Decorative Designs and Patterns

Features intricate patterns and designs intended for decorative art, showcasing craftsmanship in marquetry and textiles.

Plate 2, Descripción histórica y cronológica de las dos piedras que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, se hallaron en ella el año de 1790, Francisco de Aguera, (, active 1779-1820, León y Gama, Antonio de, 1735-1802, Unknown, Engraving, 1832

The left half of a frieze, Pencil, brush, sepia, yellow watercolor, paper, Horizontal rectangle. The half-figure of a griffon with a rinceau standing beside a foliated candelabrum with a burning fire on top., Europe, 1825-50, Drawing, Drawing

France, 1814-1815 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations, Prints. General Research Division. Military uniforms , History, France

Anonymous. Salad bowl to the temple of the supreme being. Earthenware. 1795. Paris, Carnavalet museum. 72429-58 Be supreme, earthenware, revolutionary period, French revolution, bowl, temple

Game of waterloo, 1815; History game of Waterloo. Goose board game with historical events on the boxes. Starting with Napoleons campaign to Russia (1812) and ending up with the visit of the queen at the Battle of Waterloo Injured Prince of Orange (1815). In the middle of the marriage of Anna Paulowna and Willem II (1816).

Plat de Jaspe Oriental. The magnificent Apollo gallery in the Parisian Louvre holds in addition to the French Kronjuwelen some of the most precious art objects of the Grande Nation. For the publication Le Trésor Artistique de la France, which is published from 1878, the photographer Léon Vidal releases the exquisite treasures. Also in the printing process one leaves on the expertise of the learned engineer. The method developed by Vidal photochromy technique, a method presented for the first time, makes it possible to transmit the color of the collection pieces in a quality reproduction. Similar to the chromolithography, three layers are printed separately into strong, translucent colors. As a base, Vidal takes a photomechanical image, which contributes the deep black tones to the colored image result; The degree forms a fine rivis layer. In the shiny figures, not only the radiance of the art objects, the expensive produced, elaborate copies are today masters today. (Annika Sellmann)

Modellen om Sonne-wijfers van Palm te leggen, 1683., 1683., Amsterdam. Publisher, M. de Groot. Gardens, Landscape design, Engravings

Astrolabe

PILATRE DE ROZIER and the MARQUIS D'ARLANDES make the first successful manned flight in a Montgolfier balloon (hot air) at Paris Date: 21 November 1783

Letter M, anonymous, 1600 - 1699 print paper fancy letters

Coins plate 1. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Trivet. Dated: c. 1939. Dimensions: overall: 40.7 x 30.6 cm (16 x 12 1/16 in.) Original IAD Object: 1/2" high; 5 15/16" wide; 16" in circumfrence. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Albert Rudin.

Garibaldi / The Paris headquarters (IT)

Antwerp, Ortelius, Abraham, Vredeman de Vries, Hans, Huys, Frans, Theatrum Orbis Terrarum, Cenomanorum Galliae regionis, typus, Neustria. Brittaniae, et Normandiae Typus, Cartouche of a map of Maine, Normandy and Brittany, Half rectangular cartouche with scale bar, Half rectangular cartouche with scale bar. In the middle above a man between the scrolls. On the left and right a mask. The cartouche is a fragment of a map of Maine, Normandy and Brittany. The print is part of an album., print, ornamental print, album sheet, prints, height 67 mm, width 125 mm, print maker, printmaker, 1594 - 1595, paper, papier, engraving, engraving (printing process), pasting, Work conception, 1522 - 1562, after print by, South Netherlands, 1527 - 1607, after design by, 1527-03-16 - 1598-06-29, supervision

Trivet. Dated: 1935/1942. Dimensions: overall: 39.1 x 27.7 cm (15 3/8 x 10 7/8 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Joseph L. Boyd.

Umbria Terni Porano Torre S. Severo8. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Ontwerp van een schrijfvoorbeeld: Quiconque aura remarqué (...). Spieghel der schrijfkonste (series title). Dating: 1605. Place: Rotterdam. Measurements: h 200 mm × w 302 mm. Museum: Rijksmuseum, Amsterdam. Author: Jan van de Velde (I) (mentioned on object).

Plates: flowers by Barrat 1782, flowers by Chapuis 1778, flowers by Huny 1782, composition by Capelle and flowers by Huny 1782, flowers and children by Vande owned by Madame du Barry 1773, composition by Capelle and flowers by Huny 1782. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quantin, Paris, 1891.

