Decorative Ceramics and Plates

An array of intricately designed ceramic plates depicting mythological scenes, vibrant colors, and elaborate motifs reflecting European craftsmanship.

For a long time; Deruta (ceramic family; Ca 1500-); 1 PO. 16th century (1501-00-00-1550-00-00);

Fragment of a Mina'i Bowl 12th-13th century This fragment is overglaze-painted with a seated figure surrounded by dotted branches enclosed in a medallion. The painting technique, now called minai but historically referred to as haft rang (seven color), was a distinctive Iranian tradition employed on stonepaste, possibly transposed from glass enameling. Minai painted wares share some stylistic features with coeval Syrian stonepaste, including the moon-like faces of figures or the dotted branches seen on this piece, that exemplify how a common visual language was adapted to and modified by local techniques, traditions, and tastes.The fragment came to the Museum in 1920, together with a large group of objects bequeathed from the collection of the antique dealer William Milne Grinnell.. Fragment of a Mina'i Bowl. 12th-13th century. Stonepaste; overglaze painted (mina'i). Attributed to Iran, Rayy. Ceramics

Mary with child between two saints, Moderno, c. 1475 - c. 1499 bronze (metal) bronze (metal)

Box with Military Scenes from Antiquity, c. 1520-1530. Workshop of the Cleveland Casket (Italian). Pastiglia on gilded wood; overall: 20.3 x 29.9 x 21.6 cm (8 x 11 3/4 x 8 1/2 in.).

Portrait of a lady, possibly Mrs. Timothy Shelley, Mother of Percy Byron Shelley early 19th century Possibly by Samuel Percy Irish. Portrait of a lady, possibly Mrs. Timothy Shelley, Mother of Percy Byron Shelley. British. early 19th century. Colorless wax on glass painted red; frame: gold wood and glass. Sculpture-Miniature

Anonymous. "Long live abundance and that will go". Earthenware. Paris, Carnavalet museum. 71683-55 Abundance, farmer, team, beef, cart, decoration, earthenware, revolutionary period, French revolution, plate

Coat of arms with golden anchor, anonymous, 1881 Oval wooden weapon board. The weapon wears a golden anchor and three ducks on blue soil. panel armorial bearing, heraldry

Silversmith's art, Italy, 18th century. Reliquary of Saint Daniel in silver, gilded bronze, ebony and pietre dure, 1705. Height cm. 68 cm.

Engraving on pearly pearl the rider duel between Burggraaf de Breauté and Gerard Abrahams 'Lekkerbeetje' on the Vughtse Heide on February 5, 1600, Jean Bellekin, 1628 Engraving on oval mother -of -pearl disk in a golden edge in a black -painted wooden frame with imposed golden inside and outside profiles. The performance is that of a rider fight with her -bazuin -blowing Herauten and a city on the horizon on the left and right in the background. Marked. Vught mother of pearl. wood (plant material). gold (metal). paper. copper (metal). iron (metal) engraving / sawing / casting / striking (metalworking) Vught

Vase, printed egg -shaped, multi -colored painted with cartouches in which a portraits. Between the cartouches putto heads, anonymous, c. 1565 - c. 1580 Printed egg -shaped vase of multicolored painted majolica. Three cartouches were painted on the belly, in which a portrait. In a cartouche the portrait of a woman is painted, in a portrait of an old man with beard and in the third the portrait of a acclaimed man. Putto heads are painted between the cartouches. Venice earthenware. tin glaze. lead glaze majolica Printed egg -shaped vase of multicolored painted majolica. Three cartouches were painted on the belly, in which a portrait. In a cartouche the portrait of a woman is painted, in a portrait of an old man with beard and in the third the portrait of a acclaimed man. Putto heads are painted between the cartouches. Venice earthenware. tin glaze. lead glaze majolica

Relief mounted as a mirror frame ca. 1568 Wenzel Jamnitzer German Wenzel Jamnitzer was the greatest Mannerist goldsmith in the German-speaking areas. As an imperial goldsmith to the Habsburg court, he served no fewer than four emperors. Much of his fame was based on highly inventive objects and mounted naturalia for princely curiosity cabinets. The design of this relief frame, with personifications of four of the seven liberal arts-Arithmetic, Geometry, Perspective, and Architecture-was adopted from the title page of Jamnitzer's treatise Perspectiva corporum regularium (1568). The ovoid mirror with faceted edges is distinguished by a crowning lion in repoussé silver-a clear reference to Jamnitzer's maker's mark, the letter "W" above a lion's head. A portrait of the artist or of a princely first owner may have been mounted in the oval below. The object was part of a precious silver book cover that was subsequently reconfigured as a mirror.. Relief mounted as a mirror frame 193593

