Depictions of Charity and Love

Engravings depicting themes of charity and love through figures like Mercury and Mary. Rich in detail, the images evoke compassion and elegance in soft monochrome shades.

Muze and Putti are at the grave monument of poet Arnold Moonen, François van Bleyswijck, 1720 print A muse and putti are at the burial monument of poet Arnold Moonen. Faam is fame on a cloud, she blows on a trumpet. The landscape in the background shows Parnassus with the Muzen and Pegasus. print maker: Leidenpublisher: Delft paper etching / engraving grave-building, monumental tomb. cupids: 'amores', 'amoretti', 'putti'. Parnassus, sacred to Apollo Musagetes. Fama as Roman personification

Mercurius a Graties, Micheel Dorigies, After Simon Vouet, 1642 print France paper engraving / etching (story of) Mercury (Hermes). Graces (Charites), generally three in number; 'Gratie' (Ripa)

Copper engraving by Cornelis van Caukercken depicting Caritas, representing charity through figures showing compassion and care, created between 1660 and 1675.

Liefde (Caritas), Giuseppe Maria Roli, After Ludovico Carracci, 1655 - 1727 print A woman with three young children on clouds, the personification of love (caritas). Italy paper etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Etching by Pierre Daret depicting Maria Lactans, created between 1628 and 1668, showing the Virgin Mary breastfeeding.

Lafontaine Tales, Amsterdam. Artist: Joseph de Longueil (French, Givet, Ardennes 1730-1792 Paris). Dimensions: sheet: 8 7/16 x 5 5/16 in. (21.5 x 13.5 cm). Date: 1763. Museum: Metropolitan Museum of Art, New York, USA.

Allegory with personnifications of loyalty, innocence and silly. .

Kneeling man for a woman with a basket, Joseph de Longueil, 1740 - 1792 print France paper etching / engraving kneeling figure

Le baby, dans Saint-Giles ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving and etching by Gilles Rousselet depicting Nessus abducting Deïaneira, created between 1630 and 1686, illustrating 17th-century French engraving.

Muze and Putti are at the grave monument of poet Arnold Moonen, François van Bleyswijck, 1720 print A muse and putti are at the burial monument of poet Arnold Moonen. Faam is fame on a cloud, she blows on a trumpet. The landscape in the background shows Parnassus with the Muzen and Pegasus. print maker: Leidenpublisher: Delft paper etching / engraving grave-building, monumental tomb. cupids: 'amores', 'amoretti', 'putti'. Parnassus, sacred to Apollo Musagetes. Fama as Roman personification

. The Dutch virgin, standing on the sample of the Dwingelandij and with the freedom salary in her hand, laurels a bust of Crown Prince Willem II van Oranje. In addition to the bust, history, which records the heroic deeds of the prince. The fame blows the praise stuff, to which a banner hangs with the date of the Battle of Quatre-Bras. At the bottom of the margin a four-line verse and the assignment.

Two putti with a flowerguirle, Pieter van den Berge, after Gerard de Lairesse, 1695 print Amsterdam paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Minerva and Apollo with his muses, Simon Fokke, 1722 - 1784 print Minerva is sitting on a cloud and points her hand to Apollo who plays the winch in the midst of his muses. Above Minerva, a trumping putting putto flies with the symbol of eternity, a snake that bite into its own tail. Three putti bend over a book in the foreground. Amsterdam paper etching (story of) Apollo (Phoebus). (story of) Minerva (Pallas, Athena). Apollo and the Muses, Apollo Musagetes. serpent Ouroboros. cupids: 'amores', 'amoretti', 'putti'

Venus Straft Amor, Vincenzo Vangelisti, After Agostino Carracci, 1769 print Amor is lifted on the left by a boy. Behind them Venus who is about to hit Amor with a branch forest. A young child is crying on the right. Title and assignment in STUDMARGE. after painting by: Italyafter print by: Italypublisher: Paris paper engraving Venus punishing Cupid

Batseba takes a bath, c. 1711 - c. 1720 print Batseba takes a bath in the palace garden of King David. Two maids help her. One reaches her a towel, the other hangs a cloth on the washing line. From his balcony, David looks at the scene. Amsterdam paper etching / engraving David, from the roof (or balcony) of his palace, sees Bathsheba bathing. Bathsheba attended by servant(s)

Charles Reuben Ryley, 1752-1798, British, Monster with Maiden.

