Decorative Porcelain Cups

An assortment of elegant porcelain cups and saucers, featuring intricate floral designs, vibrant colors, and gilded elements, reflecting fine craftsmanship.

Bell-shaped cup and saucer with antiquities in panels on a ground of floral scrolls, anonymous, c. 1800 - c. 1899 Bell -shaped head and dish of porcelain, painted on the glaze in blue, red, pink, turquoise, yellow, pink and gold. On the flat of the saucer a medallion in a triangle with servetwork, around three cartouches with antiques (fruit bowl with fingercitroen, vases with peacock springs and coral, incense burner, scepter, objects of a scholar etc.) against a background of flower vines. The head with the same decoration. A crack in the edge of the dish. Famle Rose. China porcelain. glaze. gold (metal) painting / gilding / vitrification Bell -shaped head and dish of porcelain, painted on the glaze in blue, red, pink, turquoise, yellow, pink and gold. On the flat of the saucer a medallion in a triangle with servetwork, around three cartouches with antiques (fruit bowl with fingercitroen, vases with peacock springs and coral, incense burner, scepter, objects of a scholar etc.) agains

Tea cup with ear, painted with flowers and corners. Tea cup with ear, from porcelain, part of a tea set, multi-colored painted with flowers and corners.

Round Terrine with lid and Subtot of earthenware, Joseph Hannonge, Paul Hannonge, c. 1760 - c. 1775 Round terrine with lid on Subtotel multicolored painted with flower bouquets and sprinkling flowers. Marked J.H. and P.H. Strasbourg (France) . Round terrine with lid on Subtotel multicolored painted with flower bouquets and sprinkling flowers. Marked J.H. and P.H. Strasbourg (France) .

Lid of butter fleet, anonymous, 1740 - 1765 Lid of butter fleet with raised ears multicolour painted with an oriental landscape with buildings within cartouches. Delft . Lid of butter fleet with raised ears multicolour painted with an oriental landscape with buildings within cartouches. Delft .

Cup with poppies. Cup of porcelain, decorated with colorful poppies.

Terrine lid, c. 1750 - c. 1780 Lid of Terrine of manganese painted faience. With accompanying bin (BK-15134-1). Arnhem earthenware. tin glaze. Lid of Terrine of manganese painted faience. With accompanying bin (BK-15134-1). Arnhem earthenware. tin glaze.

Bell-Shaped Cup With Moulded Sides With Landscapes And Men On Horseback. Bell-shaped head of porcelain with scalloped edge, painted in underglaze blue. The lower part of the wall has been modeled in petals-shaped compartments filled with a landscape or rider; The upper part of the wall is also modeled in boxes alternately filled with a chrysanthemum and a pomegranate branch. A rider in a landscape on the bottom. The inner edge with a band napkin interrupted by medallions with a person in a landscape. Blue White.

Rinse bowl of hard-baked pottery; Leeds creamware. Half-ball-shaped flush bowl of hard-baked pottery, with a blue decoration under the glaze and a multicolored decoration on the glaze. The decoration does Japanese and consists of a landscape in which stylized trees, plants and houses. The bowl is on a stand ring

Cup with Floral Border Cup; Manufactured by Meissen Porcelain Manufactory (Germany); Germany; porcelain, vitreous enamel, gold

Cup, painted multily with a man in a landscape. Cup (without ear) with a multicolored decoration of a man in a landscape. Marked with two crossed swords and three dumplings in underglazing blue.

