Depictions of Sin and Morality

Engravings illustrating themes of gluttony and biblical narratives. Dark, intricate scenes featuring figures engaged in sin, emotion, and moral judgment.

Gluttony, Pieter van der Heyden, after Pieter Bruegel (I), 1558 print The female personification of gluttony (Gula) is on a pig and drinks from a jug at a table. Women are sitting around the table. Around all kinds of fantastic scenes and monsters with which this head sin is portrayed. With caption of a rule in Latin and a rule in Dutch. Antwerp paper engraving Gluttony, Intemperance, 'Gula'; 'Gola', 'Ingordigia', 'Ingordigia overo Avidití', 'Voracití' (Ripa) ~ personification of one of the Seven Deadly Sins. drunkenness. devils in the form of (fabulous) animals

Gluttony, Pieter van der Heyden, after Pieter Bruegel (I), 1558 print The female personification of gluttony (Gula) is on a pig and drinks from a jug at a table. Women are sitting around the table. Around all kinds of fantastic scenes and monsters with which this head sin is portrayed. With caption of a rule in Latin and a rule in Dutch. Antwerp paper engraving Gluttony, Intemperance, 'Gula'; 'Gola', 'Ingordigia', 'Ingordigia overo Avidití', 'Voracití' (Ripa) ~ personification of one of the Seven Deadly Sins. drunkenness. devils in the form of (fabulous) animals

God curses Cain, Etienne Delaune (Possible Copy after), in or after 1569 print God appears to Cain and curses him because he killed his brother. In the background on the left, Adam and Eva find the corpse of Abel. France paper engraving the Lord calls on Cain to account for his deed. Adam and Eve discover the dead body of Abel and grieve over it

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Apollo Killing Coronis, c 1600 Apollo Killing Coronis

Jocaste kills herself / living child is sacrificed / mother of Thursines thinks her son drowned, Jan Luyken, 1687 print Print at the top right marked: fol: 335. Cartouches marked: fol 368 (above) and fol 349 (below). Amsterdam paper etching Jocasta, mother of Oedipus. human sacrifice ~ Greek religion. drowned person

Julius Caesar as a fourth king from the vision of Daniel; Rise of four world riches and four rulers from the vision of Daniel; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Julius Caesar rides a horse in his hand with the image of an eagle (Rome). The horse tramps king Cyrus from Persia, Ninus of Babylonia and Alexander the Great. A cityscape in the background. In addition to Julius Caesar, a multi-horn monster emerges from the sea, a reference to a vision of Daniel about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text in. 7. This print is part of an album.

. In the air Zephirus, the Westwind. He runs behind Flora, the goddess of the flowers. In the left corner, Corus, the northwest wind blows. In the right corner, the southwest windows glues. At the bottom of a Greek landscape with the Pindus river and the Paranassus mountain. Right Apollo plays the lute, surrounded by the nine muses. Left picking the seasons (Horae) flowers. Delphi is located in the distance. In the margin a Latin caption with explanation about the Westwind. The print is part of a four-part series with the four of the world.

Allegorische voorstelling met Waarheid of Wijsheid en schrijver; Propatria et Libertate.An allegorical women's figure with a sun on the chest, possibly truth or wisdom, gives a writer a paper roll. For them, father is time with Zeis and hourglass on a globe. To the left of him are a progressful sater with paper and a figure with an open-rolled paper in which a skeleton sticks his zeis. In the background the Dutch virgin with the Dutch lion in the Dutch garden. At the top is an angel with trumpet, possibly fama, on clouds. A banner with title hangs on the trumpet.

Ivan, pl. 21 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Johann Sadeler I, Flemish, 1550-1600 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Came to Neptunus; Venus descends to pray Neptune to excite the storms, so that Telemaque does not arrive in itaque; Avonturen van Telemachus.neptunus is in a Shell and Is Beind Pulled by Sea Horses. He is Talking to Venus Who has Fallen from the air. PRINT AT THE TOP LEFT Marked: Page 160.

