Divine Encounters in Engravings

Engravings featuring angels, saints, and biblical events, focusing on the interaction between heaven and earth in religious narratives.

Christ and the Virgin Mary appear on Saint Francis and his Order, Raphaël Sadeler (I), After Raphaël Sadeler (II), After Johann Mathias Kager, After B. Remigius de Bozulo Cappuc., 1581 - 1633 print In the foreground some Franciscaner monks. They read from a Bible. On the ground are the symbols of secular and spiritual power (Kroon, Miter and Cardinal Hood). On a hill the Holy Francis kneels for the appearance of Christ and the Virgin Mary. Under the appearance the activities of the Order of the Franciscans. Antwerp paper engraving after the miracle of the roses, Christ and Mary appear to St. Francis of Assisi in the Portiuncula chapel (+ angel(s)). monastic orders, monastic life ~ Roman Catholic church (with NAME of order)

Engelen stop the four winds, Albrecht Dürer, 1498 print Four angels, bottom left, stop four winds (in the form of four blowing cups), while another angel draws a cross on the forehead with a number of people. On Versozijde Latin Bible text in Gothic script in two columns. Nuremberg paper letterpress printing the four winds are restrained by four angels

Christ on the cross. Cross death of Christ on Golgota. Christ hangs on the cross. Left and right of him the crucified criminals. A soldier tries to let Christ drinking a sponge baptized in acidic. Under the cross mourning women under whom Maria and Maria Magdalena.

Christ and the Virgin Mary appear on Saint Francis and his Order, Raphaël Sadeler (I), After Raphaël Sadeler (II), After Johann Mathias Kager, After B. Remigius de Bozulo Cappuc., 1581 - 1633 print In the foreground some Franciscaner monks. They read from a Bible. On the ground are the symbols of secular and spiritual power (Kroon, Miter and Cardinal Hood). On a hill the Holy Francis kneels for the appearance of Christ and the Virgin Mary. Under the appearance the activities of the Order of the Franciscans. Antwerp paper engraving after the miracle of the roses, Christ and Mary appear to St. Francis of Assisi in the Portiuncula chapel (+ angel(s)). monastic orders, monastic life ~ Roman Catholic church (with NAME of order)

Crucifixion of Christ. Christ hangs on the cross. John raises his arms in despair. At the Cross, the three Maria's mourns with fainted Maria. At the bottom of Albrecht Dürer monogram and the date of his print: 1508. Signed at the bottom right: "æ15".

A copper engraving by Marcantonio Raimondi from 1515-1527 depicting the Ascension of Christ, showing Christ rising and disciples observing.

De Kruisiging, Albrecht Dürer, 1508 print Christ on the cross. On his left, John the Evangelist is with his hands raised in a praying gesture, standing on his right side and are four mad women. Nuremberg paper engraving crucified Christ with Mary, John, and Mary Magdalene

Worship of the kings.

Ascension and coronation of Mary; Life of Mary. The apostles are a blank grave and looking up, where Maria in heaven is crowned by Christ and God. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Moving of Christ. Christ is mocked by a group of soldiers. He is blindfolded and tied.

Christ is nailed to the cross, Hieronymus Wierix, After Bernardino Passeri, 1593 print Christ is nailed to the cross by soldiers. Soldiers fill the chalice in the foreground. Other soldiers watch. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the erection of the cross: Christ is nailed to the cross which lies on the ground

Commissioning; The Great Passion. The body of Christ is considered by five women (including Maria) and a young man (John the Evangelist) near his grave. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Petrus finishes the ear of Malchus. Soldiers run to Christ to arrest him. Petrus is about to chop the ear of Malchus. In the background, Malchus is cured by Christ. With various elements from the show are letters. The print is part of an album.

Christ in the Breepreken, Hieronymus Wierix, 1563 - Before 1619 print After his death, Christ descends into the pre -borter. At the gates of hell he reaches the hand to anonymous figures. A man and woman walk away on the left. Looking devils. In the margin a three -faced Bible quote from Sir. 24 in Latin. Antwerp paper engraving Christ arrives at the entrance of hell and breaks the door(s)

De Kruisdraging, Martin Schongauer, c. 1470 - 1491 print Christ walks with the cross on the shoulder through a city gate, surrounded by soldiers with spears. Next to him, a woman with a cloth (Veronica) kneels. This print is part of a series of twelve prints with scenes from the suffering story. Germany paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face

Christ arouses the sleeping disciples, Jacob Cornelisz van Oostsanen, 1520 - 1521 print From series of 66 prints. Proef pressure, no text on Verso. paper Christ summons the apostles to stay awake and pray ~ Garden of Gethsemane

A woodcut by Albrecht Dürer circa 1510 depicting the Ascension, showing Christ rising to heaven with apostles below, detailed lines and composition.

