Decorative Prints of Allegory and Nature

Etchings featuring intricate designs with allegorical figures and natural elements, showcasing artistic ornamentation.

Landscape with bridge and cypress trees. unknown c. 1600-1700 Tapestry Dimensions: H 15'6" x W 25' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry E. Huntington 10/11/1922; sold to Henry E. Huntington 6/25/1923 ().

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Ornamenti o Grottesche. Twelfth number of a suite of 12 pieces. (A. de Vesme 1014; Dutuit 179) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Rocaille met de personificatie van het werelddeel Afrika; Africa; De vier werelddelen.An African with crown and spear is sitting on a rocaille next to a lion. He looks at a pointing man. With his feet weapons and a crocodile. A griffin for an obelisk on the Rocaille. Numbered in the middle of 27.

Ornamental Panel ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

January. Giulio Romano (Italian, 1492/99-1546) (designed after) painter Verdier, François (French, 1651-1730) (cartoon creator) painter Mozin, Jean-Baptiste (French, act. 1667-d. 1693) (workshop) weaver 1686-1687 Tapestry Dimensions: H 3.75 x W 4.70 m Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Garde-meuble (1689). Château de Versailles (1789). France, Pyrénées-Atlantiques, Pau, Musée national du château de Pau. Juno (Hera) stands under arcade with peacock & holds scepter & sign of Aquarius; arcade surrounded by garlands & grotesques; medallion with scene of people roasting goose (L); medallion with ice-skating scene (R) (BRD) narrow band 1st weaving. Borders removed ca. 1852-1871. Fénaille, Gobelins 2 (1903-1923), 323-36 Göbel, Wandteppiche II:1 (1928), 142-43 Related Works: Panels in set: GCPA 0139289, 0139293-0139295; compositionally similar sets: GCPA 0243786-0243788 (Louvre set), GCPA 0243790-0243799 (Princess of Conti set)

Panel of tiles (12). Culture: Dutch. Dimensions: Overall (panel): 20 1/2 × 15 1/2 in. (52.1 × 39.4 cm);each tile: 5 × 5 in. (12.7 × 12.7 cm). Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Bagnaia Villa Lante168. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Landscape with bridge and cypress trees. unknown c. 1600-1700 Tapestry Dimensions: H 15'6" x W 25' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry E. Huntington 10/11/1922; sold to Henry E. Huntington 6/25/1923 ().

Lazio Viterbo Caprarola Palazzo Farnese69. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Copper engraving by the Master of the Berlin Passion, dated 1450-1470, depicting a male figure within a decorative ornament motif.

Fountain in wattled fence enclosure with deer, lions and other animals. unknown c. 1500-1535 Tapestry Dimensions: H 9'4" x W 6'6" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa36. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Abruzzo L'Aquila Paganica Santuario della Madonna d'Appari8. Hutzel, Max 1960-1990 Post-medieval: Architecture (13-15th century); exterior views of facade, with details of portal and window; interior details of 16th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Casertavecchia S. Michele, Cathedral5. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church0. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Assault

Lazio Viterbo Caprarola Palazzo Farnese81. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese70. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Last Judgement, showing the earth and sea opening and demons falling into the flames of Hell by Jean Cousin. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Signs of the Zodiac - Aries:March - The Ram. Discover More Robert Burns (Edinburgh, Scotland, 1869 - 1941) 1900-1924 Illustration, Ram

Frieze: Trophies of Arms and Putti, Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, 1671, Print, Print

Piece ca. 1848 American. Piece 13775

Conrad Celtis Presenting His Book "Quatuor Libri Amorum" to Maximilian I ( from the book) 1502 Albrecht Dürer German This woodcut illustration is on the verso of title page of Conrad Celtis's book 'Conradi Celtis Protucii...quatuor libri amorum secundum quatuor latera Germanie,' published in Nuremberg, April 5, 1502.. Conrad Celtis Presenting His Book "Quatuor Libri Amorum" to Maximilian I ( from the book) 388471

1559. Engravings. approximately 15/16 x 6 13/16 in. (2.4 x 17.3 cm). Paper/Sheet approximately 1 5/8 x 7 3/16 in. (4.2 x 18.2 cm). Stamped in black ink, lower right F.A. Friedrich August II, King of Saxony (Lugt 971). Cream laid paper

Lazio Viterbo Bagnaia Villa Lante49. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament with deer, hunting dogs and leaf refines ..

