Decorative Vessels and Ornaments

An array of ornamental prints showcasing intricately designed vases and fountains. The illustrations highlight baroque and neoclassical styles, featuring cherubs and rich embellishments.

Paris, Langlois, Nicolas (II), Italy, Fanelli, Francesco, Fontaines Et Iets D'Eau, Fountain with round water basin in pointed basin, At the top a boy with a vase on his shoulders sits on a dolphin. From a series of 16 sheets, second edition., print, ornamental print, prints, ornamental prints, height 202 mm, width 154 mm, Work conception, Italian, 1585 - 1665, after a design by, 1680 - 1707, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1670 - 1707, publisher

Double drinking cup, Anonymous, After Mathis Zündt, c. 1508 - 1551 print The belly of the lower drinking cup is decorated with Frisians. The upper Frisian consists of saters and dogs between leaf vines. From a series, consisting of a title page and 30 sheets with vascular work. Germany (possibly) paper engraving

Rome, Papal court, Italy, Laurenziani, Giacomo, Opere per Argentiri et altri di Iacomo Laurentiani, Monstrances, Monstrance with cherubs and putti, verso - stamped, A monstrance with a rectangular upper part, decorated with five cherubs and two putti. On the pedestal two putti and three cherubs with garlands., print, ornamental print, prints, ornamental prints, height 420 mm, width 176 mm, 1600 - 1650, print maker, printmaker, 1637 - 1637, second quarter 17th century, paper, etching, etchings, intermediary draughtsman, after a drawing by, granter of privilege

Vaas MEDAILLONPORTEN, P. MOITHEY (L'AINé), P. MOITHEY (P. MOITHY), 1760 - 1780. print Neoclassical vase with garland and portraits in medallions. paper etching vase ~ ornament

Vaas Met Sphinx, Jacques Francois Joseph Saly, 1746 print An ornamented vase with two sitting sphinxes and two masks with beard. France paper etching mask, mascaron ~ ornament. sphinx (lion/woman); 'Sfinge' (Ripa)

Paris, Langlois, Nicolas (II), Italy, Fanelli, Francesco, Fontaines Et Iets D'Eau, Fountain with round water basin in pointed basin, At the top a boy with a vase on his shoulders sits on a dolphin. From a series of 16 sheets, second edition., print, ornamental print, prints, ornamental prints, height 202 mm, width 154 mm, Work conception, Italian, 1585 - 1665, after a design by, 1680 - 1707, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1670 - 1707, publisher

Design for a Candlestick. Artist: Attributed to workshop of Ottavio Strada (Italian (naturalized), Nuremberg () 1550-1606 Prague); Style of Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). Dimensions: sheet: 16 7/8 x 11 1/16 in. (42.9 x 28.1 cm). Date: 1510-63. Museum: Metropolitan Museum of Art, New York, USA.

Vase with the triumph of Amphitrite; Garden vases from Palace Het Loo. Vase on an octagonal base with lid. On the cylindrical body of the vase the triumph of Amphitrite. A Latin text in the undermaster.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Chalice with palm branches, garlands with fruits and vines, verso - stamped, Numbered top left: no. 7., print, ornamental print, prints, ornamental prints, height 275 mm, width 174 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Figure Studies Around an Engraving of an Ornamental Vase. Paul Cézanne; French, 1839-1906. Date: 1870-1872. Dimensions: 243 × 316 mm. Graphite on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wandarm, Andreas Stöttrup, c. 1780 drawing Wall arm, decorated with a bay garland and crowned by a vase, with alternative solutions for the two arms. Hamburg paper. graphite (mineral) pen / brush

