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Decorative Plates and Dishware

A vibrant assortment of decorative ceramics and porcelain plates, featuring intricate designs and scenes that reflect cultural artistry and craftsmanship.

Judgment of Paris plate, c. 1755, 1 x 9 in. (2.54 x 22.86 cm), Porcelain with enamel and gilded decoration, China, 18th century
Judgment of Paris plate, c. 1755, 1 x 9 in. (2.54 x 22.86 cm), Porcelain with enamel and gilded decoration, China, 18th century
156 assets in this story
6145-29239442
Pillow with Landscape Scenes 13th-14th century Zhang Family Workshop Known for their pillows, members of the Zhang family are among the few potters/painters whose names are recorded in Chinese ceramic history.. Pillow with Landscape Scenes. Zhang Family Workshop. China. 13th-14th century. Stoneware with painted decoration over white slip under clear glaze (Cizhou ware). Jin (1115-1234)-Yuan (1271-1368) dynasty. Ceramics
6145-29144272
Cushion with Solomon and Sheba mid-17th century British The scene of Solomon and the Queen of Sheba was probably worked from a commercially available kit, as a raised-work embroidery of the same design is also known.. Cushion with Solomon and Sheba 228972
6145-58868412
Dish, painted with a woman with flower garlands and child, anonymous, c. 1700 - c. 1750 Dish of multicolored painted majolica. A landscape is painted on the dish with houses on the left. In the landscape there is a woman with a flower garland in both hands and a child next to her. On the right behind the woman, columns are visible. See also BK-KOG-330. Castelli earthenware. tin glaze. lead glaze majolica Dish of multicolored painted majolica. A landscape is painted on the dish with houses on the left. In the landscape there is a woman with a flower garland in both hands and a child next to her. On the right behind the woman, columns are visible. See also BK-KOG-330. Castelli earthenware. tin glaze. lead glaze majolica
6145-58857311
Folding range, consisting of a single leaf of thin leather on which with gouache a gods meal () Surrounded by a border with red, blue and gold chinoiseris motifs, on a frame of ivory ajour and cut into relief, anonymous, c. 1740 - c. 1750 In a garden laid out with many water features, nine figures were collected around a set table. A number of them can be recognized by their attributes: Hera (Pauw), Ganymedes (donor of the gods: wine glass), Artemis (Moonlike), Hermes (staff with wings), Apollo (winch and sun rays) and Zeus (Scepter and Adelaar on lightning bolts). The fairly centrally placed couple, given the man's armor and the partially bare upper body of the woman, Aphrodite and Ares (Mars and Venus), could imagine that maintained an illegitimate relationship. This identification is supported by one of the most striking parts in this performance: an Amor, who holds a mask for his face with his right hand. In the 'Amorvm Emblemata ...' Van Otto Vaenius from 1608 is 'Gheveynstheyt Lo
6145-59037942
Meissen factory, during figurines (title of the whole). Hard porcelain, polychrome enamels. Petit Palais, Museum of Fine Arts of the City of Paris.
4409-9839
"BACI GRAN" CERAMICA DE MANISES SIGLO XV - LETRA B CORONADA ALUSIVA A BLANCA DE NAVARRA. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.
6145-29883153
Painted by Francesco Xanto Avelli, Charger with the Battle of Roncevaux, 1533 Painted by Francesco Xanto Avelli (Italian (Rovigo), active in Urbino, c. 1486/1487 - after 1542), Charger with the Battle of Roncevaux, 1533, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection) 2014.136.323
6145-29058855
Double-faced Figure of a Woman, 1792. France, Clermont-Ferrand, 18th century. Faience; overall: 19.1 x 15.3 x 7.7 cm (7 1/2 x 6 x 3 1/16 in.).
1746-19666725
Iznik ceramics, 16th-17th century. Polychrome glazed Ottoman pottery is found throughout Greece and adorned houses of the affluent and churches.
6188-67157765
Polychrome Fliesen Polychrome tiles, 16th century, La Ribera, Arkeologi Museoa, Museo Aqueologico, Bilbao, Bizkaia, Pais Vasco, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22845555
6145-59012599
EVENTAIL. "Ancient fresco", 19th century. Paper, sepia engraving, tinted wood. Paris, Carnavalet museum. 99070-19 Fashion accessory, Eventail
6145-58872096
Plate, oval, with edge of multicolored flowers in relief to a blue -painted landscape with figures, anonymous, c. 1770 - c. 1800 Plate of Faïence. Blue painted with figures in a landscape, within a wide multi -colored flower edge in relief Delft . Plate of Faïence. Blue painted with figures in a landscape, within a wide multi -colored flower edge in relief Delft .
