Decorative Wall Tiles

Tin-glazed earthenware tiles featuring intricate arabesque designs and motifs, illustrating decorative arts from the 18th century.

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Panel, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Panel

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wide

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wide

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Panel, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Panel

Jean Carriès (1855-1894). Star tile in enameled sandstone. Museum of Fine Arts of the City of Paris, Petit Palais. 24846-17 Star tile, ceramic, decoration, gres emaille

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Jean Carriès (1855-1894). "Floor, wall covering: star tile". Museum of Fine Arts of the City of Paris, Petit Palais. Flooring, wall: Star tile Carreau, ceramic, ceramic, star, reverse, sol, star, tile, wall, wall-covering, wall

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing, Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile, Sadler and Green, English, Elisha Kirkall, English, 1682 - 1742, Tin-glazed earthenware with transfer-printed decoration, Red transfer decoration on a white ground, showing landscape with mountains in left background; foreground with lion standing before a tree at right, and looking at a frog to its left; the scene surrounded by a framework of rocaille scrolls., Liverpool, England, ca. 1760, tiles, Decorative Arts, Tile

Panel, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Panel

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Textile, Medium: cotton Technique: copperplate printed, Copperplate print in brown on white. Statue of Shakespeare, on base of which is a medallion of Garrick (1717-1779). A flying muse places crown of stars on Shakespeare's head. Putti carry medallion portraits of Mrs. Siddons and other actors. Weeping putto at base of status holds books inscribed with names of Shakespeare's tragedies. All elements connected by meandering garlands., England, ca. 1785, printed, dyed & painted textiles, Textile

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall tile

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Made 1576-1600 Limburg. Earthenware .

Tile with Floral and Cloud-band Design. Dimensions: H. 9 13/16 in. (24.9 cm)W. 9 7/8 in. (25.1 cm)D. 11/16 in. (1.7 cm). Date: ca. 1578.Restorations to Istanbul's Topkapi Palace after 1574 resulted in major commissions for ceramic tiles. Designed in the imperial workshop in Istanbul, these tiles were executed at the famous kilns of Iznik. This example, when aligned with others of its type, forms a pattern of four floral palmettes, interspersed with red, ribbonlike cloud bands. Many of these tiles remain in situ, having adorned the walls of the Ottoman palace for more than four centuries. Museum: Metropolitan Museum of Art, New York, USA.

Sardonyx cameo of a goddess flanked by attendants 1st century B.C.-1st century A.D. Greek or Roman Cameo of a seated woman with attendants.. Sardonyx cameo of a goddess flanked by attendants. Greek or Roman. 1st century B.C.-1st century A.D.. Sardonyx. Hellenistic or Early Imperial. Gems

Three fragments of a terracotta calyx-krater (mixing bowl) ca. 360-340 B.C. Greek, South Italian, Apulian, Gnathian The ransom of Hector and a satyr standing before a womanGnathian is a conventional term principally used for Apulian pottery in which polychrome decoration is applied to a black-glaze ground. The representation of the ransom of Hector was inspired by Aischylos' tragedy of the same name. The action is occurring on a stage, indicated by the horizontal lines below Hector's couch and footstool and the vertical tent supports. Priam kneels, clasping the legs of Achilles in supplication. The reverse shows figures executed in incision, with added white and yellow details.. Three fragments of a terracotta calyx-krater (mixing bowl) 248302

Panel; tin-glazed earthenware, underglaze manganese decoration; Overall: H: 147.3 x W: 85.1 cm (58 x 33 1/2 in.)

Attic Red-Figure Amphora Fragment. Attributed to the Flying - Angel Painter

Jean Carriès (1855-1894). "Floor, wall covering: star tile". Museum of Fine Arts of the City of Paris, Petit Palais. 24193-3 Tile, ceramic, star, reverse, floor, wall

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