Cover, cream -colored, with chain edge in relief, Petrus Regout, 1860 - 1890 Cover of earthenware, cream -colored. The vaulted lid with two pearl edges. The lid is crowned by a glans -shaped button with air hole. Maastricht metal thread. vitrification Cover of earthenware, cream -colored. The vaulted lid with two pearl edges. The lid is crowned by a glans -shaped button with air hole. Maastricht metal thread. vitrification

Bowl with a peacock, flowering plant and inscription, anonymous, c. 1800 - c. 1999 Come from quartz fritry, with multicolored painting. On the inside a peacock with a stylized flowering plant surrounded by a inscription. The inner edge with a decorative band. The outside with a band with lobed cartouches with a flower branch, separated by a flower saved in blue. On the outer edge a band with a geometric motif interrupted by a cartouche with a flower branch. Iran earthenware. glaze painting / vitrification Come from quartz fritry, with multicolored painting. On the inside a peacock with a stylized flowering plant surrounded by a inscription. The inner edge with a decorative band. The outside with a band with lobed cartouches with a flower branch, separated by a flower saved in blue. On the outer edge a band with a geometric motif interrupted by a cartouche with a flower branch. Iran earthenware. glaze painting / vitrification

Cup and Saucer, Porcelinfabriek aan den Amstel, c. 1784 - c. 1809 The head is cylindrical in shape and has a question mark -shaped ear with decoration in gold. The upper half of the wall is painted with a frieze of rosettes in purple, two colors of green and gold on gold and purple speckled light purple stock. The head is marked Amstel in underly glaze blue, with the stripe and LO3. Ouder-Amstel porcelain The head is cylindrical in shape and has a question mark -shaped ear with decoration in gold. The upper half of the wall is painted with a frieze of rosettes in purple, two colors of green and gold on gold and purple speckled light purple stock. The head is marked Amstel in underly glaze blue, with the stripe and LO3. Ouder-Amstel porcelain

Klapmuts bowl with a bird on a rock near flowering plants, anonymous, c. 1600 - c. 1649 Klapmuts come from porcelain with a scalloped edge, painted in underlaze blue. On the soil a bird on a rock with flowering plants in a river landscape. The inner wall is divided into four wide courses with a peach or flower branch in a scalloped cartouche; In between four narrow compartments with bows. The inner edge with the same cartouches on servetwork. The outer edge with two flower vines; The outer wall with four medallions with dots and four narrow compartments with a scepter. Crack porcelain in blue and white. China porcelain. glaze. cobalt (mineral) painting / vitrification Klapmuts come from porcelain with a scalloped edge, painted in underlaze blue. On the soil a bird on a rock with flowering plants in a river landscape. The inner wall is divided into four wide courses with a peach or flower branch in a scalloped cartouche; In between four narrow compartments with bows. The inner edge with

Creamer (Russia); Manufactured by Kuznetsoff Pottery (Russia); porcelain, enamel, gilding

Cup and saucer painted with butterflies and dragonflies, Porcelinfabriek aan den Amstel, 1784 - 1809 Head without an ear on dish and multicolored painted with butterflies and dragonflies. Marked: Amstel. Ouder-Amstel porcelain Head without an ear on dish and multicolored painted with butterflies and dragonflies. Marked: Amstel. Ouder-Amstel porcelain

Cup with putti on clouds, Ansbach, 1785 Porcelain head (tea head) with a C-shaped ear, painted on the glaze in pink (Camaïeu) and gold. On the outer wall two putti on a cloud with a portrait medallion in their hands. The portrait is from a man and profil. To sprinkle the show in gold. The inner edge with a twisted band, on which garlands and flower branches hang. Golden line on the foot and golden edge. Marked on the underside with the stork. porcelain company: GermanyThe Hague porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain head (tea head) with a C-shaped ear, painted on the glaze in pink (Camaïeu) and gold. On the outer wall two putti on a cloud with a portrait medallion in their hands. The portrait is from a man and profil. To sprinkle the show in gold. The inner edge with a twisted band, on which garlands and flower branches hang. Golden line on the foot and golden edge. Marked on the underside with the stork. porcelain company: GermanyThe Hague porcelai

Teapot. Culture: British. Dimensions: 6 x 8 1/2 in. (15.2 x 21.6 cm). Date: 1700-1800. Museum: Metropolitan Museum of Art, New York, USA.

Bell-Shaped Cup with Pheasants, Peony and Vines. Bell-shaped head of porcelain, painted on the glaze in blue, pink, green, yellow, brown and gold. On the outside wall two pheasants on the branch of a peony plant; to the edge a bond with vines; a sprig at the bottom. Wall has been broken. Family Rose.