EVENTAIL. "Diane on a tank harnessed with deer". Paper, colored printing, tinted wood. Paris, Carnavalet museum. 99071-16 Fashion accessory, Eventail

Plate, with a landscape with ruins on the flat, Petrus Regout, 1867 Plate of earthenware with red transfer decor. On the flat a landscape with ruins. The edge is decorated with five cartouches made up of C-Voluten, in which ruins. Maastricht . Plate of earthenware with red transfer decor. On the flat a landscape with ruins. The edge is decorated with five cartouches made up of C-Voluten, in which ruins. Maastricht .

Tin-glazed earthenware dish with equestrian figure. By Nicholas Brist. Dated 17th Century

Fragment from a Vessel late 1400s North Italian In northern Italy few potters made use of the technique of tin glazing. Rather, they coated clay objects with a creamy slip of liquid clay, into which they incised a design. They then applied additional colors, often in yellow and green, before a final firing. Even a small fragment reveals the virtuosity of line often found in these wares.. Fragment from a Vessel. North Italian. late 1400s. Incised slipware with lead glaze. Ceramics

Ceramic fountain from Moustiers, France, decorated with sea god Neptune with trident, cupids and birds. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Pleated fan, Jean Baptiste Joseph Pater, 1695 - 1736, Painted parchment leaf backed with painted paper, incised and pierced mother-of-pearl sticks with applied metallic foil, glass stone at the rivet, Pleated fan. Leaf of painted parchment backed with painted paper; sticks of incised and pierced mother-of-pearl with applied metallic foil; glass stone at the rivet. The figures in the central frame are after a painting by Jean Baptiste Joseph Pater (1695-1736) entitled, 'Conversation Galante dans un Parc.' The partially visible pen and ink drawing on the left is signed Perelle and is probably a copy of a countryside view by the painter and engraver, Gabriel Perelle (1603-77). Scattered framed pictures and the twisting ribbon motif create a trompe l'oeil effect., France, Denmark, Netherlands, 1760-80, costume & accessories, Pleated fan

Plaque with Portrait of Mrs William Eden, Lady Auckland 1784-1794 Burslem. Stoneware (jasperware) . Wedgwood Manufactory (Manufacturer)

VASIJA DE TALAVERA - SIGLO XVII - CIERVOS. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Europe, Italy. Jupiter (Zeus) and Semele, Left-Juno and Semele, Dish. Urbino 1535.

Plate, painted with a bird cage and shepherd scene, anonymous, c. 1770 - c. 1800 Plaque of Faïence. Multicolored painted, with the representation of a bird cage. Delft . Plaque of Faïence. Multicolored painted, with the representation of a bird cage. Delft .

. Handscreen or paraffeu or écran of cardboard covered with paper, on which centrally an oval exhausted engraving with a scene from the French comedy 'Lucile' by Jean François Marmontel (1723-1799), surrounded by a watercarel painted edge, on one Start of linden wood. On the back the corresponding, printed text. The 'Lucile' play was translated into Dutch in 1781 and published in Amsterdam. The story is set in France 'in the house of Timantes, on its estate'. On BK-NM-5518 we see Lucile with her morning toilet, helped by her kagenaar Julia, while her beloved Dorvur comes in. Lucile is getting married to this nobleman. Her father, timantes, is not entirely satisfied with his new son-in-law. The entire company uses the afternoonmal together with Dorval's father, the old Dorval 'also in his japon' (see BK-NM-5519). Then Blasius, Lucile's 'feedfall father' whose wife has recently arrived died. Dorval suspects Blasius that he has evil talked about him and confronts Blasius with this. This t

Dish China. Dish. China. Porcelain painted in underglaze blue and overglaze polychrome enamels. Ming dynasty (1368-1644), Tianqi mark and period (1621-1627). Ceramics

