Decorative Wallpaper Designs

Varied wallpapers showcasing intricate floral and arabesque patterns, utilizing vibrant colors and metallic accents, reflecting 19th-century design trends.

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper, liquid mica; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Runner (from a set of table linens) Belgian late 19th century

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 234.5 x 49 cm (92 5/16 x 19 5/16 in.)

Napkin with the history of the lost son, anonymous, c. 1800 - c. 1899 Napkin van Linnamast with the history of the lost son. Midfield: The symmetrically doubled pattern shows from the bottom to the top of six scenes: 1 The father speaks in the court with the eldest son, 2 in front of the gate the father says goodbye to his youngest son, who is on horseback. 3 The banquet in the Lust Spieel. The son is seated behind a long table in the midst of women and comrades. In the background, De Waard in signs the digestion on a slate. 4 The plundered young man is chased away by two women, including with brooms. Caption Lucas XV Cap. 5 The son eats in the yard from a pigstrog. 6 For the gate, the father faces his penitent son. The father is dressed in a 16th-century costume: wide men's mantle with lying collar, flat feathered hat and constricted balloon sleeves. Standing edges: symmetrically doubled and separated by a line with flowers, fruits and various birds; Outside of that: blocking edge. Br

Valance. China. Date: 1650-1700. Dimensions: 232.5 × 206.3 cm (91 1/2 × 81 1/2 in.). Top: Silk and cotton, warp-float faced 4:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:4 'S' twill interlacings; bottom: silk, warp-float faced 4:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:4 'S' twill interlacings; three panels joined; lined with silk and cotton, 7:1 satin damask weave. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Wallpaper. Maker: Jeffrey and Company, British, founded 1836Retailer: A. H. Davenport, American, late 19th-early 20th century

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, The frieze is printed to resemble an embroidered textile, not dissimilar to Renaissance designs. Highly stylized pomegranate motifs are connected by scalloped borders of c and s scrolls. An allover diaper pattern of small cells creates a woven texture. The pattern is printed in shades of red, green, pink, orange and gold., USA, 1905-1915, Wallcoverings, Frieze

Napkin from white Linnamast ,, 1717 White linen dams napkin with the conquest of Belgrade by Eugenius from Savoye, in which woven a rider fight, a bridle portrait and the weapon of the prince and the inscriptions Viribvs Evgeny Aqila Devorat LVNAM / EVRCA Precatvr Vitam / Belgrade. Flanders (Possible) linen (material) damask White linen dams napkin with the conquest of Belgrade by Eugenius from Savoye, in which woven a rider fight, a bridle portrait and the weapon of the prince and the inscriptions Viribvs Evgeny Aqila Devorat LVNAM / EVRCA Precatvr Vitam / Belgrade. Flanders (Possible) linen (material) damask

Fragment of printed IInen unknown

Frieze (USA); Manufactured by Becker, Smith & Page, Inc.; machine-printed paper, liquid mica; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Print (France)

Vestigia delle Terme di Tito. Ornamentation of the vault in hall no. 20. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Door panel 18th century French. Door panel. French. 18th century. Oak (). Woodwork

Rose et gallerie du portail méridional de la cathédrale d'Amiens.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 14 9/16 x 10 3/16 in. (37 x 25.9 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Compositional Study for the Southeast Section of the Cupola of Florence Cathedral. Giorgio Vasari (Italian, 1511 - 1574)

Valentine Greeting, Lithograph, embossed paper on embossed paper, In the center, a vignette showing a marriage ceremony. Below, two cupids hold a ribbon inscribed: 'Come, lip to lip, in love's embrace / In me a faithful spirit trace / A life of love that will not die / Secure in its own constancy'., United States, ca. 1850, Greeting Card, Greeting Card

Panel early 18th century Italian. Panel 227778

AGRA, INDIA - APRIL 10: Pattern on Taj Mahal on April 10, 2012 in Agra, India. Taj Mahal is widely recognized as the jewel of Muslim art and one of the universally masterpieces of the world

Untitled Valentine (Pink Flowers and Putti). Unknown Artist; English, 19th century. Date: 1834. Dimensions: 252 × 205 mm (folded sheet, sight). Collaged elements on cut and embossed cream paper (lace). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Tile tableau with blue -painted representation of one of the four seasons: the winter, the flowerpot, c. 1760 - c. 1780 Tile tableau of twenty -eight tiles (7 x 4) with a blue painted representation of a man who plays the glass of a woman with a jug. This performance proposes one of the four seasons, the winter and is surrounded by a frame of Rococo ornament. Signed: I: Aalmis Rotterdam. Rotterdam earthenware. tin glaze majolica Tile tableau of twenty -eight tiles (7 x 4) with a blue painted representation of a man who plays the glass of a woman with a jug. This performance proposes one of the four seasons, the winter and is surrounded by a frame of Rococo ornament. Signed: I: Aalmis Rotterdam. Rotterdam earthenware. tin glaze majolica

Vintage Sketch Ornamental Design Element Hand draw vintage sketch ornamental design element of Lviv historical building Ukraine set calligraphic design elements and page decoration Copyright: xkara-kotsyax

Carved Wood Panel, c. 1875. India. Wood; overall: 93.4 x 28 cm (36 3/4 x 11 in.).

