Decorative Vases

Elegant etchings of intricately designed vases adorned with putti, floral motifs, and mythological figures, reflecting classical artistic styles.

Baptismal font Reghel vande vijf Ordens der Architecture , Hendrik de Keyser (I), (mentioned on object), print maker: anonymous, publisher: Jan Jansz., 1575 - 1629, paper, etching, h 332 mm × w 235 mm

An ornamented vase with floral garlands, putti as half-figures and snakes, Vase with putti and snakes IIeme IIIeme Cahier de Vases , print maker: L. Laurent, (mentioned on object), Jean François Forty, (mentioned on object), publisher: François Xavier Isabey, Paris, 1775 - 1785, paper, etching, engraving, h 281 mm × w 197 mm

Ciborie Decorated with the Last Supper and Putti, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching ciborium. work of applied art

Vase with putti and griffins, 1714 print Numbered top left: no. 74. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching jar ~ ornament. Cupids: 'Amores', 'Amoretti', 'Putti'. Griffin (Lion/Eagle); 'Griffo' (Ripa)

Ornate goblet on feet of masks. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Plate: 7 1/2 × 4 5/8 in. (19.1 × 11.7 cm)Sheet: 7 5/8 × 4 11/16 in. (19.4 × 11.9 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: One of ten plates of ornamental designs after Hans Holbein; see New Hollstein (Hollar) 824-833.. Date: 1645.Ornate engraved goblet with masks of satyrs as feet, featuring a female figure on the finial of the lid, standing to left, surrounded by a scroll. after Holbein. Museum: Metropolitan Museum of Art, New York, USA.

Baptismal font Reghel vande vijf Ordens der Architecture , Hendrik de Keyser (I), (mentioned on object), print maker: anonymous, publisher: Jan Jansz., 1575 - 1629, paper, etching, h 332 mm × w 235 mm

Pulled chair with cross, Eihanuel Eichel, After Jeremias Wachsmuth, 1727 - 1771 print A pulpit with rocaille ornaments, crowned with a cross. Publishing number 122. Augsburg paper etching / engraving pulpit, ambo, chancel. rocaille ornament. cross as symbol of Christ

Drawing, Design for an Oil Lamp; Italy; pen and ink, brush and wash on paper

Ornamental vase with bugs between dolphins, anonymous, c. 1500 - 1530 drawing Design for a decorative vase with two ears and lid, decorated with bugs between dolphins. Mantua paper. ink brush / pen

Candlestick with three Cherubins, 1714 print Numbered in the top left: no. 35. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornament ~ candelabrum. chandelier, candelabrum. cherubs, i.e. children's heads with wings

Candlestick with seven candles and two putti; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 28.

Vuurbok met urn, Jean Cotelle (I), 1669 - 1693 print Fire Bink with urn and griffins, variant of the same design, tweezers, small bowl with lid and a box. The series consists of a title page and five magazines. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Pracht Bible donated to King Willem III, 1862, 1862 print The Bible donated by the people of the Netherlands to King William III as a sign of gratitude for his involvement and assistance with the flood of January-Februari 1861. Donated on March 23, 1862. The Bible standing on a lectern, the whole in a frame made up of from The silver plaquets with allegorical and historical emblems with which the Bible is decorated, numbered 1-8. print maker: Netherlandsprinter: Haarlempublisher: Utrecht paper the Bible as a book

Asvaas and Tripod; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Sheet with two representations of an antique asvase and a tripod. Left: An antique asvase with a frieze with a hippocampus and a lion on the lid. Text in undermarge. Right: an antique tripod. Text above show. Assignment in undermarge.

