Detailed Illustrations of Marine Life

A collection of intricate illustrations showcasing various cephalopods, shrimps, and marine creatures, highlighting anatomical details and scientific classifications.

Histoire naturelle, générale et particulière, des céphalopodes acétabuifères vivants, et fossiles, Paris, Impr. de A. Lacour, 1835-1848, cephalopoda fossil, A detailed illustration showcases a squid, labeled 'Lolligo vulgaris.' The depiction highlights the cephalopod's elongated body, large eyes, and distinctive tentacles. Surrounding the main figure are various smaller squids, emphasizing the differences in size and structure. The artwork captures the intricate textures and patterns of the squid's skin, reflecting the species' aquatic environment. Annotations provide scientific classification, illustrating its significance in marine biology. The composition emphasizes the beauty and complexity of these fascinating creatures.

Histoire naturelle, générale et particulière, des céphalopodes acétabuifères vivants, et fossiles, Paris, Impr. de A. Lacour, 1835-1848, cephalopoda fossil, A detailed illustration showcases a squid, labeled 'Lolligo vulgaris.' The depiction highlights the cephalopod's elongated body, large eyes, and distinctive tentacles. Surrounding the main figure are various smaller squids, emphasizing the differences in size and structure. The artwork captures the intricate textures and patterns of the squid's skin, reflecting the species' aquatic environment. Annotations provide scientific classification, illustrating its significance in marine biology. The composition emphasizes the beauty and complexity of these fascinating creatures.

Species of shrimp. Spirontocaris spinus 1, Hippolyte variabilis 2, Penaeus species 3, Processa canaliculata 4, Athanas nitescens 5. Ippolite di Sowerby, Ippolite variabile, Peneo contre solchi, Nicca scanalata, Atana lucente. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Corsi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Les mollusques, Paris, Fortin, Masson et cie, 1836-1845, classification, mollusks, pictorial works, shells, sea life, The illustration showcases a detailed depiction of a cephalopod, highlighting its intricate anatomical features. The central figure, likely a squid, is rendered with an emphasis on its elongated body and distinct tentacles, which exhibit precise patterns and texture. Surrounding the main illustration are additional studies of related marine life, including a spiral-shaped mollusk and various linear forms, suggesting an exploration of marine anatomy. The overall composition emphasizes the diversity and complexity of these aquatic creatures, blending scientific accuracy with artistic representation.

Muscarum scarabeorum ... varie figure. Plate 4. Three caterpillars, a maggot and a snail., 1646, Flanders, by Wenceslaus Hollar. Gift of Bishop Monrad, 1869.

Raja Rubus, The Rough Ray.. Bloch, Marcus Elieser, 1723-1799. Prints, Illustrations. 1786. Rare Book Division. Fishes

Common clubhook squid, Onychoteuthis banksii 1, European squid, Loligo vulgaris 2, and cuttlefish, Sepia species. Totano di Banks, Totano comune, Totano seppia. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Cellai, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Fish leech and freshwater leeches: Branchiobdellida 1, Pontobdella spinosa 2, Whitmania laevis 3, Hirudo vittata 4, Piscicola geometra 5, Ichthyobdella geometra 5, Geobdella trochetii 6. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Carini, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Edwards's Botanical Register, London, James Ridgway, 1829-1847, 1829, 19th century, botanical illustration, botany, copper engraving, England, engravings, graphic media, Great Britain, hand coloring, hand colored, icones, periodicals, pictorial works, plant introduction, plants ornamental, 12, Aristolochia, Sarah Ann Drake, 2, women in science., This illustration features a striking botanical depiction of a unique plant with an intricate heart-shaped leaf. The leaf displays a complex pattern of dark hues interspersed with light and textured markings, contributing to its visually captivating appearance. A large, prominent flower is depicted at the center, showcasing a deep, inviting opening surrounded by curling tendrils. Delicate vines and additional leaves, intricately detailed, frame the composition, enhancing the overall aesthetic of the botanical study. The work highlights both the beauty and complexity of plant life, inviting admiration for its natural elegance.