'Fragment of Relief Ornamentation'. France. Dimensions: 25,5x33,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Germany, Aldegrever, Heinrich, Plane decoration with two children, verso lower left - stamped, Plane decoration with the legs of a crouching satyr at the bottom, a child on each knee. The child on the left has a snake in his hand. In the middle a cartouche and above it a lion's head, print, ornamental print, prints, 24a, verso lower middle - handwritten, height 105 mm, width 40 mm, print maker, printmaker, 1549 - 1610, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, German, 1502 - 1561

Frieze with Eros and a Siren 1530 Agostino Veneziano (Agostino dei Musi) Italian. Frieze with Eros and a Siren. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). 1530. Engraving. Prints

L'Abbatoire. Eldzier Cortor; American, 1916-2015. Date: 1950-1959. Dimensions: 507 x 303 mm (image/block); 559 x 370 mm (sheet). Color woodblock on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Millefleurs ground with armorial medallion in center flanked by two bunches of flowers. unknown c. 1525 Tapestry Dimensions: H 3'5" x W 6'8" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Earl of Morton coll., Dalmahoy, Scotland. French & Co. purchased from Spanish Art Gallery, invoiced 2/17/1932; sold to Charles R. Henschel.

Lazio Viterbo Bolsena Palazzo del Drago02. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament with naked man. Design for a dull sheath. The lower part is decorated with leaf rights, above it is a naked man with a staff.

Lazio Viterbo Caprarola Palazzo Farnese30. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese80. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fries with the triumph of Neptunus, Midden Deel, Cornelis Bos, After Giulio Romano, After Andrea Mantegna, 1548 print Middle part of a Frisian with the triumph of the God Neptune. Different fabeld animals are twisted together. On the left, a winged turtle swims, a sea monster in the middle and a kind of swordfish on the right. paper engraving (story of) Neptune (Poseidon). fabulous animals ~ fishes. fabulous animals ~ reptiles

Biblische Szene, die Schöpfung, Holzschnitt nach einem Freskobild im Wiener Hofoperntheater, 1869, Österreich, Illustration, Historisch, Reproduktion von einer Vorlage aus dem 19. Jahrhundert. Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt 1f-4999866

A hunting trophy: a quiver, two arrows, two bows, a deer head, two dogs, two spears, and the head of Diana at top, from 'Ornaments or Grotesques' (Ornamenti o Grottesche) ca. 1650-56 Stefano della Bella Italian. A hunting trophy: a quiver, two arrows, two bows, a deer head, two dogs, two spears, and the head of Diana at top, from 'Ornaments or Grotesques' (Ornamenti o Grottesche). 'Ornaments or Grotesques' (Ornamenti o Grottesche). Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1650-56. Etching

Lazio Roma Rome Gesu51. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece ca. 1730 Spanish. Piece. Spanish. ca. 1730. Silk. Textiles-Woven

Old knife from the Sauvageot collection at the Louvre, vintage engraving. Old knife from the Sauvageot collection at the Louvre, vintage engraved illustration. Magasin Pittoresque 1873. Copyright: xZoonar.com/PatrickxGuenettex 10679503

Family tree of Frederik and Ottheinrich van Palts -Neuburg (plate 2), Jakob Clauser, After David Kandel, 1535 - 1594 print Basel paper letterpress printing family lineage, pedigree, genealogical tree or table Leie. Noyon. Aisne. Soissons. Marne. Épernay. Reims. Moselle. Sittard. Roermond. Rhine. Cologne

Tiger. Culture: China. Dimensions: 60 3/4 x 36 in. (154.3 x 91.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

Sheet showing bourgeois class on left and peasant class on right. Left a rocaille cartouche with a putto with writing board and objects belonging to arts and sciences and commerce. Right a rocaille cartouche with a putto holding a beer mug and scythe surrounded by animals. In the lower margin two columns of two-line German text. Publisher's number XI. Citizenship and peasantry Four Stands , print maker: Johann Esaias Nilson, (mentioned on object), Johann Esaias Nilson, (mentioned on object), publisher: Johann Esaias Nilson, (mentioned on object), Augsburg, 1731 - 1788, paper, etching, engraving, h 190 mm × w 288 mm

Sir Robert de Septvans, c1306, (1924). Artist: Unknown

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)20. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

An engraving depicting Cupids from Henry Morley's 'Shorter English Poems'. Henry Morley (1822-1894) an English academic and professor of English literature. Dated 19th century

A 1796 woodcut by Hans Springinklee depicting the triumphal procession of Emperor Maximilian I, showing scenes of Maximilians wars, including soldiers, banners, and composition.