Den Haag, Marot, Daniël (I), Netherlands, Vases de la Maison Royalle de L'oo, Vase with the triumph of Amphitrite, The Hague, Vase on an octagonal base with bas-relief with a personification of Great Britain. The handles are supported by feminine terms. The lid is decorated with fleur-de-lis and crowned with an English crown. Sheet from a series of 6 sheets with garden vases from Paleis Het Loo., print, ornamental print, prints, ornamental prints, height 247 mm, width 187 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1703, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Design for a Vase by Virgil Solis. Édouard Baldus (French, born Germany, 1813 - 1889)

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Ornament with fruits and garlands, verso - stamped, Numbered top left: no. 84., print, ornamental print, prints, ornamental prints, height 274 mm, width 175 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Print, Ornamental Candelabra Design; Designed by A. Panier (French, active 18th century); Print Maker: Jean-François Janinet (French, 1752 - 1814); Published by Louis-Marin Bonnet (French, 1736 - 1793); France; crayon-manner engraving with red ink on paper

Design by Virgil Solis. Édouard Baldus (French, born Germany, 1813 - 1889)

Print, Coffee-pot and Stand from; Print Maker: Maximilian Joseph Limpach (Czech, active the 1st half of 18th century); After Giovanni Giardini (Italian, 1646 - 1721); Italy; engraving, etching support: white laid paper; 27.5 x 17.5 cm (10 13/16 x 6 7/8 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Presentation cup for a rabbi.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Commemorative containers

Two handled cup. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London); Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 6 9/16 × 3 13/16 in. (16.6 × 9.7 cm)cut c. 4 x 3 mm. Series/Portfolio: One of ten plates of ornamental designs after Hans Holbein; see New Hollstein (Hollar) 824-833.. Date: 1646. Museum: Metropolitan Museum of Art, New York, USA.

Rome, Monogrammist GA with the foot-angel, Ornamental capital and base of column, verso - stamped, Ornamental capital with ram's heads and acanthus leaves. Below a base with shell border. On the right a banderole with text partly in mirror image., print, ornamental print, prints, ornamental prints, height 338 mm, width 217 mm, Italian, print maker, printmaker, 1535 - 1537, paper, papier, etching, etchings, plaattoon

Design by Enea Vico. Édouard Baldus (French, born Germany, 1813 - 1889)

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl is low and divided into the fluted body and a big rim. The lid has the shape of a rounded pedestal with cherubim above festoons. It is supported by a high vase, the upper part of which is decorated at the front with lily branches and a festoon. At the oblique sides are volutes, with cherubim on top., Rome, Italy, ca. 1775, architecture, Drawing, Drawing

Goblet, rim decorated with masque and bouquet of fruit. Dated: published 1579. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Wechter I.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Vase with putti and griffins, verso - stamped, Numbered top left: no. 74., print, ornament print, prints, ornament prints, height 275 mm, width 175 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Two baptisms, Johann Thomas Hauer, 1781 print Plans and designs of two baptismal fonts with a book, cross, pigeon and olive branches on the lid. Paris paper etching / engraving baptismal font

Designs for Two Candelabras and a Pedestal. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 1/8 x 8 1/4 in. (25.7 x 20.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Candelabrum; France; pen and black ink with ink washes on paper; Design: 28.7 × 15.7 cm (11 5/16 × 6 3/16 in.) Paper: 32.5 × 19.8 cm (12 13/16 × 7 13/16 in.)

Speculum Romanae Magnificentiae: Capital of Composite Order mid-16th century Léon Davent French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints

Drawing, Design for a Candlestick with Alternative Suggestions; Designed by Johann Nepomuk; pen and ink, brush and sepia wash, graphite on paper; 64.5 × 34.5 cm (25 3/8 × 13 9/16 in.)

Vase with rams caps. An ornamented vase with rams caps. Byond this a tablet with a crown, a book, a smoke barrel, a shield with burning hearts and a round medallion with a tree and an obelisk. Right above 42 numbered.