Gem of Augustus engraved by Dioscurides, Tiberius steps down from the chariot, Julius Caesar Augustus sat near the goddess Rome crowned by the ecumene, Oceanus and Tellus with cornucopia, below legionaries and barbarians - Cameo, Roman civilization,

Cabinet with gold mounts and relief ca. 1865-80 After a design by Reinhold Vasters German Long considered to be a masterpiece of the late sixteenth century, this cabinet was identified recently as the work of the great nineteenth-century goldsmith Reinhold Vasters, who reused old timber to buidt part of the carcase. It is possible that the central figure represents Hercules. The gold mounts, rendered in a Renaissance style typical of Vasters, depict additional mythological figures.. Cabinet with gold mounts and relief. German, Aachen. ca. 1865-80. Pine and walnut veneered with ebony; gold, enamel, diamonds, rubies. Woodwork-Furniture

Plate ca. 1820 French, Forges les Eaux Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin

Black-Figure Eye Cup: Iris and Satyrs (A, B); Gorgoneion (I), c. 520-510 BC. Greece, Attic. Ceramic; diameter: 21.3 cm (8 3/8 in.).

Anonymous. Two couples in a landscape, 18th century. Ventail. Paris, Carnavalet museum. 75472-11 Courize, Evening, Galant, Landscape, Couple, Scene

Winter Farming Scene; (verso) Autumn Farming Scene Katsushika Isai Japanese This unusually large fan, the function of which is uncertain, is painted on both sides with scenes of farming in winter and autumn. Winter is not shown.) The artist's signature, Isai, and two seals, kai and ka, are found on both sides.Isai was one of a large number of artists trained by Katsushika Hokusai (1760-1849), a nineteenth-century giant of printmaking and painting. It is generally recognized that many of the paintings traditionally attributed to this great master were actually executed by some of his pupils, such as Isai. Indeed, this painting reveals many of Hokusai's idiosyncrasies, such as the figure types, the manner of depicting foliage, and the clearly defined recession into space.. Winter Farming Scene; (verso) Autumn Farming Scene 54037

Jules Desbois (1851-1935). "Flat". Tin. Museum of Fine Arts of the City of Paris, Petit Palais. 74618-9 Tin, woman, man, torso, dishes, dish

Folding with leaf of paper on which in gouache at the front a pastoral show with two figures, dog and sheep and on the back a shepherd, on a frame of ivory ajour and in relief, with accompanying fan box. Folding with leaf of paper on which in gouache at the front a pastoral show with two figures, dogs and sheep and on the back a shepherd, on a frame of ivory ajour and in relief. Leaf: in a pastoral environment with trees, mountains, fence, dog and three sheep is a woman with basket in which flowers and fruits. With her left hand, she offers the seated man on the left of her a grape tray. Both are barefoot. The scene is surrounded by a multicolored decorative border with gold paint with flower garlands, leaf paper and clarials. On the back a seated woman with shepherd's staff in front of a bunch shage and tree. Frame: in the middle of a ground, sitting on a large animal a half-naked man and woman surrounded by three putti, flowers and leaves and rocial motifs. On the left a kneeling fig

The Backgammon Players 1861 Philip Webb British This early masterpiece of the Arts and Crafts Movement exemplifies the collaborative endeavors of William Morris and his circle to improve design standards. Morris believed that a return to the principles of medieval production, with fine artists creating functional objects, could help overcome the evils of industrialization. This cabinet, one of several in which Morris enlisted the participation of Sir Edward Burne-Jones, is an attempt to erase the distinction between the fine and the applied arts. The painting on leather with a punched background is itself a craftsman's medium. Although the cabinet is usually described as in the "medieval style," it is actually a vivid example of the ability of the Morris firm to convert the eclecticism that marked much of the art of the late nineteenth century into an original and modern style. Although Burne-Jones's painted figures are in medieval costume much of the decoration is equally Oriental in

Manufacturer: De Porceleyne Bijl, Series of twelve plates with blue herring industry scenes: No 7. De Buijsen seylen Binnen, plate crockery holder ceramic earthenware glaze, baked painted glazed Round plate with outside edge three pruned prints on the backside On the upper edge at the bottom of the representation in elongated cartouche: No 7. De Buijsen seylen Herring fishing herring industry haringvaart Delftsblauw home interior

