph; sheet: 39.4 x 30.8 cm (15 1/2 x 12 1/8 in.).

Convalescent Nurses Making Camouflage Nets, 1941. Oil on canvas, by Evelyn Dunbar (1906 - 1960) Imperial War Museums

Building the socialism. Poster, 1932.

Symphony Hall by Arbit Blatas, oil on canvas, 1909-1999, USA, Pennsylvania, Philadelphia, David David Gallery

House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii: Essaies et Restaurations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

Mural across a whole facade, Hochstrasse 4, Mittenwald, Upper Bavaria, Bavaria, Germany, Europe

Summer study of Prince Vasily Golitsyn. Stage design for the opera Khovanshchina by M. Musorgsky by Vasnetsov, Appolinari Mikhaylovich (1856-1933)/ State Central A. Bakhrushin Theatre Museum, Moscow/ 1897/ Russia/ Watercolour on paper/ Russian Painting,

Jardin de la Fontaine at Nimes, France. Date: 1911. oil on wood. Museum: Smithsonian American Art Museum.

Jagiełłos Baptism. Szermentowski, Józef (1833-1876), painter

Turinese Melancholia; Malinconia Torinese. Giorgio de Chirico (1888-1978). Oil on canvas. Signed and dated 1915. Executed circa 1938-1940. 55 x 33cm.

2020.13.32. Watched Pot Never Boils, 1901. Artist: William John Wainwright (d.1931)

Venice. Date: 1843. Ink and watercolor on paper. Museum: Smithsonian American Art Museum.

Tribute to the Statue Sibellino; La Estatua-Homenaje a Sibellino. Emilio Pettoruti (1892-1971). Oil on canvas. Signed and dated 1945. 92 x 65cm.

SITGES OF PRERVINDRE - 20TH CENTURY. Author: MAURICE UTRILLO (1883-1955). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Ruins of the Tuileries Palace. Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 19 9/16 x 14 15/16 in. (49.8 x 38.0 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Stage design for the opera The Barber of Seville by G. Rossini, Goncharova, Natalia Sergeevna (1881-1962)

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