Decorative Vessel Designs

Architectural designs of ornate chalices and vases, emphasizing intricate details and ornamental elements, reflecting classic craftsmanship.

Design for a jug, 1776 Italy paper. ink. pencil pen / brush container of precious metal

Print, Vase en plomb bronzé de la piece de Neptune à Versailles; Print Maker: Marie Michelle Blondel (French, active mid 18th century); Published by François Blondel; France; etching on laid paper

Two chalices, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left: the stem is above a bunch of ears of grain rising from an urn, which is decorated with festoons supported by two cherubim. At right: the lower part of the stem has the shape of a vase supporting a pedestal, with cherubim. Above: the bowl has a leaf calyx. On the verso is part of a sketched construction of the shape of a bowl., Rome, Italy, 1780-1790, metalwork, Drawing, Drawing

The Cabinet and Chair-Maker's Real Friend and Companion, or, the Whole System of Chair-Making Made plain and easy 1765 Robert Manwaring British This modest book of designs demonstrates the kind of chairs middle-class English families might have bought and used in the 18th century. Its etched and engraved illustrations offer a sturdier and less costly alternative to the elaborate Rococo and Chinoiserie concoctions found in Chippendale's Gentleman and Cabinet-Maker's Director.. The Cabinet and Chair-Maker's Real Friend and Companion, or, the Whole System of Chair-Making Made plain and easy 353630

Pahlen Heinrich (died 1894), table attachment. Monthly competition January 1879 (01.1879): View Mittelstez, candle holder, fruit bowl, bouquet holder 1: 1; Explanation text. Ink in watercolor and white heighted on the box, 100.5 x 78 cm (including scan edges) Pahlen Heinrich (gest. 1894): Tafelaufsatz. Monatskonkurrenz Januar 1879

Candelabra Grotesque with an Hexagonal Pavillion on a Foot. Artist: Anonymous, Italian, 16th century ; After Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Dimensions: Sheet: 9 1/4 x 5 3/8 in. (23.5 x 13.6 cm). Date: 1540 after.Three quarters of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by an architectural structure which can be described as an hexagonal pavillion. Within it a female figure has been placed who holds on to meandering acanthus scrolls. The pavillion is supported by a foot to which to satyrs have been tied. On the verso a frame is visible characterized by a broad, dark outer rim and a fine line on the inside. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Salt Cellar, Giovacchino Belli, Italian, 1756 - 1822, Pen and brown ink, brush and gray, pale yellow wash, graphite on paper, Horizontal rectangle. Design for a salt cellar intended to be executed in partly gilded silver. The design has the same elements as 1938-88-648: below is a circular base with a part of a sphere in the center. The supports are four scroll legs, fluted in the lower parts of the front and fastened together by a ring with rosettes. Above are Medusa masks which are connected by festoons, upon the bowl. The rim has a wave ornament. Design is lower than 1938-88-649, and the bowl has a greater diameter. No cover., Rome, Italy, early 19th century, tableware designs, Drawing, Drawing

Print, Ornamental Vase Design; Designed by Edmé Bouchardon (French, active Rome and France, 1698 - 1762); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching on paper

Design for a Fountain with the Three Graces. Artist: Circle of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy); Previously attributed to Germain Pilon (French, Paris ca. 1525-1590 Paris); Previously attributed to Christoph Jamnitzer (German, 1563-1618); Previously attributed to Guglielmo della Porta (Italian, Porlezza, near Lake Lugano ca. 1500-1577 Rome). Dimensions: Sheet: 10 3/4 in. × 7 in. (27.3 × 17.8 cm). Date: ca. 1570-80. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Stella, Claudine, France, Jacques, Bouzonnet, Françoise, Livre de Vases, Vase with two satyr heads, The top is decorated with vine branches. Sheet 21 from a series of 24 sheets, numbered: 1-21, 23-25., print, ornamental print, prints, ornamental prints, height 267 mm, width 202 mm, 1638 - 1691-04-18, print maker, printmaker, 1657 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, French, 1596 - 1657-04-29, after a design by, Publication (Event), Publication, 1636 - 1697-10-01, publisher