Salt cellar; Korzec (Porcelain Manufaktura; 1790-1832); around 1820 (1815-00-00-1825-00-00);Tarasowicz, Helena and Konstanty - collection, gift (provenance)

Sugar bowl with a foliate scroll, La Courtille Parijs, c. 1800 - c. 1824 Porcelain sugar bowl on high, spreading base and with two modeled handles with rings, painted on the glaze in green, black and gold. Decorated on the wall with a band with vines on one side and flowers and leaves on the other. Golden lines on the foot and edge. Marked on the underside with the crossed arrows. Paris porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain sugar bowl on high, spreading base and with two modeled handles with rings, painted on the glaze in green, black and gold. Decorated on the wall with a band with vines on one side and flowers and leaves on the other. Golden lines on the foot and edge. Marked on the underside with the crossed arrows. Paris porcelain. glaze. gold (metal) painting / gilding / vitrification

Octagonal Covered Bowl With Flowering Plants in Panels and Flower Sprays. Octagonal, bell-shaped cover bowl with bottom dish of porcelain, painted in underglaze blue and on the glaze gold. The outside of the bowl is covered with underglaze blue with flower branches in gold. Four scalloped cartouches with flowering plants (prunus, bamboo) and a stylized peony. A flower vase on the bottom. The inner edge with eight compartments with stylized flowers and flower drinks. The lid with the same decoration. Imari.

Cup. Cup without ear of porcelain. Multicolored painted with flower bouquets and a ladder motif along the edges.

Round box with lotus scrolls, anonymous, c. 1500 - c. 1599 Round box of porcelain, painted in under -glaze blue. Lotus drinks on the wall. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Round box of porcelain, painted in under -glaze blue. Lotus drinks on the wall. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification

Creamer Creamer; Manufactured by Carl Thieme Saxonian Porcelain Company; hard paste porcelain, vitreous enamel, gold

Cup belonging to a tea set from chromolith stoneware, decorated in blue and tan. Cup belonging to a tea set from Chromolith Stoneware. Decoration in blue and tan. Lower half head is hexagonal.

Cup and saucer. When Rev. De Mols factory in Loosdrecht went bankrupt, the Amsterdam creditors transferred its stock of porcelain to new premises in Ouder-Amstel. That explains why this cup and saucer, each bearing a different manufacturers trademark, nevertheless form a pair.

Ink set of multicolored painted faïence, anonymous, c. 1705 - c. 1725 Sand spreader from Faïence. Multicolored painted. Delft . Sand spreader from Faïence. Multicolored painted. Delft .

Head with Kakiemondecor with prunus branch, anonymous, c. 1400 - c. 1950 Head of earthenware with flow -blue transfer decor, heighted with gold. The outside with a prunus branch and other plants. The inside of the wall with a band with three cartouches with flowering branches. The ear in the shape of a branch. earthenware Head of earthenware with flow -blue transfer decor, heighted with gold. The outside with a prunus branch and other plants. The inside of the wall with a band with three cartouches with flowering branches. The ear in the shape of a branch. earthenware

Sausom, painted multi-colored with Deutsche Blumen, insects and fruits. Painted porcelain oval sauce. The bowl has very narrow tapered short sides and a scalloped edge. The bowl is on four legs and has two ears in the shape of a green branch with plastic flowers and leaves. The Sauskom is painted with Deutsche Blumen, insects and fruits. The edge is decorated with the Neuozier pattern in relief. The Sauskom has been marked and belongs to a service (BK-17474-1 to BK-17474-253).

. Manufacturing former loose ruderecht, c. 1774-1778 Tea Caddy: c. 1782Hard-suited porcelain

Pitcher 1828-38 Tucker Factory. Pitcher 18861

Cup And Saucer; Possibly by Royal Worcester (England, GB, United Kingdom); porcelain, overglaze enameling and gilding

Subtotle for a flowerpot from Faience, the three Pakeleyne Astonne, c. 1740 - c. 1775 Underotel van Faience. Blue painted with flower branches. Delft .