Design for a Reliquary, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Upon a base with lion feet, two angels are standing upon clouds, embracing themselves with their left arms and supporting with their right arms palm branches upon which the oval receptacle of the reliquary is standing. On top a garland and a cross. Scale at bottom left., Rome, Italy, 1812, furniture, Drawing, Drawing

Drawing, Design for a Vase; red crayon on paper

Louis XIV (King of France), Paris, Errard, Charles II, France, Tournier, Georges, Recueil de divers vases antiques, In hortis Tiburtinis, Vase with frieze on a pedestal, The vase has a double handle that ends in an open spiral shape, on the frieze are putti picking grapes. From a series of 13 sheets., print, ornamental print, prints, ornamental prints, height 330 mm, width 226 mm, French, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1607 - 1689-05-25, after a design by, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Vase with garlands, anonymous, 1770 - 1780 print A vase with garlands. Below that a vase and a console with a mask. paper etching vase ~ ornament. ornament ~ festoon, garland

Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c., Henri Sallembier, French, ca. 1753 - 1820, Jacques Juillet, French, 1739 - 1784, Engraving on paper, Vases and chandeliers., Europe, France, 1777, Print, Print

Design by Virgil Solis; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 24.1 × 14.7 cm (9 1,2 × 5 13,16 in.)

Design for a candlestick (No. 2) ..

A vase with garlands on the belly and two handles, Vase with garlands Nouveau Livre de Vases , print maker: Juste Nathan François Boucher, (mentioned on object), Juste Nathan François Boucher, publisher: weduwe François Chéreau (II), Paris, 1755 - 1782, paper, etching, h 167 mm - w 115 mm

Germany, Hertel, Johann Georg, Delafosse, Jean Charles, unknown, Vase with garlands, verso - stamped, An ornamented vase with garlands. Publisher's number 374., print, ornamental print, prints, ornamental prints, height 245 mm, width 180 mm, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, German, 1700 - 1775-07-07, publisher

Samuel Howitt, 1756-1822, British, Design for a Hunting Trophy or Loving Cup, undated. Pen and brown ink, brown wash and graphite on medium, slightly textured, cream wove paper.

Album Page, The Right Half of an Alter Tabernacle; Designed by Gilles-Marie Oppenord (French, 1672-1742); France; pencil, pen and brown ink with ink wash

Drawing, Design for a Pitcher; Italy; pen and ink on paper

Design for a Covered Urn with Two Eagles 17th century Anonymous, French, 17th century French. Design for a Covered Urn with Two Eagles 344403

. The handle points to the right. From series of 6 sheets.

Goblet with Round Medallions 1530 Sebald Beham German Design for a double goblet with medallions between winged figures. In roundels, classical scenes, with two figures and a burning altar at center. From a set of three designs for goblets.. Goblet with Round Medallions 418016

Baquoy, C., Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, unknown, IInd Volume De l'Oeuvre de J. Ch. Delafosse, V Vases antiques. Cahier V, Vase with garlands, verso - stamped, An ornamented vase with garlands., print, ornamental print, prints, ornamental prints, height 251 mm, width 163 mm, print maker, printmaker, 1771 - 1771, paper, papier, etching, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher, uitgever, Publicatie

Design by Hans Holbein. Édouard Baldus (French, born Germany, 1813 - 1889)

Design with death heads and vases; Designs for tabernacles, altars and epitaft; Nouveau Livre de Diverses Dessseins (...) Pour Tabernacles Auts, epitaphes (...). Design for an altar or epitod with rocaille ornaments and at the bottom of death heads. At the top Rocaille vases and a putto head with wings.