Ornamental Vase, After the Antique. Enea Vico; Italian, 1523-1567. Date: 1543-1544. Dimensions: 248 x 183 mm (sheet, trimmed to platemark). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Drawing, Project for a Candelabrum; Italy; graphite, pen and ink, brush and bistre on paper

Two Geschenkannen to the left, Jean Lepautre, 1669 - 1693 print A room can be seen in the background with tapestries and an altar. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Seven designs for a pedestal; NUOVE INVENZIONI D'ornamenti d'Architettura E d'Intagli Diversi Utili Ad Argentieri Intagliatori Ricamentori et Altri Professori delle Buose Arti del Disegno. Seven designs for a pedestal for a candlestick or crucifix. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, pulse chairs, organ cabinets and other ecclesiastical art, followed by designs for four-poster beds, children's clothing and other domestic furniture.

Bokaal, the foot being embraced by a man sitting on a turtle; Vases, jugs and scales with grotesken. The ear of rollerwork is resting on the back of a man who is complex on the jar. There is a child in the ear. Coming from a series consisting of a title page and 20 sheets.

Italy; l'Italie; K consoles; Nouvelle iconology historique ou attributs hierogliphyques (...). An ornamented console with volutes, above torches, snakes, a book, the papal tiara, crosses, a key, a zeis and a round locket with a cart wheel, helmet and shields, a Smoke barrel and a man with lightning bolts. Print number 34.

Paris, Crépy, Jean-Baptiste, C Nouveau Livre De Vases, Vase with garlands, verso - stamped, A vase with garlands. Below a vase and a console with a mask., print, ornamental print, prints, ornamental prints, height 168 mm, width 136 mm, print maker, printmaker, 1770 - 1780, paper, papier, etching, etchings, Publication (Event), Publication, French - 1796, publisher

Royalist trompe l'oeil 18th century Anonymous, French, 18th century French. Royalist trompe l'oeil 399308

Ornamental vase with two handles of snakes and a edge of putti and garlands, 1530 print print maker: Italypublisher: Rome paper engraving vase ~ ornament

Can in the form of a snail house, on the spout is a man who blows on a horn, 1548 print The horn forms the ear and tranquility at the other end on the back of a dog. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Kan met een oor, in or after 1551 - in or before 1580 print The abdomen of the jug is decorated with a Frisian on which people start to sacrifice a bull -bull by his front legs. Horizontally shaded background. Leaf from series of 12 blades. paper engraving

Designs for Three Candelabras 19th century Anonymous, French, 19th century French. Designs for Three Candelabras 359864

Design for a Table Ornament, Pen and ink, brush and wash on paper, Elevation of a table ornament in the form of nudes supported a plate decorated with flowers. At top, a vase., Italy, early 19th century, tableware designs, Drawing, Drawing

French Crown, Paris, Huquier, Gabriel, Bouchardon, Edme, First livre de vases, Vase with ram's head, verso - stamped, A vase with a ram's head., print, ornamental print, prints, ornamental prints, height 199 mm, width 131 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1729 - 1737, paper, papier, etching, etchings, Work conception, 1698-05-29 - 1762-07-27, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Design by René Boyvin. Édouard Baldus (French, born Germany, 1813 - 1889)

France, Polidoro da Caravaggio, Boyvin, René, Vases and jugs, decorated with figurative representations, grotesques, mascarons and garlands, Jug with a double ear, consisting of a snake biting the rim, recto center bottom - handwritten with pen, The snake is coiled around the jug. The belly of the jug is decorated with garlands from which hangs a helmet. Horizontally hatched background. Sheet from a series of 12 sheets., print, ornamental print, prints, ornamental prints, 1506, height 188 mm, width 111 mm, French, 1525 - 1598, print maker, printmaker, 1551 - 1580, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Italian, 1490 - 1543, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Drawing, Design for an Urn; Designed by Giuseppe Barberi (Italian, 1746-1809); Italy; graphite, pen and black ink, brush and gray wash on paper

Drawing of Banquet of Senator Francesco Ratta at end of his magistrature 28.2.1663 detail of triumph of sugar engraved by Meloni after Giovanini 1701