Copper engraving and etching by Jacques Bouillard circa 1796 illustrating the mythological figures Daphne and Apollo.

Copper engraving by Schelte Adamsz. Bolswert from 1630-1659 depicting the Holy Family with a goldfinch, showing figures, gestures, and religious symbolism.

Rinaldo (1re planche) , Fictitious characters, Knights, Renaud de Montauban Legendary character, Brahms, Johannes, 1833-1897. Rinaldo. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Expulsion from Paradise, Reinier Vinkeles (I), after Jacobus Buys, 1790 print Adam and Eva, running and begging, are driven out of paradise. Amsterdam paper etching / engraving God calls Adam and Eve to account for their deed

Dronken Silenus Anonymous, after Annibale Carracci, 1597 - 1600 print The drunk Silenus is on the floor. Two saters feed him drunk. The show is caught in a round list of grape vines with two putti with grape bunches in between. Italy paper engraving (story of) Silenus. satyr(s) (in general). drunkenness. cupids: 'amores', 'amoretti', 'putti'. grape

Copper engraving and etching by Cornelis Martinus Vermeulen depicting Vertournus and Pomona, created between 1664 and 1708. The print shows figures in a landscape with detailed composition.

The Story ofJonah. Artist: Jan van de Velde II, Dutch, 1593-1641 After: Willem Pietersz. Buytewech, Dutch, 1590/91-1624

Emmanuel Jean Nepomucene de Ghendt, Les Heures du Jour: La Nuit, c. 1778, etching and engraving on laid paper.

A 1796 copper engraving and etching by Jacques Bouillard depicting the mythological story of Daphne pursued by Apollo.

Ganymede, leaning on an eagle, receiving the cup from Hebe 1786 Benoît Louis Henriquez The print is incorrectly titled "Enlevement de Ganymede" (The Rape of Ganymede) on the plate.. Ganymede, leaning on an eagle, receiving the cup from Hebe. Galerie du Palais Royal. Benoît Louis Henriquez (French, Paris 1732-1806 Paris). 1786. Engraving. Prints

God creates Adam and Eva, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching God the Creator. creation of man; the Garden of Eden (Genesis 1:26 - 2)

Zomer, Nicolas Chasteau, after Pieter van den Berge, 1713 print print maker: Francepublisher: ParisFrance paper etching / engraving summer, 'summer'; 'Estate' (Ripa)

Copper engraving by Johann Sadeler the Elder depicting Aristotle and Phyllis. Created between 1570 and 1600, illustrating a classical moral story and human figures.

Moritz von Schwind's 1848 copper engraving and etching depicts the allegorical figure Pax, representing peace, on an ocher plate with symbolic motifs and detailed line work.

Copper engraving by Jacob Matham created in 1606 depicting Adam and Eve, illustrating the biblical figures and the scene of the Garden of Eden.

Sibille Van Erythrae, Adam Sculptors, After Michelangelo, c. 1585 The Sibille of Erythrae with book and naked figures. One of the Sibilles of Michelangelo's ceiling painting. Numbered below: 29. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The Sibille of Erythrae with book and naked figures. One of the Sibilles of Michelangelo's ceiling painting. Numbered below: 29. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Jean Baptiste Michel depicting the personifications of Love, Faith, and Hope, produced in 1780, showing allegorical female figures.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini. Line engraving.

This copper engraving and etching by Nicolas Joseph Voyez l'âiné, 1770-1806, depicts Bacchus and Ariane, showing mythological figures, interaction, and classical 18th-century European artistic style.

Daphne in the water, Louis Michel Halbou, 1788 print Daphne in the water in the background. In the foreground a man on the waterfront. Paris paper etching / engraving public baths - AA - in the open air

Vignette with theseus and Ariadne, Jan Wandelaar, 1749 print Theseus and Ariadne walk through a landscape. Ariadne holds a thread from the bulb yarn in Thesesus' hands. The show is largely surrounded by a spell band on which the words Virtutis Amore and the reference to the eighth book by Ovid's Metamorphoses, which contains the story. North Netherlands paper etching / engraving Ariadne gives Theseus a ball of thread

This copper engraving by Schelte Adamsz. Bolswert, created between 1604 and 1659, depicts Silen being supported by several figures, showing interaction and dynamic human forms in a Baroque composition.