Greater argonaut octopus, Argonauto argo. Illustration signed N (Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1792.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Richard Polydore (17

By-the-wind sailor, purple sail, little sail, Velella velella. Illustration signed S (George Shaw).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1796.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Rich

Stitch, Slabers trumpet eye and one worm, Robbert Muys, After P.M. Brasser, After Martinus Slabber, 1778 print Figures 1 and 2 show a mosquito. Figures 2 and 3 tones bibs trumpet eye in full size and magnified. Figures 5, 6 and 7 show a worm. Top right: pl. 15. Print from a book about domestic and foreign land and aquatic animals. Rotterdam paper etching lower animals (+ animals ~ biological investigation)

Tortoise skeleton and German tortoise species. (Le squelette d'une tortue de terre, une tortue de terre d'Allemagne.) Handcoloured copperplate engraving by Andreas Hoffer from Georg Wolfgang Knorr's Deliciae Naturae Selectae of Kabinet van Zeldzaamheden der Natuur, Blusse and Son, Nuremberg, 1771. Specimens from a Wunderkammer or Cabinet of Curiosities owned by Dr. Christoph Jacob Trew in Nuremberg.

Spined Cytherea

The Natural History of Beetles Edinburgh Henry G. Bohn 1852, A detailed illustration of a beetle, showcasing its intricate anatomy and striking design. The specimen features a robust, oval-shaped body with distinct, patterned segments that highlight its natural beauty. Prominent antennae extend from the head, adorned with fine hairs, while long, slender legs are positioned to either side. The beetles glossy exoskeleton exhibits a blend of bold colors and intricate markings, emphasizing its unique features. This representation captures the essence of entomological studies, revealing the fascinating diversity within the insect world.

Hagfish, Myxine glutinosa. Illustration drawn and engraved by Richard Polydore Nodder. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany," London, 1798. Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures were drawn by George Shaw, Frederick Nodder and Richard Nodder, and engraved and published by the Nodder family. Frederick drew and engraved many of the copperplates until his death around 1800, and son Richard (1774~1823) was responsible for the plates signed RN or RPN. Richard exhibited at the Royal Academy and became botanic painter to King George III.

Slipper lobster, Scyllarus arctus (Oval-tailed crab, Cancer scyllarus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

Norway lobster, Nephrops norvegicus (Cancer norvegicus). Dublin Bay prawn, langoustine or scampi. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany," London, 1801.

. Sea animals. Figure 1 shows a polyp quote. Figures 2 and 3 show a suction worm in full size and magnified. Figures 4 and 5 show an isopode type in true size and magnified. At the top right: pl. 14. Print from a book about domestic and foreign agricultural and water animals.

Histoire naturelle des annelés marins et d'eau douce, Paris, Librairie encyclopédique de Roret, 1865-1890, 59514, Annelida, Worms, This detailed illustration features a variety of marine organisms, highlighting their intricate structures and anatomical features. Various specimens are arranged logically, with labels indicating numerical references for each organism. Prominent among them are an array of segmented bodies, appendages, and specialized structures such as bristles and other adaptations suited for their aquatic environment. The layout suggests a focus on comparative anatomy and taxonomy, providing a scientific insight into the diversity of life forms in marine ecosystems. The illustration serves as a valuable resource for understanding the classification and morphology of these organisms, reflecting the intricacies of biological forms in the sea.

Atlantic horseshoe crab, Limulus polyphemus. Percilopi Limulo polifemo. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Corsi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

. Sea animals. Figures 1, 2 and 3 show a leptomeduse, a qualette, real size and magnified. Figures 4 and 5 show a bracket water bed in true size and magnify. At the top right: pl. 12. Print from a book about domestic and foreign agricultural and water animals.

. Sea animals. Figures 1 and 2 show a polyp quote. Figures 3 and 4 show a sanding screens in true size and magnifying. At the top right: pl. 11. Print from a book about domestic and foreign agricultural and water animals.

Mud lobster, Thalassina anomala 1, and mud shrimp, Upogebia stellata 2. Talassina scorpionoide, Gebia stellata. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Corsi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Hermit crab, Pagurus bernhardus, shown inside mollusc shell and naked. Illustration drawn and engraved by Richard Polydore Nodder. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany," London, 1797. Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures were drawn by George Shaw, Frederick Nodder and Richard Nodder, and engraved and published by the Nodder family. Frederick drew and engraved many of the copperplates until his death around 1800, and son Richard (1774~1823) was responsible for the plates signed RN or RPN. Richard exhibited at the Royal Academy and became botanic painter to King George III.

Tenga, Hortus Indicus Malabaricus

Shell, murex pectures; Shells. .