Juno Turning Callisto into a Bear. Hendrik Goltzius (after) (Holland, Mülbracht, 1558-1617)Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, published 1590. Prints; engravings. Engraving

The Egyptians drown in the Schelfzee, Antonio Tempesta, 1613 print Jakob kills Absalom who hangs on his hair defenseless in a tree. He is pierced with a spear. Fleeing soldiers in the background. Title and caption in Latin in the lower margin. paper etching Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible). with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea)

Allegory on foreign rule with Geografia and Jupiter, Charles Audran, After Pietro da Cortona, 1630 - 1634 print Geografia focuses the needle of a compass to a female figure to her to the right of her. Jupiter and his eagle float above her. On the right an angel holds a coat of arms with cardinal hat. In the background a boat is prepared for departure. Rome paper etching / engraving 'Geografia'. (story of) Jupiter (Zeus). coat of arms (symbol of sovereignty)

Allegorical representation with truth or wisdom and writer, 1700 - 1800 print An allegorical female figure with a sun on the chest, possibly truth or wisdom, gives a writer a paper roll. For them, father is time with scythe and hourglass on a globe. To his left are a bent sater with paper and a figure with an open -rolled paper in which a skeleton protrudes his scythe. In the background the Dutch Virgin with the Dutch Lion in the Dutch garden. At the top is an angel with trumpet, possibly fama, on clouds. A banner with title hangs on the trumpet. paper engraving / etching Truth; 'Verití' (Ripa). Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). writer, poet, author

The Triumph of Eternity on Death, from The Triumph of Petrarch. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 6 3/4 × 9 13/16 in. (17.1 × 24.9 cm)Plate: 6 × 8 5/16 in. (15.3 × 21.1 cm). Series/Portfolio: The Triumphs of Petrarch. Museum: Metropolitan Museum of Art, New York, USA.

The planet Jupiter and its children, Harmen Jansz Muller, Hieronymus Cock, 1566 - 1570

Roof from Proserpina. Pluto, king of the underworld, kidnapped Proserpina, the daughter of Ceres. The car from Pluto is controlled by Putti. Nymphs increases from the ground.

Antwerp, Kiliaan, Cornelis, Galle, Philips, Vos, Maerten de, Theodoor, Circvlvs Vicissitvdinis Rervm Hvmanarvm, Cycle of human action, Poverty produces Humility, verso bottom center - stamped, The personification of Poverty (Pauperies), dressed in rags, sits in a winter landscape on a chair made of tree branches and straw. Behind her a miserable house. At her feet sits Humility (Humilitas): a girl with a shepherd's crook and a cloven heart in her hands. On the left in the background a poor village and beggars. The print has a Latin caption and is part of a series on the cycle of human action., print, prints, height 183 mm, width 230 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1587 - 1633, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher, 1530 - 1607-04-15, writer

Gluttony (Gula) from The Seven Deadly Sins. Artist: Pieter van der Heyden (Netherlandish, ca. 1525-1569); After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Dimensions: Sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1558. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on labor and tranquility. A hunter with his dogs and a pedalemate are on the way in a landscape. An angel floats above them. Two cartouches with text in Latin and in Dutch. A third text in both languages is on the right of a stone: Those who have. Him Mach do like to find a plaster that hey machine rests.

Vision of the rich man in hell, Jan Luyken, 1681 print Amsterdam paper etching in hell Dives sees Lazarus in paradise; usually Dives pointing at his tongue

Roof of Europe, Crispijn van de Passe (I), 1602 - 1607 print Jupiter, in the form of a white bull, takes Europe away through the sea. Her service states are desperately left on the beach. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Father Time in the midst of easy -going people, Gerard de Jode, 1547 - 1591 print In the middle the winged father time, accompanied by a rooster. In the foreground two peacocks and on the right a rich company at the table, eating and making music. Part of the company falls into the flames of hell. On the left a man on his deathbed. Death approaches him and father time, with his attribute de Haan, above the bed. In the background the five wise and the five foolish virgins and an angel with legs like pillars. In the margin a caption in Latin. Print from a series of four with moralizing allegories in time. paper engraving Father Time, man with wings and scythe. Death as skeleton. the wise and the foolish virgins ~ parable of Christ (Matthew 25:1-13). banquet of elegant company

Moses is found by Pharaoh's daughter, On the banks of the Nile, Pharaoh's bathing daughter and her maidservants find Moses in a rush box. Bottom right is a line of Latin text, the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water, head-gear: hat (women's clothes), Pieter Jalhea Furnius, 1550 - 1625, paper, engraving, h 211 mm × w 269 mm

Sky; Four elements. Female personification of element. Air drives on a triumphy, continued by an eagle. Birds are on her hands. On the cart symbols of the zodiac, ram, bull and twins that match the months of March, April and May. In the background the fall of Icarus. In the context in the margin a two-person caption in Latin.