The Angel with the Key to Bottomless Pit 1511 Albrecht Dürer German Here, Dürer shows the end to the reign of the Devil as told in book twenty of Revelation. The angel seized the dragon, who is Satan, and "bound him for a thousand years. And he threw him into the Abyss, shut it, and sealed it over him, so that he could not deceive the nations until the thousand years were complete.. Then he saw the thrones, and those seated on them had been given authority to judge.. those who had not worshiped the beast or its image, and had not received its mark on their foreheads or hands. And they came to life and reigned with Christ for a thousand years.". The Angel with the Key to Bottomless Pit 388596

The Fall and Redemption of Man: Christ on the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

The Entombment Albrecht Dürer German n.d.

Crossing of Christ, Christoffel of Sichem (II), After Hendrick Goltzius, 1657 print Amsterdam paper carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Bewening, Lucas Cranach (I), 1509 print The dead body of Christ, which has just been removed from the cross, is supported by the mourning Mary and John kneels next to her. Maria Magdalena kisses the hand of Christ while Joseph holds the canvas with which he took Christ from the cross. Nikodemus is ready to balm the body. Two small shields at the top left wear the Electoral and Ducally Weapon of Saxony. Germany paper the mourning over the dead Christ

Bewening van Christus, Albrecht Altdorfer, c. 1506 - 1538 print The dead body of Christ, lying on the ground, is tired by Mary, John and Mary Magdalena. Thirty -two print from a series of forty. Germany paper lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Ascension, Albrecht Dürer, 1510 print Christ rises to heaven in the presence of his disciples and his mother. Latin printed text on the back. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper letterpress printing Christ almost vanished: only feet visible ~ Ascension

Kruisafneming, in or after 1629 - in or before 1646 print The body of Christ is taken off the cross by three men. A fourth NAM takes the body. Joannes and Maria Treuren. The print is part of an album. paper letterpress printing descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

The Incredulity of Thomas, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Incredulity of Thomas, from Speculum passionis domini nostri Ihesu Christi 666034

The Crucifixion. Albrecht Dürer (Germany, Nuremberg, 1471-1528). 1508. Prints; engravings. Engraving

Lazarus, newly alive from his tomb, is untied by his family from the grave clothes (John 11: 1-44). The print has a Latin caption. The print is part of a series on the life of Christ, Raising of Lazarus Life of Christ Vita I. Christi , print maker: Adriaen Collaert, (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Sadeler, (mentioned on object), Antwerp, 1583 - 1588, h 195 mm × w 143 mm

Collection of Christ, Zacharias Dolendo, after Karel van Mander, 1596 - 1598 print Christ is captured by the soldiers at night. Two of his disciples press against the body of Christ to protect him. A soldier binds the hands of Christ on his back with a rope. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II. paper engraving the arrest of Christ ~ Garden of Gethsemane

Intocht van Christus in Jeruzalem; Leven en passie van Christus; Dominicæ Passionis Mysteria Typicis Advmbrationibvs Adamussim Effigiata.Christ is received outside the city gate of Jerusalem by a crowd of people who honor him. A man spreads his cloak on the ground. Christ drives into the city on a donkey.

Last Judgment. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Longinus puts his lance in the side of the Dead Christ on the Cross, Boëtius Adamsz. Bolswert, 1622 print paper engraving Longinus pierces Christ's side with a lance

The Agony in the Garden, c. 1480, Martin Schongauer, German, c. 1440/53-1491, 6 7/16 x 4 9/16 in. (16.35 x 11.59 cm) (image), Engraving, Germany, 15th century, After the Last Supper, Christ went to pray on Mount Olivet, bringing along three companions, the Apostles Peter, John and James, who would fall asleep at the foot of the hill as Christ prayed. In the right background of the print, Judas appears with purse in hand, leading the Roman soldiers to arrest Christ. At close inspection, one might note some slips of the burin in this engraving-for instance, in the stray line near the mouth and nose of Christ. It is a reminder of just how unforgiving the medium of engraving can be and the exceptional level of skill required to execute the immaculately engraved plates more typical of Schongauer's oeuvre.

Crucifixion; The passion. Christ on the cross between the other two crucified. At the foot of the cross among others, the three Maria's and Longinus with his lance. In the foreground the soldiers dice to his clothes.