Heinrich Hoerle, Am Wegende (End of the Road), German, 1895 - 1936, 1920, lithograph on pale brown paper

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Le Meunnié, C., VIIe Cahier de l'Oeuvre G Cahier de Portes, Cornices and Decorated Entablements, with profiles, Grande Corniche d'Appartement, Cornice, verso - stamped, A cornice with egg-and-dart, leaf motifs and wickerwork., print, ornamental print, prints, ornamental prints, height 215 mm, width 330 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, granter of privilege

Skoczylas, W Adys Aw (1883-1934); 1916 (1916-00-00-1916-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

Lying figure with birds. A figure is on the side, supporting his right arm. There is a bird for him; Behind him four birds fly away towards the sun. On the right the face of a man who raises two fingers.

Courtly couples and musicians. unknown c. 1485 Tapestry Dimensions: H 7'9" x W 3'5" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Raoul Heilbronner coll., Geneva. Slater Kerrigan coll., New York. Exhibited at: Fort Wayne Art School and Museum; Helling College, Virginia; Winnepeg Art Gallery; University of Kansas Museum. French & Co. purchased from Parke Bernet Gallery (Schley sale 898) 11/7/1947; sold to G. Butler Sherwell 6/17/1957. Inscriptions: Inscription in upper left corner (in French) Two courtly couples against verdure ground with drummer & bagpipe player in open window beyond; inscription in upper L Fragment of tapestry; borders missing. French & Co. stock sheet in archive, 45830

From a Modern Dance of Death (Aus einem neuzeitlichen Totentanz). Ernst Barlach (Germany, 1870-1938). Germany, 1916. Prints; lithographs. Lithograph

Illustration to the Quatuor libri amorum by Celtes, Celtes presents his work to the Emperor Maximilian, woodcut by Albrecht Duerer, historical, digitally improved reproduction of an old woodcut

Israelites leave Egypt. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 413 x W 420 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/2. Inscriptions: Unidentified weaver mark on right guard, top Inscriptions: Unidentified weaver mark on right guard, bottom Inscriptions: Inscription in upper border cartouche: DIXIT MOYSES OMNI In landscape, Egyptians handing over their jewelry & clothing to Israelites (Exodus 12:31-13:16) (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) blind-folded naked putto riding in lion-drawn chariot flanked by 2 seated female figures, interspersed with swags & vases terminating in cornucopias Photographs in Photo Study Collection are details only; see Mahl's article for fu

Paris, Le Père & Pierre-Michel Avaulez, Charles, Pillement, Jean Baptiste, Deny, Jeanne, Cahier de six Baraques Chinoises, Man with a skipping rope, Page from 'Cahier de six Barques Chinoises', verso - stamped, In a landscape under a pointed canopy a man is jumping with a skipping rope. The man is wearing bells on his hat. On the canopy two birds on a branch., print, ornamental print, prints, ornamental prints, height 241 mm, width 163 mm, French, 1749 - 1815, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, Work conception, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, publisher

The hellmouth, set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel German The eighth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortinaalso designed by Burnacini. This stage design shows demons flying in front of an enormous monster, whose mouth opens onto a scene of the underworld. The ferryman Charon can be seen rowing his boat along the River Styx, while a city burns in the distance.. The hellmouth, set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621-1682). 1668. Etching and engraving

Pattern of gold jewellery by L. Roupert, vintage engraving. Pattern of gold jewellery by L. Roupert, vintage engraved illustration. Magasin Pittoresque 1861. Copyright: xZoonar.com/PatrickxGuenettex 10674184

Fountain design, 1664. Artist: Georg Andreas Bockler

Hans Burgkmair's circa 1510 woodcut depicts the allegory of stinginess, emphasizing figures, gesture, and symbolic composition.

Genoels, Abraham, Paris, Landscape with a sleeping satyr, verso bottom center - stamped, Landscape with river. On the right against a tree, a sleeping satyr., print, prints, height 99 mm, width 58 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1723, paper, papier, etching, etsen, Work conception

Medallion. Designed by Phillipe de LaSalle (French, 1723-1803/05); France. Date: 1775-1785. Dimensions: . Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Philippe de La Salle.

