Diary Entries by Anton Hanak

Creative diary entries from Anton Hanak, detailing daily life observations and reflections through handwritten text in ink.

Diary entry by Anton Hanak in black ink from 1918 documenting sketches, environmental observations, and daily life details.

Ink drawing by Anton Hanak documenting a relaxation trip to Carinthia in October 1924, showing people, landscapes, and surroundings from the journey.

Black ink studies by Anton Hanak for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, documented September 1933.

The 1918 diary entry of Anton Hanak shows sketches and written notes in black ink, reflecting his artistic observations.

Black ink drawing by Anton Hanak depicting a diary entry scene, created in 1918.

Blue ink diary entry by Anton Hanak from 1933 documenting personal observations and reflections in his sketchbook.

Diary entry in black ink by Anton Hanak from October 1924 recording a relaxation trip to Carinthia, including observations on landscape, environment, and travel routes.

Black ink design studies by Anton Hanak for a Beethoven monument in Berlin, produced from 1928 to 1933, including compositional sketches and planning notes.

A 1931 diary entry by Anton Hanak, recorded in black ink (Feder) in his 1931-1932 sketchbook, capturing personal reflections and artistic notes.

Black pen diary entry by Anton Hanak from September 24, 1923 documenting a relaxation trip to Gmunden.

A diary entry by Anton Hanak on page 48 of his 1927-1928 sketchbook, recording his relaxation trip to Switzerland in 1928 with black ink (Feder) sketches of landscapes and personal reflections.

Black ink studies by Anton Hanak for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, recorded in September 1933.

Page 21 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 472 x 354 mm (image); 688 x 523 mm (sheet, folded); 688 x 1038 mm (sheet, unfolded). Lithograph in dark gray and gray on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Blue ink drawing by Anton Hanak depicting a diary entry from 1932.

Anton Hanak's 1918 diary entry, penned in black ink, offers insight into his experiences during World War I. As an Austrian sculptor, Hanak's works often depicted the hardships of war. His diary entries provide a personal perspective on the emotional and psychological effects of the conflict.

A black ink diary entry by Anton Hanak from 1918 recording personal reflections and visual observations on paper.

Anton Hanaks 1918 diary entry contains black ink notes and sketches, documenting his artistic process and ideas.

Studies by Anton Hanak in 1933 for a Beethoven monument in Berlin, featuring sketches and handwritten notes in black ink from 1928-1933.

Diary entry by Anton Hanak in 1931, black ink, reflecting on ancestors and artistic notes, recorded in a sketchbook for 1931-1932.

Black ink diary entry by Anton Hanak documenting a relaxation trip to Carinthia in October 1924.

Anton Hanak's study sketches for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, drawn with black pen in September 1933.

On December 25, 1931, Anton Hanak created a diary entry in black ink within his 1931-1932 sketchbook, recording sketches and reflections on his ongoing artistic projects.

Anton Hanak black ink sketches and design studies for a Beethoven monument in Berlin from 1928 to 1933, including compositional notes and planning sketches.

Pencil drawing by Anton Hanak from September 1933 showing studies for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, 1926-1930, emphasizing design and structure.

Black ink studies by Anton Hanak for a Joseph Haydn monument in Oberberg near Eisenstadt, Burgenland, created between 1926 and 1930, recorded in September 1933.

Anton Hanak's diary entry in blue ink contains cost estimates for a marble sculpture intended for a Gustav Mahler memorial, recorded in his sketchbook covering 1925-1933, including material and labor considerations.

Blue pen diary entry by Anton Hanak from 1925 to 1933 recording personal reflections, daily notes, and observations in his sketchbook.

Diary entry by Anton Hanak from October 1924 recording a relaxation trip to Carinthia, illustrated in black ink with observations of landscape and environment.

Anton Hanaks 1933 studies for a Beethoven monument in Berlin, showing sketches and notes in black ink documenting his artistic design process from 1928-1933.

Salle V, 10.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Porte k. Taureau 2.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

1. Fragment trouvé à Koyoundjouk; 2-4. Briques de la même localité. Fragment de briques de Koyoundjouk.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Salle VII, 11.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Text sheet at a print of the sea battle at Duins, 1639, 1639 - 1640 text sheet Text sheet at the print of the sea battle at Duins between the Spanish fleet under the command of Antonio de Oquendo and the State fleet under Maarten Harpertsz. Tromp, October 21, 1639. Two columns in 4 parts in French, ending with the legend A-W. paper letterpress printing Battle of the Downs Duins

Bref recit du combat Naval, & Victoire obtenué és Dunes sur l'Armée Navale d'Espagne au 21 d'Octobre, 1639, Text sheet with a print of the naval battle at the Dunes, Text sheet with the print of the naval battle at the Dunes between the Spanish fleet under the command of Antonio de Oquendo and the Dutch fleet under Maarten Harpertsz. Tromp, 21 October 1639. Two columns in 4 parts in French, ending with the legend AW., text sheet, tekstblad, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 463 mm, width 130 mm, Publication (Event), Publicatie, publisher, uitgever, 1639 - 1640, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, letterpress printing, boekdruk

Salle X, 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Ink on paper by Johannes Fischer from 1943, page 4 of a memory book dedicated to Egon Schiele, showing handwritten entries and notes.