Crinoidea sea lilies: Saracrinus angulatus 1,7,8, Endoxocrinus maclearanus 2, and Endoxocrinus wyvillethomsoni 3-6. Chromolithograph by Adolf Glitsch from an illustration by Ernst Haeckel from Art Forms in Nature, Kunstformen der Natur, Liepzig, Germany, 1904.

Zeekat (Sepiida); Saepia. Zeekat. Numbered at the top right: 3. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French.

Histoire naturelle, générale et particulière, des reptiles, A Paris, De l'Imprimerie de F. Dufart, an X-XI 1802-1803, anatomy, evolution, pictorial works, reptiles, page rights, Halloween, The illustration features a detailed scientific representation of an amphibian, highlighting various anatomical aspects. It includes labeled diagrams of the creatures respiratory organs, showcasing structures related to both lung and skin respiration. The top section presents a view of the animal's head and gills, while additional illustrations depict the limbs, body posture, and overall morphology. The intricate lines and annotations emphasize the unique adaptations of the species for its aquatic and terrestrial environments, contributing to the understanding of amphibian biology and physiology.

Botanical and zoological illustration by F. E. Guérin. From Dictionnaire pittoresque d'histoire naturelle et des phénomènes de la nature - 1833/1834

The naturalist's miscellany, or Coloured figures of natural objects. London, Printed for Nodder & Co, 1789-1813. animals, pictorial works, Museums Victoria, George Shaw, This illustration depicts a detailed anatomical study of a small aquatic creature, showcasing its dorsal view. The creature features a distinctive oval-shaped body with prominently segmented sections. Various appendages, including antennae and bristles, are arranged symmetrically around the head region. Intricate patterns of green and brown highlight the inner structures, which include a series of segments and organs that hint at the creature's biological functions. The overall composition emphasizes the delicate features and complex anatomy, reflecting a meticulous approach to documenting the organism's details for educational purposes.

Marine Animals. Figures 1, 2 and 3 show a leptomeduse, a jellyfish, full size and enlarged. Figures 4 and 5 show a brackish water slipper at full size and enlarged. Top right: Pl. 12. Print from a book on domestic and foreign terrestrial and aquatic animals, Leptomeduse and a brackish water bisper, print maker: Robbert Muys, (mentioned on object), intermediary draughtsman: Martinus Slabber, (mentioned on object), Rotterdam, 1778, paper, etching, h 208 mm × w 163 mm

An écorché seal: five figures showing the musculature of the body, with details of the muscles of the face. Lithograph by C. Berjeau, 1872.

Eastern shovelnose ray, Aptychotrema rostrata. Illustration signed RN (Richard Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1794.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte i

Pleuronectes bilineatus.. Bloch, Marcus Elieser, 1723-1799. Prints, Illustrations. 1788. Rare Book Division. Fishes

'A Diagram of the Giant Squid', 1881. Creator: Unknown.

Botanical and zoological illustration by F. E. Guérin. From Dictionnaire pittoresque d'histoire naturelle et des phénomènes de la nature - 1833/1834

Red lionfish, Pterois volitans, Pteroide volante 1, and blue blanquillo, Taenianotus latovittatus, Tenianoto striata larga 2. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Corsi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Snake blenny, donzelle de la mediterranee, Ophidion barbatum, and sandeel, ammodyte appat, Ammodytes tobianus. Handcoloured copperplate stipple engraving from Jussieu's "Dictionnaire des Sciences Naturelles" 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Miss Sixdeniers, directed by Turpin, and published by F. G. Levrault. Jean Gabriel Pretre (1780~1845) was painter of natural history at Empress Josephine's zoo and later became artist to the Museum of Natural History.

European eel, Anguilla anguilla (Anguilla europea), critically endangered, and turbot, Scophthalmus maximus (Passer maximus). Handcolored engraving by Fournier after an illustration by Oudart from Charles d'Orbigny's "Dictionnaire Universel d'Histoire Naturelle" (Universal Dictionary of Natural History), Paris, 1849.

Norway king crab, Lithodes maja, Litode artica femmina. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Corsi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Le règne animal distribué d'après son organisation, Paris, 1836-1849, anatomy, comparative, animals, classification, identification, nomenclature, zoology, Museum of Comparative Zoology, The illustration features a detailed depiction of a fish, specifically a species of shark. It includes various anatomical drawings illustrating the structure of the shark's body, fins, and teeth. Several labeled segments show distinct features, such as the spine and different types of teeth, highlighting their shapes and functions. The layout is structured to provide a clear visual reference for study, emphasizing the biology and anatomy of this marine creature. Additionally, the image showcases both the lateral view of the shark and separate close-up views of specific anatomical elements.