Scale with putti that lifted the lid, Benigno Bossi, After Ennemond Alexandre Petitot, 1764 Scale with two ears. There are 7 putti on the edge of the dish that lift the lid. The dish is on a wall. No. 12 from series of 31. print is part of an album. Printed recto at the top right: 12. paper etching jar ~ ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Candelabra Grotesque Crowned by an Altar in a Small Pavillion 1540 after Anonymous, Italian, 16th century Italian Two thirds of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by a fantastical architectural structure, placed on a pedestal with stairs. The structure is crowned by a sacrificial altar in a round pavillion. To the right of the candelabra is a female figure. On the lowest stair of the pedestal a vase is placed from which a second candelabra springs.. Candelabra Grotesque Crowned by an Altar in a Small Pavillion 407178

Vase by Thibault, France. Europe. Old 19th century engraved illustration from La Nature 1884

Below are two plinths and a moulding with leaves. The circular bowl is decorated with festoons, supported by bowknots, and the rim with leaves. The rim has the shape of a short onion cupola, with, above visible, two cherubim supporting a chalice with a host hovering above it. Two angels sit beside the cupola. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Baltzer Johannes (1862-1940), column chapter in the Michelstein monastery (03.08.1891): View 1: 5. Pencil watercolored, gold heighted and white heighted on paper, 28.2 x 20.9 cm (including scan edges) Baltzer Johannes (1862-1940): Säulenkapitell im Kloster Michelstein

Two Designs for Ewers 1600-1800 After Polidoro da Caravaggio Italian. Two Designs for Ewers. After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). 1600-1800. Pen and black ink, brush and grayish-brown wash, over traces of leadpoint or graphite

Childeelars a Girandole, Frazo XAver Hervelman, 1731 - 1796 print Two table walls and a three -armed girandole, with leaf motifs and ornaments. Germany paper etching Chandelier, a candlestick

Sier vase with medallion, anonymous, 1751 - 1798 print Vase with medallion with women's head, garlands, goat heads and twice the horn of abundance. Publishing number 38. Augsburg (possibly) paper etching vase ~ ornament. ornament ~ medallion. he-goat, billy-goat. 'Cornucopia', Horn of Plenty

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain, At the Vatican, undated. Etching and line engraving on moderately thick, moderately textured, beige laid paper.

Print, Ornamental Vase Design; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768); France; etching on paper

Drawing, Design for a panel decoration showing a ewer, for a plate in the "Recueil d' Ornements"; Gilles Paul Cauvet (French, 1731 - 1788); France; black chalk, pen and ink, brush and wash; Sheet: 21.4 x 15.6 cm (8 7/16 x 6 1/8 in.)

Drawing of a Ewer in Antique Style early 16th century Giulio Romano Italian. Drawing of a Ewer in Antique Style. Giulio Romano (Italian, Rome 1499-1546 Mantua) , Manner of.. early 16th century. Pen and brown ink, with brush and brown wash. Drawings

Drawing, Tureen; Italy

Louis XIV (King of France), Paris, Langlois, Nicolas (I), France, Loir, Alexis (I), New designs of candlesticks without feet being suitable for the cross, Three candle bearers, the middle one with a base made up of three winged boys sitting on dolphin tails. From a series of 6 sheets, first edition, second impression., print, ornamental print, title page, prints, ornamental prints, height 235 mm, width 159 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1650 - 1692, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1640 - 1703, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

The supports are two oblique pillars with lion's feet connected above these by moldings. The frame has the shape of a frieze with figures, the top has the shape of cornices of an entablature. The candlestick is a variation of -2030, the pedestal having also a round shape, the lion's mask, the festoons and the brakcets being attached to it. The column is fluted. Usual background. On the reverse is part of a project, in ink, of the decoration of the entrance wall of a room. Above a door is a panel, beside it, at left, a dado and a panel. Above is an entablature and the vaulted lower part of the ceiling. Date: ca. 1795. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Tomb Monument with Skeletons. Artist: Anonymous, Italian, 17th century. Dimensions: image: 6 1/4 x 4 3/4 in. (15.8 x 12 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a fountain. Draughtsman: Daniël Marot (II). Dating: 1705 - 1769. Measurements: h 208 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing

Two saters, each bound with one arm on the trunk of a jar; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. The lid of the jar is formed by a temple where a woman is capable. Sheet from series of 9 sheets.