JUPITER IN JUNO, 1656 print Jupiter is sitting in bed with an eagle at his feet. Juno also climbs into the bed. Behind her is a peacock. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Jupiter and Juno as lovers

Expulsion from Paradise, Johann Sadeler (I), After Chrispijn van den Broeck, 1585 print Adam and Eva are driven out of paradise by an angel with a flaming sword. The snake crawls next to them. On the right in the background a lion and a deer. At the bottom a reference to the Bible text in Latin. This print is part of an album. paper engraving an angel chases Adam and Eve out of paradise with a (flaming) sword. snakes. beasts of prey, predatory animals: lion

Anthia in Habrokomas, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, 1800 print Scene from the Ephesiaka of Xenophon van Efese. Paris paper etching literary characters and objects. liberating the imprisoned

Evertau, a HIDE SET ROS BARHMY JOSSHUNG, Joseph fans, Affers Pierke Priud to Corn. In 1799 print UIT scene "The Indian tribe" van Lucien Bonaparte. paper etching / engraving literary characters and objects. treasure hunting, goldrush

Winter, Louis Félix de la Rue (Le Jeune), After François Boucher, 1741 - 1765 print Personification of the winter with three amors with fire. publisher: Parispublisher: ParisFrance paper etching Winter, 'Hyems'; 'Winter' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

Woman with violin and singing putti, Charles Lucien Léandre, 1891 - 1934 print paper. cupids: 'amores', 'amoretti', 'putti'. angels singing, making music. female singer. violin, fiddle

The Invention of Drawing 1600-1799 Flanders. Graphite on ivory laid paper, laid down on card . Unknown artist

Adam an Eva.

Venus and Adonis. Adonis wants to hunt, but Venus is afraid that her beloved would happen to something and tries to stop him.

Etching by Michel Dorigny, created in 1642, depicting Mercury accompanied by the three Graces from classical mythology.

Man at a coffee pot, Frédéric-Désiré Hillemacher, after François Boucher, 1854 print Man dressed in an eighteenth-century costume at a coffee pot on a gueridon. paper etching coffee-pot. adult man

Vier Engelen; Clement 7 Pont. Max. striking the ball or the ball of the crystal facing the sun rays passing by which all (...); Geschiedems van Keizer Constantijn.Four angels who personalize Arts and Sciences: painting, sculpture, science and art of writing. Title and legend in lower margins.

Cupid Wounded, Print made by Anthony Cardon, 1772-1813, Flemish, after Thomas Kirk, 1765-1797, Irish, Published by Antonio Poggi, active 1776-1781, Italian, 1801, Stipple engraving and etching on moderately thick, slightly textured, beige wove paper, Sheet: 13 5/16 x 9 1/2 inches (33.8 x 24.2 cm) and Image: 6 1/4 x 6 1/4 inches (15.8 x 15.8 cm), arrows, bee, bracelets, clouds, coastline, comforting, crying, doves, flowers (plants), necklace, ocean, religious and mythological subject, sandals, toga, tree, Venus taking care of Cupid, wings, woods, wound

Copper engraving by Cornelis Galle the Elder depicting scenes related to the life and teachings of Christ, created between 1600 and 1650.

Copper engraving by Jacques Firmin Beauvarlet around 1757 depicting Susanna in the bath, showing figure, posture, and compositional details.

. Landscape with a Sater knocking the sleeping Venus. Two tilting pigeons at her feet. Amor tries to stop the Sater.

Engraving by James McArdell depicting the discovery of Moses, created between 1728 and 1765.

Thisbe takes the sword already reeking with the blood of Pyramus and plunges it into her own breast. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Engraving by Jan Verkolje from 1670-1693 depicting the mythological figures Pan and Pomona, showing pose, interaction, and classical landscape.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Venus finding Adonis asleep, Sed placidam Pueri metuens turbare quietem, Fixit vicinis Basia mille rosis, 1778. Engraving.

Copper engraving print by Hendrick Goltzius from 1589-1600 depicting David from biblical narratives, showing figure, gesture, and compositional details.