Plate 6, from Die Folge der phantastischen Schmucksträße (Suite of Fantastic Ornamental Bouquets), Wendel Dietterlin the Younger, German, active 1610-1614, Etching on laid paper, Rising from the left bottom corner grotesque animals are shown; spiral vegetal motif; fish-like creature., Germany, 1614, ornament, Print, Print

Back of an overjapon of needle side with peonies, Maison Sacré (Possible), c. 1870 - c. 1890 Loose back compound composed of four narrower strips, the sculpts turned two by two outwards. Deep debts of tire work with grid pattern and hanging campanes show a peony pairing under an asymmetrical rocaille, also filled with grid pattern. In the sculpts are stems with anemones and lilacs right. The long distance is littered with moesjes. Point the Gaze de Bruxelles. Brussels linen (material) Loose back compound composed of four narrower strips, the sculpts turned two by two outwards. Deep debts of tire work with grid pattern and hanging campanes show a peony pairing under an asymmetrical rocaille, also filled with grid pattern. In the sculpts are stems with anemones and lilacs right. The long distance is littered with moesjes. Point the Gaze de Bruxelles. Brussels linen (material)

Thousand and One Nights, Block-printed paper, polished ground, Five different medallions alternating vertically with one constant smaller one. The scenes in the five large medallions show figures in 17th century costume against architectural and scenic backgrounds. About sixteen colors on polished or satin gray ground., France, 1840-1845, Wallcoverings, Sidewall, Sidewall

Sample, Cheney Brothers, (South Manchester, Connecticut, USA), Medium: silk, metallic thread Technique: satin compound weave, Reproduction textile with a design of paired birds and dogs standing over a foliate ogive. Adapted from from the Cooper Union Museum collection., USA, ca. 1915, woven textiles, Sample

Pompeian ornament

Sidewall (USA); block-printed and flocked; 55 x 48 cm (21 5/8 x 18 7/8 in.)

Border (France); block-printed and flocked on paper; 77 x 25 cm (30 5/16 x 9 13/16 in.)

Design for an ex libris with monogram and lions, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush ex-libris. letter combinations such as letterword, anagram, letter square, monogram, etc.. ornament derived from animal forms. beasts of prey, predatory animals: lion

Frieze with vegetal pattern and candelabra, mural painting in the House of Siricus, Pompeian house, 1st century BC, Pompeii, Campania, Italy, chromolithograph by G Frauenfelder from a drawing by Abbate, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume I, plate 3, 1854, Naples.

Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893-94, Part III, book vii, chapter i, p. 219). Artist: Aubrey Vincent Beardsley (British, Brighton, Sussex 1872-1898 Menton). Dimensions: Sheet: 11 1/8 x 8 3/4 in. (28.3 x 22.2 cm). Date: by May 30, 1893.Beardsley made hundreds of detailed ink drawings to illustrate J. M. Dent's 1893-94 edition of Le Morte d'Arthur, and this border design was used to frame a tale of King Arthur's piety in book seven, chapter one, titled "How Beaumains Came to King Arthur's Court and Demanded Three Petitions of King Arthur." The theme is underscored by angels whose repeated forms depend on a medievalist aesthetic, but the irregular shape of the lilies--shown open and closed with curvilinear stems--anticipates Art Nouveau. Museum: Metropolitan Museum of Art, New York, USA.

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Drawing, Design of a Cabinet in the Louis XVI Style; France; pen and brown ink, brush and wash, gold paint, gouache on tracing paper; 13.5 x 17.7 cm (5 5/16 x 6 15/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 in. x 19 3/4 in. x 1 in.)

II Jahrgang (Liefr. III) Bl. 8. Eight designs for jewelry, including black choker with gold pendant.. Gerlach, Martin. Prints, Design drawings. 1872 - 1873. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Jewelry , Design, Necklaces, Bracelets, Rings, Pendants (Jewelry)

Design of a Cabinet in the Louis XVI Style, Pen and brown ink, brush and wash, gold paint, gouache on tracing paper, This drawing depicts a cabinet in the Louis XVI style ornately decorated with gilt-bronze mounts. The center panel consists of an oval medallion featuring a relief of the young Bacchus holding a thyrsus; he is supported by a standing Maenad (Bacchante) while he rides astride the back of a young satyr. Garlands, laurel leaves, herms, brackets and cartouches symmetrically decorate the cabinet., France, ca. 1860, furniture, Drawing, Drawing