Milkkan with lid, multicolored painted with landscapes with figures, Meissener Porzellan Manufaktur, 1777 Pear -shaped milk jug of painted porcelain. The jug has a SNEB, a C-shaped ear and a lid with a button in the shape of a flower bud on a branch. The jug is painted with landscapes in which figures and along the edge a wide strip of green braid. The jug is marked. Float porcelain Pear -shaped milk jug of painted porcelain. The jug has a SNEB, a C-shaped ear and a lid with a button in the shape of a flower bud on a branch. The jug is painted with landscapes in which figures and along the edge a wide strip of green braid. The jug is marked. Float porcelain

Bowl with birds and flower sprays, anonymous, c. 1670 - c. 1690 Conical bowl of porcelain, painted on the glaze in blue, red, green and black. On the outer wall birds between flower branches (lotus) and clouds. Above the foot a tire with servetwork. Part of a set of four bowls (AK-NM-6392-6395). Brown edge. Arita, Kakiemon. Japan porcelain. glaze. painting / vitrification Conical bowl of porcelain, painted on the glaze in blue, red, green and black. On the outer wall birds between flower branches (lotus) and clouds. Above the foot a tire with servetwork. Part of a set of four bowls (AK-NM-6392-6395). Brown edge. Arita, Kakiemon. Japan porcelain. glaze. painting / vitrification

Bell-shaped cup with European landscapes in panels, anonymous, c. 1740 - c. 1760 Bell -shaped head of porcelain with raised edge, painted on the glaze in blue, red, pink, green, black and gold. On the outside two cartouches with tifles containing European landscapes; one with a harbor face with two men and a dog on a pier, a fort and ships in the background; the other with a river landscape with houses and people; The inner edge with tenders. A crack and a chip in the edge. European performance in email colors. China porcelain. glaze. gold (metal) painting / gilding / vitrification Bell -shaped head of porcelain with raised edge, painted on the glaze in blue, red, pink, green, black and gold. On the outside two cartouches with tifles containing European landscapes; one with a harbor face with two men and a dog on a pier, a fort and ships in the background; the other with a river landscape with houses and people; The inner edge with tenders. A crack and a chip in the edge. European perf

. Chocolate head from painted porcelain. The head has been painted with höroldt chinoiseries and port faces. The head is noticed.

Teapot. Worcester Porcelain Factory; Worcester, England, founded 1751. Date: 1765-1775. Dimensions: 17.1 x 19.7 cm (6 3/4 x 7 3/4 in.). Soft-paste porcelain with underglaze blue decoration. Origin: Worcester. Museum: The Chicago Art Institute, Chicago, USA. Author: Worcester Royal Porcelain Company.

Ewer. Culture: Japanese, for European market. Dimensions: Height: 7 1/8 in. (18.1 cm). Date: early 18th century.The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade. Museum: Metropolitan Museum of Art, New York, USA.

Half spherical sugar bowl. Half spherical sugar bowl of multicolored painted porcelain. The pot has a stand ring. On the pot there is a landscape on one side in which an obelisk, a castle and figures, painted, and a flower bouquet on the other. The sugar bowl has been marked.

Vincent Taillandier (active from 1753 to 1790). Oval sugar pot with oval tray. Porcelain, 1760. Paris, Cognacq-Jay museum. 79170-25 Threatening art, lid, flower, geometric pattern, oval tray, porcelain, sugar pot, container, dishes, 18th 18th 18th 18th 18th 18th 18 century

Teapot with bouquets and garlands, Porseleinfabriek Ludwigsburg, c. 1765 - c. 1775 Porcelain teapot with a curved spout and C-shaped ear, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. On the belly garlands depending on a tire on the shoulder with a cloth or paper wrapped around a golden line. Between the garlands of different flowers. The turns of the ear and the spout are modeled in leaf vines. Lid with the same decoration and a lid button in the shape of a fruit branch (apple). Marked on the bottom with the crowned double C. Ludwigsburg porcelain. glaze. gold (metal) painting / gilding / vitrification Porcelain teapot with a curved spout and C-shaped ear, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. On the belly garlands depending on a tire on the shoulder with a cloth or paper wrapped around a golden line. Between the garlands of different flowers. The turns of the ear and the spout are modeled in leaf vines. Lid w

. Tea cup, purple painted with winged putti floating on clouds. Along the edge a guilloches band with dependent flour glulands. Marked with a stork in blue under the glaze. N.B. German porcelain painted in The Hague.