Flap of a Bookbinding (Jild-i kitab) 16th century Flaps of this shape were employed for protecting book covers since at least the 13th century, but the use of lacquer over painted leather or pasteboard only began in the late 15th century. By the 1540s the repertoire of imagery on lacquer bookbindings had grown from floral and plant motifs resembling manuscript illumination to real and fantastic animals in landscape to figures in landscape, as in this flap. Here the standing figure with a walking stick and the youth below face right, where the main grouping of figures would have been arranged on the book cover. The artist has outlined the trees and plants in gold, a technique ultimately borrowed from 15th century Chinese lacquer.. Flap of a Bookbinding (Jild-i kitab) 451754

Panel 18th century French. Panel. French. 18th century. Wood, painted grey and gilded. Woodwork

ARQUETA: DE SAN MARTIN I EL HUMANO. (DEPOSITO: MUSEO ARQUEOLOGICO NACIONAL).

. Scale of porcelain, painted on the glaze in blue, red, green, yellow, brown, black and gold. On the front a portrait of a man, Daniel Raap, porcelain trader from Amsterdam, seated at a table on which books and writing accessories, right a blue cupboard in which books, on the left a diamond window with white curtain; For the table a banderole with the inscription: "Dees sketch depicts Lord Raap that the Golden Stream of Baetundism has to flew / violent and Dwingland van Hare Float / who release to the highest: Nest haer friso eight "; On the inner edge a serrated gold band; The back with a second inscription: "Teal to D": Lord: Daniel Raap d'Aggertigte Ver = annual ring; Word by Elias Colier: This image is free. Amsterdam D: Jan 2: 1750 / Pleun Pira Fecit / GB: 1734 / 2/7 '. Decorated in Europe.

'Triple Alliance'. Russia, 1821. Dimensions: 21x21 cm. Museum: State Hermitage, St. Petersburg.

EVENTAIL. "Taurus races", Spain, late 19th century. Printing on paper, light wood. Paris, Carnavalet museum. 99077-25 Fashion accessory, Eventail

Angels Bearing the Body of Saint Catherine to Mount Sinai mid-19th century Luigi Saulini Italian This cameo reproduces a canvas (Alte Nationalgalerie, Berlin), famous in its day, by the German Nazarene painter Heinrich Karl Anton Mücke (1806-1891). It is one of Luigi Saulinis largest and most splendid pieces. By reducing the paintings colors to white on vivid redorange, he gave the airborne group extra emphasis. The stone would be heavy to wear mounted as jewelry and was probably made to be admired on its own in a case or frame or on a stand.. Angels Bearing the Body of Saint Catherine to Mount Sinai 198637

Sardonyx cameo with a nereid riding on Triton's back 1st century B.C.-1st century A.D. Greek or Roman Nereid riding on a Triton.. Sardonyx cameo with a nereid riding on Triton's back. Greek or Roman. 1st century B.C.-1st century A.D.. Sardonyx. Hellenistic or Early Imperial. Gems

Pilgrim Flask with Marine Scenes; Workshop of Orazio Fontana (Italian, 1510 - 1571); Urbino, Italy; about 1560 - 1570; Tin-glazed earthenware; 44.1 x 28.6 cm (17 3,8 x 11 1,4 in.)

Russia, St. Petersburg, The Hermitage (aka Winter Palace). Masterpiece work by Raphael (aka Raffaello Santi or Sanzio) the Conestabile Madonna c. 1504. (Editorial Usage Only)

Eugene Shellady, Pie Plate, 1936 Pie Plate

Anonymous. "Live free or die" plate. Earthenware. Paris, Carnavalet museum. 71683-37 Decoration, earthenware, die, revolutionary period, French revolution, free living, plate

Plaque with Elijah Fed by Ravens, anonymous, after Nicolaes Pietersz Berchem, after Leonaert Bramer, 1658 Plate of Faïence, painted in blue with a representation of the prophet Elijah fed by the ravens, with year 1658. Delft . Plate of Faïence, painted in blue with a representation of the prophet Elijah fed by the ravens, with year 1658. Delft .