Italy, Michelangelo, Ghisi, Giorgio, The Last Judgement, sheet A, recto lower right - handwritten in brown ink, A detail from the fresco 'The Last Judgement' by Michelangelo in the Sistine Chapel. Marked lower left: A., print, prent, prints, prenten, verso - stamped, 52, height 268 mm, width 527 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1530 - 1582, paper, papier, engraving, engraving (printing process), Work conception, 1475-03-06 - 1564-02-18

Umbria Terni Porano Castel Rubello6. Hutzel, Max 1960-1990 Post-medieval: Castle originally functioned as a fortress, turned into residence in late Renaissance--present owners granted permission to photograph room adjacent to entrance. Views of exterior; interior views of ceiling frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mediaeval line drawing of Alexander the Great descending to the bottom of the sea in a glass barrel to study the fishes. Dated 12th Century

Rome, Salamanca, Antonio, Vatican City, Michelangelo, Italy, Casa, Nicolò della, The Last Judgement, verso - stamped, A detail from the fresco 'The Last Judgement' by Michelangelo in the Sistine Chapel., print, prent, prints, height 370 mm, width 539 mm, height 376 mm, width 145 mm, print maker, prentmaker, 1548 - 1548, paper, papier, engraving, engraving (printing process), Italian, 1475-03-06 - 1564-02-18, after a painting by, Publication (Event), Publication, 1478 - 1562, publisher

Waves, late 15th century drawing by Leonardo Da Vinci. 1496. Leonardo da Vinci (April 1452 - May 1519), an Italian polymath of the Renaissance

Splendore delle virtuose giovani, page 3 (verso). Designer: Iseppo Foresto (Italian, active Venice, 1557). Dimensions: Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm). Published in: Venice. Publisher: Jeronimo Calepino , Venice. Date: 1564.Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 2 vertical columns printed upon a grid. Left column consists of 2 intertwining vines with 2 peacocks that connect at the bottom to a black flower. Right column is decorated with 2 intertwining vines with 2 reclining female composite figures with plant limbs that connect at the bottom to white dotted flower. Museum: Metropolitan Museum of Art, New York, USA.

Middle ages initial capital letter C depicting a sick king in his bed. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Festival for Saint Placidus, Messina, August 2, 1589: Fireworks Obelisk 1591 Written by Filippo Gotho Italian. Festival for Saint Placidus, Messina, August 2, 1589: Fireworks Obelisk 341764

Emilia-Romagna Modena Nonantola Abbazia di Nonantola5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Museo Campano31. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Illustration by Kenny Meadows (1790-1874) a British caricaturist and illustrator, depicting the horrors of drunkenness. Dated 19th Century

Woodcut and type print by Lucas Cranach the Elder from 1522 depicting the demise of Babylon from the New Testament (Revelation 14:1-8), showing figures, buildings, and symbolic destruction.

The Fall of Satan. William Blake (England, London, 1757-1827). England, published 1826. Prints; engravings. Engraving on laid India (or China) paper

Stefan Iavorskii Stefan Iavorskyi, 1658-1722. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

A New Book of Ornaments. Artist and publisher: Henry Copland (British, ca. 1706-1753). Dimensions: 7 3/4 x 10 1/4 x 3/16 in. (19.7 x 26.1 x 0.5 cm). Published in: London. Date: 1746. Museum: Metropolitan Museum of Art, New York, USA.

The Imperial Prince in his Cradle - from a photograph, 1856. Heir to the throne of France. 'His first sleep was in a gorgeous cradle, worth some £4000, presented to his mother by the city of Paris'. From "Illustrated London News", 1856.

Vignette with Cupid and tendrils, steel engraving, book illustration, Romeo and Juliet by Shakespeare, edition from 1890

The Book of Job: Pl. 16, Thou hast fulfilled the judgment of the wicked, 1825. William Blake (British, 1757-1827). Engraving;

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo67. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Martin Schongauer (German, c. 1450-1491), Wild Man Holding a Shield with a Greyhound, c. 1480-1490, engraving

Pictures from the late King of Holland's Collection - Saint Hubert, painted by Albert Durer, 1850. 'A most exquisitely finished little picture, in beautiful preservation. 3800 florins. The subject-matter is now identified as Saint Eustace, not Saint Hubert, although the two saints' legends are very similar and are therefore often confused. The long-announced sale of the rich Gallery of the late King William II. commenced on Monday last, and has excited an unprecedented interest throughout Europe ; and since it has been open for inspection, the Hague has had a succession of visitors from almo

Window of the facade, vintage engraving. Window of the facade, vintage engraved illustration. Paris - Auguste VITU 1890. Copyright: xZoonar.com/PatrickxGuenettex 10648530

Bas-relief assyrian chasse. Old 19th century engraved illustration, Le Tour du Monde 1863

Stained Glass Panel. Culture: American. Dimensions: 15 1/8 x 28 3/4 in. (38.4 x 73 cm). Maker: Otto Heinigke (1850-1915). Date: ca. 1900-1910. Museum: Metropolitan Museum of Art, New York, USA.