Cream jug ca. 1745 Chelsea Porcelain Manufactory. Cream jug. British, Chelsea. ca. 1745. Soft-paste porcelain. Chelsea Porcelain Manufactory (British, 1744-1784). Ceramics-Porcelain

Head, belonging to a tea set of Chromolith Steengoed, decorated in blue and yellow -brown, Villeroy & Boch ceramic work K.G., c. 1911 - c. 1912 Kop, belonging to a tea set by Chromolith Steengoed. Decoration in blue and yellow -brown. Bottom half head is hexagonal. Metling mastery stoneware Kop, belonging to a tea set by Chromolith Steengoed. Decoration in blue and yellow -brown. Bottom half head is hexagonal. Metling mastery stoneware

Meissen Manufacture. Cup. Hard porcelain, polychrome enamels. 18th century. Museum of Fine Arts of the City of Paris, Petit Palais. Faience, table service, cup, dishes, 18th 18th 18th 18th 18th 18th 18 century

Covered ewer ca. 1644-83 Chinese. Covered ewer 460681

Jug with floral scrolls and masks, anonymous, c. 1590 - c. 1620 Jug of stoneware on stand ring with a spherical body and short, wide neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, belly and foot. Partly covered with cobalt blue. The lower part of the abdomen with canelures. A wide band with profiles and zigzag lines separates the belly from the neck. Then a band with stamped flower vines. On the neck in relief a bond with leaf vines between connected heart -shaped medallions and round medallions with a mask. Raeren. Rae stoneware. glaze. cobalt (mineral) vitrification Jug of stoneware on stand ring with a spherical body and short, wide neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck, belly and foot. Partly covered with cobalt blue. The lower part of the abdomen with canelures. A wide band with profiles and zigzag lines separates the belly from the neck. Then a band with stamped flower vines. On the neck in relief a b

Cup with handle with fruit basket, Flower basket and floral scrolls. Porcelain earhead, painted on the glaze in blue, red, pink, green, yellow, black and gold. A medallon with lotus drinks, a fruit bowl with finger lemon and a flower vase (O.A. Magnolia, peony) depicted; To the medallion a wide band napkin with three scalloped cartouches with flower drinks; On the edge a bond with napkin interspersed with a flower drink in a cartouche. Family Rose.

Cover of a pot with bouquets, Manufacture de Sèvres, c. 1758 Cover of a pot of porcelain, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. Decorated with different bouquets and sprinkling flowers. Lid button in the form of a fruit branch covered with gold. Sèvres porcelain. glaze. gold (metal) painting / gilding / vitrification Cover of a pot of porcelain, painted on the glaze in blue, red, pink, green, yellow, purple, black and gold. Decorated with different bouquets and sprinkling flowers. Lid button in the form of a fruit branch covered with gold. Sèvres porcelain. glaze. gold (metal) painting / gilding / vitrification

. Tiblocal bowl of porcelain, painted on the glaze in blue, red, green, yellow and black. On the outside wall a flowering plant (peony) with a rock, a fruit branch (pomegranate) and planing straw. A pomegranate branch on the inner wall. Brown edge. Arita, Kakiemon.

Pair of Cups and Saucers; Painted by Charles Buteux père (French, 1719 - 1782), Sèvres Manufactory (French, 1756 - present); Sèvres, France; 1759; Soft paste porcelain, pink and green ground colors, enamelled decoration and gilding;

Bowl, late 1700s. Derby (Crown Derby Period) (British). Porcelain; diameter: 8.6 x 18.1 cm (3 3/8 x 7 1/8 in.).