Fountain with Two Eagles, Pen and brown ink, brown wash Support: white laid paper, Italy, Italy, 1750-1800, architecture, Drawing, Drawing

Vase with swans, L. Laurent, after Jean François Forty, 1775 - 1785 print An ornamented vase with tifles, floral motifs and handles in the form of swans. Paris paper etching / engraving vase ~ ornament. water-birds: swan

Drawing, Design for a Censer; Italy & Germany; pen and ink, brush and wash on paper

Etching by Albrecht Altdorfer depicting a double cup and mug with lid, created circa 1520-1525, highlighting detailed decorative elements and functional design.

Vase with two women's figures; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 77.

Print (France)

Vase with garlands, anonymous, 1770 - 1780 print Neoclassic vase in the form of an urn, decorated with a garland. Under the leaf a shell with two dolphins. Nummered above D. paper etching vase ~ ornament. ornament ~ festoon, garland

Vase with the Triumph of Amphitrite, Anonymous, After Daniël Marot (I), in or after 1703 print Vase on an octagonal base with lid. On the cylindrical body of the vase the triumph of Amphitrite. A Latin text in the lower margin. Netherlands paper etching garden vase. triumph of Amphitrite

Parijs, Chéreau, Houdan, Jean, b IIe Cahier de petits vases, Vase with garlands, Paris, verso - stamped, A vase with a bow and garlands., print, ornament print, prints, ornament prints, height 145 mm, width 105 mm, print maker, printmaker, 1770 - 1780, paper, papier, etching, etchings, unknown, Publication (Event), Publication, French, publisher

Siervaas puts Een Leeuw, Etienne de Lavallée -Pousin (Possible), 1750 - 1793 drawing Ornamental vase with a lion processed in the handle. paper. ink pen beasts of prey, predatory animals: lion

Drawing for a Wine Cooler; Attributed to Jean-Guillaume Miotte (French, 1746 - 1810); Paris, France; about 1785 - 1790; Pen and black ink and gray wash; 36.7 x 31.8 cm (14 7,16 x 12 1,2 in.)

Panel with garden vase and in the corners monograms; The SWEENTING part New T Zame Name Name Arts made by Gerret Visscher inhabit to the Singel near the Beulinsluijs to Amsterdam. .

A 1531 copper engraving by Agostino Veneziano showing a vase with two rings, highlighting ornamental details and symmetrical proportions.

Vase with the Veneration of a Bull. Artist and publisher: Originally by René Boyvin (French, Angers ca. 1525-1598 or 1625/6 Angers). Designer: Rosso Fiorentino (Italian, Florence 1494-1540 Fontainebleau). Dimensions: Plate: 7 1/2 x 4 7/16 in. (19.1 x 11.2 cm). Publisher: Previously by Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam); Frederick de Wit (Dutch, 1629/30-1706) . Date: 17th century (late).Depiction of a vase with two handles. The vase is caracterized by a frieze with a scene showing various figures kneeling before and adoring a bull. The print is part of a series of 12 vases said to be designed by Rosso Fiorentino and Polidoro da Caravaggio and initially engraved and published by René Boyvin. The current series was first published by Claes Jansz. Visscher in the early seventeenth century and subsequently also by Frederik de Wit. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, A Cantharus; Italy; pen and ink on paper; 276 x 187 cm (9 ft. 11/16 in. x 6 ft. 1 5/8 in.)

Three vases of which one on the pedestal; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Three ornamental vases, one, with a sacrifice scene, is on a pedestal with sphinxes and garlands. Captions to the vases. Assignment in undermarge.

Design for a candelabrum. Artist: Attributed to Anonymous, British, 18th century. Dimensions: sheet: 20 1/2 x 13 1/2 in. (52.1 x 34.3 cm). Date: 18th century (). Museum: Metropolitan Museum of Art, New York, USA.

Two large urns and a small urn, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print The urns have lids. The left urn is decorated with a medallion with Diana and Endymion, the right with a sacrificial scene. Copy to sheet from series Nouveaux Liure de Vases et de Pots de Jardins published by Daniel Marot. Netherlands (possibly) paper etching

Two urns and an ornamental detail, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Two urns at center and right. At left, an ornamental detail with leaf-like motifs., France, ca. 1759-70, ornament, Drawing, Drawing

Print, Design for a Wrought Iron Lecturn, from " Divers Livres de Serrurie"; France; engraving on paper; 30.1 × 14.3 cm (11 7/8 × 5 5/8 in.)

