Diverse Artistic Expressions

A variety of paintings from different eras, reflecting unique styles and themes, including surrealistic elements and historical narratives.

Title Unknown 1979 Borack, Stanley(1927- American)

Summer scene by Richard Dadd, Oil on canvas, circa 1855, 1819-1887, United Kingdom, London, Tate Britain, 54x39, 4

The Yellow Harpist. John Banting (1902-1972). Pencil, gouache and black ink. Signed and dated 1946. 56 x 75cm.

FESELEN, Melchior (1495-1538). The Siege of Alesia. 1533. Right central detail. This is one of the paintings commissionned by Duke William IV of Babaria and his wife Jacobea of Baden. Oil on canvas. GERMANY. BAVARIA. Munich. Alte Pinakothek (Old Pinacotheca).

PINTURA - NINO CON JUGUETES.

Title Unknown 1979 Borack, Stanley(1927- American)

God Judging Adam ca. 1795 William Blake British A nude and aged Adam, newly aware of his own nakedness and mortality, hangs his head before a fiery chariot bearing the divine maker whom he resembles exactly. For many years, this image was thought to represent Elijah in the fiery chariot. Recently, it has been connected to a passage in Genesis 3:17-19 in which God condemns Adam for tasting the forbidden fruit. The print was made using a unique method of Blake's invention. A plate etched in relief was used to print the design; then colors were painted onto millboard, or a similar surface, and printed onto the sheet like a monotype. Finally, Blake enhanced the print by hand with watercolor and ink.. God Judging Adam 347414

Zahir ud-din Muhammad Babur was a Muslim conqueror from Central Asia who, following a series of setbacks, finally succeeded in laying the basis for the Mughal dynasty of South Asia. He was a direct descendant of Timur through his father, and a descendant also of Genghis Khan through his mother. Babur identified his lineage as Timurid and Chaghatay-Turkic, while his origin, milieu, training, and culture were steeped in Persian culture and so he was largely responsible for the fostering of this culture by his descendants, and for the expansion of Persian cultural influence in the Indian subcontinent, with brilliant literary, artistic, and historiographical results.

Siegfried sees himself in the stream from Siegfried, The Ring of the Nibelungen - Arthur Rackham, circa 1911

THOMAS of CantimprŽ (1201-1276). Codex Granatensis: De natura rerum. 15th c. Illustration about the boxwood tree. Edition of Granada of the original of the 13th C. Gothic art. Miniature Painting. SPAIN. ANDALUSIA. Granada. Granada University Library.

Matamoe (Landscape with Peacocks) 1892 Paul Gauguin (1848-1903/French) Oil on Canvas Pushkin Museum of Fine Arts, Moscow, Russia

Mural, Heraklion museum, Crete Island, Greece

PINTURA-SUPERREALISTA. Author: JOSE HERNANDEZ MUÑOZ. Location: PRIVATE COLLECTION. MADRID. SPAIN.

fine arts, Durer, Albrecht (1471 - 1528), copper engraving, ""Saint Eustace"", circa 1501, 35.5 cm x 25.9 cm, private collection,

Chloe Abandoned', design for a Ballet Russes production of Ravel's Daphnis and Chloe by Leon Bakst, 1910-1911. From the Museum of Decorative Arts, Paris.

circle of John Linnell, 1792-1882, British, The Destruction of Job's Sons, undated. Watercolor and black ink on moderately thick, slighly textured, cream wove paper.

Various Occupations recto. Dated: fourth quarter 15th century. Dimensions: overall: 15 x 22.4 cm (5 7/8 x 8 13/16 in.). Medium: engraved copper plate. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.

Nemesis - 20th century. Author: LUBY FRANZ. Location: PRIVATE COLLECTION.

Jacob Wrestling with the Angel (La Lutte de Jacob avec l'Ange) Odilon Redon (French, 1840-1916). Jacob Wrestling with the Angel (La Lutte de Jacob avec l'Ange), ca. 1905-1910. Oil on canvas, 56 1/2 x 24 1/2 in. (143.5 x 62.2 cm). Here, the artist portrays a biblical story as if it were a moment from a dream. Emphasizing the narratives visionary qualities, he places his two diminutive figures at the bottom of the canvas, between towering trees and bathed in an atmosphere of opalescent color. Odilon Redon was one of many artists at the end of the nineteenth century who, as he described, freed himself from “the encumbrances of naturalistic particularities” in favor of “the representation of imagined things.” European Art ca. 1905-1910

TIOVIVO. Author: LAPAYESE RAMON. Location: PRIVATE COLLECTION, MADRID, SPAIN.