Ovoid covered jar with flower baskets and auspicious symbols, anonymous, c. 1850 - c. 1899 Egg -shaped lid pot of porcelain, painted in underly glaze blue and on the glaze in blue, red, pink, green, black and gold. On the wall twice an openwork handle basket with a chilong (polled dragon) in a scalloped cartouche. The basket is filled with flower and fruit branches (peony, chrysanthemum, prunus, fingercitroen, magnolia). In between also twice a flower vase on a low table. On the vase the head of a shishi (lion dog) with a ring in his mouth. The vase is surrounded by happiness objects (table with rolls, ruyi-shed, fan, qin, incense burner, bowl with mushrooms (lingzhi) and rolls). On the shoulder an irregular bond with peony drinks on 'Frogsdril', leaf vines, chrysanthnums, flower rosettes and peach blossom 'Crackled ICE'. Around the foot a bond with chrysanthnums. The neck with peon branches. The lid with the same decoration. Coverpot is part of Cabinet AK-RBK-15919. Famle Rose. China

Sauceboat (one of a pair). Culture: British, Worcester. Dimensions: Length: 6 3/4 in. (17.1 cm). Factory: Worcester factory (British, 1751-2008). Date: ca. 1755. Museum: Metropolitan Museum of Art, New York, USA.

Teapot, c. 1750-70. Meissen Porcelain Factory (German). Porcelain; overall: 12.9 x 39.2 x 18.3 cm (5 1/16 x 15 7/16 x 7 3/16 in.).

Dish and cover, Wedgwood, English, established 1759, Molded and glazed earthenware ('majolica'), A) Cylindrical hollow bell, straight-sided, flat topped. Molded with asymmetrical flowering branches in brown with red flowers, green and brown leaves, and with clusters of chrysanthemums. Top of bell contains similar ornament, with applied twig handle. B) Dish fitted to accommodate cover, on three feet, decorated at border with branches and blossoms., England, ca. 1880, ceramics, Decorative Arts, Dish and cover

Vase, painted with chinoiserie decoration in blue and purple, anonymous, c. 1660 - c. 1690 Vase of Faience. Painted in blue and purple with a chinoiserie decoration. Delft . Vase of Faience. Painted in blue and purple with a chinoiserie decoration. Delft .

Bell-Shaped Cup And Saucer With Two Pheasants On A Rock In A Leaf-Shaped Panel. Bell-shaped cup and saucer of porcelain, painted on the glaze in blue, red, black and gold. On the flat of the dish two pheasants on a rock with blooming plants in a leaf-shaped cart shower; On the edge a bond with vines. The head with the same decoration. Encre the chine.

Sugar Bowl with Symbols of England, Ireland, and Scotland. England, Staffordshire. Date: 1825-1835. Dimensions: H. 15.2 cm (6 in.); diam. 10.6 cm (4 3/16 in.). Earthenware with copper lustre decoration. Origin: Staffordshire. Museum: The Chicago Art Institute, Chicago, USA.

Fluted Teapot. Korea. Date: 1200-1299. Dimensions: H. 13.0 cm (5 1/8 in.); diam.(including spout) 16.0 cm; Lid: H. 4.3 cm; diam. 10.2 cm; H.(without lid) 11.7 cm. Celadon-glazed stoneware with underglaze molded decoration. Origin: Korea. Museum: The Chicago Art Institute, Chicago, USA.

Bowl with moulded panels and flower sprigs, anonymous, c. 1680 - c. 1720 Come from porcelain with a straight wall and scalloped edge, painted in underlaze blue. The lower part of the wall is modeled in a tire of petal leaves with a standing flower branch, above that flower branches; Flower branches in a medallion on the bottom; The inner edge with flower branches. Marked on the underside with a mushroom (linghzi) in a double circle. Rand slightly damaged. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrification Come from porcelain with a straight wall and scalloped edge, painted in underlaze blue. The lower part of the wall is modeled in a tire of petal leaves with a standing flower branch, above that flower branches; Flower branches in a medallion on the bottom; The inner edge with flower branches. Marked on the underside with a mushroom (linghzi) in a double circle. Rand slightly damaged. Blue White. China porcelain. glaze. cobalt (mineral) painting / vitrificati

Lid, round, with green edge and golden Greek band. Pottery lid, round, scalloped, with green border and golden Greek tie. Button in the form of two growing tendrils.

