Depictions of Christ's Passion

Historical engravings illustrating scenes from Christ's crucifixion and the roles of witnesses like Mary and soldiers, rendered in somber tones.

The martyrdom of the Holy Justina van Padua (bottom half), Anonymous, After Agostino Carraci, After Paolo Veronese, in or after 1582 print The Holy Justina of Padua is on an elevation and is tied by soldiers. She has a sword in the chest. There are spectators and a city in the background. Text in STUDMARGE. Italy paper engraving St. Justina of Padua is stabbed in the chest; Christ, Mary, and saints may appear to her

Merciful Samaritan provides the wounds; Similarity of the Merciful Samaritan. The merciful Samaritan supports the robbered and injured man and pour oil and wine over his injuries. In the background the priest and the Leviet. They have already passed the injured man. The print is part of a series about the similarity of the Merciful Samaritan.

Christ is nailed to the cross; CRVCIFITITVR IESVS. Christ is nailed by soldiers on the cross. Soldiers fill the chalice in the foreground. Other soldiers watch. At different elements from the show are letters that correspond to the legend in the margin.

Bhranity of Christ, Anonymous, After Marcantonio Raimondi, After Rafaël, 1513 - 1566 print paper engraving Christ's body supported by Mary, others present

Cross instration. Surrounded by a crowd, Christ carries the cross to Golgotha. He supports hands and knees and threatens to succumb to his burden. Soldiers drive it on and pull it further. Next to the cross kneels Maria with folded hands, Simon van Cyrene helps Christ to bear his load.

Depicts Christ on the Mount of Olives, created as a copper engraving print by Benedetto da Montagna in the first half of the 16th century, showing figures in prayer and landscape elements.

Copper engraving by Lucas Kilian depicting a Pietà with angels, showing the Virgin Mary holding the dead Christ, printed in 1608.

A copper engraving created between 1515 and 1599 depicting Christ in a spring setting, featuring detailed figures and landscape elements.

Paul conversion; Conversio Savli. On the way to Damascus, Christ reveals to Paul. He appears from the clouds and appeals to him. Paul is thrown from his horse and is on the floor. Soldiers are panicking around him and run away.

Solomon is anointed King of Israel, after Raphael’s Vatican loggia painting. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

The martyrdom of the Holy Justina van Padua (bottom half), Anonymous, After Agostino Carraci, After Paolo Veronese, in or after 1582 print The Holy Justina of Padua is on an elevation and is tied by soldiers. She has a sword in the chest. There are spectators and a city in the background. Text in STUDMARGE. Italy paper engraving St. Justina of Padua is stabbed in the chest; Christ, Mary, and saints may appear to her

Heilige Maximilianus Weigert tea the victim Aan Mars, Raphaël Saddleer (I), After Johann Mathias Cakes, 1615 print The H. Maximilianus, the bishop of Lorch, refuses to sacrifice at the statue of the war god Mars. Around him other prisoners of Christians. On the right a man with a cap knife, a harbinger of the martyrdom of St. Maximilian. The print has a Latin caption and is the fourth print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching male saints (with NAME). (story of) Mars (Ares). square, place, circus, etc.. violent death by beheading Bavaria

Jakob flight for Laban, Cornelis Huyberts, after Gerard Hoet (I), 1720 - 1728 print Jacob Vlucht with his family and his possessions for Laban. In the background, the procession with Jakobs pulls away cattle. Rear right can be seen how Rachel De Terafim, the statues of God steals from her father Laban. Under a reference to Gen. 31: 1-21 and the title of the print in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper engraving / etching Jacob's flight from Laban (Genesis 31:1-21). while Laban shears his sheep, Jacob and his wives prepare the leave-taking; Rachel steals her father's teraphim

Cross instration. Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. The two criminals run for him. Veronica knew the sweat of his face with a cloth. Bystanders watch sadly. In the margin Bible quotes from Joh. 19 And Luc. 23.

Solomon by Sadoc to King Anointed; Paintings in the Loggia of Rafaël. Solomon is anointed by the high priest Sadoc. Around is a group of men with beards. In the foreground on the right a horizontal figure (possibly a river god).

Saint Sebastian Exhorts the Christian Prisoners 18th century Anonymous, Italian, first half of the 18th century Italian. Saint Sebastian Exhorts the Christian Prisoners 339758

Holy Rochus heals the plague sufferers, François Perrier, 1600 - 1650 print France paper etching St. Roch heals (or administers to) the plague-stricken in a hospital. plague

The Passion: Christ of the Cross between the Two Thieves, 1596-98. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Collecting the manna. The Israalites catch and turn the manna that falls out of the sky. In the background links a tent camp and three thromm edors.