Humboldt squid, Dosidicus gigas 1, and European flying squid, Todarodes sagittatus 2. Ommastrephe geant, Ommastrephe des pecheurs. Handcoloured steel engraving by du Casse after an illustration by Adolph Fries from Felix-Edouard Guerin-Meneville's Dictionnaire Pittoresque d'Histoire Naturelle (Picturesque Dictionary of Natural History), Paris, 1834-39.

Botanical Print by Walter Hood Fitch 1817 - 1892, W.H. Fitch was an botanical illustrator and artist, born in Glasgow, Scotland, UK, colour lithograph. From the Liszt Masterpieces of Botanical Illustration Collection.

Le règne animal distribué d'après son organisation, Paris, 1836-1849, anatomy, comparative, animals, classification, identification, nomenclature, zoology, insects, A detailed anatomical illustration of a crustacean, showcasing its internal structures. The drawing highlights the main features, including the head, thorax, and abdomen, along with a clear depiction of the nervous system and organs. Important anatomical labels are present, offering viewers insight into the complexity and organization of the species physiology. The precision of the lines and the careful use of shading contribute to a scientific understanding of crustacean biology.

Lugworm, Arenicola marina (Arenicola piscatorum) and sea mouse, Aphrodita aculeata. Handcoloured lithograph by Gebhart after an illustration by Zehner from Georg Friedrich Treitschke's Gallery of Natural History, Naturhistorischer Bildersaal des Thierreiches, Liepzig, 1842.

Schelpen, Turritella drill (a) en Turritella doubled (b), Wenceslaus Hollar, 1644 - 1652 print paper etching molluscs (+ shell, snail-shell etc.)

Print at the top right labeled: fol: 248.

Pectinaria articulata (Ait.) (Stapelia nigrum). Draughtsman: Robert Jacob Gordon. Dating: Oct-1777 - Mar-1786. Measurements: h 660 mm × w 480 mm; h 401 mm × w 251 mm. Museum: Rijksmuseum, Amsterdam.

Norway lobster, Nephrops norvegicus 1, and shrimp, Atya scabra 2. Nefrope di Norvegia, Atia spinosa. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Stanghi, drawn by Jean Gabriel Pretre, and published by Batelli e Figli.

Goliath beetle, Goliathus goliatus. Illustration signed SN (George Shaw and Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1791.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Richard P

The heads of two snakes and upper palate with fangs of one of them. Engraving, ca. 1796.

The Talisman ship scientific expedition. Sea cucumbers, echinoderms from the class Holothuroidea. Marine animals with a leathery skin and an elongated body containing a single, branched gonad that live between 4,000 and 5,000 meters. Old 19th century engraved illustration from La Nature 1883

Common flea (Pulex species): adult, pupa, larva and egg. Engraving by M. Griffiths, ca. 1805.

A monograph of the British nudibranchiate Mollusca, London, 1845-1910, Great Britain, Mollusks, Nudibranchia, A collection of intricate marine mollusks, featuring distinct species known for their unique shapes and textures. The topmost specimen showcases a pointed, elongated form with a layered structure, adorned with delicate patterns. Below, another specimen presents a more compact shape, embellished with spiny projections that accentuate its surface. Accompanying this are two additional forms, each exhibiting varying degrees of ornamentation and size, highlighting the diversity within this group. The meticulous detailing reveals the beauty of these creatures, inviting exploration into their natural habitat and biological characteristics.

Blueband goby, Gobiomore taiboa, Valenciennea strigata, and shark sucker, sucking fish, remora, Echeneide, Remora remora. Handcoloured copperplate stipple engraving from Jussieu's "Dictionnaire des Sciences Naturelles" 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault. Jean Gabriel Pretre (1780~1845) was painter of natural history at Empress Josephine's zoo and later became artist to the Museum of Natural History.