4443-21960070
Fragment of a Bell Krater; Konnakis Painter (Greek (Gnathia), active about 375 - 350 B.C.); Gnathia, South Italy; about 350 B.C; Terracotta; 10.7 × 11 cm (4 3,16 × 4 5,16 in.)
6145-58995895
Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. West wall. Gravated wood console and Chinese balustrous vase. Ceramic polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 79110-18 Art crafts, arts decoratives, serious wood, Chinese cabinet, ceramic, chinoiserie, wood engraving, oriental influence, orientalism, wooden panel, Chinese living room, vase, 19th XIX 19th 19th 19th 19th century
1746-21116504
Pieter Brueghel the Younger (1565-1638). Oil on panel depicting a peasant with a sack by his feet points towards a tree. There is a thief, robbing a nest, clings to a branch as his hat falls off.
6145-58998196
Folded range, Facing decor: golden garland with a vegetable pattern developing on the sides, in the center, a couple walks accompanied by 2 children, a couple and a young girl, in the background, a church. GAL2001.208.X Face in lithographed paper painted gouache and golden, golden paper edge, bellièr, bone frame raised and engraved, plumes with application of golden paper on the reverse, metal rivet, bone eyes
6145-48894705
Fresco Fragments (2). Unknown
6145-58848682
Harlequin Family, Meissener Porcelain Manufaktur, c. 1740 - c. 1744 Group of painted porcelain. On an irregular oval pedestal, covered with flowers and leaves, a woman with a child sits on a hill on the lap. Behind her stands a tree stump and on her left a violin -playing harlequin half sitting on a tree stump. The group is not marked. Float porcelain Group of painted porcelain. On an irregular oval pedestal, covered with flowers and leaves, a woman with a child sits on a hill on the lap. Behind her stands a tree stump and on her left a violin -playing harlequin half sitting on a tree stump. The group is not marked. Float porcelain
4443-28737701
Tray, late 17th century, 1 3/4 x 16 x 16 1/8 in. (4.45 x 40.64 x 40.96 cm), Black lacquer with mother-of-pearl inlay, China, 17th century, The technique of inlaying lacquer with mother-of-pearl dates from the Shang dynasty (1200s-900s BCE) and later hundreds of tiny pieces of thin shell were combined to create complicated pictorial scenes like the landscape illustrated here. The technique remained popular through the 1700s and was adopted outside of China by craftsmen on the Ryuku Islands (Okinawa) where native shells were particularly beautiful.
6145-59068625
Tondo; Della Robbia, Andrea (1435-1525), Cantagalli, Ulysses (1839-1901/4); beginning of the 20th century (1900-00-00-1920-00-00);
6145-48512425
Adoration of the Magi Plaque; France; enamel-painted and fired on copper
6145-48539052
Platter. Palissy, Bernard (1510-1589), author
6145-29061311
Wall Tile- Knight on Horseback, c 1600s. Spain, 17th century. Glazed ceramic; overall: 12.7 x 13.7 cm (5 x 5 3/8 in.).
6145-59044144
Henri Cros (1840-1907). "Draft with a naked woman, (after restoration) at the end of the 19th century". Ceramic and earthenware. Museum of Fine Arts of the City of Paris, Petit Palais. Allegory, after restoration, ceramic, earthenware, young woman, nudite, dish to decor, naked
6145-59012584
EVENTAIL. Reine Victoria and Prince Albert, and their seven children; Around 1850. Gouache on swan skin, openwork reindeer bone. Paris, Carnavalet museum. 99087-5 Fashion accessory, Eventail
6145-30155624
. Soft-paste porcelain, underglaze blue . Worcester Royal Porcelain Company (Manufacturer)
6145-45957086
Plaque with a Portrait of Antoni van Leeuwenhoek.
6145-29790483
Jug ca. 1690 Wolf Rössler. Jug 200893
4409-17409794
Armchair (one of four). Culture: British and French, probably Beauvais. Dimensions: Overall: 44 × 32 × 28 in. (111.8 × 81.3 × 71.1 cm). Factory: Tapestry probably woven at Royal Manufactory Beauvais 1664-1789. Date: 1755-65.These chairs are from a set of six armchairs and two settees supplied to the third Duke of Ancaster (1714-1778) for Grimsthorpe Castle, Lincolnshire. The set was originally partially gilt and upholstered with Gobelins coverings (now Rijksmuseum, Amsterdam) after designs by Francois Boucher. The present coverings were applied between 1934 and 1858. Museum: Metropolitan Museum of Art, New York, USA.
1746-19691785
Ceramic original for a bronze drinking fountain by Kate Malone born 1959. The artist glazed her enormous coil pot, as much sculpture as pottery, with complex layers of colour evoking the deep-sea images. The final work was cast in bronze from the clay original.