The Adoration of the Magi. 1500. Robetta, Cristofano, 1462-approximately 1522. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Noli Me Tangere, from The Passion of Christ 1582-83 Johann Sadeler I Netherlandish. Noli Me Tangere, from The Passion of Christ 654701

The Resurrection, from The Large Passion 1511 Albrecht Dürer German. The Resurrection, from The Large Passion 388030

The Pharisees and scribes ask for a sign of Christ, 1629 print Christ tells the Pharisees and scribes that they will receive no other sign than that of the prophet Jonah. In the background you can see how Jonah is spit out on the land by the fish. In the background on the left the queen of Seba for King Solomon. On the right the man who is abandoned by an unclean spirit, but returns with seven other demons who are worse than himself. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Pharisees and Saducees tempt Christ to show them a sign from heaven (Matthew 12:38-39, 16:1-4; Mark 8:11-12; Luke 11:16, 11:29). after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed. Solomon and the queen of Sheba (1 Kings 10:1-3; 2 Chronicles 9:1-9)

Commissioning. The body of Christ is considered by five women (including Maria) and a young man (John the Evangelist) near his grave.

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Mocking and beating of Saint Dominic, verso center bottom - stamped, Saint Dominic is mocked and beaten in his fight against the Abigensians. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Graflegging, Albrecht Dürer, 1511 print The body of Christ is worn by three men to a grave. A number of people, including Mary and John, watch. Latin text printed on the fresh side. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper letterpress printing Christ's entombment (possibly by angels)

Unknown, The Small Passion: The Resurrection, c. 1630-50, engraving on paper mounted on laid paper.

Crucifixion 1644-52 Wenceslaus Hollar Bohemian Plate 13. Christ is crucified between two thieves, the one at right is wearing a monk's habit, the other a cardinal's hat. There are monks and clerics in the foreground and a church in the background; after a follower of Hans Holbein. Crucifixion 360830

The Holy Family with Saint Sebastian and Saint Roch. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Francesco Denanto.

Albrecht Dürer (1471-1528). The little passion on wood: the ascent (Bartsch 50). 1510. Museum of Fine Arts of the City of Paris, Petit Palais. 77216-27 Catholic art, Chretian art, religious art, Christianity, Holy History, Christian iconography, Religious Iconography, New Testament, Passion of Christ, Renaissance, Life Christ, Engraving

Depicts the presentation of the crucified Jesus Christ by Dr. Christoph Scheurl and his sons, created by the Cranach workshop around 1540 as a woodcut with figures and narrative details.

Pilgrim his robe robbed, Jan Luyken, Jan Rieuwertsz., 1683

Daniel Lindtmayer, The Sacrifice of Abraham, 1586 The Sacrifice of Abraham

Jesus confronting his detractors 1644-52 Wenceslaus Hollar Bohemian Plate 2. Jesus and Peter, with a sword over his shoulder, walk right towards a crowd of monks and a cardinal carrying crosses, pilgrim staffs and a lit candle. After a follower of Hans Holbein. Jesus confronting his detractors 360700

The Entombment n.d. Albrecht Dürer German. The Entombment 387730

Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John 1505 Hans Baldung (called Hans Baldung Grien) German. Christ on the Cross with the Virgin and Saints Longinus, Mary Magdalen and John 416039

Christ in the court of Getemane; The little passion. Christ prays in the court of Getemane. His pupils Petrus, John and Andreas have fallen asleep. Print is part of a book.

The Six Angels Pouring Out the Lord's Wrath and Filling the Ocean Six Angels Emptying the Bowls of Wrath The False Prophet The Apocalypse. 1547. Gerung, Matthias, approximately 1500-approximately 1570. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ on the olive mountain; The Great Passion. Christ prays in the court of Getemane, while his disciples around him are sleeping. Latin text printed on versow. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

Inland of Christ, Hans Baldung Green, 1505 - 1507 print The dead body of Christ is wrapped in canvases on the ground at the foot of the cross and is supported by John. Maria kneels with her son and Maria Magdalena is behind them and wipes tears from her face. Nuremberg paper the mourning over the dead Christ

Christ on the Cross with Mary and Saint John. Dated: 1510. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

The seven angels with the bazuinen. God hands marazuin to seven angels in heaven. If they blow it, there will be a major disaster over the earth: cities stand fire, ships perish. An eagle meaves over the earth dwellers with the words 've ve ve'. On versose side Latin Bible text in Gothic script in two columns.

Birth of Christ. The Christ child is in the straw for a stable. All around Maria, Joseph, angels and shepherds. Upstairs floating putti between the clouds. In the background a wide landscape.

A 1460 copper engraving by Cristofano di Michele, known as il Robetta, depicting the Adoration of Maria, showing detailed figures, composition, and Christian iconography.