Title page depicting a two-handled base with dancing nymphs, from Antique Vases (Vasa a Polidoro Caravagino). Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague); After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 10 11/16 × 7 1/16 in. (27.2 × 17.9 cm). Publisher: Marcus Sadeler (German, Munich before 1614-in or after 1650). Series/Portfolio: Antique Vases. Date: 1605.These vases are reverse copies of Alberti's series of 1582. Museum: Metropolitan Museum of Art, New York, USA.

A Roman altar, a Greek metal vase and an Etruscan altar. Etching by L. Roccheggiani, ca. 1811.

Drawing, Design for an Urn; Designed by Giuseppe Barberi (Italian, 1746-1809); Italy; graphite, pen and black ink, brush and gray wash on paper

Design for ink stand, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black, graphite, on cream laid paper, Oval base decorated with band of overlapping acanthus leaves, applied leaf design above, holds ink pot with open lid, the front showing a mask with protruding tongue. Pen holders, in shape of a horn, flank the pot., Belgium, 1800-1825, Drawing, Drawing

Copper engraving and etching by Victor Texier around 1818 depicting an antique base, showing architectural and ornamental details.

At left: the stem is above a bunch of ears of grain rising from an urn, which is decorated with festoons supported by two cherubim. At right: the lower part of the stem has the shape of a vase supporting a pedestal, with cherubim. Above: the bowl has a leaf calyx. On the verso is part of a sketched construction of the shape of a bowl. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Afrika, Charles Beurlier, After Jean Charles Delafosse, 1768 - 1771 print An ornamented table with garlands and a winged lion's head. Above it a round medallion with a standing woman with a leopard sheet and a lion, around a snake with a sword, a lobster and an elephant's head. Print number 29. Paris paper etching / engraving table. Africa represented allegorically; 'Africa' (Ripa)

flagons . Butterfield, William undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Royal Institute of British Architects awarded the Gold Medal to

Saucière et salière en fayence sic, exécutées par Bernard Palissy. (XVIe. siècle.). Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Centrepiece in the form of a fountain, by Horace Scoppa, etching.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Candlestick with seven candles and two putti, verso - stamped, Numbered top left: no. 28., print, ornamental print, prints, ornamental prints, height 300 mm, width 154 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Tenth book of the work of J.A. Meissonnier: Models of goldsmith: ZesDe Blad: Mouchette handkerchief and mouchette; Tenth book of the work of J. Meissonnier. Zesde Blad ITU Tenth Book of the Work of J. Meissonnier: Blaker in Kaarssnuiters

Vase with sacrificial scene; Romae in Hortis Trans Tiberim; Recueil De Divers Vases Antiques. The vase has double handles that rest on two men's heads.

Book by Albert Jacquemart: History of the Ceramic Art: A Descriptive and Philosophical Study of the Pottery of All Ages and All Nations: Saxony: Dresden- Hard Porcelain- Ewer in Relief, with Figures in Violet Cámaïeu (Plate XII), 1877. Jules Jacquemart (French, 1837-1880). Etching; sheet: 25.5 x 18 cm (10 1/16 x 7 1/16 in.); platemark: 19 x 13 cm (7 1/2 x 5 1/8 in.).

Sebald Beham, Capital and Base of a Column, 1543 Capital and Base of a Column

Warsaw. Nut wood tripod table from the equipment of the Royal Castle - side views and top side sketch in the scale of 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Nine vases. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 363 mm × w 246 mm. Museum: Rijksmuseum, Amsterdam.

Ornament Design, Tripod and Panels. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Portrait of Bernard Herman Goudriaan, Hendrikus Michael, 1847 - 1865 print A facsimile signature in the lower margin. paper. historical persons. engineering (+ portrait of scholar, scientist)

Sebald Beham (German, 1500 - 1550), Double Goblet with Oval Decorations, 1530, engraving

A copper engraving and etching by Virgil Solis the Elder from 1529-1562 depicting a handled vase and a double cup, showing details of form, decoration, and design.