Arcana, or The Museum of Natural History, London, 1811, shell, natural history, mollusk, pictorial works, Aranea gracilis, This detailed illustration features a beautifully rendered sea snail known as Aranea gracilis. The shell is intricately designed with sharp, spiky protrusions that create a striking silhouette. The prominent whorls of the shell showcase a rich texture, enhancing its aesthetic appeal. Inside the shell, a warm, reddish-brown hue adds contrast to the exterior, drawing attention to the delicate inner structure. The artist's signature and the scientific name are elegantly inscribed, indicating the specimens classification. This artwork exemplifies the intricate beauty found in marine life, combining both scientific precision and artistic expression.

Noble pen shell or fan mussel, Pinna nobilis 1,3, critically endangered, and rough pen shell or spiny fan-mussel, Pinna rudis 2. Handcoloured steel engraving by du Casse after an illustration by Adolph Fries from Felix-Edouard Guerin-Meneville's Dictionnaire Pittoresque d'Histoire Naturelle (Picturesque Dictionary of Natural History), Paris, 1834-39..

Raja nasuta (NZ) : Rough skate ( underside), 1877, by Frank Edward Clarke.

A snouted acanthonotus. Engraving by Heath.

Lupa pelagica Date: 1849

Botanical Print by Walter Hood Fitch 1817 - 1892, W.H. Fitch was an botanical illustrator and artist, born in Glasgow, Scotland, UK, colour lithograph

The Animal Kingdom Arranged According To Its Organization Serving As A Foundation For The Natural History Of Animals London G Henderson 1834-1837 Animal Animals Zoology Classification Pictorial Works Fish, This illustration features several detailed studies of the Petromyzon marinus, commonly known as the sea lamprey. The primary focus is a long, slender body of the sea lamprey, showcasing its distinct jawless structure and elongated form. Accompanying the main figure are labeled anatomical details, including close-up views of the mouth and internal structures, emphasizing its unique features. Additional sketches illustrate related species and provide comparative anatomical insights, enriching the viewers understanding of this fascinating aquatic creature and its adaptations in the marine environment.

Coffin ray, Hypnos monopterygius. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1795.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799).

General zoology, or Systematic natural history, London, Printed for G. Kearsley, 1800-1826, pictorial works, zoology, insect, An intricate illustration of a Phasmatodea, commonly known as a stick insect. The depiction highlights its elongated body and slender limbs, showcasing the detailed texture of its exoskeleton. The insect features long antennae and a pair of delicate wings, although it may be flightless. Notable for its camouflage, the Phasmatodea blends seamlessly into its environments, mimicking twigs and branches. This illustration is labeled with its scientific name, Ph. dilatatum, and reflects the meticulous artistry and attention to detail prevalent in natural history studies.

Schelpen, Mitra Cardinal (a) en terebra subulata (b), Wenceslaus Hollar, 1644 - 1652 print Antwerp paper etching molluscs (+ shell, snail-shell etc.)

Carinated atyla, Atylus carinatus. Handcoloured copperplate engraving drawn and engraved by Richard Polydore Nodder from William Elford Leach's Zoological Miscellany, McMillan, London, 1815.

. Figures 1 and 2 show a stitch mosquito. Figure 2 and 3 show bibs trumpet eye and magnifying. Figure 5, 6 and 7 show a worm. At the top right: pl. 15. Print from a book about domestic and foreign agricultural and water animals.

Serpent star species, Ophiura ammothea 1,2,3 and Ophiura linckii 4,5. Handcoloured copperplate engraving drawn and engraved by Richard Polydore Nodder from William Elford Leach's Zoological Miscellany, McMillan, London, 1815.

Human lower leg with a break in the bone ..

Stone loach, cobite, loche franche, Barbatula barbatula, and largescale foureyes, Anableps de Surinam, Anableps anableps. Handcoloured copperplate stipple engraving from Jussieu's "Dictionnaire des Sciences Naturelles" 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Victor, directed by Turpin, and published by F. G. Levrault. Jean Gabriel Pretre (1780~1845) was painter of natural history at Empress Josephine's zoo and later became artist to the Museum of Natural History.

Paris, Firens, Pierre, Antwerp, Collaert, Adriaen, Piscivm vivae icones, Fish, Garfish, Seahorse, Eel and an Eel, verso - stamped, print, prints, height 92 mm, width 183 mm, South Netherlandish, French, 1580 - 1638-12-24, print maker, printmaker, 1600 - 1638, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish (before 1775), 1560 - 1618-06-29, after print by, Publication (Event), Publication, publisher

A variety of sea creatures. Coloured etching by F. Guimpel after E. Bommer.