Albrecht Dürer, The Crucifixion, 1511 The Crucifixion

The Bearing of the Cross with Saint Veronica. Dated: c. 1480. Dimensions: sheet (trimmed to plate mark): 16.5 x 11.8 cm (6 1/2 x 4 5/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Christ on the cross, Albrecht Altdorfer, c. 1506 - 1538 print Christ on the cross. Maria, at the foot of the cross, has succumbed. She is supported by Johannes and Maria Magdalena. Thirtieth print from a series of forty. Germany paper crucified Christ with Mary, John, and Mary Magdalene

Christ on the Cross, Harmen Jansz Muller, After Maarten van Heemskerck, 1565 print Christ hangs on the cross and longinus sticks him in the side with a spear. Links Johannes and Maria. At the bottom of the margin a verse in Latin. Print is part of a series about the seven bleeding of Christ. paper engraving Longinus pierces Christ's side with a lance

Paid of Christ. Christ has been brought from the cross and Maria, Johannes, Maria Magdalena and others reinforced him.

The thorn corant; The passion. Christ is on a raise with a thorns crown on the head. He is surrounded by men; Some of them beat him with sticks, make some offensive gestures, one briefly presses Christ a staff. This print is part of a series of twelve prints with scenes from the suffering story.

Adoration of the kings Vita Deiparae Virginis Mariae (series title) Life of the Virgin Mary (series title), Mary is sitting with the Christ child on her lap at the stable in Bethlehem. Two angels are behind Maria. Three kings are in worship for Christ. In the margin a six-line caption, in two columns, in Latin. The print is part of an album, adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh), Jean Matheus (mentioned on object), Paris, 1590 - 1649, paper, engraving, h 102 mm × w 67 mm

Intocht Van Christ in Jerusalem Of entry into Jerusalem on Palm Sunday; Life's passion and death of Jesus Christ ..

The Assumption and Coronation of the Virgin, from The Life of the Virgin 1510 Albrecht Dürer German. The Assumption and Coronation of the Virgin, from The Life of the Virgin 347412

Christ on the Cross with Two Saints, 15th century, Master AG, German, active c. 1470-1490, 10 11/16 x 7 3/16 in. (27.15 x 18.26 cm) (image), Engraving, Germany, 15th century

Print at the top right numbered: 303. In the margin a two-legged caption with reference to the Bible book mat. 5:40.

Adoration of the Kings, Christoforo di Michele Robetta, After Filippino Lippi, 1510 - 1515 print paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Johannes de Evangelist kneels for Christ and the Lamb with the seven horns and the seven eyes, Albrecht Dürer, 1511 print John kneels for Christ, who is lying among seven torches, surrounded by the four apocalyptic animals (winged lion, winged cattle, eagle and angel) and the 24 elders. A lamb with seven horns and seven eyes stands with the front legs on a book with seven stamps on Christ 'shot. On Versozijde Latin Bible text in Gothic script in two columns. Nuremberg paper letterpress printing the Lamb takes the book from him who sits on the throne

Ascension Day; The little passion. Ascension of Christ. The apostles (Peter seen on the back) and Mary remain on the mountain behind and see Christ take off to heaven. Print is part of a book.

The imprisonment; The passion. Christ is tied to neck and hands taken by a group of armed men. This print is part of a series of twelve prints with scenes from the suffering story.

The Lamentation, from The Passion Narrative, painting by Lucas Cranach the Elder, 4 October 1472, 16 October 1553, one of the most important German painters, graphic artists and letterpress printers of the Renaissance, Historical, digitally restored reproduction of a historical original

Judas betrays Christ with a kiss and soldiers take him, Boëtius Adamsz. Bolswert, 1622 print paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. the arrest of Christ ~ Garden of Gethsemane

A woodcut by Hans Wechtlin from around 1508, edition 1522, depicting the resurrection of Christ, showing figures, tomb, and early 16th-century German printmaking style.

Christ predicts his suffering, Antonie Wierix (II), After Bernardino Passeri, 1593 print On the way to Jerusalem, Christ predicts his suffering to his students. At the top medallions with scenes from the passion of Christ. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ foretelling his Passion (at various occasions) (Matthew 16:21, 17:22-23; Mark 8:32, 9:31; Luke 9:22, 9:44). Christ's arrest, trial, and torture

Uitstorting Van De Heilige Geest, Virgil, 1552 print Nuremberg paper Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates;

Christ Geneesm melaatse buiten Jericho; Of the ten lepers and dark road to Jericho Life's passion and death of Jesus Christ ..