4409-21382822
COPA DE LIMOSGES- SIGLO XVI-ESMALTES CON EFIGIES EN GRISALLA DE ENRIQUE II DE FRANCIA Y FIGURAS MITOLOGICAS. Author: RAYMOND PIERRE. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. Henry II of France. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.
6145-59034087
Ernest Kees, advertising event Ernest Kees (title awarded), 1900. Face in stamped woven paper (etching), wooden frame, silver metal rter. Palais Galliera, fashion museum of the city of Paris.
6145-58828697
Saucer-Dish with a Portrait or Daniel Raap, Pleun Pira, 1750 Porcelain dish, painted on the glaze in blue, red, green, yellow, brown, black and gold. On the front a portrait of a man, Daniel Raap, porcelain dealer from Amsterdam, sitting at a table on which books and writing supplies, on the right a blue cupboard in which books, a window window with white curtain on the left; In front of the table a banderole with the inscription: 'Dees sketch depicts Mr. Raap who has been exercising/ for whom the golden stream of the baet glory must whiten/ violent and Dwinglandij van Hare fiddled/ that freestly considered the highest: Naest Haer Vorst Friso considers "; A serrated golden band on the inner edge; the back with a second inscription: 'Ter Vreugd van d': Lord: Daniel Raap d'Agteniestigiest Ver = Annual ring; Is by Elias Colier: this image is sacrificed. Amsterdam D: 2 Jan: 1750/ Pleun Pira Fecit/ GB: 1734/ 2/7 '. Decorated in Europe. painter: AmsterdamChina porcelain. glaze. gold (metal)
6145-59036417
Anonymous (n. - d.), Armchair to the queen: surprise, wolf and stork (main title). Sculpted wood, Beauvais tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.
6145-59002886
Folded range, painted decor: 18th century pastiche. Gal1986.95.22A Wallpaper leaf, ivory frame remedied
6145-45531133
Bliżej Kultury
1885-11465
Vietnam, , General, Detail of Chinese decoration
6145-59013755
EVENTAIL. "Portrait of Mazzantini", Spain, late 19th century. Paper lithography, red lacquered wood. Paris, Carnavalet museum. 99096-8 Fashion accessory, Eventail
6145-50632422
Przeszo Przyszoci unknown
6145-30190865
Bowl with Scene from Romance of the Western Chamber 1655-1665 China. Porcelain painted in underglaze blue .
4443-28735453
Allegory of Love, c. 1850, Meissen Porcelain Factory, Meissen, Germany, est. 1710, 17 1/2in. (44.4cm), Hard paste porcelain, Germany, 19th century
6145-59043088
Charles Léandre (1862-1934) and Louis-Abel Truchet (1857-1918). EVENTAIL. "Woman in Costume 1830" (Gavarni), 1903. Paper, wood. Paris, Carnavalet museum. Eventail: woman in 1830 costume (Gavarni); Liandre and Truchet 1903 Fashion accessory, Eventail
6145-29192221
Hexagonal Tile Ensemble with Sphinx ca. 1160s-70s By the early twentieth century, the two-story Konya Köşk had largely fallen into ruin, but architectural fragments speak to its former artistic sophistication and lavish polychrome ornamentation. The upper story of this Rum Seljuq citadel-palace” was dominated by an iwan with balconies on three sides facing outward over the sultanate’s capital, Konya, thereby functioning as both a belvedere and a point from which the sultan could consider his dominion. The luxurious mina˒i ceramic technique of these tiles is reminiscent of that associated with the luxury vessels made in Kashan, Iran. The stucco reliefs also recall the artistic language developing both in the eastern and western parts of the Seljuq realm, which eventually extended into Christian lands, as seen in comparable stucco reliefs found at the Armenian capital at Ani. The imagery of real and fantastic animals, such as this sphinx (1976.245), and scenes of equestrian combat or ro
6145-59496396
Square bottle with caricatures of the trade speculation of 1720, anonymous, c. 1720 Square bottle of porcelain with a narrow, spreading neck, painted on the glaze in blue, red, green, yellow, purple, brown, black and gold. Twice on the wall two performances: a European man in a landscape in a flourishing plant, under his one arm a bunch of carrots and in the other hand a note with 'Hoorn carrots'; A river landscape with a monkey in the foreground, which bombarded a bombarded on a red cane, leaving several notes here with the inscription 'Evening action', 'Walking fire', 'West', '1000', 'He jumps',' Bergit gap 'and' agter teijt '. On the shoulder a band with servetwork and lotus flowers. Around the neck a band with a spiral pattern. A crack in the wall. Arita, European performance in Europe decorated In the Japanese Kakiemon style. Japan (possibly)painter: Europe (possibly) porcelain. glaze. gold (metal) painting / gilding / vitrification Japan
