Detailed Female Portraits

Sketches and etchings of women in historical attire, often depicted with objects such as books, enhancing their character and context.

Portrait of a seated woman with a book on a pillow on her lap, Portrait of a seated woman with a stiff pleated collar, draughtsman: Salomon de Bray, 6-Sep-1641, prepared paper, h 239 mm × w 169 mm

Portrait of a seated woman with a book on a pillow on her lap, Portrait of a seated woman with a stiff pleated collar, draughtsman: Salomon de Bray, 6-Sep-1641, prepared paper, h 239 mm × w 169 mm

A Lady of Genoa North Italian Set: No. 14, Sir David Young Cameron, 1865-1945, British, 1896, Etching on laid paper, Plate: 4 7/16 x 1 13/16in. (11.4 x 4.7cm) and Sheet: 6 1/2 x 3 3/4in. (16.5 x 9.5cm)

La moine à l'orgue , Monks, Alphonse Legros (1837-1911)

Portrait of Erasmus, Samuel van Hoogstraten (Possible), 1648 - 1678 print Erasmus, half -leak, with fur fooled cloak. First state of three. paper etching / engraving

Leimberger, Christian .

Portrait of Neeltje Willemsdr. Zuytbrouck praying, Amalie Baader, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1773 - 1840 print paper etching historical persons - BB - woman

Zuytbrouck, Neeltgen Willemsdr. of.

Self -portrait behind easel, Samuel Jessurun de Mesquita, 1921 print paper portrait, self-portrait of artist. easel

The good woman of Normandy Johann Georg Wille (1715-1808). The good woman of Normandy. Engraving in Burin.

Portrait of a standing man on a pulpit, draughtsman: Federico Zuccaro, 1550 - 1609, paper, pen, brush, h 138 mm × w 81 mm

Bohdan Chmielnicki, hetman of Zaporożsky Cossacks (17th century), Wystryk from: Aleksander Rigelman, "Littopisnoje Simpping about little Rosia, and Jeja Nation and Cossacks Woobszcze", ed. I: 1785-1786, In university tipography, Moscow 1847, compilation il. 1: The army Zaporożskowo and the subtitudes of Rjeka Dnieper Getman and Il. 7: Bogdan Chmielnickij, Army Swiaszennowo Carskowo Wieliczno Zaporożskowo Getman; Czachórski, Władysław (1850-1911), Kalinskij, Timofij (post 1740-Post 1809); 1870 (1870-00-00-1870-00-00);

Flamma Vestalis, 1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Stothard, Thomas .

Surgeon, Jacob Gole, After Cornelis Dusart, 1670 - 1724 print A surgeon with a small knife in hand and a larger one in his hat. Amsterdam paper engraving operation, surgery. tools, aids, implements ~ crafts and industries: knife

Tuscany Siena Montalcino Museo Diocesano22. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marinari, honor.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche78. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Bust of a Cardinal; Italy; pen and ink on paper

Dalecarlian Peasant (Lavards Anders) Made 1919 Sweden. Etching on tan laid paper . Anders Zorn

Tête d'homme (Tête de paysan Basque) , Peasants, Alphonse Legros (1837-1911)

Man with a Pink. Claude-Ferdinand Gaillard (French, 1834-1887). Engraving;

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Portrait of Jan Six, 1823 - 1900 copper (metal) etching

Old woman, Jacobus Ludovicus Cornet, 1832 print An old lady. Bust to the left. Her hands are folded together. paper etching old woman

Wszyscy wici w MNK Strink, Franciszek (1839 1890)

Lazio Roma Rome S. Maria in Aquiro11. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche83. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

PortraT van Felix Meyer, Johann Jacob Haid, After Dunz, after Johann Ulrich Schellenberg, 1714 - 1767 print With caption in Latin. Augsburg paper historical persons. portrait, self-portrait of painter. tools, implements of painter

Painter for his donkey.

Woman at a table. .

Koch, Josef Anton.

William Dickinson, 1746-1823, British, John Mudge M.D, undated. Mezzotint on moderately thick, slightly textured, cream, laid paper.

Bliżej Kultury Rzewuski, Walery (1837 1888), Sebald, Józef (1853 1931)

Sassoferrato, Bartolo from.

Umbria Perugia Foligno Monastery of S. Anna4. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pregnancy; Schwangerschaft. Otto Dix (1891-1969). Drypoint on wove paper. Printed, signed and dated 1922. 48.7 x 43.4cm.