Mercury ca. 1649-95 Jean-Baptiste Corneille. Mercury. Jean-Baptiste Corneille (French, Paris 1649-1695 Paris). ca. 1649-95. Etching and engraving. Prints

Two Figures Carving onto a Tree, Raphael Morghen, 1758 - 1833, Theodorus Matteini, Italian, Engraving on paper, Europe, 1758-1833, Print, Print

Engel protects a child against evil, Joseph von Führich, 1840 print paper etching guardian angel. devil(s) and demons. child. waxing moon, i.e. facing this way: )

March in Venus, Anonymous, After Charles Nicolas Cochin (II), 1725 - 1800 print paper etching / engraving (story of) Mars (Ares). (story of) Venus (Aphrodite)

Print, Flore et l'Amour; Designed by François Boucher (French, 1703-1770); France; etching; Sheet: 30.5 x 40.2 cm (12 x 15 13/16 in.)

Zephyrus in Flora, Anonymous, After Benoît Audran (I), After Antoine Coypel, 1671 - 1771 print France paper etching / engraving Flora in her realm: a garden full of flowers, given to her by Zephyrus

Memorial column for Juliana Cornelia de Lannoy, Reinier Vinkeles (I), After Bilderdijk, 1784 print Memorial column in a forest for the poet Juliana Cornelia de Lannoy. On the monument a crying putto and a mourning woman. print maker: Amsterdampublisher: Leiden paper etching / engraving grave, tomb. cupids: 'amores', 'amoretti', 'putti'. mourning the dead. forest, wood

Engel in Boom looks at two birds, Charles Rambert, 1852 print Onderschrift: He sings the sun, the blue sky and the happiness of living - it is praying and glorifying God. Paris paper. angels. birds

Apollo and Daphne. Apollo chases the Nymph Daphne because he is in love with her. Daphne begs her father, the river god peneus that is in front, to help her. He ensures that Daphne changes in a laurel tree. This print is part of an album.

Copper engraving and etching depicting Narcissus observing his reflection, created by Jean Charles Le Vasseur between 1750 and 1816, showing a mythological figure by water.

Terpsichore in Erato, Julien-Léopold Boilly, after Pierre Prud'hon, 1851 print This print is part of a cover with seven prints. Paris paper Terpsichore (one of the Muses); 'Terpsicore' (Ripa). Erato (one of the Muses); 'Erato' (Ripa)

Moderation (Temperantia); Paintings in Palazzo Farnese in Rome; Galeria in the Palazzo Farnese in Rome. Mensification Personification (Temperantia), at Sitting Woman with Reins in Her Hands.

Woman on her toilet, Anonymous, After Bernard Picart, 1705 - 1783 print A woman is sitting at her toilet table on which a mirror and powder boxes. She keeps a comb in her hand. She wears a dress that leaves her breasts almost uncovered. paper etching making toilet - AA - (for) women. whore, prostitute

Child and Woman Flying Man around his neck, Alexander Ver Huell, 1866 print A man is embraced by his child and wife after his recovery from the sickbed. Around six performances with illness and recovery. Netherlands paper recovery, convalescence of sick person

Buys, Jacobus, Rotterdam, Brasser, Leendert, Bust of poet lauded by three muses, verso middle - stamped, print, prent, prints, prenten, height 231 mm, width 169 mm, 1727-11-19 - 1793-06-14, print maker, printmaker, 1783 - 1783, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, North Netherlands, 1724-11-19 - 1801-04-07

Amor and Saters. Amor with two saters in a landscape. One of the Saters grabs Amor while the other decreases the arrow-and-arch from Amor. Text in English in undermarge. Numbered bottom left: full. II. No 11.

Copper engraving by Schelte Adamsz. Bolswert depicting Christ in a spring scene, created between 1606 and 1659.

Copper engraving and etching by Jacob Coelemans from 1707 depicting an allegorical representation of the seasons, showing figures and seasonal symbols.

Sterfbed van Anna, Jakob Frey (I), after Andrea Sacchi, 1726 print Rome paper etching / engraving death of Anna, usually Mary and Christ present

Couple in a landscape near Lightning, Philippus Velijn, 1818 print A young pair clamps together in a landscape with a thunderstorm. In the air lightning bolts. Bottom right: bl. 26. Netherlands paper etching youth, adolescent. lightning, flash of lightning, thunderbolt

Heilige Familie, Richard de Saint-Non, After Jean Honoré Fragonard, After Bartolomeo Schedoni, 1773 print paper etching Holy Family, and derived representations

Copper engraving by Hendrick Goltzius depicting Judith, created between 1589 and 1600, showing the figure, attire, and compositional detail.