Parijs, Chéreau, Houdan, Jean, b IIe Cahier de petits vases, Vase with putti and snakes, Paris, verso - stamped, A vase with putti and snakes carried by two putti., print, prent, ornamentprent, prints, ornamentprenten, height 146 mm, width 101 mm, print maker, prentmaker, 1770 - 1780, paper, papier, etching, etchings, unknown, Publication (Event), Publication, French, publisher

Can with the left a ear, flared in a mascaron; Vases and jugs, decorated with figurative representations, grotesken, mascarons and garlands. The abdomen of the can be decorated with a mascaroon with horns. Horizontal shaded background. Series of 12 magazines.

Two Candlesticks, Pen and brown ink, brown wash, black chalk Support: light brown paper laid down, Italy, Italy, 1625-50, metalwork, Drawing, Drawing

'Design of a Decorative Garden Vase'. France, 1747. Dimensions: 34,9x24,1 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort (after).

Goblet, decorated with medallions between which are grotesques. 1 of 3 leaves, Goblet with a small lid Vases, decorated with medallions, geometric motifs and leaves , print maker: Hans Sebald Beham, (mentioned on object), Hans Sebald Beham, (mentioned on object), publisher: anonymous, Germany, (possibly), 1510 - 1530, paper, engraving, h 92 mm × w 53 mm

Collection of planks of furniture: three feet of tables. Third table footboard of a suite of 8 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: three feet of tables. Third table footboard of a suite of 8. Etching. 1575.

Antique vase depicting the human sacrifice of Iphigenia by Agamemnon at Aulis from the Palazzo Medici. With another vase with lid, figure or a woman and dolphin intertwined. Copperplate engraving by Johann Georg Waldreich after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Three garden vases with covers, the vase on the left ornamented featuring Diana and Endymion, design no. 5. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Can with a double ear, consisting of a hose that attaches itself into the edge; VASA A Polydor (...). The belly of the can be decorated with two children who stop a garland. From series of 10 sheets. First edition of the Vases series, which was published in 1628 for the second time.

Drawing, Design for a Candlestick; Attributed to Jacques III Roëttiers (French, 1707-84); France; graphite, pen and ink, brush and watercolor and wash on paper; 48.2 x 33 cm (19 x 13 in.)

PERSELAARY, FRANZE XAVER HABER COUNT, 1731 - 1796 print Three table cones with leaf motifs, ornaments, faces and goat head. Germany paper etching Chandelier, a candlestick

Gmelin L., Support of a globe (executed by Phil. Appian 1576) (1884): Perspective view. Ink on cardboard, 41.2 x 30.9 cm (including scan edges) Gmelin L. : Untersatz eines Globus (ausgeführt von Phil. Appian 1576)

Drawing, Project: A Prelate's Escutcheon; Italy; charcoal, pen and ink on paper

Enamelled bronze vase.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Vases, Bronze

Nouveaux Dessins De Guéridons Dont Les Pieds Son Propres Pour des Croix. Three candle carriers, the middle with a foot made of three winged boys sitting on tails of dolphins. From series of 6 sheets, first edition.