The Battle of Anghiari 1500, Leonardo da Vinci, 1500

PORTINARI, Càndido (1903-1962). Coffee. 1925. Central detail. Oil on canvas. BRAZIL. Rio de Janeiro. National Museum of Fine Arts.

circle of John Linnell, 1792-1882, British, Job's Evil Dreams, undated. Watercolor and black ink on moderately thick, slightly textured, cream wove paper.

Detalle del Tapiz de la Creación, siglo XI, Museo Catedralicio de la Catedral de Girona.

Satan Smiting Job with Sore Boils. Date/Period: Ca. 1826. Painting / drawing. Pen, ink and tempera on mahogany wood. Height: 326 cm (10.6 ft); Width: 432 cm (14.1 ft). Author: William Blake.

Saint George and the Dragon. Bernat Martorell; Spanish, about 1400-1452. Date: 1434-1435. Dimensions: 155.6 × 98.1 cm (61 1/4 × 38 5/8 in.). Tempera on panel. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Clash of the Titans; Kampf der Titanen. Kolomon Moser (1868-1918). Oil on canvas. Painted circa 1913-1915. 130 x 240cm.

Study for 'Fall of Gog and Magog' , Religion, Fighting, Sargent, John Singer, 1856-1925. Triumph of religion

THOMAS of CantimprŽ (1201-1276). Codex Granatensis: De natura rerum. 15th c. Illustration about coll. Edition of Granada of the original of the 13th C. Gothic art. Miniature Painting. SPAIN. ANDALUSIA. Granada. Granada University Library.

Sham Fight, Mandan Boys. oil on canvas. Date: 1832-1833. Museum: Smithsonian American Art Museum.

Hercules Drives Chariot, Le Brun, Charles, 1650

The sleeping knights, 1870, by Edward Burne-Jones (1833-1898).

Transfiguration, The Blind II, Egon Schiele, 1915, Leopold Museum, Vienna, Austria,

The Destruction of Rapperswil in 1350 (wall painting) - Gustav Adolf Closs

Roman fresco depicting a landscape with temple and sacred gate (the colours have been altered by heat of the materials by the eruption of the Vesuvius). Mid 1st century BC. From Villa of the Papyri, Herculaneum. National Archaeological Museum. Naples. Italy.

Mauve table cloth by Georges Braque, oil on canvas, 1882-1963

Lazio Roma Rome SS. Giovanni e Paolo2. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Phallic dance. Mesolithic art. Cave. SPAIN. CATALONIA. BARCELONA. Barcelona. Archaeology Museum of Catalonia. Proc: SPAIN. CATALONIA. LLEIDA. El Cogul. Cova dels Moros.

Goncharova, Natalia Sergeevna (1881-1962) Private Collection 1914 28,5x36 Watercolour on paper

Detail of art work, Vilnius University, Vilnius, Lithuania

Tripoli, Tarabulus, Libya. Example of rock art found in the Southern Sahara, Libya, presently in the Tripoli Museum, Tripoli, Libya.

Painting, Neka museum, Ubud, island of Bali, Indonesia, Southeast Asia, Asia

Glyn Warren Pihilpot, Repose on the Flight into Egypt, 1922, oil paint on canvas, Tate Britain, National Gallery of British Art, London, England.

Miss Lala in Circus Fernando, Fine Art

Emperor Ming Huang on his journey to Shu, unknown artist, Northern school, China

Toad and Snail meet before the Sils Mountains at Maloja; Krote und Schnecke begegnen sich vor den Silser Bergen bei Maloja. Max Ernst (1891-1976). Oil on canvas. Painted circa 1934-1935. 18 x 23.2cm.

The Pilgrims; Les Pelerins - De Pelgrims. James Ensor (1860-1949). Oil on panel. Painted in 1929. 31.7 x 40cm.

Initial S: The Conversion of Saint Paul. Date/Period: Ca. 1440 - 1450. Detached leaf. Tempera colors, gold leaf, gold paint, silver leaf, and ink on parchment. Height: 141 mm (5.55 in); Width: 89 mm (3.50 in). Author: Attributed to Pisanello.

Stage sketch to "not a notny book"; Drabik, Wincenty (1881-1933); Before 1933 (1930-00-00-1933-00-00);

Thirty-Three Bogatyrs by Vrubel, Mikhail Alexandrovich (1856-1910) State Russian Museum, St. Petersburg 1901 Russia Oil on canvas Painting Mythology, Allegory and Literature

The Hospices de Beaune. Rogier Van Der Weyden (1399-1468) polyptych altarpiece. Detail. The last Judgment. Archangel Saint Michael weighing souls. Beaune. France.

Hans Memling (1430-1494). German painter. The Last Judgment, 1467-1471. Triptych. Right panel. Detail. The damned are being dragged to Hell. National Museum. Gdansk. Poland.