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . ". Date/Period: 1826. Print. Etching and line engraving on cream-colored paper (Etching and line engraving on moderately thick, slightly textured, cream wove paper). Height: 349 mm (13.74 in); Width: 238 mm (9.37 in). Author: William Blake.

Salle V, 14.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Nakch-i-Redjeb. (Inscriptions pehlvis.), 1851 - 1854, by Pascal Coste. Published in Paris by Gide et J. Baudry. Focuses on antiquities of Iran, featuring etchings

Façade N. Taureau 9.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Salle V, 4.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Memory book page 3 by Johannes Fischer for Egon Schiele, written in blue ink on paper, 1943.

Hugo, Victor (n.1802-02-26-D.1885-05-22), chip of a biffée note for sea workers, i, v, 9 (end) (title registered (letter)), 1864. Ink on blue paper. Houses of Victor Hugo Paris - Guernsey.

Sketches and notes by Anton Hanak in 1933 for a Beethoven monument in Berlin, part of his 1928-1933 design studies, executed in black ink.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 86, "I see thy Form....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Mean while wept Satan..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division

Hugo, Victor (n.1802-02-26-D.1885-05-22), Cotau for Torquemada (a veil to this woman!) (Dummy title). Ink on paper. Houses of Victor Hugo Paris - Guernsey.

Pavé de la porte G., 1849 - 1850, Paris, Publisher, Imprimerie nationale, Assyria, Antiquities & archaeological sites, Nineveh (Extinct city), Cuneiform writing, Etchings

Emilia-Romagna Forli Cesena Biblioteca Comunale7. Hutzel, Max 1960-1990 .. Medieval: Manuscripts: 1) Laurentius Rusius: "De cura equorum" (15th century) BCM S.XXVI.2 2) Paolo Veneto: "History of the Origins of the World through Henry VII" (14th century) BCM S.XI.5 3) S. Isidorus: "Etymologies" (late 8th-early 9th centuries) BCM S.XXI.5 4) Gospel Book (Evangeliario), Greek (10th century) BCM D.XXVII.4 5) Pentateuch, Prophets, and Hagiographies, Hebrew (1348) BCM S.XXIX.1 6) "Somnium Scipionis", misc. (14th-15th centuries) BCM S.XII.6 7) Boethius: "De Consolatione Philosophie" (14th century) BCM D.XIV.1 8) Justinian: "Institutiones" (14th century) BCM S.IV.I 9) Bible (Old and New Testaments) (13th-14th centuries) BCM D.V.2 10) Giabir Ibn Afla "Almagestus" (De Astronomia) (13th and 15th centuries) BCM S.XXVII.2. Post-medieval: Manuscripts: 1) St. Augustine: "Enarrationes in Psalmos" (1452) BCM D.III.2 2) Herodotus: Histories (15th century) BCM S.X1V.1 3) St. Augustine: "De Civitate Dei" (

List of arm and leg muscles in German and Latin, Reijer Stolk, 1906 - 1945 print Netherlands Japanese paper (handmade paper) muscles

Salle IV, 17.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Griechische Inschriften No. 229--239 Philae. Grosser Tempel, Pylon H, linker Flügel., 1849 - 1856., Berlin. Publisher, Nicolaische Buchhandlung. Egypt, Antiquities, Philae (Egypt), Inscriptions, Greek., Eleven images on one page

Sheet with a text presenting the history of St. Mary's Basilica. Wyczółkowski, Leon (1852-1936), graphic artist

Book cover with overall floral pattern 18th century Anonymous. Book cover with overall floral pattern. Anonymous , 18th century. 18th century. Relief print (wood or metal). Prints

Anton Hanak's diary entry dated February 22, 1931, in black ink, captures observations and reflections on his daily life and artistic projects, recorded in his 1931-1932 sketchbook.

Porte k. Taureau 1, 1849 - 1850, Paris, Imprimerie nationale. Features of Assyria, including antiquities and archaeological sites of Nineveh (extinct city), depicted through etchings

All "Ands" Connected with Red Lines/All "Thes" Connected with Blue Lines. Sol LeWitt; American, 1928-2007. Date: 1972. Dimensions: 315 x 227 mm. Blue and red ballpoint pen on printed, highly calendered, tan wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A black ink sketch by Anton Hanak from 1925 depicting a relaxation trip to Gmunden recorded as a diary entry.