Woodcut 'Christ on the Ölberg' by Lucas Cranach the Elder, 1509, depicting Christ praying on the Mount of Olives, part of Passion cycle.

Christ on the Cross, from The Passion of Christ ca. 1598-1617 Anonymous. Christ on the Cross, from The Passion of Christ 398300

Baäls altaar door Gideon vernield.The residents of the city discover that Gideon has destroyed the Altar of Baal from Baal from the Joath. The bull he sacrificed is still on the altar. Illustration of the Bible text ri. 6: 28-32. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Kruisbagen with Veronica. Christ carries the cross. He has a rope around his neck and a thorns crown on the head. A soldier continues Christ to his hair. Before Christ, Veronica has been kneeling on the ground with a sweat cloth. Links soldiers on horseback. Right rear the Golgotha mountain where a cross is already established.

The Cavalier of Malta, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. The Cavalier of Malta, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

The Descent from the Cross, from The Little Passion (copy) n.d. After Albrecht Dürer German. The Descent from the Cross, from The Little Passion (copy) 387748

Holy family with the young Johannes de Boper, Anonymous, After Lazzaro Baldi, in or after 1634 print Italy paper etching Holy Family with John the Baptist (as child)

Soldiers who surround Christ fall to the ground, 1585 print Christ makes himself known in the Hof of Getsemane. Judas, his traitor, and the soldiers shine backwards and fall to the ground. In the background, Simon Peter pulls his sword to turn the right ear of Malchus. Under the show a four -line verse in Latin. This print is part of an album. paper engraving Christ makes himself known; the soldiers fall to the ground ~ the kiss of Judas. Peter draws his sword and cuts off Malchus' ear

The torture of the H. Laurentius. Saint Laurentius is on a grid and is roasted. Soldiers get wood for the fire, firing the fire and stick with a spit in Laurentius. In the background a statue of Mary with an angel in her hand. Two angels look from heaven to the torture of Laurentius and already bring him the palm branch, the sign of the martyr.

First vision of Ezra: The Son of God crowns the crowd, Anonymous, After Maerten de Vos, 1585 print Ezra is in the foreground on the right and is pointed out by an angel for a vision. Ezra sees the Son of God on Mount Sion, who crows the people and awardes their palm branches. Under the performance a reference in Latin to the Apocryphard Bible text in 4 Ezra 2. Antwerp paper engraving other scenes from Ezra and Esdras

Holy family with the archangel Michaël and the young Johannes de Boper, Annibale Carracci, After Lorenzo Sabatini, After Denys Calvaert, 1582 print Maria is sitting on her lap with the Christ child. Joseph and the young John the Baptist are on the right. On the left, the archangel Michaël is triumphantly on a conquered devil. Michaël has a rocket in one hand and a scale in his other hand. The Christ child grabs the scales. paper engraving Holy Family with John the Baptist (as child). Holy Family, and derived representations. the Archangel Michael (often in armour with sword or lance). Balance, Equilibrium

Francesco Fontebasso after Sebastiano Ricci, The Madonna and Child with Two Angels and Saints Scholastica, Benedict, Roch, Peter, Paul and Jerome, c 1740 The Madonna and Child with Two Angels and Saints Scholastica, Benedict, Roch, Peter, Paul and Jerome

De Opstanding, 1596 - 1598 print Angels keep a large stone aside. Christ appears behind them, a van in hand. Soldiers are shocked. In the foreground three women. This print is part of a series of performances of the suffering story. paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Miling of Christ, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 print Christ, tied to a pillar, is flashed by soldiers. Pilatus is on the right in the corner and looks at torture. The print is part of a thirty -part series with prints about the fall and Christ's passion. Haarlem paper etching flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Resurrection of Christ, 1600 - 1652 print Christ with banner floats above the closed grave. In the foreground, a soldier walks away with his shield lifted. On the left next to him a dog. On the right, on the ground, a soldier grabs his weapon. The print is part of an album. paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Rudolf of Habsburg, man with cape

The Adoration of the Trinity 1566 Cornelis Cort Netherlandish. The Adoration of the Trinity. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1566. Engraving. Prints

Seling, Adriaen Huybrechts (I), After Martin Schongauer, 1573 - 1614 print Christ dressed in a loincloth is tied to a pillar and flashed by four men. The squatted man on the left makes a crown. In the foreground the cloak of Christ. Antwerp paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Scourging Christ; Fall and redemption of humanity through the life and passion of Christ. Christ, tied to a pillar, is provided by soldiers. Pilate is right in the corner and looks at torture. The print is part of a thirty-part series with prints about the fall and Christ's passion.