Candelabra, Vessels and Ornament, nos. 358-369 ("Designs for Various Ornaments," pl. 54) March 20, 1785 Michelangelo Pergolesi These ornament designs for a candleabra are numbered from 358 to 369. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Candelabra, Vessels and Ornament, nos. 358-369 ("Designs for Various Ornaments," pl. 54). March 20, 1785. Etching and engraving, printed in brown ink

French crown, Paris, Esnauts & Rapilly, Willemin, Nicolas Xavier, G VIIe Recueil De Vases, D'Ornements & De Figures Antiques, Bank with swan heads, verso - stamped, A stool or (foot)stool with swan heads as legs. Above that wickerwork with sphinxes. On the underside an ornamented piece of furniture with leaf and flower motifs., print, ornamental print, prints, ornamental prints, height 145 mm, width 121 mm, French, 1763-08-05 - 1839-01-25, print maker, printmaker, 1775 - 1797, paper, papier, etching, etchings, aquatint, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Study of a Fire Urn. Artist: Attributed to Anonymous, French, 18th century. Dimensions: sheet: 12 5/8 x 7 3/4 in. (32.1 x 19.7 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Danarige Girandsa, BertHault, Aftersers Jean Charles Deliplosses, 1771 print An ornamented three -armed girandole with garlands paper etching / engraving Chandelier, a candlestick

Vase in terra cotta modeled by John Thomas of London for Edward Ladd Betts of London., 1851 - 1853. Publisher, Day and Son, London. Decorative arts, Exhibitions, Great Exhibition (1851 London, England), Lithographs, Chromolithographs

Theeepot; Different Kerkelijke Voorwen; Different drawings invented and outlined by Giovanni Gardens from Forlì.Numbered Top Left: No. 80.

Three candle carriers; Nouveaux Dessins de Guéridons Dont Les Pieds Son Propres Pour des Croix.de Middle candle carrier has a foot with two sphinxes. From series of 6 sheets, first edition.

Guaridon puts Kariatide, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A gueridone with a three -armed candlestick worn by a caratide. Print number 320. Paris paper etching / engraving table. chandelier, candelabrum. caryatids ~ architecture

unknown artist, Design for a Chandelier, undated. Graphite and gray wash on slightly textured, moderately thick, beige laid paper.

Copper engraving by Sebald Beham depicting the capital and base of a column, created in 1543.

Ontwerp voor een olielamp.Design for an oil lamp consisting of two chinese porcelain vases mounted in gold-plated bronze, painted in colors in fields on a brown fond.

Goblet with Putto on lid. Dated: published 1579. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Wechter I.

Italy, Veneziano, Agostino, Vases, Ornamental vase with two handles and a border of putti, verso - stamped, print, ornamental print, prints, ornamental prints, height 213 mm, width 155 mm, Italian, 1490 - 1536, print maker, printmaker, 1530 - 1530, paper, engraving, engraving (printing process)

Vase with snake as an ornament, Benigno Bossi, After Ennemond Alexandre Petitot, 1764 Vase on foot; The bottom of the abdomen decorated with acanthus leaves. A snake winds above the egg list, which separates the belly from the neck. No. 4 from series of 31. print is part of an album. Printed recto at the top right: 4. paper etching vase ~ ornament. snakes

Borghese vase. Vase with a relief from bacchants, maenads and vines along the top edge. This print is part of an album.

Vase with masks on pedestal; Vases, candlesticks, tombstones, sarcophagus, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi; Vasi, Candeabri, Cippi, Sarcophagi, Tripodi, Lucerne, etc. Ornamenti Antichi DISEGN. Ed Incisi Dal Cav. Gio. Batta Piranesi. Side view of a vase decorated with masks, on a pedestal with a frieze. Assignment above show. Text in undermarge.

Roman altar to a goddess with griffins and rams heads from the Villa Farnesina alla Longara now in Naples 1, Greek metal vase purchased in Rome by a French knight 2, Etruscan altar copied from a fine bas-relief found in Todi 3. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Double Goblet with Flutes and Acanthus-Leaves. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 9 1/16 × 4 1/4 in. (23 × 10.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Water fountain with two dolphins on top; Diverses vases à l'Italienne. The fountain is shown with the tap on the right.