Nouveau Livre de Vases 1716 or after Jean Bernard Toro French. Nouveau Livre de Vases 626609

Print, Ornamental Vase of Fountain Design; Designed by A. Panier (French, active 18th century); Print Maker: Jean-François Janinet (French, 1752 - 1814); Published by Louis-Marin Bonnet (French, 1736 - 1793); France; crayon-manner engraving with red ink on paper

Romans Kapiteeel, Arnoud Schaepkens, 1831 - 1904 print paper. etching capital (~ column, pillar)

Design for an Oil Lamp, Joseph Anton Seethaler II, German, 1799-1868, Graphite, brush and brown ink on paper, Two seated griffins flank the fluted shaft, topped by acanthus capital supporting the fuel bowl, decorated with classical palm and arabesque motifs. Two arms hold cups for the wicks, likewise decorated., Augsburg, Germany, 1820-35, metalwork, Drawing, Drawing

Three candle carriers; Nouveaux Dessins The Guéridons dont Les Pieds Son Propres Pour des Croix.The foot of the middle candle carrier consists of sphinxes, the stem from two saters. From series of 6 sheets, first edition.

An ornamented vase with two winged female half-figures and dragons as handles. In the center an oval medallion with laurelled portrait en profil and flags, arms and a lion's head. Below, two masks, a vase and two dragons. Vase with medallion and half-figures Nouveau Livre de Vases , print maker: Pierre de Rochefort, (mentioned on object), Jean Bernard Honoré Turreau, (mentioned on object), Franse kroon, (mentioned on object), France, 1683 - 1728, paper, etching, h 313 mm × w 235 mm

Ewer Ornamented with Dolphins, 1543. Enea Vico (Italian, 1523-1567). Engraving;

Verona Giovanni da, S. Maria Organo, Verona. Kandelaber (without dat.): View wooden scandala. Photo on paper, 39.1 x 24.3 cm (including scan edges)

Pepper and salt barrel; Vas Cuius Pars Inferior Sali / Superior Vero Piperi Inseruite; Salt barrel. The triangular salt barrel is worn by sphinxes. The portion for pepper thereon has the shape of a vase. Horizontal shaded background. Comes from series of 12 sheets.

Vase with women; Ive Cahier d'Arabesques; Nouvelle Collection d'Arabesques. A vase with three multi-months, Arabesken and three sitting women stands on a pedestal with a griffin and a putto as a half-day. A vase, garlands and arabesken at the top.

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl has below a leaf chalice and above a protruding band with festoons supported by bow-knots. It is supported by a square base, with a plinth below and an upper molded panel with two lead chalices at the sides and rinceaux springing from a head in the inner panel. The lid forms a high curved pedestal, with a row of upright scrolls with chrubim in the lower intervals. On top St. John the Baptist as boy, sitting. Usual background., Rome, Italy, ca. 1775, architecture, Drawing, Drawing

Aquarium fountain, No. 10 section no. 2, p. 66. text. Illustrations. 1875. General Research Division. Art metalwork , New York, Decorative cast-ironwork , New York, Aquariums

Parijs, Vinsac, Claude Dominique, 3e Cahier, Cahier des Girandoles de Bureau, Girandole with caduceus, Paris, verso - stamped, A two-armed girandole with tendrils, wickerwork, masks and a caduceus., print, ornament print, prints, ornament prints, height 270 mm, width 148 mm, 1749, print maker, printmaker, 1759 - 1800, paper, papier, etching, etchings, aquatint, Work conception, after own design of, Publication (Event), Publication, publisher, uitgever" Parijs

Print (France)

This etching by Albrecht Altdorfer, around 1520-1525, depicts a jug decorated with a siren, highlighting detailed Renaissance ornamentation and precise etching technique.

Flaming Urn, Brush and gray wash, pen and black ink, graphite on cream laid paper, Sketch of a flaming urn with volutes and a swag., Italy, 1700-1750, sculpture, Drawing, Drawing

Plate 6: Vase or Ewer with a Frieze Containing Naked Figures, Supported Below by Two Female Sphinxes, from Antique Vases (Vasa a Polydoro Caravagino). Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague); After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 9 1/4 × 6 3/16 in. (23.5 × 15.7 cm). Publisher: Marcus Sadeler (German, Munich before 1614-in or after 1650). Series/Portfolio: Antique Vases. Date: 1605.These vases are reverse copies of Alberti's series of 1582. Museum: Metropolitan Museum of Art, New York, USA.