Worship through the kings (right part). The holy family sitting in a stable. Around the stable stand and kneel the three kings with their effect in worship of the Christ child.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Thesaurus sacrarum historiarum veteris testamenti, Miracles of Christ, Christ heals a possessed man, recto top right - handwritten, Christ heals a possessed man in the area of the Gerasenes. The unclean spirits leave the man through his mouth and enter a herd of pigs, which run into the lake and drown. Christ's disciples watch. In the background the continuation of the story is depicted: The swineherds flee and tell the city what has happened. The residents then come to Christ and ask him to leave their area. On the left in the background, Christ leaves in a boat and the healed man remains behind on the jetty. Below the representation is a reference in Latin to the Bible text in Mar. 5., print, prints, verso - stamped, Le Demon chassé par le sauveur du corps d'un homme qu'il possedoit, sempare d'un Troupeau de pores qui se precipitent dans la mer ...., recto bottom center on mounting paper - handwritten in brown ink, 2

Christ in Limbo, after Raphael 1541 Nicolas Beatrizet French. Christ in Limbo, after Raphael 397324

Holy Benedict drives a demon, Simone Cantarini, After Ludovico Carracci, 1622 - 1648 print A wild struggling, possessed by demons, is held by two men. In the background on the left is the holy Benedictus, assisted by two men. Two women dive away in the foreground on the right. print maker: Italyafter painting by: Bologna paper etching St. Benedict exorcizing the devil

The torture of St. Livinus, Cornelis van Caukercken, after Peter Paul Rubens, 1657 print The Holy Livinus is attacked by Gentiles who pull him out of his mouth with a pair of tongs. A man with the tongs gives the tongue of Livinus to his dog. Engelen bring a laurel wreath and a martyr -branch for Livinus from heaven. Two larger angels expel the crooks with lightning bolts. Southern Netherlands paper engraving martyrdom, suffering, misfortune, death of St. Livinus

John baptises Christ; two angels watch. Engraving by T. Crüger, ca. 1617, after A. del Sarto.

Child murder in Betlehem. Soldiers with drawn swords killed in order of Herod's small children in the courtyard of the palace in Bethlehem. They pull the children from the arms of their mothers who violently defend themselves against this attack. Fully links a woman bows about her dead child on her lap.

Christ in the Hof van Getsemane, Harmen Jansz Muller, After Maarten van Heemskerck, 1565 print Christ praying in the Hof of Getsemane. An angel presents him the cross and a chalice. Peter, James and John are sleeping in the foreground. Judas appears on the right with a group of soldiers. At the bottom of the margin a verse in Latin. Print is part of a series about the seven bleeding of Christ. During prayer in Getsemane, his sweat fell on the floor like blood drops. paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Kruisafneming, Francesco Villamen, After Federico Barocci, 1576 - 1624 print The body of Christ is taken from the cross by John the Evangelist, Joseph of Arimatea and Nikodemus. The Maria's mourn at the foot of the cross. print maker: Italyafter painting by: ItalyVaticaanstad paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Resurrection of Christ; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Christ rises from his grave. The soldiers who lie around the grave are scared and flights (Matthew 27: 32-66). In the background the arrival of the three holy women at the grave. The print has a Latin caption and is part of a series about the passion, death and resurrection of Christ.

The Holy Rochus tells alms. View in a structure with columns and round arches. On an increase on the left, the Saint Rochus alms can be divided to a crowd men, women, children and lams.

Woodcut by Albrecht Dürer from around 1498 depicting Christ on the cross, part of the Big Passion series, showing the crucifixion scene.

Entombment of Christ, Ludovicus Siceram, Hendrick Goltzius, 1623

Jesus Christ forced to carry his own cross to his crucifixion. Ils l'emmenerent dehors pour le crucifier, et le chargerent de sa croix. John XIX v. 17. From Le Passion de Notre Seigneur, The Passion of our Lord. Copperplate engraving by Christian Mechel after a portrait by Hans Holbein in Christian von Mechel's Oeuvre de Jean Holbein, Chez Guillaume Haas, Basel, 1784.