FAUNA DE CAZORLA-OLEO/LIENZO-130X97 CM. Author: RAFAEL ZABALETA (1907-1960). Location: GALERIA BIOSCA. MADRID. SPAIN.

Edgar Degas, Spanish Dancers and Musicians, 1868 1869 Spanish Dancers and Musicians

The sending of the four apocalyptic horsemen, in the 6th chapter of the Revelation of John as messengers of the approaching Apocalypse, the Last Judgement, one of the four last things, c. 1885, Historical, digitally restored reproduction of a 19th century original, The sending of the four apocalyptic horsemen, in the 6th chapter of the Revelation of John as messengers of the approaching Apocalypse, the Last Judgement, one of the four last things, c. 1885, Historical, digitally restored reproduction

Samarkhand Scene. Kuzma Sergeevich Petrov-Vodkin (1878-1939). Oil on canvas. Dated 1921. 51 x 63cm

According to the beliefs of North American indiansthe Haida of British Columbia and the Queen Charlotte Islandsthe Sky-god Sin one day rose over the sea and then soared upward, wearing the skin of a woodpecker, and the waves reflected a colour as of fire. Bidding him farewell was his foster mother, the daughter of a chief. This myth is illustrated in this early 1900s painting by James Jack.

The Son of the Vineyard (Le fils de la vigne) James Tissot (French, 1836-1902). The Son of the Vineyard (Le fils de la vigne), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 9/16 x 7 1/4 in. (24.3 x 18.4 cm). European Art 1886-1894

The Brazen Serpent, by Robusti Jacopo known as Tintoretto, 1575, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Foreground bottom right snake biting leg.

Knights fighting, c1260, (1843).Artist: Henry Shaw

HOMENAJE A TINTORETTO - SIGLO XX. Author: Charles Lapicque. Location: MUSEO DE ARTE MODERNO DE LA VILLA DE PARIS. France.

Hemp harvest. Banks of the Rhine. Peasants working the hemp plant. Engraving. "L'Illustration Journal Universel" (1860). 19th century. Colored.

The Progress of Humanity; La Marcha de la Humanidad. David Alfaro Siqueiros (1896-1974). Acrylic on masonite. Painted in 1959. 78 x 61cm.

Hagen and the Nymphs of the Danube 1802 Henry Fuseli Swiss. Hagen and the Nymphs of the Danube. Henry Fuseli (Swiss, Zürich 1741-1825 London). 1802. Graphite, pen and brown ink, watercolor and gouache on cream wove paper. Drawings

The Slavic Unity, Mucha, Alfons Marie (1860-1939)

Carlos V. Francisco, The Code of Kalantiaw, 1964, Watercolour.

Paul-Albert Baudouin (1844-1931). "Scenes from terrestrial life - Peristyle vault, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-22 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

LAMINA DE BATRACIOS. Location: MUSEUM OF NATURAL HISTORY. MADRID. SPANIEN.

Batiste, Bogard, and I Approaching Buffalo on the Missouri. oil on canvas. Date: 1837-1839. Museum: Smithsonian American Art Museum. George Catlin.

Stage design for the opera The dead Souls by R. Shchedrin by Levental, Valeri Jakovlevich (*1938)/ State Central M. Glinka Museum of Music, Moscow/ 1977/ Russia/ Oil on canvas/ Theatrical scenic painting/ 101x117/ Opera, Ballet, Theatre

Horse, detail from Phaeton's chariot pulled by the Sun, 1531-1532, dome from the loggia known as del Romanino, first floor of the Grand Palace, Buonconsiglio Castle, Trento, Trentino-Alto Adige. Italy, 16th century.

FERNANDEZ, Luis (1900-1973). L'Immense bouche. 1939. Metaphysical painting. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Art and Technology Division of TelefÑnica Foundation.

Saint Jerome, by Bartolomeo di Giovanni, detail, 15th Century

Shell and Drape; Coquillage et Drape. Pierre Roy (1880-1950). Oil on canvas. Painted circa 1930. 28.5 x 24cm

JESUS DE PERCEVAL. PINTOR ESPAÑOL. ALMERIA 1916 - 1985. PAISAJE. COLECCION AUTOR.