The Crucifixion 1521 Monogrammist G.Z. German. The Crucifixion 384415

The Crucifixion (Christ on the Cross), from The Passion, #10 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

Collection of Christ, Lucas Cranach (I), 1509 print Christ is captured in the court of Getsemane by soldiers who gather around him with Hellebaarden, Knotsen and torches. He is chained by his neck. Simon Peter has turned off the right ear of the slave Malchus with a sword and this man is healed by Christ. At the top right the Electoral and Ducal Wapen van Saxony on two small shields. Germany paper Malchus is healed by Christ

A woodcut by Hans Wechtlin from around 1508, edition 1522, showing the ascension of Christ, depicting figures, gestures, and early 16th-century German printmaking techniques.

Christ collapses under the weight of the cross, Agostino Veneziano, After Rafaël, 1519 print Christ collapses under the weight of the cross that he wears on his shoulders on the road to Golgota. In the background on the left a soldier on horseback with banner with 'spqr'. Italy paper engraving Christ collapsing ~ carrying of the cross

. The Holy Trinity and Mary surrounded by saints and angels. The print is part of an album.

Seven sorrows of Maria, monogrammist S (16th century), 1510 - 1530 print Seven scenes from the life of Christ. As the main performance in the Level of Dead Christ by John, Maria and Maria Magdalena. Left and right of this a temple with the circumcision and the twelve -year -old Christ in discussion with the scholars. In the landscape: the flight to Egypt, the cross -support, the crucifixion and the burial. On cloud in heaven God the Father. paper engraving the (Seven) Sorrows of Mary

Saint Anne is seated on a throne. In front of her is her daughter Mary and her grandson Christ. Above the throne the tetragram with the name of God. Next to the throne on the right is Saint Ignatius of Loyola. On the left, a bishop. The print has a Latin caption, Anna at Three, print maker: Theodoor Galle, (mentioned on object), after: Jan van der Straet, (mentioned on object), publisher: Philips Galle, (mentioned on object), print maker: Antwerp, after: Prato, publisher: Antwerp, Brussels, Antwerp, 1581 - 1612, paper, engraving, h 230 mm × w 184 mm

Entry of Christ in Jerusalem, monogramem AG (15th century), 1475 - 1500 print The entry into Jerusalem. Christ driving on a donkey followed by disciples. At the gate of Jerusalem, a man lays down his cloak before Christ. First print from a series of twelve. Germany paper engraving entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19)

Tranking of Christ. Christ is placed by Joseph of Arimatea and Nikodemus in the Rock Graf. They lift his body from the shot of Maria on a shroud. She desperately stores her arms to heaven. Maria Magdalena and two men are among the tomb. In the margin a caption in Latin.

Care of God for his, Hendrick Goltzius, 1598 - 1604 print Allegory with a central representation with personifications of the virtues of love (caritas), hope (fides) and justice (Justitia) surrounding a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. print maker: Haarlempublisher: The Hague paper engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Les Festes du mois de Juillet (July: The Visitation). Dated: 1603. Dimensions: plate: 19 × 13.1 cm (7 1/2 × 5 3/16 in.) sheet: 29.1 × 20.5 cm (11 7/16 × 8 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Woodcut and type print by Lucas Cranach the Elder titled 'The Burial,' created in 1509, depicting Jesus being laid in the tomb after crucifixion.

Woodcut by Hans Suess von Kulmbach from 1507 depicting Christ speaking with his disciples on the way to Gethsemane, showing biblical figures in a narrative scene.

Ascension of Christ, Gaspare Oselli, After Marco Dell'angolo del Moro, 1570 - 1580 print The Ascension of Christ. Christ is taken to heaven by Putti on clouds. Among him, in a departure, are the apostles and two angels. Italian fresh in the lower margin. Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. Christ taken up by a cloud ~ Ascension. Christ carried up by angels ~ Ascension

The Holy Family with Saint Anne and Saint Joachim 1512 Hans Burgkmair German. The Holy Family with Saint Anne and Saint Joachim 430725

Paid of Christ. Mary is killed with Christ on her lap. An angel on both sides. In their hands and on the ground different passions of vehicles. The print is part of an album.

Unknown, The Small Passion: Pentecost, c. 1630-50, engraving on paper mounted on laid paper.

Glorification of Mary with eight saints including Johannes the Baptist and Antonius the Great and Francis of Assisi, Girolamo Mocetto, After Giovanni Bellini, 1505 - 1509 print Glorification of Mary who floats above the group of eight saints in landscape. She is surrounded by cherubies. Italy paper engraving the Virgin Mary. the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Martin Schongauer, The Bearing of the Cross with Saint Veronica, c 1480 The Bearing of the Cross with Saint Veronica

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