Louis XIV (King of France), Paris, Errard, Charles II, France, Tournier, Georges, Recueil de divers vases antiques, Romae in hortis Mediceis, Medici vase, On the body, under a fanning edge with a vine, are a number of figures. From a series of 13 sheets., print, ornamental print, prints, ornamental prints, height 327 mm, width 225 mm, French, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1607 - 1689-05-25, after a design by, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

THE GOODWOOD CUP

Schenkkan with spout to the left, Jean Lepautre, 1648 - 1655 print The handle has the shape of a small dolphin. From series of 4 or 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Netherlands, Marot, Daniël (I), Garden vases from Het Loo Palace, Vase with coat of arms of Great Britain, Vase without handles with a cylindrical body with a crowned coat of arms of Great Britain. On either side a coat of arms trophy and a figure. On the lid a flaming ball. In the bottom margin a Latin text. Copy after a sheet from the series Vasses de la Maison Royalle de L'oo. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 238 mm, width 167 mm, print maker, printmaker, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by

Paris, Audran, Gérard, France, Charmeton, Georges, Robert, Nicolas, Plusieurs Vaze, Lidded vase on foot, The body of the vase is decorated with acanthus leaves, the baluster-shaped foot rests on consoles supported by claws, on which sit two herms. Sheet 3 from a series of 6 sheets with vases and urns., print, ornamental print, prints, ornamental prints, height 326 mm, width 197 mm, French, 1614-04-19 - 1685-03-25, print maker, printmaker, 1676 - 1703, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1623 - 1674-09-19, after a design by, Publication (Event), Publication, 1640 - 1703-07-26, publisher

Copper engraving by Agostino Veneziano depicting a vase adorned with two lion heads, created in 1530, illustrating decorative classical motifs.

Design by Virgil Solis. Édouard Baldus (French, born Germany, 1813 - 1889)

Grand Vase. Dimensions: sheet (trimmed within plate mark): 51 x 34.5 cm (20 1/16 x 13 9/16 in.). Medium: color engraving. Museum: National Gallery of Art, Washington DC. Author: Workshop of Johann Teyler.

Drawing (Italy)

Two Candelabers, 1480 - 1536 print The Kandelaber on the left is made up of a pedestal, on which two warring riders are depicted, and a vase, to which two figures are tied that are presented by two children of trumpets. The right candeletry consists of a pedestal with two bulls step. On the pedestal are vases, decorated with leaf vines, lions, mascarons and dolphins. paper etching

Den The Hague, Marot, Daniel (I), Netherlands, New Vases and Garden Pots, Two large vases and a small vase, The Hague, The large vases contain trees, the small one contains a plant. The vase on the left has handles that end in lion paws. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 184 mm, width 272 mm, 1663 - 1752-06-04, print maker, printmaker, 1673 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Vase on pedestal with face, anonymous, after Jean Charles Delafosse, 1744 - 1788 print A vase with two ears and garlands on a pedestal with a women's face and garlands. At the bottom of the pedestal an ornamented can, a helmet, a coat of arms, a arrow sleeve, coins and two pigeons. Publishing number Liv. Augsburg paper etching / engraving garden vase. other birds: dove. quiver

Nautilusbokaal with a lobster on the belly; Vases, jugs and scales with grotesken. The jar is worn by a man and supported by a sphinx. The ears are formed by two snakes that swing from the man's shoulders with a bend to his head. Coming from a series consisting of a title page and 20 sheets.

Samuel O Klein, Ink Well, c 1936 Ink Well

Vase; Cinquieme suite the vases. Print from a numbered series with twelve vases by Allou and Nicolet.