Ptolemaic system. Facsimile of an engraving of Epitoma in Almagestum Ptolemaei, by Johannes Muller von Königsberg (1436-1476), known as Regiomontanus, and Georg von Peuerbach (Georgius Purbachius) (1423-1461), published in Venice in 1496. Sciences & Lettres au Moyen Age et a l'epoque de la Renaissance. Paris, 1877.

The Hurenweibel was called the commander of the entire train of medieval army trains and was the supervisor of the prostitutes for soldier, who represented a part of the military logistics, German woodcut / Der Hurenweibel wurde als Befehlshaber des gesamten Zuges der mittelalterlichen Heereszüge bezeichnet und war der Vorgesetzte der Soldatenprostituierten, die einen Teil der militärischen Logistik darstellten, Deutscher Holzschnitt, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt, Kolorierung, koloriert, handkoloriert, Hand-colouring, hand coloured, colored.

Lazio Viterbo Bagnaia Villa Lante86. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel. Culture: possibly French. Dimensions: H. 32 1/2 x W. 23 1/4 inches (82.6 x 59.1 cm). Maker: Possibly made at Savonnerie Manufactory (Manufactory, established 1626; Manufacture Royale, established 1663). Date: 1730-60. Museum: Metropolitan Museum of Art, New York, USA.

Textile, Medium: cotton Technique: printed by engraved roller on plain weave, All-over repeat of pastoral amorous scenes in red: lovers half reclining in wheat field (she holding a horn) surprised by a man holding a sickle; lovers seated next to a fountain mutually playing a flute; two women in a garden (one clutching the other) being watched by a man behind a huge urn; boy playing bagpipe among geese; cupid fishing for eels; woman writing in a garden watched by Cupid. Straight repeat., France, late 18th century, printed, dyed & painted textiles, Textile

witches witches sabbath woodcut by Hans Baldung genannt Grien 1510,

Garrick and Shakespeare with Tragedy and Comedy (Furnishing Fabric). After a painting by Robert Edge Pine (English, c. 1730-1788) Engraved by Caroline Watson (English, 1760-1814); England. Date: 1782-1790. Dimensions: 200.6 × 32.4 cm (79 × 12 3/4 in.)Warp repeat: 87 cm (34 1/4 in.). Cotton, plain weave; engraved roller printed. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bedcover. Engraved by William Hogarth (English, 1697-1764) after illustrations by Samuel Butler (English, 1612-1680); England. Date: 1780-1790. Dimensions: 251.3 × 172.8 cm (98 7/8 × 68 in.)Warp repeat: 82.5 cm (32 1/2 in.). Cotton, plain weave; copperplate printed; edged and backed with cotton, plain weave; quilted; two and a half panels joined. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

. Frank Forester's field sports of the United States and British provinces of North America microform. Game and game-birds; Hunting; Gibier; Chasse. 108 FRANK forester's FIELD Sl-ORTS. FOREST SPORTS.. WO only of the eleven noble animals, which I have recounted and described > above, are peculiar, and but four now indigenous, to the Eastern States and Canada; although it is certain that two at least, if not three, of the others, were formerly found to the east of the Delaware, and south of the great lakes. The Moose and the Cariboo are never found, and probably never have existed, far to t

Pro bono publico - the public cluster in terrorem WD.. British Cartoon Prints Collection , Published in: The American Revolution in drawings and prints; a checklist of 1765-1790 graphics in the Library of Congress / Compiled by Donald H. Cresswell, with a foreword by Sinclair H. Hitchings. Washington : For sale by the Supt. of Docs, U.S. Govt. Print. Off., 1975, no. 873. Fox, Charles James,1749-1806. , North, Frederick,Lord,1732-1792. , Burke, Edmund,1729-1797. , Derby, Edward Smith Stanley,Earl of,1752-1834. , United States,History,Revolution, 1775-1783. , Politics & government,England,1780-1790. , Grapevines,England,1780-1790. , Gallows,England,1780-1790.

Abbot's crozier, 13th century. Enamelled crozier made in Limoges, France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Engraving depicting a scene from the Peloponnesian War, an ancient Greek war fought by the Delian League led by Athens against the Peloponnesian League led by Sparta. Historians have traditionally divided the war into three phases. Dated 20th century

Woodcut by Albrecht Dürer after 1507 depicting a knot with a heart-shaped shield, showing decorative elements, lines, and geometric pattern.

Sundial brick, vintage engraved illustration. Magasin Pittoresque 1873.

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