Vase with venus pulled into a cart by swans, 1729 - 1737 print A vase with venus and putti pulled in a cart by two swans. Below that a mask. Two semi -figures at the top. Paris paper etching vase ~ ornament. (story of) Venus (Aphrodite). cupids: 'amores', 'amoretti', 'putti'. water-birds: swan. mask, mascaron ~ ornament

PItcher, mug, and plate. A pitcher and mug on a shelf above a plate. The plate has scalloped edges and is painted with a landscape and a figure in a sailboat. The mug is painted with birds, fruit, and flowers, and the pitcher is painted with the inscription, "James Kennedy, 1778" beneath the spout.. (Recto, mount) upper right, printed in black ink: "PLATE CCVI." Lower center, printed in black ink: "CAUGHLEY. / 417. JUG. PAINTED IN BLUE, "JAMES KENNEDY, 1778." / 418. MUG. PAINTED IN BLUE, WITH BIRDS AND FRUIT. / 419. PLATE. BLUE, CHINESE LANDSCAPE AND FIGURES. / Geological Museum. italicized"

Northern Netherlands, Four Hidden Siloets. Hooft. Goudoever. Capellen. Visscher, Four silhouettes hidden in a coat of arms trophy, 1787, verso - stamped, 1787. The silhouettes are of mayor Hendrik Hooft Danielsz., Isaac van Goudoever, Joan Derk van der Capellen tot den Pol and Cornelis Govert Visscher. Between the banners hang the coats of arms of the four persons mentioned., print, prent, prints, prenten, Frederik Muller Historieplaten, height 130 mm, width 88 mm, print maker, prentmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing process)

Vase with number of figures at the top, c. 1650 print print maker: France (possibly)publisher: Paris paper engraving

Kühn F., ink barrel made of wrought iron. (From: Architectural sketchbook, H. 173/2, 1882.) (1882-1882): View, details. Pressure on paper, 39.3 x 28.4 cm (including scan edges)

Etching by Gabriel Huquier titled 'Left', created in 1737, showing compositional and visual design elements.

Design by Hans Holbein. Édouard Baldus (French, born Germany, 1813 - 1889)

Rome, Piranesi, Giovanni Battista, Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi, Vases, candlesticks, gravestones, sarcophagi, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Candelaber, verso - stamped, A marble candelabrum with rams' heads and griffins. Text above. Dedication in bottom margin., print, prints, height 695 mm, width 355 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Drawing of a wooden pillar with flag holder and horse heads at the Freudenau horse racecourse, Vienna II, executed in pencil and black ink, 1858.

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Raccolta di vasi diversi, Ornamental vases, Title print with seven vases in a row, the middle one with Medusa head and title, verso - stamped, print, title print, ornamental print, prints, height 91 mm, width 184 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, issuer, granter of privilege

Marquee the fireplace in the large living room, vintage engraving. Marquee the fireplace in the large living room, vintage engraved illustration. Magasin Pittoresque 1852. Copyright: xZoonar.com/PatrickxGuenettex 10673811

Drawing, Two Censers; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, gray ink on off-white laid paper; Image: 26.9 x 20.4 cm (10 9/16 x 8 1/16 in.)

Study for Plate 7 of Bouchardon's "Second livre de vases" 18th century Circle of Edme Bouchardon French. Study for Plate 7 of Bouchardon's "Second livre de vases" 335029

Rome, Salamanca, Antonio, Italy, Veneziano, Agostino, Vases, Ornamental jug with lion, masks and a crab, verso - stamped, print, ornamental print, prints, ornamental prints, loose leaf - stamped, height 250 mm, width 170 mm, Italian, 1490 - 1536, print maker, printmaker, 1531 - 1531, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, 1478 - 1562, publisher

Porte-Bouquet from Saint-Amand, Normandy, France, door-vase with five mouths decorated with a landscape. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Designs for Serving Trays, a Dish and an Urn 19th century Anonymous, French, 19th century French. Designs for Serving Trays, a Dish and an Urn 362072