Psyche in Charon's ferry, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Psyche is in the boat of the Veerman Charon who brings her to the other side of the Styx River. On the other side of the river is the underworld, where Psyche encounters a man with a donkey. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 25. Italy paper engraving Charon, the ferryman. Psyche encounters the ass-driver (Ocnus) and the weavers in the underworld

Allegory on the Dutch language with the Dutch virgin and lion; Title page for: Carolus Gardener, continued to the torch of the Nederduitsche, Middelburg 1731; Continued at the torch of the Nederduitsche. Allegory on the Dutch language with the Dutch virgin sitting in the enclosed garden. She gets a book of a putto. The Dutch Lion refers to the Republic of the Seven Netherlands. The landscape in the background shows the arrival of many peoples to the tower of Babel,

Fishing nocturnal with a rod, Philips Galle, After Jan van der Straet, 1578 print Fish is caught in a small river by means of a rod. On the right is shown with a lamp. The personification of the moon (Luna) in the foreground makes it clear that it is night. The print has a Latin caption and is part of a 43-part series about hunting. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving angling. Diana as moon-goddess, i.e. Luna (Selene)

Ferdinandes Magallanes Lusitanus (Americae Retectio) by Galle, Philipp (1537-1612) / Museum Boijmans Van Beuningen, Rotterdam / 1591 / The Netherlands / Etching / Mythology, Allegory and Literature,History / 19,8x28,2

Roof Van Proserpina, Giovanni Cesare Testa, After Pietro Testa, 1635 - 1660 print Pluto, king of the underworld, kidnaps Proserpina, the daughter of Ceres. The Pluto car is controlled by Putti. Nymphs watch from the ground. Italy paper etching the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her

Simson and Delila; History of Simson; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Simson is sleeping on Delila's lap and she clips his hair. Armed filkeins appear behind the tree to capture Simson. On the right in the landscape a bridge over a river. Under the show a reference in Latin to the Bible text in RI. 16:19. This print is part of an album.

Came to Neptunus; Venus descends to pray Neptune to excite the storms, so that Telemaque does not arrive in itaque.neptunus is in a shell and is beang pulled by Sea Horses. He is Talking to Venus Who has Fallen from the air. PRINT AT THE TOP LEFT Marked: Page 148.

Hunting ducks with nets and guns. The print has a Latin caption and is part of a 43-volume series on hunting, Duck Hunting Hunting Scenes (series title) In quibus omne genus venationis, aucupij, piscatusque (series title), print maker: Philips Galle, Jan van der Straet, (mentioned on object), publisher: Philips Galle, print maker: Antwerp, Florence, publisher: Antwerp, 1578, paper, engraving, w 294 mm × h 209 mm

Arrival of Aeneas in Italy, Jean Lepautre, After Pietro da Cortona, 1628 - 1682 print Two boats drawn by dolphins come ashore. Aeneas jumps from the front boat towards three women and a river god on the left on the shore. paper etching (decorated) ceiling. boat or vehicle drawn by (fabulous) animal(s) of the sea. (story of) Aeneas Doria Pamphilj Gallery

The planet Jupiter and his children, Harmen Jansz Muller, After Maarten van Heemskerck, 1566 - 1570 print Jupiter drives his car in the sky, pulled by two peacocks. The signs of archer and fish indicate which people belong to the sphere of influence of Jupiter. The people born under this constellation are secular or ecclesiastical rulers. An emperor is crowned by the Pope, surrounded by cardinals and bishops. On the left a judge on his throne. In the background is hunted. At the bottom of the margin a text in Latin about the children of Jupiter. Antwerp paper engraving Jupiter and his children ('Planetenkinder') ~ Pisces and Sagittarius. pope. magistracy, judges. hunting, chase. ornamental birds: peacock

The Flood, Jan Luyken, Barent Bos, 1694

Workshop of Hendrick Goltzius, after Hendrick Goltzius, The Fall of Phaeton, c 1600 The Fall of Phaeton

Man dressed in Mantel is attacked by riders, Romeyn de Hooghe, 1655 - 1708 print Man with cloak and turban is attacked by riders. Putti with dishes and candlestick in the air. Left front a crawling wildeman. Burning city on the left in the background. Netherlands paper etching / engraving wild man, wodewose, woodehouse. cupids: 'amores', 'amoretti', 'putti'. battle, fighting in general. on fire, ablaze