Servet met de Ondergang van de Egyptenaren in de Rode Zee en de Aanbidding van het Gouden Kalf.Napkin of Linnendamast with the fall of the Egyptians in the Red Sea and the worship of the golden calf. Midfield: The symmetrically doubled pattern exhibits from bottom to top two scenes, separated by rollerwork: 1 Pharaoh, seated in his car galvanized in the water, which has already risen a horse for half, and various warms. On this side of the water, Moses, stopping by half, "the hands are stretching over the sea that returns the waters." Caption: Exodus cap 14. 2 A priest, Aaron, raises hands for the calf, which is highly erected and seen frontally; save a woman and two men in worship; See from a height to Joshua and Moses, the stone tables can be lifted. Caption: Exodus cap 32. Standing edges: Symmetrically doubled wavy rank with flowers, a bird, an owl and a monkey; Beyond: Block edge. Landscape edges: armed rosettes. Corners: stylized rosettes.

Mural paintings in the Electoral Castle, Eltville, Hesse, Germany, (1928). Wall decoration in the tower of the Mainz Electoral Castle at Eltville (or Elfeld) on the River Rhine, '2nd Half of 14th Century'. After water-colours by C. Herzog. Plate LXXI, figs 148-150, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Shells in the Archway. Date/Period: 1796-1810. Sidewall. Block-printed on handmade paper. Author: UNKNOWN.

Frieze (France); block printed and flocked on handmade paper; 124.5 x 58.5 cm (49 x 23 1/16 in.)

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slick with arabesks and birds. On the right a candle slick with arabesks and birds. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls ca. 1760-80 Gilles Paul Cauvet French Charles and Jayne Wrightsmans eye for fine detail is captured in their acquisitions of studies for furniture, objets de vertu (small luxury items), and ornament. Among their earliest donations were drawings by the French sculptor and cabinetmaker Gilles Paul Cauvet. Throughout his career, Cauvet made designs for both monumental architecture and small, finely crafted objects. His rendering of a frieze with acanthus scrolls and sphinxes is an example of his delicate hand, as are the numerous drawings—from sketches to highly finished renderings—found in the Wrightsman album of designs for fountains, vases, wall panels, furniture, and ornament. The works correspond closely to Cauvets printed oeuvre, which was published in 1777 under the title Recueil dornemens à lusage des jeunes artistes (Collection of Ornament Designs for Use by Young Artists).. Design for a Frieze with a Censer, Sp

Frieze, Machine-printed paper, On gray and beige lined ground, abstract decorative motifs with squared leaves in beige and cream four-petalled flowers alternating large and small connected by Greek key. Two borders printed across the width., USA, 1905-1915, Wallcoverings, Frieze

The Wolf and the Lamb (La Fontaine fable) 1804 Designed by Jean-Baptiste Huet I French. The Wolf and the Lamb (La Fontaine fable) 221967

Sidewall (possibly France); block-printed; 51.5 x 50 cm (20 1/4 x 19 11/16 in.)

Heinrich Aldegrever (German, 1502-1555-1561), Sprig of Ornamental Foliage with Two Masks and Two Dolphins, 1530,

Dado, Block-printed on handmade paper, Inset panel dado. Printed in brown on tan ground., France, 1800-1825, Wallcoverings, Dado

Sidewall - Sample, The Kipling; USA; machine-printed; 53 x 48 cm (20 7/8 x 18 7/8 in.)

Plaque, late 19th/20th century by Rene Lalique. From the Museu Calouste Gulbenkian, Lisbon, Portugal.

Thai art on a temple wall

Design for a ceiling with four medallions and sky motif in center second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling with four medallions and sky motif in center 388279

Valentine - Accept My Love

Wall panel first quarter 18th century French. Wall panel. French. first quarter 18th century. Carved and painted oak. Woodwork

Arch Grill. Dated: 1938. Dimensions: overall: 24.8 x 35.4 cm (9 3/4 x 13 15/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Max Fernekes.

Textile Length. Jean Revel (France, 1684-1751). France, Lyon, 1730s. Textiles; textile lengths. Silk satin with silk weft patterning and silk and metallic thread discontinuous supplmentary-weft patterning (brocade)

Chteau d'Asnières Panel; France; carved oak

Detail of wall painting, public reception area, Samode Haveli, Gangapol District, Jaipur, Rajasthan state, India, Asia

British, 'Carlo Maratta' frame, attributed to Thomas Allwood, ca. 1750-ca.1800, British, 4th quarter of 18th century, Carved wood, original matt and burnished water gilding, and oil gilding

Rothschild Store Section of Frieze with Stylized Palmettes 1881 United States. Cast iron . Adler & Sullivan, Architects (Designer)

Panel early 18th century French. Panel 226584

Knoblauch & Wex, Ritterstraße 61-65 residential buildings, Berlin: Knoblauch No. 62: Figurable frieze with plantwerk. Pencil watercolored on paper, 66.9 x 27.6 cm (including scan edges)

Cajonera con armario, siglo XVIII. Colección privada.