Henri-Patrice Dillon (1851-1909) and Louis-Abel Truchet (1857-1918). Eventail in memory of the morning of Gala given to the Opéra-Comique, organized for the benefit of the monument in Gavarni. "Genre scene", 1903. Paper, wood, varnished guards. Paris, Carnavalet museum. Eventail: "Genre scene", gala given in favor of the Gavarni monument; Dillon and Truchet 1903 Fashion accessory, Eventail

The month March. Round stained glass diamond with representation of the month of March, in sepia, bright and dark yellow, represented by three men who are engaging in a bunch of hood knives branches of trees. RAM A RAM. In the foreground a banderole on which "Marcius". In background a hill. Northern Netherlands, approx. 1520.

PLATO DE LA CAZA EN LA ALBUFERA DE VALENCIA - MANISES - 1450-1475. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

EVENTAIL. "Isabelle II", 1833. Paper, gouache engraving, openwork ivory. Paris, Carnavalet museum. 99073-15 Fashion accessory, Eventail

EVENTAIL. Paper, gouache engraving, fruit wood. Paris, Carnavalet museum. 99158-7 Fashion accessory, Eventail

Armchair (one of four) 1755-65 Tapestry probably woven at Royal Manufactory Beauvais 1664-1789 This rococo chair is part of a larger set of seat furniture supplied to the third Duke of Ancaster (1714-1778) for Grimsthorpe Castle, Lincolnshire. Executed in the French taste, fashionable in mid-eighteenth century England, the set was originally partly gilt and upholstered with Gobelins tapestry (now in the Rijksmuseum, Amsterdam) after designs by the painter François Boucher. The present covers were applied between 1934 and 1958.. Armchair (one of four). British and French, probably Beauvais. 1755-65. Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter). Tapestry probably woven at Royal Manufactory Beauvais 1664-1789. Woodwork-Furniture

Relief with panther. The image forms a part of two white marble reliefs with a continuous gray profiled marble frame on the back. The image is a low relief with a running panther to the left against a hilly landscape.

Anonymous (n. - d.), Bol (main title). Ceramics, hard porcelain, polychrome enamels. Petit Palais, Museum of Fine Arts of the City of Paris.

Eventail: "The father bases, or the happy decade. Revolution". Paper, colored engraving, tinted wood. Paris, Carnavalet museum. 99060-6 Fashion accessory, Eventail

Folding range with paper leaf on which in watercolor Rebecca, Eliezer and two women at the source, on a frame of ajour and cut ivory with mother -of -pearl, anonymous, c. 1745 - c. 1755 Ivoren frame with stone at the closing pin; 22 consecutive legs ajour and cut into relief with a show on mother -of -pearl; Piriaries () Leaf painted with Rebecca, Eliezer and two women at the source, back Bossage. Netherlands leaf: Paper. leaf: Watercolor (Paint). sheet:. frame: Ivory. frame: Mother of Pearl. Closing pin: Paste (Glass) painting / cutting / grinding / cutting Ivoren frame with stone at the closing pin; 22 consecutive legs ajour and cut into relief with a show on mother -of -pearl; Piriaries () Leaf painted with Rebecca, Eliezer and two women at the source, back Bossage. Netherlands leaf: Paper. leaf: Watercolor (Paint). sheet:. frame: Ivory. frame: Mother of Pearl. Closing pin: Paste (Glass) painting / cutting / grinding / cutting

. Painting with representation of the Madonna della Sedia to Rafaël. Maria is sitting on a chair, dressed in blue skirt, red arm, green striped shawl and white striped headscarf. On her lap she holds Jesus in a yellow canvas, right a boy in worship. Faced in an oval list of metal in a neo-classic style with pearl and ridge edge, crowned by a bow.

Dish with a man and a woman, anonymous, c. 1530 - c. 1540 Scale on the foot of multicolored painted majolica. Painted on blue soil with the busts of a young woman and a man with a beard. Both wear a hat. The women's clothing is richly decorated. Along the top edge, a banderolle runs with inscription "Panntasilea Diva Mia Bella" (Penthesileia, my Divine Bewone). The dish has extra decoration in metal-luster in gold and red. maker: Gubbiomaker: Urbino earthenware. tin glaze. lead glaze. luster glaze majolica Scale on the foot of multicolored painted majolica. Painted on blue soil with the busts of a young woman and a man with a beard. Both wear a hat. The women's clothing is richly decorated. Along the top edge, a banderolle runs with inscription "Panntasilea Diva Mia Bella" (Penthesileia, my Divine Bewone). The dish has extra decoration in metal-luster in gold and red. maker: Gubbiomaker: Urbino earthenware. tin glaze. lead glaze. luster glaze majolica

Spandrel for a Reliquary Shrine 1170-1180 Cologne. Gilt copper, champlevÈ enamel .