Iron century, 1728 Imagination of life during the iron century. In the foreground the god mars with a squire. Lying in front of him and are a burning torch, a cannon and bullets, arms gloves, a signal trumpet and a drum. In the landscape behind Mars there is violence and crime. Someone is stabbed to death and there is fighting. On the left, someone hangs on a gallows. There are also surveyors to divide the ground into pieces. Bottom left, the treasures are removed from the earth, such as gold, in wheelbarrows. Wife Justitia is the last to leave God at the top right of the earth that is smeared with crime. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Imagination of life during the iron century. In the foreground the god mars with a squire. Lying in front of him and are a burning torch, a cannon and bullets, arms gloves, a signal trumpet and a drum. In the landscape beh

After the breaking of the seventh seal, seven angels stand before God's throne. They all receive a trumpet from God. Another angel offers incense for the altar of God. Two of the angels blow their trumpet. As a result, the star Wormwood falls from heaven to earth and poisons all fountains and springs. A mountain also falls into the sea, causing storms (Op. 8:1-12), Breaking of the seventh seal Ignem Flammivagvm spectas cvm thvre sabaeo, Revelation of John (series title)., print maker: Gerard van Groeningen, (mentioned on object), Antwerp, 1563 - 1574, paper, etching, engraving, h 273 mm × w 245 mm

Relief of partying Bacchanten, Jean Lepautre, 1646 print Francevatican City paper etching / engraving Satyrs, Faun, Silen. Male Bacchant (es)

A pen drawing depicting Emperor Maximilian's throne with Horapollin emblems, executed in reddish-brown, greenish, and brownish ink on yellow-brown paper.

Army of Antiochus Epifanes kills Israelites, 1579 print Israelites who had ignored the commandment of Antiochus Epifanes on Sabbath are attacked and slaughtered by the king's army. Under the show a reference in Latin to the Bible text in 1 bubble. 2:38. Print is part of an album. paper engraving the Jews without resistance slain on the sabbath (1 Maccabees 2:31-38)

Nimrod points to where the tower must be built; History of the tower of Babel; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. On a plain in Sinear, Nimrod is commissioned to build the tower of Babel. The soil is measured and made suitable for construction. Under the show a reference in Latin to the Bible text in Gen. 11: 3. This print is part of an album.

Phaëthon rides his father's car, Hendrick Goltzius (workshop of), after Hendrick Goltzius, 1590 print Phaëthon drives his father's car, the sun god, through the air. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series. Haarlem paper engraving Phaethon drives the chariot of the sun; the earth is threatened with conflagration

Allegory of Life 1561 Giorgio Ghisi Italian This compelling and enigmatic image has elicited many explanations of its content, none of which have entirely resolved its meaning. An elderly man at leftpossibly a philosopherleans against a riverside rock, his hand outstretched to a crowned woman who strides toward him at right. In the most general terms, this scene is understood as an allegory with a hopeful message: the man who has poorly guided the boat of his own existence is saved by the woman representing reason. The print’s large size, numerous details, and intertwined elements contribute to a visual puzzle that requires great concentration to understand. This challenge would have appealed to an educated audience in the sixteenth century.. Allegory of Life 360020

Phaëthon drives in the solar car, Crispijn van de Passe (I), 1602 - 1607 print Phaëthon drives in the solar wagon pulled by four horses. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Phaethon drives the chariot of the sun; the earth is threatened with conflagration

Witches Preparing for Sabbath ca. 1610 Andries Stock Netherlandish To appreciate the complex symbolism and rich details of the world of witches represented in this print close examination is needed. In the centre three witches prepare ointments that they will smear over their bodies enabling them to fly. The book before them presumably contains the recipe they need for their concoction. At the right another witch riding a broomstick fuelled by the vapors from a cauldron is being dragged by the hair by a demon. In the upper left, witches clutch bolts of fire, a reference to their power to wreak havoc by creating storms of hail and lightning to ruin crops. Below to the left, Cupid seems to be struggling with a winged demon. This has been understood as a battle between the perverse loves of witches and the pure love of Cupid. Many other details throughout the composition add to our enjoyment of it.During the time this print was made many people believed in the reality of witches and their

Mythological Scene. Artist: attributed to Antonio Gandini (Italian, documented Trento 1602-1630 Ronchi). Dimensions: 7-3/4 x 5-3/4 in. (19.7 x 14.6 cm). Date: 1602-30. Museum: Metropolitan Museum of Art, New York, USA.