Lamentation, Frans Huys, Anonymous, 1546 - 1562

Martyrdom of Saint Andrew, Saint Andrew is kneeling. In the foreground left two kneeling women. Behind Andreas, soldiers are waiting with a cross to crucify him. Angels and cherubim float above. Coat of arms in lower margin, the soldier, the soldier's life, Andrew on his way to his execution (sometimes led by soldiers), specific forms of the cross: Andrew's cross, Francesco Giovane, 1621 - 1669, paper, engraving, h 394 mm × w 297 mm

Adoniram's stoning; History of Jeroboam and Rechabeam; Thesaurus Sacrarum historiarum Veteris Testamenti (...). King Rechabeam sent Adoniram, his supervisor from the repair, to the rebellious Israelites. People stoning Adoniram, who holds his hand on a poor exchange, who he probably wanted to use when collecting taxes. In the background, King Rechabeam escapes in his carriage to Jerusalem. Under the show a reference in Latin to the Bible text in 1. 12.

Crossing, Nicolaas Braeu, After Jacopo Tintoretto, c. 1601 - c. 1605 print Christ on the way to Golgota. A soldier pulls him on a rope that is bound around Christ's neck. Simon van Cyrene helps Christ to wear the cross. In the foreground, the two criminals who are crucified with Christ are also in the procession. They also wear their cross. With a Latin verse through Simon Sovius. paper engraving carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Daniël and King Cyrus at the Draak, Anonymous, 1540 - 1560 print Right half of a larger performance. Copper dragon is worshiped by residents of Babel, Daniël and King Cyrus. Low Countries paper Daniel and King Cyrus discuss the divine power of a dragon

Schwarz, Christoph, Munich, Sadeler, Johann (I), Pręcipua Passionis DN Jesu Christi mysteria, Passion of Christ, Raising of the Cross, verso lower left - stamped, Christ is nailed to the cross. Some soldiers hold the cross and place it upright in the ground. The seventh print in an eight-part series on the passion of Christ., print, prints, height 439 mm, width 280 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1589 - 1589, paper, papier, engraving, engraving (printing process), German, 1545 - 1592-04-15

Martyrdom of Saint Stephen. Etching by J. Kirk.

Noah's intoxication: the fourth commandment; Ten Commandments; Decalogvs CVM Acerbissimis. After Cham has found his father Noah drunk and naked in a tent and mocked him, his brothers, Sem and Jafet, come up the body of their father (Genesis 9: 20-27). Chams Mock up is a violation of the fourth commandment: "Honor your father and your mother". Noah cursed Cham and his offspring in the background. The print has a Latin caption. The prents series depicts the ten commandments through scenes of the Old Testament.

Martyrdom of Saint Bartholomeus, Anonymous, After Jusepe de Ribera, 1624 - 1700 print The Holy Batholomeus, tied to a tree. Next to him is a man who is skinning the skin of his arm with a knife. In the sky a hand that holds a crown with palm branch above the saint. paper etching Bartholomew flayed alive

Cross out. The body of Christ is taken from the cross by three men. A fourth took the body. Joannes and Maria graze. The print is part of an album.

The Resurrection, from The Passion of Christ mid 17th century Nicolas Cochin French. The Resurrection, from The Passion of Christ 398292

The cross -support with Saint Veronica, 1596 - 1598 print Christ carries the cross to Golgotha; Veronica kneels next to him and offers him a canvas. This print is part of a series of twelve passion performances. paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Emmerammvs M. et pontifex ratisbon, Martyrdom of Saint Emmeram, verso lower left - stamped, Saint Emmeram is tied to a ladder and dies a martyr's death. His legs and arms are cut off on the orders of the Duke of Bavaria. An angel descends from heaven to receive his soul. The print has a Latin caption and is the eighteenth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Christ shown to the people, Nicolaes Lauwers, after Peter Paul Rubens, 1619 - 1652 print Pontius Pilatus shows Christ, dressed in a cloak and with crown on his head, to the people. The people under the landing have raised their arms and call for his crucifixion. Antwerp paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Print, Death of the Virgin; etching on paper; 1896-31-70

The harrowing of hell and the resurrection of Christ. Engraving by A. Caprioli after M. de Vos.

Aegidius Sadeler's 1590 copper engraving depicts the burial of Christ, showing figures in mourning, religious context, and 16th-century engraving technique.

The Resurrection, from The Passion of Christ ca. 1598-1617 Anonymous. The Resurrection, from The Passion of Christ 398379

This copper engraving by Hendrick Goltzius depicts the crucifixion of Christ, showing figures, the cross, expressions, and surrounding elements from 1596-1599.