Sauceboat, Clignancourt Porcelain Manufactory, French, active by 1771 - ca. 1791, hard paste porcelain, vitreous enamel, gold, White ground with multi-colored flowers. Monogram LSX for Louis-Stanislas-Xavier, Comte de Provence (later Louis XVIII), patron of the factory. Background immediately around floral sprays has a mat finish., France, 1775-1785, ceramics, Decorative Arts, sauceboat, sauceboat

Small Turneen, Weesper Porcelain Factory, c. 1760 Terrine with lid, oval vaulted with rocailles in relief. The multi -colored decoration consists of flower bouquets in relief. Marked with two crossed swords and three balls, scratched II and grabbed in the lid P. Weesp porcelain Terrine with lid, oval vaulted with rocailles in relief. The multi -colored decoration consists of flower bouquets in relief. Marked with two crossed swords and three balls, scratched II and grabbed in the lid P. Weesp porcelain

Jug. Worcester Porcelain Factory; Worcester, England, founded 1751. Date: 1770-1780. Dimensions: H. 23.5 cm (9 1/4 in.); diameter at lip: 11.6 cm (5 1/3 in.). Soft-paste porcelain, polychrome enamels and gilding. Origin: Worcester. Museum: The Chicago Art Institute, Chicago, USA. Author: Worcester Royal Porcelain Company.

Anonymous, Théière (usual name), 1800. CERUNUSCHI Museum, Museum of Arts in Asia in the city of Paris. Bamboos

Come from V.O.C.-Schip De 'Witte Leeuw', Anonymous, Before 1613 bowl Come from V.O.C. ship the 'Witte Leeuw', made up of shards. The shard is glassy and white and has little ingrained dirt. The glaze is blue -tinted and peels over parts of the lip edge. The bottom is glazed, has slanting-radial ridges and a turning spiral. The foot ring is inside and is completed. No oven sand was found. Jingdezhen porcelain. bone china (material) Sint-Helena

Cup, c. 1750. Vincennes Porcelain Factory (France, 1740-56). Soft-paste porcelain; overall: 10 x 11.4 cm (3 15/16 x 4 1/2 in.).

Teapot ca. 1897-1900 George E. Ohr In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohrs personal mantra was “no two alike,” and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later.This unconventional teapot exhibits sophistica

Milk jug with cover German, Rauenstein 19th century The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.

Coffee Cup and Saucer 1775-1780 Worcester. Soft-paste porcelain, polychrome enamels and gilding . Worcester Royal Porcelain Company (Manufacturer)

Small tureen. Wolff, Karol (wytwórnia fajansu ; 1783-ca. 1800), factory

Branches; Koenigliche Porcellain Fabrique, Meissen (1710-1763), Augsburg (city); around 1715-1725 (1714-00-00-1725-00-00);

Ewer and Basin; Possibly designed by Jean-Claude Duplessis père (French, about 1695 - 1774), Sèvres Manufactory (French, 1756 - present); Sèvres, France; 1757; Soft-paste porcelain; pink ground color, polychrome enamel decoration; gilding;

Bowl with Moulded Panels and Flower Spigs. Bowl of porcelain with straight wall and scalloped edge, painted in underglaze blue. The lower part of the wall is modeled in a tire of flower leaves with a standing flower branch, above flower branches; on the bottom flower branches in a medallion; The inner edge with flower branches. Marked on the bottom with a mushroom (linghzi) in a double circle. Edge slightly damaged. Blue White.

Water pitcher (Mizutsugi) Japan Edo period (1615-1868) View more. Water pitcher (Mizutsugi). Japan. Earthenware with polychrome glaze. Edo period (1615-1868). Ceramics

Cup on stand with lid. unknown, craftsman

Teapot. Trekpot of Faïence. Many color painted with leaf and flower decorations.