Painting depicting a historical account of the construction of Angkor Wat Temple in the 13th century, gallery in Pursat, Pursat, Pursat Province, Cambodia, Asia

Saved. Winslow Homer (United States, Massachusetts, Boston, 1836-1910). 1889. Prints; etchings. Etching

Millefleurs ground with tree in wattled fence enclosure. unknown c. 1500-1535 Tapestry Dimensions: H 8'7" x W 12' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: Sold at American Art Association (New York) 11/27/1926, lot 179 (Count de Kermaingant of Paris sale). French & Co. purchased from Mrs. Leon H. Kronthal 2/20/1952; sold to Mrs. Alfonso Heilbronner 12/1/1961. Deer, unicorn & birds within enclosure; lion outside enclosure Borders missing. Possibly made in Tournai French & Co. stock sheet missing from archive, 51878

PORTINARI, Càndido (1903-1962). Coffee. 1925. Oil on canvas. BRAZIL. Rio de Janeiro. National Museum of Fine Arts.

THOMAS of CantimprŽ (1201-1276). Codex Granatensis: De natura rerum. 15th c. Illustration about the harvesting of the date palm. Edition of Granada of the original of the 13th C. Gothic art. Miniature Painting. SPAIN. ANDALUSIA. Granada. Granada University Library.

Butte de Mort, Sioux Burial Ground, Upper Missouri. oil on canvas. Date: 1837-1839. Museum: Smithsonian American Art Museum.

Jonathan Swift (1667 Ð 1745). Anglo-Irish satirist, essayist, political pamphleteer. Gulliver's Travels, 1726. Illustration by Andre Devambez (edition, 1911).

Mexican School. Zapatistas (Detail). 1931. Fresco. Madrid, Reina Sofia museum. Author: JOSE CLEMENTE OROZCO (1883-1949). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Drawing sketch style illustration of a greek tiireme navigator pointing and avoiding sirens who are waving calling at them. . Greek Trireme Navigator Pointing Avoiding Sirens Drawing

Painting titled 'Work in the Field' by Ambrogio Lorenzetti (1290-1348) Italian painter of the Sienese school. Dated 14th Century

Garden Of Earthly Delights c.1505 Hieronymus Bosch (ca.1450-1516 Netherlandish) Museo del Prado, Madrid, Spain

Costume design for the opera Aleko by S. Rakhmaninov by Lushin, Alexander Fyodorovich (1902-)/ A. Pushkin Memorial Museum, St. Petersburg/ 1938/ Russia/ Pastel on paper/ Theatrical scenic painting/ 45x67,5/ Opera, Ballet, Theatre

BOSCH, Hieronymus Aeken Bosch o "EL BOSCO" (Bois-le-Duc,1450-Bois-le-Duc,1516). Pintor y grabador neerlandés, perteneciente a la "Escuela Flamenca". "EL JARDIN DE LAS DELICIAS" o "LA PINTURA DEL MADROÑO". Tríptico en tabla (2,20 x 1,95 m). Detalle de la hoja derecha que representa EL INFIERNO. Museo del Prado. Madrid. España.

Illustration by Gustave Dore (1832-1883) for Paradise Lost, published in 1667, is an epic poem in blank verse by the English poet John Milton, Inferno, Hell, Paradise, Angel, Damnation, Historical, digitally restored reproduction from an original from the 19th century, Record date not stated..

Deer calling in Autumn: Interior of a writing box (detail), black lacquer with Gold inlays, XVII century.

'Los emblemas del amor', 1998-1999, Tempera on canvas, 141 x 200 cm. Author: GUILLERMO PEREZ VILLALTA (1948-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The Triumph of Art, painting by Leon Bonnat in the Arts room, Hotel de Ville. Paris, France. Europe. From La Ilustracion Española y Americana 1895

Edward Tennyson Reed, 1860; 1933

Jacquemart-Andre Museum. Saint George Killing the Dragon. Paolo Uccello (1347-1475). Paris. France.

Burning Oil Well at Night, near Rouseville, Pennsylvania. Date: ca. 1861. Oil on paperboard. Museum: Smithsonian American Art Museum.

Cristofor de Premis (1440-1486). Italian miniaturist. The end of the World and Last Judgment. A great mountain will rise (first time). Codex De Predis. (1476). Royal Library, Turin, Italy.

LEGER, FERNANDO. PINTOR FRANCES. 1881-1955. " UN DIA EN EL CAMPO". GALERIA ADRIEN MAEGHT. PARIS.

Microcosmos (or Determinism); Microcosmos (or Determinismo). Remedios Varo (1908-1963). Tempera on masonite. Executed in 1959. 94.5 x 89.5cm.

Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Witches Sabbath or The Witches, 1797-1798. Detail. Lazaro Galdiano Museum. Madrid. Spain.

Meditation. Sandro Chia (b. 1946). Oil on canvas. Painted in 1981. 162.3 x 130.2cm.

Jerome in the Desert'. St Jerome (c340-420) a father of Western Church and compiler of the Vulgate. His lion is at bottom left, and his cardinal's hat is in niche behind his shoulder. School of Roberti (c1450-1456). Tempera on wood. Private collection.

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