6145-29127646
Plate. Sèvres Porcelain Manufactory (France, Sèvres, established 1756). France, Sèvres, 1808. Furnishings; Serviceware. Porcelain with enamel and gilding
6145-58827469
Plate with an image of the Dutch VOC ship Vrijburg, anonymous, c. 1756 Porcelain plate, painted on the glaze in blue, red, pink, green, black and gold. On the flat of the board a performance of a Dutch VOC ship, Vrijburg, on the waves; On the edge a crowned cartouche with the inscription 't: ship vryburg: held: by Capiteyn Jacob.ryzik.in:Cina.int iaar 1756'; the wall with a 'Spearhead border'; The edge with a narrow strap with flower vines. European performance in email colors. China porcelain. glaze. gold (metal) painting / gilding / vitrification China Porcelain plate, painted on the glaze in blue, red, pink, green, black and gold. On the flat of the board a performance of a Dutch VOC ship, Vrijburg, on the waves; On the edge a crowned cartouche with the inscription 't: ship vryburg: held: by Capiteyn Jacob.ryzik.in:Cina.int iaar 1756'; the wall with a 'Spearhead border'; The edge with a narrow strap with flower vines. European performance in email colors. China porcelain. glaze. go
6145-58998051
André Metthey (1871-1920). Plate. Earthenware. Museum of Fine Arts of the City of Paris, Petit Palais. 79583-22 Art Menager, Faience, Woman, Crockery, XIXth 19th 19th 19 19th 19th century, plate, naked, nude
6145-29765112
Terracotta oinochoe (jug) ca. 520-510 B.C. Euthymides, Potter The Judgement of ParisBy the last decade of the sixth century B.C., there were artists who had achieved a virtuosic mastery of the red-figure technique and were responsible for the predominance that it gained over black-figure. Euthymides, a potter and painter,was one of these innovators belonging to what has been called the Pioneer Group. While Euthymides' signature as potter appears on the foot here, the painter remains unidentified. The goddesses following Hermes are Aphrodite, Athena, and Hera.. Terracotta oinochoe (jug) 255772
6145-54680229
Portrait of a man, possibly La Mothe Fénélon (1651-1715) German or French probably 19th century View more. Portrait of a man, possibly La Mothe Fénélon (1651-1715). German or French. probably 19th century. Painted enamel on copper, partly gilt. Enamels
4443-28729924
Male Figure in Front of Tree, c. 1765, Bow Porcelain Factory, London, c. 1747-1776, 8 13/16 x 5 15/16 x 3 13/16 in. (22.4 x 15.1 x 9.7 cm), glazed porcelain, gilt, 18th century
4443-28729925
Female Figure in Front of Tree, 18th century, Bow Porcelain Factory, London, c. 1747-1776, 8 3/4 x 5 15/16 x 3 1/2 in. (22.2 x 15.1 x 8.9 cm), glazed porcelain, gilt, 18th century
4409-17393161
Tondo. Artist: Workshop of Giovanni della Robbia (Italian, Florence 1469-1529/30 Florence). Dimensions: Diam. 57.5 cm. Date: ca. 1500-1520.The della Robbia were a family of Florentine sculptors who were famous for their tin-glazed terracotta relief sculptures. The family expanded the traditional blue and white palette of glazes to a broader range of colors, as seen in the present work, which was produced by the workshop of Giovanni della Robbia. The tondo bears the emblem associated with the church of San Lorenzo in Florence or with its dependency -- the suburban church of San Marco Vecchio. The emblem consists of a cross and two ears of wheat above a gridiron, set in a white-glazed egg-and-dart frame, surrounded by a wreath of fruit, pinecones, and leaves bound with ribbons. Museum: Metropolitan Museum of Art, New York, USA.
6145-54680832
Panel with portraits of five girls British 19th century View more. Panel with portraits of five girls. British. 19th century. Glass. Glass-Painted
4409-18319
NATURALEZA MUERTA - 1976-77. Author: FERNANDO BOTERO. Location: PRIVATE COLLECTION. MADRID. SPAIN.
6145-59493897
Frederik II van Pruisen, Anonymous, 1775 - 1800 On the lower half of oval plaque: portrait bust of Man (Frederik II), a profile to the left inside. Man has curly hair, with tail in which a bow. He is wearing a high -level jacket with six closures and star -shaped distinctions on the left breast. Man has a headgear (stab) under the left arm. The entire portrait and inscriptions are golden: matte and shiny. The background is black. Japan copper (metal). lacquer (coating) lacquering
1746-19691631
Charger, Brislington, c 1690 depicts William III who ruled jointly with his wife, Mary II. A similar charger portraying Queen Mary features the same flying insect in the border but the flowering plants are replaced by thistles, perhaps in recognition of Mary Stuart's ancestry.