Differents Desseins de Tabatières, deuxième planche Different Designs for Snuff Boxes, second plate, pl. 50 in Oeuvre de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Gabriel Huquier, French, 1695-1772, Etching on off-white laid paper, Six rococo designs for snuffboxes. Top center: several figures standing in front of a balustrade, a figure (upper left) sitting next to a fountain; center cartouche: female figure in front of alter showing Solomonic columns, putti abound, central female figure holding reigns of a rearing horse., Paris, France, 1748, metalwork, Print, Print

Double chalice. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design for a Tomb 1700-1773 Pietro Bracci Italian. Design for a Tomb 338249

Woman with a box of cosmetics and perfumes assisted by a slave with a fan from a Greek vase. Chromolithograph by Jules Cheret from Eugene Rimmel's Le Livre des Parfums, Paris, 1870.

One of the four urns for the monument at the national party to celebrate the peace of 17 December 1799; Drawing from one of the four urne to be placed at every corner of the monument; Designs for the monument to the national party for celebration of the peace of 17 December 1799. Design for a monument to the national party to celebrate peace of 17 December 1799.

Two bowls; Second Livre de Vases. The upper bowl has two different handles, the lower is worn by two sphinxes. Leaf 44 from series of 25 sheets, numbered: II (formerly 26), 27-50.

Teyler, Johan, Errard, Charles II, Tournier, Georges, Netherlands, Borghese vase, Vase with a relief of bacchantes, maenads and vines along the upper edge. This print is part of an album., print, album sheet, prints, height 513 mm, width 337 mm, print maker, printmaker, 1688 - 1698, paper, engraving, engraving (printing process), etching, à la poupée, color printing, Work conception, French, after print by, 1607 - 1689-05-25, after design by, Northern Netherlands, 1648 - 1712, supervision

Print, Design for a Vase; Designed by Eurimond-Alexandre Petitot (Parma, 1727-1801); Print Maker: Benigno Bossi (Parma, 1727-ca. 1793); France; etching on laid paper

Fantastic Vase. Benigno Bossi (Italy, Arcisate di Como, 1727-1792). Italy, 1764. Prints; etchings. Etching

Classical pedestal 19th century Anonymous, British, 19th century British. Classical pedestal 392696

Guidon in cul-de-lamps, Anonymous, After Jean Charles Delafosse, 1745-1775 print A gueridon with garlands. On both sides a CUL-de-Lampe with garlands. Paris paper engraving table. other architectural details (CONSOLE)

ornamentprent, Jacques Androuet, 1561 Part of 'Seconde Livre d'ArchitectVre' (1561): 64 etchings with ornamented architecture parts. paper etching architectural design or model

Kielich, s. Wojciech in Trzemeszno, il. Z: Aleksander Przedziecki, Edward Rastawiecki, "Patterns of the Medaline Arts and from the Rebirth Age after the end of the 17th century in former Poland" (Warsaw, Paris, 1853-1855), Series 1, z. XX, tab. X; Dembowski, Leon (1823-1904), Walter, H., Fajans, Maksymilian (Warsaw; lithographic and photographic inn; 1853-1892), Fajans, Maksymilian (1825-1890), Przedziecki, Aleksander (1814-1871), Rastawiecki, Edward (1804-1874), Unger, Józef (Warsaw; Drukarnia, Publisher, Ksi Garnia; 1841-Ca 1877); 1853-1855 (1853-00-00-1855-00-00);

A Pitcher, Pen and ink on paper, Vertical rectangle with a footed pitcher seen from the front. The vase shaped body is indecorated. A small band of gadrooning where the foot meets the body. The handle curves above a trefoil spout and elongated neck, Italy, 1550-1600, tableware designs, Drawing, Drawing

Engraving depicting a sacred piece of sculpture with a large bowl. The illustration is set within an ornate frame.

A print with a fountain; Furthermore, different types of porcelain; Furthermore, an old Roman / MitSgaders a Dorpskastelein; And finally another fountain, 1861 - 1929 print Leaf with 9 performances of various nature, such as performances of a Roman, from and castle, of vascular work and of fountains. Numbered below: 4. print maker: Franceprint maker: Europepublisher: Leiden paper letterpress printing ornamental fountain. drinking-vessels. vase ~ ornament

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