Lazio Viterbo Viterbo Palazzo Comunale8. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Barbara van Vlaendenbergh, Louis Joseph Greuse, after Hans Memling, 1885 print Bergen (Belgium) paper. etching / engraving historical persons - BB - woman

Alexander Petrovich Kunitsyn (1783-1840) Detail of a caricature by Illichevsky, Alexey Demyanovich (1798-1837)/ Institut of Russian Literature IRLI (Pushkin-House), St Petersburg/ 1816/ Russia/ Lithograph/ Caricature/ Portrait

Carlo Borromeo.

Castro, Paolo de.

Albrecht Dürer's 1519 brushwork portraying Agnes Dürer as Saint Anna, using gray, black, and white tones with a black background.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"56. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Dante ..

Mr. Evert Van Zoubalch.

RAMON BORRELL (972-1017) CONDE DE BARCELONA GERONA Y OSONA - MANUSCRITO DE POBLET. Location: REAL MONASTERIO DE SANTA MARIA DE POBLET-BIBLIOTEC. Vimbodí. TARRAGONA. SPAIN. CONDE DE BARCELONA. BORRELL RAMON. CONDE DE BARCELONA-JUAN DE BORBON.

Portret Van Virgininio Cesarini, Sébastien Bars, After Anthony Van Dyck, 1663 - 1703 print paper historical persons. writer, poet, author

Aristotle Writing behind a desk, Bernard Vaillant, After Jusepe de Ribera, 1672 print paper scholar, philosopher. head-gear: cap (+ men's clothes). handwriting, writing as activity

Portrait of Jan Conrad Brandes. Draughtsman: Jan Brandes. Dating: 1777. Place: Doetinchem. Measurements: h 385 mm × w 241 mm. Museum: Rijksmuseum, Amsterdam.

Stefan Batory according to Kromer's Chronicle Cercha, Stanis AW (1867 1919)

Old Woman Sleeping, Nicolaes Maes, 1653 - 1657, draughtsman: Nicolaes Maes, 1653 - 1657, paper, h 130 mm × w 113 mm

Zelfportret: B-1-1, 3 februari. Zelfportretten van Cor van Teeseling (series title). Draughtsman: Cor van Teeseling. Dating: 3-Feb-1942. Place: Weteringschans (Amsterdam). Measurements: h 31.0 cm × w 24.5 cm. Museum: Rijksmuseum, Amsterdam.

Bust ofSeneca. Artist: Unknown After: Guido Reni, Italian, Bologna, 1575-1642

Janusz Radziwiłł, Lithuanian sub -podczasy, a leisure from the publication (1849) according to the woodcut (17th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

A large man with a bald head facing a grotesque female 1645 Wenceslaus Hollar Bohemian. A large man with a bald head facing a grotesque female 360757

Peasant woman with hood, to the right. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 235 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Prosecutor. Dimensions: overall: 16.9 x 12.7 cm (6 5/8 x 5 in.). Medium: pen and ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Portrait d'homme, final state. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Eyck, Jan van (ca 1390-1441), painter, Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printer of graphic prints

Bust van A Monnik, Cornelis van der Griendt, 1858 print paper etching / drypoint adult man (+ front view). monk(s), friar(s)

Study of the portrait of a lord of Naaldwijk. Draughtsman: Antoon Derkinderen. After Master of Alkmaar. Dating: 1869 - 1925. Measurements: h 477 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of a Man, c1500 by Raffaellino del Garbo (1466 - 1527) who was a Florentine painter of the early Renaissance

'Margaret, Marchioness of Dorset', c1532-1535 (1945). Artist: Hans Holbein the Younger.

Basilicata Matera Matera S. Francesco d'Assisi14. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leader, Bartolomeo.

The face; T suited; The five senses. The sense face. A man with glasses and a hat reads a letter. The print is part of a series of the five senses.

Self-portrait of W. Hogarth in a Montero cap, with his dog Trump. Stipple engraving by B. Smith after W. Hogarth.

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, 't Suynighe Waertje and De Goelicke Waerdin, c 1564 1565 't Suynighe Waertje and De Goelicke Waerdin

The Spirit of Justice - Study for Head of a Bishop. Date/Period: 1844/1845. Black chalk on buff paper. Width: 255 mm. Height: 317 mm. Author: Ford Madox Brown.

Speroni, spur.

VELAZQUEZ, Diego Rodrguez de Silva (1599-1660). Aesop. 1639. Particular burlesque interpretation of the artist. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate for Mathew Hunsley, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Portrait of a woman. Rembowska, Hanna (1912-1947), draughtsman, cartoonist

Reif, Andreas.