Ice Pail (1 of 2), c. 1792-1804. Flight & Barr (British). Porcelain; diameter of mouth: 16.1 cm (6 5/16 in.); overall: 28.6 cm (11 1/4 in.).

. Oval water basin from porcelain, painted in underglaze blue and on the glaze gold. On the outer edge, four stylized masks with curlwork and tendrils on either side, the masks are connected by Guirlandes over the belly; between the Guirlandes a flower rosette; Among the masks a bond with a decorative pattern; the inner wall with four large piona branches and butterflies; the inner edge with six butterflies; Around the foot a bond with dependent leaves. European performance in blue and white.

Pouring Vessel with Raised Chrysanthemums and Butterflies. Japan, second half of 19th century. Ceramics. Hirado Mikawachi ware; porcelain with blue and clear glazes

$Pair of Salt Cellars, Weesper Porcelain Factory, c. 1760 - c. 1761 Salt barrel on legs with rocaille foot edge and cartouches in relief. In the cartouches multicolored flower bouquets. Marked with two crossed swords and three bulbs in underly glaze blue and Inganglift 2 \. Weesp porcelain Salt barrel on legs with rocaille foot edge and cartouches in relief. In the cartouches multicolored flower bouquets. Marked with two crossed swords and three bulbs in underly glaze blue and Inganglift 2 \. Weesp porcelain$

Lid around, with green edge and golden Greek band, Petrus Regout, c. 1865 Cover of earthenware, round, scalloped, with green edge and golden Greek band. Button in the form of tenders growing. Maastricht earthenware Cover of earthenware, round, scalloped, with green edge and golden Greek band. Button in the form of tenders growing. Maastricht earthenware

Teapot late 18th century Fürstenberg Porcelain Manufactory The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.. Teapot. German, Fürstenberg. late 18th century. Hard-paste porcelain. Ceramics-Porcelain

Covered Cup and Saucer Cup And Saucer; Manufactured by Coalport Porcelain Factory; hard paste porcelain, vitreous enamel, gold

Pair of cups and saucers. The drinking of tea was increasingly adopted in the West by the end of the 17th century. China had been closed for decades as the result of a civil war. When it ended, VOC merchants could once again buy porcelain from China, and the supply of tea and of teacups grew enormously.The hexagonal form of these cups is exceptional, just as is the crane in flight, set against a richly variegated blue background.

Cup With Handle From The 'SwellenGrebel Service' With a Double Crowned Monogram and a Border With Floral Scrolls. Porcelain earhead, painted on the glaze in blue, red, pink, green, yellow, black and gold. On the outer wall a crowned, double mirror monogram with 'mva' and 'hedd' surrounded by shell motifs, curlwork and flower branches; The outer edge with a bond with flower drinks. European performance in email colors.

Candyer with lid; Koenigliche Porcellain Fabrique, Meissen (1710-1763); around 1725 (1720-00-00-1725-00-00);

. Bowl of porcelain, painted in underglaze blue. On the outer wall four times a large, stylized flower retro (peony) and a pattern consisting of five dots. A bond with tendrils on the outer edge. The inner edge with a band with three landscapes with rocks and trees. On the bottom and the underside marked with the six character mark of Emperor Chenghua in a double circle. Ming porcelain in blue and white.

Cup and Saucer, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Cup with rounded foot and round bottom marked by ridge, and convex sides; flattened handle with scrolls. Saucer paneled, like upper part of cup, with eight alternately wide and narrow panels. Crisp Rococo revival relief decoration of scrollwork and flowers gilded. Gold band and inside of cup., Germany, 1840-1850, ceramics, Decorative Arts, cup and saucer, cup and saucer

. Porcelain was fired in Jingdezhen, in the southern China interior, large quantities of which were brought to Canton to be embellished in workshops specialized in applying enamel and gold decorations. This was quite often done following a model provided by the European commissioners, as here. In this case the example was an etch of Jacob de Wit.

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