Birth of Shakespeare; Shakespariana. The young William Shakespeare together with a muse in a landscape. On the right there are two masks (tragedy and comedy).

River god from the Nile; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of a naked lying man who leans on a cornucopia. Putti play around him. Under the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Print, Three Putti; Designed by François Boucher (French, 1703-1770); Print Maker: Louis-Félix Delarue (French, 1730 - 1777); Published by Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Leda and De Zwaan, Barthélémy Joseph Fulcran Roger, After Pierre Prud'Hon, 1777 - 1841 print paper etching / engraving Jupiter, in the shape of a swan, and Leda

Memorial column for Juliana Cornelia de Lannoy, Reinier Vinkeles (I), After Bilderdijk, 1784 print Memorial column in a forest for the poet Juliana Cornelia de Lannoy. On the monument a crying putto and a mourning woman. Amsterdam paper etching / engraving grave, tomb. cupids: 'amores', 'amoretti', 'putti'. mourning the dead. forest, wood

Diana in a whistle; Challes, Charles Michel-Ange (1718-1778); 1744 (1709-00-00-1744-00-00);

Forest face with a woman with fishing rod that tackles a man at hand. .

Photo production of a painting, representing a half -bare woman with putti between flowers, in or after 1881 - c. 1900 photograph Europe cardboard. photographic support albumen print woman (showing herself) undressed, quasi-nude. cupids: 'amores', 'amoretti', 'putti'. flowers Europe

Arithmetica (arithmetic); unknown, cock, hieronymus (Ca 1510-1570), Floris, Frans (Ca 1519-1570; st.); 1550 (1758-00-00-1783-00-00);

Etching and puncture stitch by Johann Friedrich Bause from 1780 depicting The Holy Magdalena, showing figure, drapery, and religious iconography.

Vertumnus and Pomona. The naked Pomona leans against a tree and is in conversation with vertumnus, the Italian God and protector of gardens and orchards. Vertumnus has adopted the form of an old woman to speak with Pomona and to seduce her so.

Bruno as the victor of the joust, Johan Bernhard Wittkamp, 1857 print Because he has won a joust, the knight Bruno receives a wip -embroidered weapon skirt. Afterwards he feels guilty because he has fought with anger and not with noble knight's mother. Amsterdam paper etching knight. joust, tilt

Overing artist, Pierre Narcisse Guérin, 1816 print Naked artist climbs a hill with an altar dedicated to Minerva. In his arms he tests a large amount of attributes of arts and sciences, some of which fall out of his hands, including a winch, brushes, a hammer and a compass. A putto sits on his shoulder and pulls his ears smiling. Part of a group with imaginations of the lazy and the diligent artist. paper artist (in general) (+ materials ~ arts). tools, implements of painter. lyre, cithara, psaltery. the liberal arts represented otherwise, e.g. by emblems, symbols. Alertness, Vigilance; 'Guardia', 'Vigilanza', 'Vigilanza per difendersi & oppugnare altri' (Ripa) (+ strife between concepts)

Clara asks Wilhelmina to continue, Reinier Vinkeles (I), 1804 - 1805 print A sitting and standing woman are talking in a forest. In the distance the brother and husband of Wilhelmina and the children. Illustration in the story Wilhelmina and Clara van Vroomenstein. Amsterdam paper etching / engraving conversation, dialogue; conversation piece. forest, wood. castle. family, descendance

Young couple Bird cage in a forest, Johann Esaias Nilson, After François Boucher, 1731 - 1788 print Printed number XXXXI and at the top right 2. Augsburg paper engraving / etching couple of lovers. empty bird cage

Copper engraving from 1640-1690 showing Daniel in the lions' den, including Daniel, lions, and surrounding figures.

Rocaille with two putti, a dog and a sheep, Antoine Aveline, François-Thomas Mondon, 1736 print This series is numbered in the top left with a letter A. print is part of an album. paper etching Rocaille Ornament. Cupids: 'Amores', 'Amoretti', 'Putti'. dog

Boy with sheep; Libreto di Diversi Figurine Dissignato da Fran. Parmensis et conservata Nella Collezione Arondlyna, 1638. A half-naked boy embraces a sheep. He looks to the left. Print from a series to various drawings by Parmigianino from the Arundel collection

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Cherub Whispering to Woman holding Letter, 1783. Engraving.

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