Jerusalem, Plate 67, "By those who drink their blood....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 213 mm (8.38 in); Width: 152 mm (5.98 in). Author: William Blake.

Hugo, Victor (n.1802-02-26-D.1885-05-22), COPEAU (Comedy-Why are you getting angry) (Distant title). Ink on paper. Houses of Victor Hugo Paris - Guernsey.

Façade n. Revers du No. 34, 1849 - 1850. Additional, Façade n. 34., 1849 - 1850., Paris. Publisher, Imprimerie nationale. Related Assyria, antiquities & archaeological sites, Nineveh (extinct city). Etchings

A black ink diary entry by Anton Hanak from 1928 detailing a study of a monument with three heads, including notes on composition and visual elements, in his 1927-1928 sketchbook.

Emilia-Romagna Forli Cesena Biblioteca Comunale37. Hutzel, Max 1960-1990 .. Medieval: Manuscripts: 1) Laurentius Rusius: "De cura equorum" (15th century) BCM S.XXVI.2 2) Paolo Veneto: "History of the Origins of the World through Henry VII" (14th century) BCM S.XI.5 3) S. Isidorus: "Etymologies" (late 8th-early 9th centuries) BCM S.XXI.5 4) Gospel Book (Evangeliario), Greek (10th century) BCM D.XXVII.4 5) Pentateuch, Prophets, and Hagiographies, Hebrew (1348) BCM S.XXIX.1 6) "Somnium Scipionis", misc. (14th-15th centuries) BCM S.XII.6 7) Boethius: "De Consolatione Philosophie" (14th century) BCM D.XIV.1 8) Justinian: "Institutiones" (14th century) BCM S.IV.I 9) Bible (Old and New Testaments) (13th-14th centuries) BCM D.V.2 10) Giabir Ibn Afla "Almagestus" (De Astronomia) (13th and 15th centuries) BCM S.XXVII.2. Post-medieval: Manuscripts: 1) St. Augustine: "Enarrationes in Psalmos" (1452) BCM D.III.2 2) Herodotus: Histories (15th century) BCM S.X1V.1 3) St. Augustine: "De Civitate Dei"

Tho driven away..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division

Jerusalem, Plate 49, 'The secret coverts of Albion....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 6 inches (21.3 x 15.2 cm), branches, fruit, leaf, literary theme, men, nudes, religious and mythological subject, text, trees, vines

Blue ink drawing by Anton Hanak depicting a diary entry titled 'Suddenly' from September 1932.

Emilia-Romagna Forli Cesena Biblioteca Comunale40. Hutzel, Max 1960-1990 .. Medieval: Manuscripts: 1) Laurentius Rusius: "De cura equorum" (15th century) BCM S.XXVI.2 2) Paolo Veneto: "History of the Origins of the World through Henry VII" (14th century) BCM S.XI.5 3) S. Isidorus: "Etymologies" (late 8th-early 9th centuries) BCM S.XXI.5 4) Gospel Book (Evangeliario), Greek (10th century) BCM D.XXVII.4 5) Pentateuch, Prophets, and Hagiographies, Hebrew (1348) BCM S.XXIX.1 6) "Somnium Scipionis", misc. (14th-15th centuries) BCM S.XII.6 7) Boethius: "De Consolatione Philosophie" (14th century) BCM D.XIV.1 8) Justinian: "Institutiones" (14th century) BCM S.IV.I 9) Bible (Old and New Testaments) (13th-14th centuries) BCM D.V.2 10) Giabir Ibn Afla "Almagestus" (De Astronomia) (13th and 15th centuries) BCM S.XXVII.2. Post-medieval: Manuscripts: 1) St. Augustine: "Enarrationes in Psalmos" (1452) BCM D.III.2 2) Herodotus: Histories (15th century) BCM S.X1V.1 3) St. Augustine: "De Civitate Dei"

Emilia-Romagna Forli Cesena Biblioteca Comunale25. Hutzel, Max 1960-1990 .. Medieval: Manuscripts: 1) Laurentius Rusius: "De cura equorum" (15th century) BCM S.XXVI.2 2) Paolo Veneto: "History of the Origins of the World through Henry VII" (14th century) BCM S.XI.5 3) S. Isidorus: "Etymologies" (late 8th-early 9th centuries) BCM S.XXI.5 4) Gospel Book (Evangeliario), Greek (10th century) BCM D.XXVII.4 5) Pentateuch, Prophets, and Hagiographies, Hebrew (1348) BCM S.XXIX.1 6) "Somnium Scipionis", misc. (14th-15th centuries) BCM S.XII.6 7) Boethius: "De Consolatione Philosophie" (14th century) BCM D.XIV.1 8) Justinian: "Institutiones" (14th century) BCM S.IV.I 9) Bible (Old and New Testaments) (13th-14th centuries) BCM D.V.2 10) Giabir Ibn Afla "Almagestus" (De Astronomia) (13th and 15th centuries) BCM S.XXVII.2. Post-medieval: Manuscripts: 1) St. Augustine: "Enarrationes in Psalmos" (1452) BCM D.III.2 2) Herodotus: Histories (15th century) BCM S.X1V.1 3) St. Augustine: "De Civitate Dei"