Births's ears met the execurss, Bertople, EfTer Jean Charles dept salasses, 1771 print Two candlesticks, on the left with a medallion, helmets and weapons, on the right with figures. Paris paper etching / engraving Chandelier, a candlestick. weapons. The (nude) human figure; "Corpo Human" (Ripa)

Korinthisch Kapitel; Chapiteau of the Corinthian Order; 9th notebook. .

Gloves with lid; Second Livre de Vases. The body is lobbed with the upper body of a woman in the middle, the handle has the shape of a dog. Bottom right: 17, this magazine originally belonged to the first series of vases, number 17 (). Leaf 28 from series of 25 sheets, numbered: II (formerly 26), 27-50.

Kroonluchter; Different Kerkelijke Voorwen; Different drawings invented and outlined by Giovanni Gardens from Forlì.Numbered Upper Left: No. 48.

Print, Ornamental Vase Design; Designed by A. Panier (French, active 18th century); Print Maker: Jean-François Janinet (French, 1752 - 1814); Published by Louis-Marin Bonnet (French, 1736 - 1793); France; crayon-manner engraving with red ink on paper

Designs for two garden vases, with detail studies of the handles, draughtsman: C. Kayser, 1773, paper, pen, brush, h 228 mm × w 350 mm

Drawing, Design for a Vase; red crayon on paper; 25.9 × 19.4 cm (10 3/16 × 7 5/8 in.)

Ztcei Kandelaber. Ztcei Kandelaber mit Funck- Issue 135, Aus der Fölge work Hopferianae i.e. The shapes of some standing were two hundred and thirty have already had one ... excusum sold in David Funccius, Iconopolam Noribergensis.

Candlestick with thorns crown, portrait of Christ and two putti; Various ecclesiastical objects; Disegni Diversi Inventati e DeLineeati da Giovanni Giardini da Forlì.numbered at the Top Left: No. 30.

Design for a pelvis with three satin heads and a handle of branches, Giulio Romano, c. 1515 - c. 1525 drawing Pelvis with three satin heads and a handle of branches. paper. ink pen / brush

Drawing, Design for a Tureen; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; pen and ink, brush and washes; 48.6 × 41.8 cm (19 1/8 × 16 7/16 in.)

Paul Flindt the Youngers etching (c.1600) depicts multiple cups and vessels, showing shapes, ornamental details, and printmaking technique in early modern Europe.

Bronze inkstand, mid-late 16th century, (1881). Etching of an inkstand, made in Venice in the second half of the 16th century, in the style of Tiziano Aspetti. Three cupids support the body. The cover is surmounted by a female figure, (Hope), holding an anchor. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). Sampson Low, Marston, Searle and Rivington, London, 1881

VUURBOK MET HELM IN SCHILDEN; 25th AA Cayer notebook of 6 kerbs of kenets and fireplaces; The volume of the work of J. Ch. Delafosse (...). An ornamented Firebox with a Helmet, Shields, Weapons and Garlands.

Plate 3, from Suite of Vases, Benigno Bossi, Parma, 1727-ca. 1793, Eurimond-Alexandre Petitot, Parma, 1727-1801, Etching on white paper, A large vase with a wide, beaded rim. The upper half of the body has a smooth surface; the lower half, vertical ribbing, joined to a short narrow pedestal decorated with acanthus leaves and laurel. Three handles rise vertically from the bottom of the vase to curve in three-quarters of the distance to the rim., Parma, Italy, 1764, ceramics, Print, Print

Soffits and Vases, Plate 5 from 'Cahier de Trophées, Soffites et Vases,' Parte IX, Cahier I, Richard de Lalonde, French, active 1780-96, C. le Meunnié, French, active 1768 - 1796, Engraving on paper, Four soffits dedicated to Bacchus, Flora, Apollo, and Ceres, with respective attributes, and two vases, one with handles. Below, engraver's and designer's names. From 'Cahier de Trophéesm Soffites et Vases,' parte IX, cahier I, planche 5., France, ca. 1780, Print, Print