EVENTAIL. "3 characters in landscape; seated young man and young woman". Cut -off paper water watercolored and gouache applied to tulle, ivory frame remedied, steel with pivot. Paris, Carnavalet museum. 99066-31 Fashion accessory, Eventail

Cogniet, Léon (n.1794-08-29-D.1880-11-10), sketch for the town hall of Paris: Le Char du Soleil (main title), 1851. Oil with wooden pencil lines. Petit Palais, Museum of Fine Arts of the City of Paris.

Terracotta lekythos (oil flask) ca. 500 B.C. Attributed to the Diosphos Painter Perseus flying away with the head of Medusa, while Pegasos springs from her severed neckPerseus, son of the god Zeus and the human princess, Danae, was given the task of beheading Medusa, one of the three Gorgons, whose faces were so horrible that seeing them turned men to stone. With the help of a magic cap and winged shoes given to him by Athena, Perseus became invisible and flew to the place where the three sisters were asleep. There he cut off Medusa's head. On this vase, Perseus flees with the head in a sack as the immortal winged horse Pegasos springs from the body of the dead Gorgon. Perseus and the horse are shown in the traditional black-figure manner, while the Gorgon is drawn in outline, probably influenced by the newly developed red-figure technique.. Terracotta lekythos (oil flask). Greek, Attic. ca. 500 B.C.. Terracotta; black-figure, white-ground. Archaic. Vases

Bandbox, Block-printed on paper, pasteboard support, Woman in Roman chariot drawn by two horses. White, pink and brown on shaded field of buff and blue., USA, ca. 1830, Wallcoverings, Bandbox

Przeszo Przyszoci Faenza

Fan first quarter 18th century probably French The monumental sense of drama inherent in the event of Prince Eugene's defeat of the Turks is conveyed by the fleet of ships and the city in background; that it can be conveyed on such a small surface rther than on a large canvas is testament to the skill of the artist who designed and painted it.. Fan 156269

CERAMICA DE SARGADELOS. Location: MUSEUM OF FINE ARTS. LA CORUNA. A CORUÑA. SPAIN.

Jardinière with landscape ca. 1880 Haviland & Co. American and French Ceramics decorated using the barbotine method of painting with colored liquid slips required a flat canvas-like surface on which the artist could paint. Hence new forms were developed with flat sides, like this jardinière. The pond scene, in the Barbizon style, recalls landscapes by Charles-François Daubigny (1817-1878).. Jardinière with landscape. French, Paris. ca. 1880. Earthenware. Ceramics-Pottery

Cabinet. From the 16th century, Augsburg was a centre of production for luxurious cabinets, which were exported throughout Europe. The outside of this showpiece combines extremely rare and precious materials. Mosaic panels of various kinds of hardstones (pietre dure) were applied onto a background of ivory, between columns of semi-precious stones. The panels were made in the grand-ducal workshop in Florence.

Portrait Plaque 1820-1830 England. Glass, sulphide, painted wood, bronze . Apsley Pellatt

Goldsmith's art, Italy, 15th-16th century. Urn reliquary of the Saint Innocents. Milanese manufacture. Detail.

UK, England, London, Aldwych, Somerset House, Courtauld Gallery and Museum, Ceiling Painting, Copy of Artwork titled "The Theory of Art" by Joshua Reynolds

Mosaic school that produces mosaic masters, Spilimbergo, city of mosaic art, Friuli, Italy, Spilimbergo, Friuli, Italy, Europe

Anonymous. Plate. Earthenware. Paris, Carnavalet museum. 71680-42 Decoration, faience, nation, revolutionary period, French revolution, plate

If youÍre not with us, youÍre against us by Anonymous / Private Collection/ 1921/ Russia/ Porcelain, overglaze decoration/ Soviet political agitation art/ D 24.1/ History,Objects

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