Leeping of Dead Christ by family and friends, Anonymous, After Albrecht Dürer, 1656 - 1699 print paper engraving the mourning over the dead Christ

"Etching by Josef Ferdinand Fromiller depicting the martyrdom of Saint Peter, showing figures, gestures, instruments, and symbolic religious elements."

Piëta, Jerome Wierix, 1582 print Maria is pouring her son Christ. A sword was stabbed by her chest. Three angels wear the body of Christ. One of them holds a burning torch in hand. In the margin a caption in Latin. Antwerp paper engraving 'Pietí', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary (+ angel(s))

Exoderity from Egypt, Johann Sadeler (I), After Marten van Cleve (I), 1579 print In the foreground Moses and Aaron who guide their people to the promised land. In the background the Jewish people with all their possessions. The print has a Latin inscription. Antwerp paper engraving the Israelites leave Egypt; first movement from Rameses to Succoth (Exodus 12:31 - 13:16)

Last judgment, Johann Theodor de Bry, after Johann Sadeler (I), After Dirck Barendsz., After Maerten de Vos, 1611 print Christ is in the clouds, flanked by Moses and Paul. Among them the dead stand on their graves, they are led to heaven by angels (left) or led by devils to hell (right). Emblem No. 1 from Emblemata Saecularia, 1611: The perishable and sinful humanity will have to answer to the Divine Court. Oppenheim paper engraving Last Judgement

Christ Before Caiaphas, from The Passion of Christ, plate 10 1664 Grégoire Huret French. Christ Before Caiaphas, from The Passion of Christ, plate 10 645249

Kruisafneming, Giles Sadeler (2), after Jacopo Tintoretto, 1580 - 1620 print Christ is taken by Joseph of Arimatea. Next to him the three Maria's. The Virgin Mary fainted. The print has a Latin caption. Venice paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Copper engraving by Israhel van Meckenem depicting the resurrection of Lazarus, created in the last third of the 15th century, showing figures, gestures, and spatial composition.

The Israelites associate with Moabite women and begin to worship their god, the Baal of Peor. The Israelites kneel before the idol and participate in sacrifices in the background. Moses had ordered all worshippers of the Baal to be killed. In the foreground, Pinechas obeys this command by killing the Israelite Zimri and the Midianite woman Kozbi, who are making love in a tent. Below the image a reference in Latin to the Bible text in Num. 25. Israel worships the Baal of Peor and Pinechas kills Zimri and Kozbi History of Bileam Thesaurus sacrarum historiarum veteris testamenti , Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 192 mm × w 263 mm

Ezra drinks the cup of knowledge and wisdom, Anonymous, After Maerten de Vos, 1585 print Ezra went to the field with five men and is offered a fiery cup from God from which he drinks. This is the cup of knowledge and wisdom. The five men write down the words that Ezra says afterwards. Under the performance a reference in Latin to the Apocryphard Bible text in 4 Ezra 14. Antwerp paper engraving other scenes from Ezra and Esdras

Christ shown to the people; Ecce gay. Pontius Pilate shows Christ, dressed in a cloak and with thorns crown on his head, to the people. People under the bordes have raised their arms and call for its crucifixion.

A late 15th-century copper engraving by Martin Schongauer depicting Christ in an atrium or enclosed space, emphasizing figure, architectural context, and devotional imagery.

The Crucifixion, from The Small Passion ca. 1509 Albrecht Dürer German. The Crucifixion, from The Small Passion 388060

Mortofbed of the rich man; Parable of the rich man and the poor Lazarus. The rich man is in a bed surrounded by doctors, priests and weeping women. A piskike in the background. The print is part of a series of similarity of the rich man and the poor Lazarus.

Moses hits water from the rock, Franz Ertinger, After Raymond de Lafage, 1652 - 1707 print Moses hits water from a rock with his staff so that the Israelites can drink. Num. 20: 1-13. print maker: Paris (possibly)after drawing by: France paper etching Moses strikes the rock twice in front of the assembled people and water gushes out; the people quench their thirst

Allegorical show with history, father time with a pot with coins; Title page for: Carl Patin, Imperatorum Romanorum Numiskata, S.A .. History Writing in a book looks back at the father's time holding a pot of coins. A woman with torch and winged helmet points to the coins. The hourglass and Zeis of father's time, coins and images lie in the foreground. On the left is an emperor statue. On the right in the background for a temple, three men take a bin of a kneeled man.