In a clearing in the forest, the reclining Diana is surrounded and pampered by her retinue. She has discovered that Callisto, one of her nymphs, is pregnant. In the foreground the pregnant Callisto is pushed to the ground by nymphs under a fountain, Diana discovers the pregnancy of Callisto The History of Diana and Acteon., print maker: Jacob Lois, (mentioned on object), 1643, paper, etching, h 203 mm × w 243 mm

Psyche carries Cerberus; Story of Amor and Psyche. Psyche performs Cerberus, the three-sacking dog that monitors the input of the underworld. On the left the three scratch goddesses, which spin people's life wires. Italian text in two cartouches in undermarge. Twice numbered bottom left: 26.

Allegory of eternal life, 1745 print Allegory of eternal life, in a rocaille frame. In a landscape is on the left Apollo with arrow and arch and a winch. An old man is writing to his right. There is a pyramid in the background, there is an old woman next to four winged putti who climb a staircase. In the middle of the landscape De Ouroboros, the snake that bites in its own tail. Twice a four -line German and Latin text in the lower margin. Publishing number 26. paper etching Eternity, 'eternity'; 'Eternitã' 'Eternité o perpetuití' (Ripa). Specific aspects, allegorical aspects of Apollo; Apollo as Patron. Serpent Ouroboros

The fight continues, in favor of the Greeks. Jupiter leaves his lightning bolt to the horses of Diomedes. A caption in French in the margin.

Amor begs Jupiter, master of the die, after Michiel Coxie (i), c. 1530 - c. 1560 print Amor begs Jupiter for grace for the King's Daughter Psyche. On the right Amor in the arms of Jupiter, next to them the eagle and lightning bolt. On the left Mercury, with Caduceus in hand, to whom Jupiter dedicated to bring psyche to heaven. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 29. paper engraving other scenes from the story of Cupid and Psyche

Fire; Four elements. The female personification of the element fire drives a triumphy, continued by salamanders. Her head is wrapped in flames. On the cart symbols of the zodiac, scale, scorpion and archer who match the months of September, October and November. In the background, Aeneas rescues his father Anchises from the burning troy. He is accompanied by his son Ascanius. In the context in the margin a two-person caption in Latin.

Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at right,Venus in a chariot drawn by three doves at the left. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Anonymous, 16th century; After Master of the Die (Italian, active Rome, ca. 1530-60). Dimensions: plate: 6 7/8 x 8 7/16 in. (17.5 x 21.5 cm). Date: ca. 1540-60. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Hendrick Goltzius from 1578 depicting mercy in a religious or allegorical scene, showing figures in gestures of compassion.

Allegory on the Peace of Westfalen, 1648, Wenceslaus Hollar, After Cornelis Schut (I), 1648 print Allegory on the Peace of Westphalia, 1648. Central is the naked personification of peace, behind her war (Bellona). Around her several other allegorical figures such as abundance, envy and truth (). With handwritten inscription. Antwerp paper etching Peace and Prosperity, 'Peace and Abundance

The Flight intoEgypt. Artist: François Perrier, French, 1594-1649

Bliżej Kultury unknown

March: Farmers Activities (RAM); Marzo; The twelve months (part 1). Imagination of human activity in the month of March. Landscape with shepherds with their herd, farmers with their cattle and hunters jagging on a deer. In the middle above the symbol for the Ram zodiac sign. Italian fresh and title in undermarge.

Allegory on the twelve -year file, 1609, 1640 - 1660 print Great allegory on the twelve -year file, 1609. The personification of Treves, the file, sitting on a canon converted into a triumph chest with cannon, between the personifications of discipline (disciplina) and prosperity (Prosperitas). Front Father Jan Neyen, King Jacobus I of England and King Henry IV of France walk next to the cart. Behind the cart the chained war (Bellum) and a group of soldiers. Under the wheels of the cart, misery (calamitas) and fornication (Licensia) are crushed. The cart pulled by a span horses driven by Archduke Albrecht and Isabella Clara Eugenia and led by modesty (Modestia) and 's Lands Love (Amor Patriae) arrives at two estrades from the left -wing the free Netherlands (with Maurits and member of the States) And the Netherlands on the right under the Archduke (with Philip III and Spinola). Mars leaves his chariot in the clouds to hug Venus. Northern Netherlands paper etching Symbols, Allegories of