Suite of Vases: Plate 12, 1746. Jacques François Saly (French, 1717-1776). Etching; sheet: 29.9 x 23.2 cm (11 3/4 x 9 1/8 in.); platemark: 19 x 12.9 cm (7 1/2 x 5 1/16 in.). Trained as a sculptor, Saly etched a series of 30 vase designs while studying at the Académie de France in Rome. After his return to Paris, the publication announcement for the Suite of Vases endorsed the prints as an indication of the sculptors ingenuity and freedom of design. The vase designs also nourished an appetite for the revival of classical elements, or Neoclassicism, in decorative arts that developed in the mid-18th century.

Etching by Augustin Hirschvogel depicting a can with a spherical body, created in 1543, showing object, form, and decorative details.

Design for a Monstrance 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Monstrance 389598

Drawing, Design for a Candelabrum; Follower of Jean-Louis Prieur the Younger (French, 1759 - 1795); France; graphite, pen and ink, brush and watercolor on paper; 27.7 x 12.3 cm (10 7/8 x 4 13/16 in.)

Scale, formed by the lower jaw of a Sater with a dog head, Balthazar van den Bos, after Cornelis Floris (II), 1548 print The bowl rests on a snail house that is clamped between the backs of a man and a woman. The woman supports the bowl with her hands. The man wears the satap on his shoulders. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Netherlands, Marot, Daniël (I), Nouveaux Liure de Vases et de Pots, Nouveaux Liure de Vases et de Pots. de Iardins, Title page: Nouveaux Liure de Vases et de Pots, Two large vases with handles, the right one decorated with a crowned monogram (RWG); in the middle is a small vase with a bust. The large vases contain trees, the small one a plant. Copy after a sheet from the series Nouveaux Liure de Vases et de Pots de Jardins published by Daniel Marot., print, ornamental print, title page, prints, ornamental prints, height 188 mm, width 275 mm, Work conception, 1663 - 1752-06-04, after a design by, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher

Design for an Urn. Artist: Anonymous, French, 18th century. Dimensions: 11 5/16 x 16 1/8 in. (28.7 x 41 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Design for a baptismal font, with a top view and two variants of a front view, anonymous, c. 1810 Paris paper. ink. graphite (mineral) pen / brush

Capital with braid and fruits. Capital with braid with fruit and a Satyrkop above.

Four entire elevations are shown, three of which include pairs of angels. All provide for a mensa-like dado and for a crown topped by candles on top. Three designs are concerned with a framing of the painting by candle brackets; one of them in hardly begun. Pen and brown ink, brush and brown wash, graphite, red ink on lined off-white laid paper. Date: 1815-1838. Museum: Cooper Hewitt, Smithsonian Design Museum.

Etching by Gabriel Huquier from 1737 depicting a title leaf with decorative vases, showing ornamental design, figures, and detailed composition.

Salt Dip. Dated: c. 1936. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Dana.

Designs for a Stove. Artist: Attributed to Anonymous, German, 18th century. Dimensions: both sheets together: 16 9/16 x 5 13/16 in. (42 x 14.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Designs for three fountains with birds.

Title page: Nouveaux Liure d'Orfeureire; Nouveaux Liure d'OrfEureEire.Flacon, mirror list with two terms, a wine cooler and two ornaments. The title is in the mirror. At the bottom State: N.39.

A Tall Covered Urn and a Bowl in a Landscape with ClassicalRuins. Artist: Joachim von Sandrart, German, 1606-1688

Covered Goblet with Grapes on the Stem Albrecht Altdorfer German. Covered Goblet with Grapes on the Stem 430249

Scale, formed by the lower jaw of a sater with a dog head; Vases, jugs and scales with grotesken. The scale rests on a snail house that is clamped between the backs of a man and a woman. The woman supports the bowl with her hands. The man wears the Sater on his shoulders. Coming from a series consisting of a title page and 20 sheets.

Can the spout of which supports a mascaron; VASA A Polydor (...). The belly of the can be decorated with a Frisian where people sacrificed a bull sized by his front legs (). From series of 10 sheets. First edition of the Vases series, which was published in 1628 for the second time.

Vase à anses avec masques , Vases, Masks, Alphonse Legros (1837-1911)

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