Façade m. Revers du No. 19. Façade m, 19.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Emilia-Romagna Forli Cesena Biblioteca Comunale30. Hutzel, Max 1960-1990 .. Medieval: Manuscripts: 1) Laurentius Rusius: "De cura equorum" (15th century) BCM S.XXVI.2 2) Paolo Veneto: "History of the Origins of the World through Henry VII" (14th century) BCM S.XI.5 3) S. Isidorus: "Etymologies" (late 8th-early 9th centuries) BCM S.XXI.5 4) Gospel Book (Evangeliario), Greek (10th century) BCM D.XXVII.4 5) Pentateuch, Prophets, and Hagiographies, Hebrew (1348) BCM S.XXIX.1 6) "Somnium Scipionis", misc. (14th-15th centuries) BCM S.XII.6 7) Boethius: "De Consolatione Philosophie" (14th century) BCM D.XIV.1 8) Justinian: "Institutiones" (14th century) BCM S.IV.I 9) Bible (Old and New Testaments) (13th-14th centuries) BCM D.V.2 10) Giabir Ibn Afla "Almagestus" (De Astronomia) (13th and 15th centuries) BCM S.XXVII.2. Post-medieval: Manuscripts: 1) St. Augustine: "Enarrationes in Psalmos" (1452) BCM D.III.2 2) Herodotus: Histories (15th century) BCM S.X1V.1 3) St. Augustine: "De Civitate Dei"

Anatomy Sketchbook Eastman Johnson (American, 1824-1906). Anatomy Sketchbook, 1849. Graphite on beige, medium weight, slightly textured laid paper, Sketchbook: 17 1/8 x 11 1/16 x 3/8 in. (43.5 x 28.1 x 1 cm). Eastman Johnson used this sketchbook while enrolled in an anatomy class at the Düsseldorf Royal Academy in Germany. The meticulous, almost scientific precision of his skeleton studies reveals the schools emphasis on draftsmanship and anatomical knowledge as fundamental tools for the artist. Many of the drawings include grids and other geometric guidelines, as well as notations about ideal proportions of the human body. Johnson parlayed his academic training into a successful career as a painter of American genre subjects. American Art 1849

Title page of Anton Hanak's sketchbook (1925-1933) introducing collected records on the creation and development of the Gustav Mahler Monument in Vienna, drawn with blue pen.

Taureau M, 2., 1849 - 1850, Additional, Porte M. Taureau 2., 1849 - 1850., Paris. Publisher, Imprimerie nationale. Assyria, Antiquities & archaeological sites, Nineveh (Extinct city). Etchings

Hugo, Victor (n.1802-02-26-D.1885-05-22), Copeau (dummy title), 1870. Ink on paper. Houses of Victor Hugo Paris - Guernsey.

The Moon upon her fluent route ,

Play, cricket

Black ink diary entry by Anton Hanak in 1927 noting personal health conditions including fever, haste, and nervous stress, with accompanying sketches and reflections.

Colophon from Oda a Lorca. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 768 x 568 mm (sight). Lithograph on white nacre Japanese paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Taking the Bastille and Art in the last century (IT)

Fabric panel imprinted with blessings and sayings of peace, Golden Mount, Bangkok, Thailand, Southeast Asia, Asia

Revista "Nova Iberia", número 2, febrero de 1937. Revista del Comissariat de Propaganda de la Generalitat de Catalunya, editada entre enero y abril de 1937. Su finalidad consistía en explicar las actividades de la Cataluña republicana, y concienciamiento de la población. Artículo dedicado a Josep Tarradellas (1899-1988). Biblioteca Histórico-Militar de Barcelona. Cataluña. España.

Sandinista National Liberation Front (FSLN) propaganda poster in Nicaragua. The party was named after Augusto CA©sar Sandino, who led the Nicaraguan resistance against the United States occupation of Nicaragua in the 1930s. The FSLN overthrew Anastasio Somoza in 1979, ending the Somoza dynasty, and established a revolutionary government in its place. Following their seizure of power, the Sandinistas ruled Nicaragua from 1979 to 1990, first as part of a Junta of National Reconstruction.

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