Rouvenat, Léon (1809-1874). Pin. Graphite pencil, ink, watercolor wash and white gouache enhancement on tray paper glued on paper. S.D. Petit Palais, Museum of Fine Arts in the city of Paris

Print, Boutons de Meubles; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Capital Letter C James Tissot (French, 1836-1902). , 1886-1894. Ink on paper mounted on board, Sheet: 4 5/8 x 4 7/16 in. (11.7 x 11.3 cm). European Art 1886-1894

Crock. Dated: c. 1937. Dimensions: overall: 28.6 x 23 cm (11 1/4 x 9 1/16 in.) Original IAD Object: 10" High 11 1/8" Dia(top) 8 3/4" Dia(base). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jessica Price.

Le bouclier d'Achille d'après la description d'Homere, Le Jupiter olympien: ou L'art de la sculpture antique considéré sous un nouveau point de vue; ouvrage qui comprend un essai sur le goût de la sculpture polychome, l'analyse explicative de la toreutique, et l'histoire de la statuaire en or et ivoire chez les Grecs et les Romains, avec la restitution des principaux monuments de cet art et la démonstration pratique et ou le renouvellement de ses procédés mécaniques, Quatremere de Quincy, M. (Antoine-Chrysostome), 1755-1849, Etching, hand-colored, 1814

Small Card Decorated with Landscape (recto) and Stylized Chrysanthemum (verso) Christopher Grant La Farge (American, 1862-1938). Small Card Decorated with Landscape (recto) and Stylized Chrysanthemum (verso), ca. 1880. Watercolor, black ink, and metallic paint over graphite on very thin card stock, 3 1/16 x 4 5/16 in. (7.8 x 11 cm). Created for use as calling cards, place cards, or menu cards, these charming items indicate how the Japan craze” permeated all facets of artistic production. Grant La Farge’s familiarity with Japanese motifs (such as Mount Fuji, chrysanthemums, and bamboo shoots) undoubtedly came from his family. His father, the artist John La Farge, embraced Japanese aesthetics in his own art and also collected and published widely on Japanese art; Grant La Farge’s mother, Margaret, was the grandniece of Commodore Matthew Perry. American Art ca. 1880

Event handkerchief. Culture: British, London. Dimensions: L. 35 1/2 x W. 35 1/2 inches90.2 x 90.2 cm. Engraver: Engraved by Rymer & Son (London). Date: ca. 1813. Museum: Metropolitan Museum of Art, New York, USA.

Globe Dedicated to be Louis leGrand. Artist: P. Vicenzo Maria Coronelli, Italian, 1650-1718

Ozdobnik na stronie tytułowej poematu:STEAMERS v.STAGES: OR ANDREW AND HIS SPOUSE w :FACETIAE: BEING A GENERAL Collection of the Jeux dEsprit WCHICH HAVE BEEN ILLUSTRATED BY ROBERT CRUIKSHANK IN TWO VOLUMES. VOL. II CONTAING NEARLY SIXTY ENGRAVINGS.LONDON WILLIAM KIDD, 6, OLD BOND STRET. MDCCCXXXI. unknown

Priapic medal to Valeria Messalina and Emperor Claudius. Rear side of an engraved medal of cornaline showing a snail and seven phalli Priapus with the words Messal Claudi Invicta. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Copper engraving by Telman von Wesel titled 'Painting Trial', created around 1500, depicting a figure or scene in detailed composition.

Yun-lo. Chinois, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Rinceau Ornament with the Head of a Zephyr. Artist: John Dibblee Crace (British, London 1838-1919 London). Dimensions: sheet: 15 3/8 x 12 3/8 in. (39.1 x 31.4 cm). Date: ca. 1889. Museum: Metropolitan Museum of Art, New York, USA.

Sconce. Dated: c. 1936. Dimensions: overall: 27.9 x 22.8 cm (11 x 9 in.) Original IAD Object: 31" high; 28" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Charles Garjian.