Rothschild Store: Section of Frieze with Stylized Palmettes. Adler & Sullivan; American, 1883-1896. Date: 1881. Dimensions: 67 1/2 × 37 7/8 in. Cast iron. Origin: United States. Museum: The Chicago Art Institute, USA. Author: Architects Adler & Sullivan.

Design for Ceiling, Hôtel Cottier. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm). Date: ca. 1879. Museum: Metropolitan Museum of Art, New York, USA.

Frieze (USA); machine-printed paper, ungrounded; 92 x 49.5 cm (36 1/4 x 19 1/2 in.)

Dado (France); block-printed on handmade paper; 143 x 61 cm (56 5/16 x 24 in.)

Upper bedroom, ceiling stucco: bad falconer

Petites portes enclavées dans les vantaux de l'église de St. Maclou à Rouen. Ouvrages attributes à Jean Goujon et à ses élèves.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Border with Birds and Bunches of Grapes.The Venetian engraver Cesare Vecellio published four patterns books with lace motifs between 1592 and 1608. The border with birds eating grapes is close, but not identical to any specific pattern in this book.

Gift calendars and New Year cards depicting women, men, children, a fireplace and decorative designs.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. People, Fireplaces

Guimaraes, Portugal - 13 April, 2022: entrance mural in Azulejo tiles at the Capela a Virgem Maria chapel

Arabesques : entrée d'un tombeau près de Gama Sysaryeh (XVIIIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Doors & doorways , Egypt , Cairo

Panel (Furnishing Fabric). England. Date: 1770-1790. Dimensions: 207.6 × 93 cm (81 7/8 × 36 5/8 in.)Warp repeat: 98.2 cm (38 5/8 in.). Cotton, plain weave; copperplate printed. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Lunette and decorative panel, one of twelve, 1884-1885, Louis Henri Sullivan; Maker: Northwestern Terra Cotta Works (a.k.a. Norweta), American, 1856-1924, Terracotta, United States, Chicago Style, Louis Sullivan designed these terracotta panels for the exterior of the Scoville Building in Chicago, one of the Adler and Sullivan firm's earliest commissions. It required them to remodel an existing Adler structure to accord with a new, much larger addition. The terracotta pieces shown here formed part of the organic decoration of stylized plants with which Sullivan tied the two buildings together. This lunette ornamented the arch above the windows of the top (fifth) story. It has an undulating design of ferns unfurling and would have complemented other organically-inspired terracotta pieces throughout the exterior.

Sketch for the town hall of the fifteenth: Aurore. Georges Picard (Georges Picard, says). Sketch for the town hall of the fifteenth: Aurore. Black ink and oil on canvas. Around 1928. Museum of Fine Arts in the city of Paris, small palace.

To My Dear (valentine). Unknown Artist; American, 19th century. Date: 1855-1865. Dimensions: 101 x 77 mm (folded sheet). Collaged element on embossed (designed) coated ivory paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Mirror surround with vases designed 1758-67, woven 1764-71 General conception by Jacques Germain Soufflot The Tapestry Room from Croome Court, Worcestershire, the seat of the Earls of Coventry, was begun in 1763 and finished in 1771. The sixth Earl of Coventry (1722-1809) commissioned these tapestries for Croome Court from Jacques Neilson's workshop at the Royal Gobelins Manufactory in Paris in August 1763. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. The set was delivered and in place by June 1771. The group was the first using this design to be woven with a crimson background and it may have been the first made specifically to extend around four walls of a room without architectural frames.. Mirror surround with vases. French, Paris. designed 1758-67, woven 1764-71. Wool, silk (22-24 warps per inch, 9-10 per cm.). Textiles-Tapestries

Ornate calligraphic black and white floral motifs of Persian paisleys in outline style for use as design elements isolated on white. Black and white floral motifs of Persian paisley

Vector floral frame with traditional Norwegian Rosemaling motif

Frieze (England); block-printed on paper; 168.5 x 50 cm (66 5/16 x 19 11/16 in.)

Textile Witcombe, McGeachin & Company (early 20th century). Textile, 1927-1933. Cotton, 17 3/4 x 21 in. (45.1 x 53.3 cm). 1927-1933

Plasterwork around an Adam style ceiling at Kedleston Hall, designed by architect Robert Adam was inspired by Roman architecture. It houses classical sculptures. Kedleston Hall in Kedleston, Derbyshire, is approximately four miles north-west of Derby, and is the seat of the Curzon family since at least 1297

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