Similarity of the splinter and the bar and similarity of the blind that leads the blind, Wierix (Rejected Attribution), After Maerten de Vos, 1593 print In the foreground two men, one with a beam in the eye, the other with a splinter, imagination of matt. 7: 3: "Why do you look at the splinter in the eye of your brother or sister, while you don't notice the beam in your own eye" Two blind people fall behind them in a pit, imagination of Luc. 6:39: "" Can one blind lead the other blind Do they not both fall into a pit " Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the mote and the beam in the eye ~ doctrine of Christ on love, etc. (Matthew 7:4; Luke 6:42). the blind leading the blind (Matthew 15:14). Christ's sermon on the mount (Matthew 5-7)

Maria appears to Saint Hieronymus, Agostino Carracci, After Jacopo Tintoretto, 1588 print The saint Hieronymus scares his prayer through the appearance of Mary and Angels in the air. Next to Hieronymus are a book, his cardinal hat and a lion. paper engraving St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him (+ Mary)

Stoning of the Holy Stefanus. Stefanus is on the floor and is stoned by several men. On the right the walls of the city of Jerusalem. In the background the Holy Trinity. The print has a Latin and a French caption.

Collecting the manna. The Israalites catch and turn the manna that falls out of the sky. In the background links a tent camp and three thromm edors.

The Adoration of the Shepherds, c. 1552. Battista Franco (Italian, c. 1510-1561). Etching and engraving; platemark: 37.5 x 51 cm (14 3/4 x 20 1/16 in.). Battista Franco was one of Michelangelos most devoted followers: his biographer Giorgio Vasari wrote that he drew every figure on the masters Sistine Chapel ceiling. In Francos own works, such as this print, he made new, inventive compositions that emulated Michelangelo without directly copying or quoting his works.The print depicts the group of shepherds who visited the Christ child shortly after his birth. Franco used twisting, active poses and emphasized anatomy and musculature, creating distinct groups of figures in the foreground and background. Guided by a host of angels, the shepherds twisting bodies, pointing gestures, and directional gazes—mirrored by those of an ass and a cow—offer witness to the miraculous birth. Groups of men conversing in the background offer a more intellectual approach to the miracle, while Joseph g

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Balaam, History of Moses after the Exodus, Israel worships the Baal of Peor and Phinehas kills Zimri and Cozbi, The Israelites associate with Moabite women and worship their god, the Baal of Peor. The Israelites kneel before the idol and participate in sacrificial ceremonies in the background. Moses had ordered all worshippers of Baal to be killed. In the foreground, Phinehas obeys this order by killing the Israelite Zimri and the Midianite woman Cozbi, who are lying in a tent making love. Below the scene is a reference in Latin to the Bible text in Num. 25:3. This print is part of an album., print, album sheet, prints, height 192 mm, width 261 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Eve

Crossbreak; Passeling story. Christ carries his cross on the way to Golgotha, helped by Simon.

The flogging; The passion. Christ becomes tied to a pillar, provided by a group of men. This print is part of a series of twelve prints with scenes from the suffering story.

Christ on the Mount of Olives, 1508. Albrecht Dürer (German, 1471-1528). Engraving;

Kruisoprichting.Christ is nailed to the cross. Expulsions and soldiers are right in the ground. The people look. Left comes the soldier that runs the execution of Christ ride on horseback. In the background you can see how his soldiers carry one of the murderers, while a second is already tied to the cross. On the right the grieving Maria Magdalena surrounded by women and children. In the background John the Evangelist and Maria. With an empty margin.

Hizkia lets the idols destroyed, Maerten de Vos, 1585 print Koning Hezekia is instructed to destroy the sacrifices and images of idols. In the landscape, men take the images over. Under the show a reference in Latin to the Bible text in 2 Kon. 18. Antwerp paper engraving Hezekiah crushes the idols. Hezekiah destroys the local shrines

Sodomites with blindness., Raphaël Sadeler (I), After Nicolas de Hoey, 1583 print The sodomites are beaten with blindness by two angels in front of Lot's house. The fifth print from a six -part series with the subject sinners from the Old Testament. Cologne paper engraving / etching the two angels intervene and strike the mob that surround Lot's house with blindness

Heilige Familie, Antonio Fantuzzi, Florentine Rosso, c. 1544 - c. 1545 print The Holy Family with the young John the Baptist, Maria Magdalena, Elisabet, Shepherds and Engelen. paper etching Holy Family, and derived representations

. The Ascension of Maria. In the sky the kneeled Mary in heaven surrounded by angels. In the middle of the twelve apostles: they consider the empty grave surprised. The print has a Latin caption.

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