Fiddler crab, Gelasimus vocans 1, and angular crab, Goneplax rhomboides 2. Gelasimo di Marion, Gonoplace romboide. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Stanghi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Spider conch, Lambis lambis (Pterocera lambis), and drain fly, Psychoda phalaenoides. Psyche, Psychode, Pterocere. Handcoloured steel engraving by du Casse after an illustration by Adolph Fries from Felix-Edouard Guerin-Meneville's Dictionnaire Pittoresque d'Histoire Naturelle (Picturesque Dictionary of Natural History), Paris, 1834-39..

Sea cucumber, Parastichopus tremulus. Illustration unsigned (George Shaw and Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1794.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Richard

Gold-spotted acarus mite, Acarus auratus. Illustration signed SN (George Shaw and Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1793.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His wife Elizabeth is credited as publisher on the volumes after 1801. Their son Ric

Canine boa, dog-headed snake or emerald tree snake. Corallus canina (Boa canina). "The figure of this snake in Seba's Museum is so well executed, both to posture and accuracy, that is was thought better to copy it than attempt a new one.". Illustration signed S (George Shaw).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1790.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nod

Eastern diamondback rattlesnake, crotale a lozanges, Crotalus adamanteus. Poisonous snake. Handcoloured copperplate stipple engraving from Jussieu's "Dictionnaire des Sciences Naturelles" 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Turcaty, directed by Turpin, and published by F. G. Levrault. Jean Gabriel Pretre (1780~1845) was painter of natural history at Empress Josephine's zoo and later became artist to the Museum of Natural History.

Ichneumon parasitic wasps, Ichneumon persuarsorius 1, Megarhyssa atrata 2, Egyptian mongoose, Herpestes ichneumon 3. Ichneumons (insectes), Ichneumon (mammiferes). Handcoloured steel engraving by Pedretti after an illustration by A. Carie Baron from Felix-Edouard Guerin-Meneville's Dictionnaire Pittoresque d'Histoire Naturelle (Picturesque Dictionary of Natural History), Paris, 1834-39.

Shell, cymatium partheneum; Shells. .

Normal soap dock, large sea needle and a pile worm, Robbert Muys, after P.M. Brasser, 1778 print Figure 1 shows the normal soapoke. Figures 2 and 3 show the large sea needed in full size and magnified. Figures 4 and 5 show an arcworm species. Top right: pl. 6. Print from a book about domestic and foreign land and aquatic animals. Rotterdam paper etching lower animals (+ animals ~ biological investigation)

Pearl oyster, Cristaria plicata (Folded dipsas, Dipsas plicatus). Handcoloured copperplate engraving drawn and engraved by Richard Polydore Nodder from William Elford Leach's Zoological Miscellany, McMillan, London, 1814.

Goliath beetle, Goliathus goliatus (Goliathus magnus). Handcoloured steel engraving by William Lizars from James Duncans Natural History of Beetles, in Sir William Jardines Naturalists Library, W.H, Lizars, Edinburgh, 1835. James Duncan was a Scottish zoologist and entomologist 1804-1861.

Fossilised skeleton of a saurian (Ichtyosaurus chiroligostinus). Lithograph by H. O'Neill.

Selenicereus urbanianus, Kaktus, Kakteen, aus The Cactaceae, descriptions and illustrations, N.L. Britton and J.N. Rose, 1919-1923, Historisch, historical, digital improved reproduction of an original from the 19th century / digital restaurierte Reproduktion einer Originalvorlage aus dem 20. Jahrhundert, genaues Originaldatum nicht bekannt.

Lugworm or sandworm, Arenicola marina 1, and Clymene amphistoma 2. Arenicola dei Pescatori, Climene anfistoma. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Corsi, drawn by Jean Gabriel Pretre and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Skeleton of a harbour porpoise, Phocoena phocoena. (Porpesse, Delphina phocaena). Copperplate engraving by White from George Shaws General Zoology: Mammalia, Thomas Davison, London, 1801.

A horsetail plant (Equisetum species) with an associated beetle and its anatomical segments. Coloured etching, c. 1830.