Metamorfose van de Pierides, Anthony Tempesta, 1606 print The pierides are changed by the muses in Eksters. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching Pierides changed into magpies: the Pierides (Emathides) are changed into magpies by the Muses, who have defeated them in a musical contest (Ovid, Metamorphoses V 670)

Giuseppe Scolari, The Rape of Proserpina, 1590 1607 The Rape of Proserpina

The temple is destroyed by men with pickaxes. In the foreground an ox cart carrying the temple treasures. Print 19 from a series of 21 prints and a title print, The Chaldeans Plunder the Temple of Jerusalem The Days of Terror of the Jewish People (series title), print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), Haarlem, 1569 - c. 1650, paper, engraving, h 140 mm × w 200 mm

Minerva stands by the cave where Envy resides and asks her to make Aglauros jealous of her sister Herse. This is because the goddess is still angry with Aglauros: she took the initiative at the time to open the basket containing Erichthonius, which Minerva had entrusted to the daughters of Cecrops on the condition that they leave it closed. Beneath the depiction two times two lines of Latin text. This print is part of a series of 52 prints depicting stories from Ovid's Metamorphoses. This series is divided into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series., Minerva asks Envy to Ignite Jealousy in Aglauros Ovid's Metamorphoses (series title), print maker: Hendrick Goltzius, (workshop of), Hendrick Goltzius, Franco Estius, Haarlem, 1590, paper, engraving, h 179 mm × w 255 mm

Achilles attacks Hector and is on the point of killing him when Apollo descends from Olympos and covers the Trojan with a dense cloud - an early form of smoke-screen

Hercules kills Ladon and picks the golden apples of the Hesperides, Charles David, after Frans Floris (I), After Cornelis Cort, 1613 - 1638 print Numbered at the bottom: 4. Paris paper engraving Hercules kills Ladon, the dragon which kept the tree of the Hesperides

In the night an angel kills many soldiers in the army camp of the Assyrians. In the background, King Sanherib flees with the remaining Assyrians. Below the image a reference in Latin to the Bible text in 2 Kings 19, The angel of the Lord kills the Assyrians History of Hezekiah and Sanherib Thesaurus sacrarum historiarum veteris testamenti , intermediary draughtsman: Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 196 mm × w 292 mm

Wedding party of Amor and Psyche (left part), Diana Mantuana, After Giulio Romano, 1575 print Mythological figures and exotic animals in a landscape. A large putto with wind instrument floats on cloud in the sky. print maker: Mantuaafter painting by: MantuaRomeMantuaItaly paper engraving / etching marriage of Cupid and Psyche

The Dutch lion drives away the French rooster, 1672-1674; Six allegories at the war with France and the German bishops, 1672-1674; 4 figures Treated UYT The occupation of the Professor L Wolfogen about Syn Dream and the Uytleging of those SELVE in the Hoogeschoole to Amsterdam on the 11th of Loumaent Na des Aerts Heylants birthstone the 1674th Jaer. The Dutch lion drives away the French rooster with dragon tail. From the rear of the rooster a stream with the names of recaptured cities of Utrecht, Woerden, Naarden and Bonn. Camps in the background. With caption of 2 verses of 4 lines. PRENT Nr. 3 in a series of six allegories at the war with France and the German bishops in the years 1672-1674, derived from the oration of Professor L. Wolfken about his dream and the explanation of this at the Hogeschool in Amsterdam at 11 January 1674.

Title page of Mercury or orator, Coenraad de Putter, 1742.

Ode Aan Kunstenar Guercino, Giuseppe Maria Roli, After Guercino, After Cesare Gennari, 1655 - 1727 At the bottom left an oval with a portrait of artist Guercino, flanked on either side by a putto. Above a crowned eagle with the coat of arms of Francesco II d'Este, the Duke of Modena, for a drapery. In the background a landscape with fort and bridge. Italy paper etching historical persons. portrait, self-portrait of artist. cupids: 'amores', 'amoretti', 'putti'. coat of arms (symbol of sovereignty)

Father Time with hourglass and scythe symbolizes the passing of time, something the believing Christian must be constantly aware of, Emblem with Father Time symbolizing the passing of time Den wech des eeuwich levens (series title), Boëtius Adamsz. Bolswert, print maker: anonymous, publisher: Hendrik Aertssens (II), Antwerp, 1620 - 1623 and/or 1623, paper, engraving, h 134 mm × w 93 mm