Image of the gold cup made by Nicolaes Loockemans with loose lid donated by the States of Holland and West Friesland to Michiel de Ruyter on the occasion of the victory over the English during the Voyage to Chatham, 20-23 June 1667. On the cup a depiction of the Voyage to Chatham. In the corners the four gold marks. Also printed on the same sheet is a separate plate of the lid, Gold cup with lid, donated to Michiel de Ruyter on the occasion of the Voyage to Chatham, 1667, print maker: jonkheer Barthold Willem Floris van Riemsdijk, (mentioned on object), Netherlands, 1870 - 1894, paper, etching, h 105 mm × w 70 mm, h 353 mm × w 213 mm

Cup. Project for painting decoration of the St. Mary's Church Wyspiały, Stanis Aw (1869 1907)

Print (France)

Design for an imitation gemstone inlaid, gilded bronze five-armed candelabrum, Design for candelabrum, draughtsman: Firma Feuchère, France, c. 1830, paper, brush, h 244 mm × w 110 mm

Vase with lion legs and mask, anonymous, 1770 - 1780 print A vase with putti and a mask on lion legs. Paris paper etching / engraving vase ~ ornament. beasts of prey, predatory animals: lion (+ claws, paws of an animal). mask, mascaron ~ ornament

Standing women with vases; B iie Cahier d'Arabesques.twee women are under a vase with arabesken and a vase with flowers, beside them two vases with flowers.

Kachel, Vaas, Pot En Hoekstuk, Johann Rumpp, 1712 - 1755 print Designs for an ornamented stove, a vase, a pot and a corner piece. A map of the stove. Print number 186. Augsburg paper etching / engraving heating stove. container of glass: bottle, jar, vase

Vase with a lid and two rings hanging in the mouth of a mascaron, 1500 - 1531 print The belly of the vase is decorated with a garland above which a lion stands on a branch. From series of 12 magazines. Italy paper engraving

Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso) 16th century Anonymous, Italian, 16th century Italian. Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso) 343157

Print, Console Table Design; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759); Published by Chereau (French, active ca. 1780-1799), Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper; Sheet: 32.1 x 18.1 cm (12 5/8 x 7 1/8 in.) Image: 31.1 x 24.8 cm (12 1/4 x 9 3/4 in.)

Design drawing for a can with ear. Draughtsman: anonymous. Dating: c. 1750. Place: Bologna. Measurements: h 179 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

The bowl is supported by a molded base. The lid has the shape of a pedestal which is decorated at the front with an oval medallion with the representation of the baptism of Christ, hanging from a bowknot in the frieze of the entablature. The oblique sides have volutes, with cherubim above the lower spirals. Above the entablature rises another pedestal, supported a cross above a globe. Beside it sits two angels, supporting with their hands a festoon and shouldering a lily stems. Usual background. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

A Krater, Felice Giani, Italian, 1758-1823, Black chalk on paper, Krater with a frieze of classical nudes., Italy, ca. 1805, classicism, Drawing, Drawing

Candelabra Grotesque with an Hexagonal Pavillion on a Foot. 1540 after Anonymous, Italian, 16th century Italian Three quarters of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by an architectural structure which can be described as an hexagonal pavillion. Within it a female figure has been placed who holds on to meandering acanthus scrolls. The pavillion is supported by a foot to which to satyrs have been tied. On the verso a frame is visible characterized by a broad, dark outer rim and a fine line on the inside.. Candelabra Grotesque with an Hexagonal Pavillion on a Foot.. Anonymous, Italian, 16th century . 1540 after. Pen and black ink, brush and gray wash

Workshop of Johann Teyler, Grand Vase Grand Vase

Goblet with the Infant Hercules on Top. Dated: c. 1520/1525. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

Album Page, Design for a Fountain Supported by Dolphins and Two Dogs; Designed by Gilles-Marie Oppenord (French, 1672-1742); France; pen and ink, watercolor on paper

of 3