Portrait de S.E. le Cardinal Manning (1st plate) , Cardinals, Manning, Henry Edward, 1808-1892, Alphonse Legros (1837-1911)

Stary Highlander; Skoczylas, W Adys Aw (1883-1934); 1913 (1913-00-00-1913-00-00);

Brass Plate for Mathew Hunsley, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm), architectural subject, brass, church, memorial, plate, England, Greater London, London, United Kingdom

Seated man with a bowl on his lap, Cornelis Saftleven, 1662, draughtsman: Cornelis Saftleven, 1662, paper, h 281 mm × w 190 mm

Tête d'homme , Alphonse Legros (1837-1911)

Netherlands, Weissenbruch, Isaac, Man with a cap, print, prints, height 56 mm, width 68 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

CASAS i CARBO, RamÑn (1866-1932). Portrait of Adriàn Gual. 1899 - 1905. Detail. Drawing in charcoal and pastel. Modernism. Drawing. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Perron, Jacob Davy.

Letitia Wilson Jordan Thomas Eakins (American, 1844-1916). Letitia Wilson Jordan, 1888. Oil on canvas, 59 15/16 x 40 3/16 in. (152.3 x 102 cm). Letitia Wilson Jordan was the sister of Thomas Eakinss friend and student David Wilson Jordan. Eakins had seen her at a party and was so taken with the young woman that he asked her to pose for him in the same outfit she had worn that evening. The thoughtful, distanced expression on Jordans face evidences Eakinss interest in conveying the emotional essence of his subjects. The careful modeling of the sitters body is characteristic of Eakinss unflinching naturalism. American Art 1888

Eva Vliegen, a woman who lived off the smell of flowers. Drawing after B. Flessiers.

Russia, Portrait of Savva Mamontov, Russian Patron of Private Russian Opera

Caspar Bernhard Hardy (1726-1819). "Avare". Colorful wax. 4th quarter 18th century. Paris, Carnavalet museum. 52664-2 Avare, greed, colored wax, man

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Man with a pipe (the smell); The five senses. The sense of sense. A man smokes a pipe and blows a ring from smoke. The print is part of a series of the five senses.

Dantesque Album (Album Dantesco), by Alberto Giacomo Spiridione Martini known as Alberto Martini, 1920-1930, 20th Century, pencil on paper, 29,6 x 19,5 cm

William William's Second Wife, Frederick Tatham, 1805-1878, British, ca. 1830, Watercolor on ivory, Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm) and Image: 3 7/8 x 3 inches (9.8 x 7.6 cm), bonnet (hat), elderly, fence, middle class, portrait, sheep, woman

Portrait of P. Eustache. Artist: After Guillaume Thiemet (French, active ca. 1781/88). Dimensions: Sheet: 11 1/8 × 7 7/8 in. (28.3 × 20 cm)Plate: 7 5/8 × 5 7/16 in. (19.3 × 13.8 cm). Date: second half of 18th century.This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman. Museum: Metropolitan Museum of Art, New York, USA.

Joaquín Martínez de la Vega Cisneros / 'Portrait of my mother'. Ca. 1870. Oil on canvas. Museum: Museo del Prado, Madrid, España.

SARCOFAGO ROMANO DE OSTIA RELIEVE DEL ZAPATERO. Location: MUSEO DE LAS TERMAS. Rome. ITALIA.

Print made by Samuel Okey, active 1765-1780, British, Money and Little Wit, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Photo collection Government information service. Painting, Erasmus. undated

Black chalk portrait of a young leper by Hans Holbein the Younger (1497 - 1543) German artist and printmaker in the Renaissance style.

Twelve Portraits: Sir Henry Hawkins, 1898. William Nicholson (British, 1872-1949). Color lithograph; sheet: 27.6 x 25.2 cm (10 7/8 x 9 15/16 in.); image: 25.4 x 23.1 cm (10 x 9 1/8 in.); secondary support: 41.8 x 37.7 cm (16 7/16 x 14 13/16 in.).

Cranach, Lucas, the Elder (1472-1553). Portrait of Hans Luther (1459-1530), Father of Martin Luther (pencil & w/c on paper), 1527. Height x Width: 19.6 x 18.2 cm; sheet: 21.8 x 18.2 cm. Graphische Sammlung Albertina, Vienna, Austria. Author: Lucas Cranach the Elder. Location: MUSEO ALBERTINA. WIEN. AUSTRIA.

Photo collection Government information service. Desiderius Erasmus (1466-1536), Humanist, writer and philosopher. Drawing by Albrecht Dürer. undated

Lazio Viterbo Acquapendente S. Sepolcro, Cathedral0. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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