Hollands Answer to Holland in the French printing press, 1672-1673, 1673 - 1674 Hollands Answer to the French cartoon in Holland in the French printing press, 1672-1673. The Dutch lion overcomes the French rooster and the English dog. On the grounds, the French king Louis XIV must watch how France is crushed under the globe. With captions in Dutch and French. Northern Netherlands paper etching / engraving / letterpress printing Hollands Answer to the French cartoon in Holland in the French printing press, 1672-1673. The Dutch lion overcomes the French rooster and the English dog. On the grounds, the French king Louis XIV must watch how France is crushed under the globe. With captions in Dutch and French. Northern Netherlands paper etching / engraving / letterpress printing

Title page for La Dioptrique Ocular from Chérubin d'Orléans, Paris 1671, Gerard Edelinck, After Jean Lepautre, 1671 print A group of men with scientific attributes look up to three angels descending from heaven, each with an optical instrument in their hands. In the background a hilly landscape where different people with optical instruments are busy. Paris paper engraving

Simson and Delila; The history of Samson; History of Simson; Den Grooten Figuer Bibel (...). Simson is sleeping on Delila's lap and she clips his hair. Armed filkeins appear behind the tree to capture Simson. On the right in the landscape a bridge over a river. Under the show a reference in Latin to the Bible text in RI. 16:19. This print is part of an album.

Amerigo Vespucci discovers America; America; New inventions and discoveries; Nova Reperta. Amerigo Vespucci puts foot in America. In his left hand, the astrolabium, in his court with the Zuiderkruis-zodia sign. The personification of America, a naked woman, climbs out of her hammock to greet him. In the background the cannibalistic habits of the Indians, and some indigenous animals. The print has a Latin caption and is part of a ninetical series about new inventions and discoveries.

Title print of a series of victories of King Willem III, 1690, 1690 print Equestrian statue of King William III on pedestal, on the ground the conquered and chained enemies, in the air fame. Title print of a series of victories of King Willem III in 1690. Northern Netherlands paper etching Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Kidnapping of Helena van Troy by Paris.

Saturn rides in his chariot across the sky, pulled by two dragons. He devours one of his children. The signs of Capricorn and Aquarius indicate which people belong to Saturn's sphere of influence. The people, born under this constellation, have poor health and do not have a happy end of life. Invalids, poor, hungry and pilgrims get food from charitable monks. On the right, people in prison being visited by a man. In the background, the land is being worked. At the bottom in the margin a text in Latin about the children of Saturn, The planet Saturn and his children The seven planets (series title), print maker: Harmen Jansz Muller, Maarten van Heemskerck, (mentioned on object), publisher: Joannes Galle, (mentioned on object), Antwerp, 1566 - 1570 and/or 1638 - 1646, paper, engraving, h 212 mm × w 250 mm

Triumph of Love, 1563 - 1567 print Cupido (Amor) travels on a victory car. Jupiter is sitting in front of him on the car. Walking in front of the car classic poets who wrote about love: Marcellus, Ovidius and Tibullus. In addition to the car, there are victims of love: Solomon, Hercules, Piramus and Thisbe. The procession is on the way to the temple of the love goddess Venus, left in the background. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving 'Trionfi d'Amore', 'triumphus cutinis'; 'Carro d'Amore' (rippa). (Story of) Jupiter (Zeus). (Story of) Pyramus and this. Story of Solomon. (Story of) Hercules (Welacles). (Story of) Ovid

Bacchus in his car drawn by leopards, accompanies Vulcanus who seated backwards on a donkey returned to the Olympos where Juno and Jupiter welcome him. Under the clouds the island of Lemnos, where he ended up when he was thrown by Jupiter of the Olympos. Book illustration for: praise of bacchus, 1616.

Amassing Knowledge, from The Course of Human Life 1570 Pieter Jalhea Furnius Flemish. Amassing Knowledge, from The Course of Human Life. The Course of Human Life. Pieter Jalhea Furnius (Flemish, 1545-1610). 1570. Engraving. Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Prints

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Hunting deer and wild boar in the presence of a lady, verso - stamped, River landscape with hunters and hunting dogs hunting deer and wild boar. On the right a lady on horseback watching. In the middle below a coat of arms and cartouche with dedication., print, prints, height 408 mm, width 535 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1575 - 1613, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever

Silver century; Argentevm SAECVLVM; The four eras. Jupiter silver century in a round table. In the foreground companies a few half-dressed people the arts. In the background a field provides and build people homes in caves. The print refers to the mythologically inspired idea that during the silver century man got to do with the seasons. People now had to edit the land, search shelter in homes and protect themselves against the cold. There was also practicing the seven liberal arts for the first time. The print is part of a series about the four eras and has a Latin, French and Dutch caption.