Antoine Jacquard, Landscape Landscape

Belijn and his colleagues and the kicked head of Cuwaert, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (fol. 15): Van den Vos Reinaerde; Belijn and his colleagues, chased by Isengrim and the wolves; The bitten head of Cuwaert, De Haas. paper. cardboard. pencil. chalk. ink pen / brush fable of Reynard the Fox

Ornament Designs with Grotesques, L. C. Chateau, French, Engraving on paper, Various ornaments with grotesques and scrollwork., France, mid- 17th-mid- 18th century, Print, Print

Lloyd Charles Lemcke, Compass, 1938 Compass

Two multi -surfaces with a Hexaëder and a Tetraëder as a starting point, Jost Amman, After Wenzel Jamnitzer, 1568 Various geometric figures (Polyhedra) in an equal condition. Labeled as 'I' and numbered: F.II. This print is part of a book. Nuremberg paper etching Various geometric figures (Polyhedra) in an equal condition. Labeled as 'I' and numbered: F.II. This print is part of a book. Nuremberg paper etching

The Pleasant Game of the Goose (Il Dilettevole Gioco di Loca). Artist: Anonymous. Dimensions: Image: 19 1/2 × 14 3/4 in. (49.5 × 37.5 cm)Sheet: 23 1/4 × 18 5/16 in. (59 × 46.5 cm). Publisher: Carlo Coriolani (Italian, active Venice, ca. 1640). Date: After 1640 (probably printed later 17th century). Museum: Metropolitan Museum of Art, New York, USA.

Trivet. Dated: c. 1937. Dimensions: overall: 29.1 x 22.7 cm (11 7/16 x 8 15/16 in.) Original IAD Object: 6 1/2" in diameter; 1 1/4" high. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Joseph Rothenberg.

Robert Mabon, died 1798, British, Ground Plan for a Bungalow, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Ideal Plan, by Peruzzi Baldassarre, 1530 - 1535, 16th Century, . Italy: Tuscany: Florence: Uffizi Gallery: U581A. Whole artwork. Round central plan

Portrait of a Roman emperor depicting facial details, hairstyle, and ceremonial attire, executed in brown pen on parchment in a series.

The new entertaining / goose game / le nouveau jeu d'oie. Goose board game with spiral with 63 numbered boxes. In different squares a representation of a goose. In midfield the title and rules in Dutch and in French in bookpress. At the bottom right of midfield numbered: 4.

Scene tile, sitting woman in landscape, corner motif quarter-saved star, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Sprinkled purple tile in blue circle with lobed edge.

Project for the place of the throne Louis Adolphe January (1818-1878). Project for the place of the throne. Mine of lead, 1850-1850. Carnavalet Museum, History of Paris.

2 of Collars, from The Cloisters Playing Cards ca. 1475-80 South Netherlandish The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were

Contemporary papyrus depicting the ancient Egyptian Dendera zodiac, a widely known Egyptian bas-relief from the ceiling of the pronaos (or portico) of a chapel dedicated to Osiris in the Hathor temple at Dendera, containing images of Taurus (the bull) and Libra (the scales). This chapel was begun in the late Ptolemaic period

Part of sketch of the Cape of Good Hope. Draughtsman: Jan Brandes. Dating: 20-Apr-1786 - 15-Mar-1787. Place: Kaapstad. Measurements: h 195 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Twee duiven in een net / Schedel met slang; Quasi Columba Secunda / Te Nunquam Timui; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Above two birds in a net. Under a skull with bone and on top of a snake. It may be possible foreign exchange of Lana Elberta, female from Hendrik van Bourbon, and Hendrik II from Bourbon.

Design for a vase. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 277 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Fraktur: A Flower and Two Initials, Calligraphy in brown ink, brush and watercolor on paper, Sunburst flower with twenty-four petals; 6 yellow, 6 red, 12 blue, on a brown stem with brown and blue leaves. An initial on either side of the stem. Left one, on 'H'. Form known as 'bookmark'., Philadelphia, Pennsylvania, United States, Paris, France, 1780-1800, Calligraphy, Calligraphy

Casque de fer. XVIme. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Netherlands, King, Theodor, Coat of arms of the Kingdom of the Netherlands, 1815, verso - stamped, The coat of arms of the Kingdom of the Netherlands, as determined on 24 August 1815. The coat of arms with a royal crown and some olive branches surrounded by the ermine royal mantle, clouds and sunbeams., print, prints, Frederik Muller Historieplaten, height 130 mm, width 192 mm, print maker, printmaker, 1815 - 1815, paper, papier, etching, engraving, engraving (printing process), 1748-02-03 - 1829-01-31

Sun, Moon and Lotus on Lotus Throne, from a Set of Initiation Cards (Tsakali). Tibet. Date: 1299-1499. Dimensions: 16 x 14.5 cm (6 1/4 x 5 3/4 in.). Ink and watercolor on paper. Origin: Tibet. Museum: The Chicago Art Institute, Chicago, USA.