Inflammation, with plastic exudation into the substance of the left hemisphere of the brain

Ittiolitologia, Veronese, del, Museo, Bozziano, Verona, Dalla, Stamperia, Giuliari, MDCCXCVI-1809, The illustration features two distinct species of fish, each meticulously drawn and labeled. The top figure, labeled 'A Brayon,' exemplifies the characteristics of the 'Solea Barbatus,' showcasing its elongated body and fin structure. Below it, the second figure is labeled 'LÉtruite' and represents the 'Salmo Lorracensis,' highlighting its unique features such as the shape of its head and the arrangement of its fins. Both illustrations are presented on a striped background, emphasizing the delicate details of their anatomical structures. The artistic style reflects an emphasis on scientific accuracy and the beauty of aquatic life.

Indian cobra, Spectacle snake or Cobra de capello. Naja naja (Coluber naja). Venomous hooded snake with spectacle pattern on rear of neck.. Illustration signed N (Frederick Nodder).. Handcolored copperplate engraving from George Shaw and Frederick Nodder's "The Naturalist's Miscellany" 1790.. Frederick Polydore Nodder (1751~1801) was a gifted natural history artist and engraver. Nodder honed his draftsmanship working on Captain Cook and Joseph Banks' Florilegium and engraving Sydney Parkinson's sketches of Australian plants. He was made "botanic painter to her majesty" Queen Charlotte in 1785. Nodder also drew the botanical studies in Thomas Martyn's Flora Rustica (1792) and 38 Plates (1799). Most of the 1,064 illustrations of animals, birds, insects, crustaceans, fishes, marine life and microscopic creatures for the Naturalist's Miscellany were drawn, engraved and published by Frederick Nodder's family. Frederick himself drew and engraved many of the copperplates until his death. His

Two scorpions: Androctonus priamus and Androctonus margarelon. Coloured engraving.

Proceedings of the Zoological Society of London, London, Academic Press, periodicals, zoology, geotria, allporti, The illustration features a detailed study of a unique marine creature, likely depicting a species of eel or a related organism. Its elongated body exhibits a twisting form, characterized by a smooth, sinuous curvature. Distinctive features include a rounded head with visible anatomical structures. Accompanying the main figure is a small, circular representation that may showcase a cross-section or a close-up of a specific part of the creature, possibly highlighting its internal anatomy or reproductive system. The precise line work emphasizes the intricacies of the creature's form, providing insight into its biological characteristics. Text labels identify the organism, adding to the educational value of the illustration.

Le règne animal distribué d'après son organisation Paris, 1836-1849 animals, identification, zoology, classification, nomenclature, anatomy comparative, museum of comparative zoology, The illustration showcases a detailed anatomical study of a fish, providing a meticulous depiction of its internal structures. Prominently featured are the skeletal elements, fins, and various organs, all labeled for scientific reference. The intricate lines and shading highlight the fish's morphological features, including the delicate arrangement of scales along its body and the structure of its jaw. Surrounding the primary figure are additional diagrams that elaborate on specific anatomical components, emphasizing the complexity of the species. This work serves as an educational resource, blending artistry and scientific observation to enhance understanding of fish anatomy.

Extinct shells: Hamites cylindricus 1, horn coral, Amplexus coralloides 2, and Scaphites aequalis 3. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Massard, drawn by Jean Gabriel Pretre, directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.

Two medicinal leeches(Hirodu medicinalis)in their natural habitat, and a diagram showing leeches in various stages of development.

Warted sealeech, Pontobdella verrucata. Handcoloured copperplate engraving drawn and engraved by Richard Polydore Nodder from William Elford Leach's Zoological Miscellany, McMillan, London, 1815.

Two full size images of the beach crab larva at two different developmental stages and two enlargements. Bottom right an enlargement of the head at the second developmental stage. Top right: Pl. 5. Print from a book on domestic and foreign land and aquatic animals, Two developmental stages of the beach crab larva, print maker: Robbert Muys, (mentioned on object), intermediary draughtsman: P.M. Brasser, (mentioned on object), Rotterdam, 1778, paper, etching, h 219 mm × w 165 mm

General zoology, or Systematic natural history London, Printed for G. Kearsley, 1800-1826. Pictorial works, Zoology, A detailed illustration showcasing various species of centipedes, highlighting their elongated bodies and numerous legs. The central figure presents a prominent centipede with a segmented body, showcasing its distinctive body structure. To the left, a smaller centipede is depicted, featuring a more slender form and fewer segments. On the right, an additional centipede species is illustrated, emphasizing its unique characteristics. Each specimen is accompanied by scientific labels, reflecting the diversity and anatomical features of these arthropods. The arrangement offers a clear comparative view of their forms and adaptations.

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