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Sirens Proserpinae comites in aves, The Sirens, verso - stamped, The Sirens try to run a ship with soldiers onto the rocks with their song. Title in Latin in the bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

Hercules kills Nessus, Crispijn van de Passe (I), 1602 - 1607 print The Centaur Nessus is Veerman by a river. When he transfers deïanira, he tries to rob her and gallops her way. Hercules who was already on the other bank, strings his bow to shoot Nessus. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

The Trojans repulsing the Greeks 1538 Giovanni Battista Scultori Italian The presence of the chariot of Poseidon (known to the Romans as Neptune) abandoned in the waves at left, suggests that the episode represented here is from Book 14 of Homer's epic poem 'Iliad'. The heroic nude in the foreground may be the lord of the sea, described as leading the Greeks with a long sword in hand. The warrior lying on the ground beneath him, protected by a comrade, could be the Trojan prince Hector, struck down by a stone soon after Poseidon entered the battle.Inspired by the ships in a fragmentary Greek relief of the second century A.D. (Museo Archeologico, Venice), Scultori, who was also a sculptor and a master of stuccowork, obviously took pleasure in elaborating their decoration.. The Trojans repulsing the Greeks 361905

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of Jupiter and the Serpent, In the clouds the Roman gods are having a party. On earth a serpent offers Jupiter a rose that he holds in his mouth. The fable describes a party of the gods to which everyone is invited. The serpent comes last and offers Jupiter a rose. Jupiter refuses the serpent entry because of his evil nature. The moral of the story teaches that gifts and good deeds of cheats are worthless, print, book illustration, prints, height 96 mm, width 112 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Turnus burns the boats of Aeneas, but they are made from wood sacred to the mother- goddess Cybele, so she turns them into sea-nymphs

The Peace of Westphalia., 1648, Antwerp, by Wenceslaus Hollar, Cornelis I Schut. Gift of Bishop Monrad, 1869.

Landscape with father time and personification of happiness and wealth; Felicitatis and Flow TYPVS; Use and abuse of time. Landscape with father time, as a naked winged man with scythe and hourglass, which is the female personification of happiness (Felicitas) and wealth (opulentia), with a horn of abundance with fruits and a horn with jewelry, with a laurel wreath. On the left in the background a king who goes straight. On the right in the background a family on the meal and beggars that ask for a bush. In the margin an eighty caption, in two columns, in Latin that refers to the virtues.

Antwerp, Galle, Philips, Florence, Straet, Jan van der, The four seasons, Apollo in the Sun Chariot, verso center bottom - stamped, Central in a cartouche, Apollo (Sol) in his chariot in the air. The personifications of the four seasons lie on the ground. In the corners outside the cartouche the four personifications of the seasons. The print is part of a series about the four seasons., print, prints, width 300 mm, height, 201 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1578 - 1582, paper, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

The fish spits Jonah on the land History of Jonah (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissue moru m in hac arte viroru m opera: now n c primu m in luce m editus (series title), After three days and nights in the belly of the fish, the fish spits Jonah out on the land. God looks at Jonah from a cloud. The water at sea is calm and the sun is just rising. Under the representation an explanatory text in Latin. Print is part of an album, after a three-day sojourn in the belly of the monster Jonah is cast on dry land, Jonah may be shown nude and bald-headed, Jonah again receives from God the command to preach in Nineveh, Philips Galle, Antwerp, 1566 and/or 1579, paper, engraving, h 207 mm × w 248 mm

Sadeler, Johann (I), Vos, Maerten de, Antwerpen, Boni et mali scientia, Lamech and his two wives, Antwerp, verso lower left - stamped, left in the foreground, sitting in front of their house. In the foreground on the right the children Tubal-Cain and Adah. In the foreground on the left the children Jabal and Naamah. Lamech swears that he will never be murdered. Two corpses are found in the background. The print has a Latin caption., print, prints, height 203 mm, width 254 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer, Publication (Event), Publication, publisher

Crucifixion, etc. (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates John Beaver (British, active 1725-27). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury unknown

Five hands ignite candles to a candle standing in a richly crafted candlestick. Five hands ignite candles to a candle standing in a richly crafted candlestick.

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