Renaissance ornament

Basket. Dated: 1935. Dimensions: overall: 17.3 x 15.2 cm (6 13/16 x 6 in.). Medium: colored pencil and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Michael Trekur.

Deraisme, Pierre -Georges (n.1859 - D.1932), snake belt buckle (main title), 1900. Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a cupboard or interior, HG monogram miss (16th century), 1525 - 1550 print Design based on Renaissance architecture, possibly intended for a cupboard or interior. paper interior ~ architectural design or model

Collection of French Costume Designs or Portrait Types; Title Page ca. 1785-90 Anonymous, French, 18th century French Oval cartouche decorated by a garland of roses and ribbons, with two circular insets featuring a waistlength female portrait type in late eighteenth-century costume with a fichu and a oversized bonnet. ThetTitle inscription, originally done in graphite is partly erased and has become illegible.. Collection of French Costume Designs or Portrait Types; Title Page 414939

Studio delle virtuose Dame, page 34 (recto) 1597 Isabella Catanea Parasole Italian Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right:Design decorated with 8 squares containing an alternating pattern of an ornamented ellipse and diamond.. Studio delle virtuose Dame, page 34 (recto). 1597. Woodcut. Antonio Fachetti , Rome

Deraisme, Pierre -Georges (n.1859 - D.1932), buttons (main title), 1910. Graphite on white cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Stanisławski, Jan (1860 1907)

Vestigia delle Terme di Tito. Vault decoration in room 13; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);DESA - collection, Rome, Italy, town, Terme di Tito, Umiastowski, Roman, collection, Nero's golden house, antique, architecture, archeology, relief, decorations, leather, jellyfish head, mask, purchase (provenance)

This 1549 etching by Augustin Hirschvogel depicts the scene titled 'Weh - Weh', showing figures, gestures, and late medieval symbolic iconography.

Presentation of the conquest of the North Pole, c. 1885, Historical, digitally restored reproduction from a 19th century original.

Clock and hammer game or fungus, 1824; New fungal game. Board game called clock and hammer game or fungus. Centrally an image of a man surrounded by five compartments with images of a hammer, clock with hammer, man on horseback (fungus), house and clock. Part of a group of children's and companion games printed in the period ca. 1750-1850. A separate leaf with the game rules belongs to the print.

CALENDARIO ESFERICO ZODIACAL S XVI. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPANIEN.

Design for a vignette. .

Hairstyles of Josephine de Beauharnais, 1788, later wife to Napoleon, from murals in the bathrooms at Malmaison in the Roman style. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Studio delle virtuose Dame, page 18 (recto) 1597 Isabella Catanea Parasole Italian Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right:Design divided into 2 squares that are framed by a black-and-white stripped border. Each square is decorated with a different 8-petaled flower surrounded by circles.. Studio delle virtuose Dame, page 18 (recto) 661009

Panorama of the site of the battlefield of Waterloo, 1815, Jobard Frères, 1826 - 1850 print Around Panorama of the site where the Battle of Waterloo was fought on June 18, 1815. Rolling landscape on which the positions of the armies under Wellington and Napoleon, forests, farms and churches are indicated in perspective from the lion of Waterloo, the monument for The battle. France paper Waterloo. Leeuw van Waterloo

Design for Bed with Tented Alcove, probably for the Prince of Wales's Bedroom or Boudoir, Royal Pavilion, Brighton, Frederick Crace, English, 1779-1859, Pen and black ink, brush and watercolor on white wove paper, Design for an alcove between two rooms, with a sofa upholstered in a fabric matching the flanking drapery curtains and the tented ceiling canopy. Above the sofa, the wall is decorated with fluted golden drapery radiating from a convex, sun-shaped mirror. Drapery frames the sofa recess and doorways. The walls of the rooms on either side are turquoise., ca. 1801-04, interiors, Drawing, Drawing

Frans standaard veroverd in de slag bij Malplaquet, 1709. Mr. Gilbert, Corn. reforme aux Gard. d'Espagne (title on object). Draughtsman: anonymous. Dating: 1713 - 1720. Place: Northern Netherlands. Measurements: h 172 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Four female torsos joined at the waist with garden features as heads; symbolising the four seasons in a garden. Etching by T. B., c. 1797.

Design for ex libris for Joyce Haworth. Draughtsman: Richard Roland Holst. Dating: 1915. Measurements: h 285 mm × w 292 mm. Museum: Rijksmuseum, Amsterdam.

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